David Royston Bailey CBE (born 2 January 1938) is an iconic figure who is regarded as one of the best British photographers. Born in the East End, he became a photographic assistant at the John French studio, then photographer for John Cole's Studio Five before being contracted as a fashion photographer for British Vogue magazine in 1960. Along with Terence Donovan and Brian Duffy, he captured and helped create the 'Swinging London' of the 1960s. In 2012, the BBC made a film of the story of his classic 1962 New York photoshoot with Jean Shrimpton.
David Bailey was born in Leytonstone, London, to father Herbert, a tailor's cutter, and mother Gladys, later a machinist. From the age of three he lived in East Ham.
Bailey developed a love of natural history, and this led him into photography. Suffering from undiagnosed dyslexia, he experienced problems at school. He attended a private school, Clark's College in Ilford, where he says they taught him less than the more basic council school. As well as dyslexia he also has the motor skill disorder dyspraxia
Plot
In 1962 budding young photographer David Bailey gets a fifteen guinea contract working for 'Vogue' magazine. For his first shoot,an Acrylan advert,he picks inexperienced teenage model Jean Shrimpton,who has left home to escape a bullying father and moves in with Bailey,despite his having a wife. When the magazine launches its Young Ideas feature,to capture a youth readership, Bailey and Jean are sent on a photo shoot to New York with the magazine's fashion editor Lady Clare Rendlesham. Lady Clare is incensed when Bailey defies her orders and shoots impressively unorthodox photos of his nervous muse,demanding his removal from the magazine. Vogue editor Ailsa Garland,however,recognises the innovative nature of Bailey's work and over-rules Lady Clare,giving rise to one of the most famous partnerships of the Swinging Sixties.
Keywords: 1960s, airplane, based-on-true-story, bathtub, british, diner, fashion, fashion-photographer, horse, hotel
Plot
After a science experiment gone wrong, a deadly virus is released into the atmosphere of Britain causing the whole country to go into quarantine. Two friends who have survived the epidemic are now attempting to escape the area but their most major concern are the inhabitants of Britain that have fallen victim to the infection, who are now blood-thirsty, flesh-eating zombies.
Keywords: apocalypse, england-uk, infection, uprising, virus, zombie
Be Thankful For Everything, For Soon There Will Be Nothing
Tom Parks: Do you have a fag?::David Bailey: No, what do you think? I'm a confectionary store or something? Killing myself one stick at a time?::Tom Parks: Whatever.
David Bailey: Britain's a fucking virus. All our friend, all our family, they're all dead. That's why there aren't any people around!
Tom Parks: I'm Tom Parks. 16. This is Evesham. This is my friend David Bailey.::David Bailey: There's something after us.::Tom Parks: I know::[Talks to camera]::Tom Parks: If you find this, we're dead or we seriously need your help... just wish us luck.
Tom Parks: [Talks to camera] I think I lost them, I've been running for ages. It got Dave.::[Zombies appear]::Tom Parks: Oh God!
Plot
Romantic comedy about six of Seattle's young people, most of whom live in the same apartment building and whose lives revolve around the city's ever-expanding music scene. The inter-related stories about each character's progress through the singles scene are intriguing and often very funny, and the soundtrack is a grunge fanatic's dream, with the likes of Soundgarden, Pearl Jam and Mudhoney.
Keywords: 1990s, 23-year-old, affection, airport, answering-machine, answering-machine-message, answering-the-telephone, apartment, apartment-building, audience
Love is a game. Easy to start. Hard to finish.
Cliff Poncier: Look, Janet you know I see other people still. You do know that don't you?::Janet Livermore: You don't fool me.::Cliff Poncier: Janet, I could not be fooling you less.
Janet Livermore: People need people, Steve. It has nothing to do with sex. OK, maybe 40 percent. 60 percent. Forget it.
Janet Livermore: Are my breasts too small for you?::Cliff Poncier: Sometimes.
Janet Livermore: I've always been able to do this, break up with someone and never look back. Being alone: there's a certain dignity to it.
Janet Livermore: You're Dr. Jamison, man. Many, many babes are into that.
Janet Livermore: Somewhere around 25, bizarre becomes immature.
Steve Dunne: I just happened to be nowhere near your neighborhood.
Debbie Hunt: Come to where the flavor is. Come to Debbie country.
David Bailey: Tonight I'll be the super me.::Steve Dunne: What if the super you meets the super her and the super her rejects the super you?::David Bailey: Then it's no problem.::Steve Dunne: Uh-huh. Why?::David Bailey: Because it was never you, it was just an act. I live my life like a French movie, Steve.
Cliff Poncier: This negativity just makes me stronger, we will not retreat, this band is unstoppable!
Plot
Epic tale of a group of Jewish gangsters in New York, from childhood, through their glory years during prohibition, and their meeting again 35 years later.
Keywords: 1920s, 1930s, 1960s, actress, alley, alternate-version, ambiguity, ambiguous-ending, arson, assault
Crime, passion and lust for power - Sergio Leone's explosive saga of gangland America. [Australia Theatrical]
As boys, they made a pact to share their fortunes, their loves, their lives. As men, they shared a dream to rise from poverty to power. Their story is now a "once upon a time" motion picture experience. [Australia Theatrical]
Sergio Leone's three-hour, forty-minute epic masterpiece starring Robert de Niro. [Australia Theatrical]
As boys, they said they would die for each other. As men, they did.
As boys, they made a pact to share their fortunes, their loves, their lives. As men, they shared a dream to rise from poverty to power. Forging an empire built on greed, violence and betrayal, their dream would end as a mystery that refuse to die.
Noodles: Well, at least you recognized me. That's something.::Deborah Gelly: [sardonic] Actresses have good memories.
[In 1931, Max greets Noodles, who has just gotten out after 10 years in prison]::Max: Can I take that for you, sir? Your limousine is waiting. [takes Noodles' bag]::Noodles: Maxie...::Max: You're looking good.::Noodles: You're looking a little better.
Max: I'm not interested in friends from those places, and I don't trust politicians!::Max: You're still acting like a street schmuck! You know, if we'd listened to you, we'd still be rolling out drunks for a living!
Police Chief Aiello: I'm the chief of police, not the chief of the people.
Max: You'll be carrying the stink of the streets with you for the rest of your life!::Noodles: I like the stink of the streets. It makes me feel good. And I like the smell of it, it opens up my lungs. And it gives me a hard-on.
Bugsy: [Bugsy and his gang have beaten Noodles and Max] You don't work for me, you don't work for no-one!::Young Max: I don't like bosses.::Bugsy: You'd be better off you stayed in the Bronx.::Young Max: Woulda been better for *you*, too!::[Bugsy spits on him, and he and his gang walk off]::Young Max: I'm gonna kill him one of these days...::Young Noodles: Yeah? Meanwhile, it looks like he killed US!
Deborah Gelly: Where were you?::Noodles: I was out of town.::Deborah Gelly: Have you been back long?::Noodles: A couple of days.::Deborah Gelly: Are you staying?::Noodles: [sits down] That depends...
[In 1968, Noodles meets a familiar figure in heavy make-up... ]::Noodles: Hello, Deborah. [For a long time, Deborah is silent and still]::Noodles: Aren't you gonna say anything?::Deborah Gelly: What is someone supposed to say after... after more than thirty years?::Noodles: Well, how about "How're you doing? You look good." Or, "I was hoping I'd never see you again."::Deborah Gelly: I never thought I would. There's a difference.
[Deborah orders her maid Margo to leave her alone with Noodles]::Noodles: She called you Miss... you never got married?::Deborah Gelly: No.::Noodles: Do you live alone?::Deborah Gelly: No.
[as Deborah dances to a record of "Amapola", she catches Noodles spying on her in the bathroom]::Young Deborah: Get down off of there, roach! That record's just like Ex-Lax - every time I put it on, you have to go to the bathroom!