Philip may refer to:
Philip, Phillip, Phil, Philippe, Felipe, Philippus, etc. may also refer to:
Philip Glass (born January 31, 1937) is an American composer. One of the highest profile composers writing "classical" music today, he is often said to be one of the most influential composers of the late 20th century. His music is also often controversially described as minimalist, along with the work of the other "major minimalists" La Monte Young, Terry Riley and Steve Reich.
He has lately distanced himself from the "minimalist" label, describing himself instead as a composer of "music with repetitive structures." Though his early mature music shares much with what is normally called "minimalist", he has since evolved stylistically. Currently, he describes himself as a "Classicist", pointing out that he is trained in harmony and counterpoint and studied such composers as Franz Schubert, Johann Sebastian Bach and Wolfgang Amadeus Mozart with Nadia Boulanger.
Glass is a prolific composer: he has written works for the musical group which he founded, the Philip Glass Ensemble (with which he still performs on keyboards), as well as operas, musical theatre works, ten symphonies, eleven concertos, solo works, chamber music including string quartets and instrumental sonatas, and film scores. Three of his film scores have been nominated for Academy Awards.
Plot
A group of friends writing a book on the history of Los Angeles finds that their roommate is missing and has taken all of the material for the book. Two years later, a man working for a book publishing company finds the finished book but cannot find the author. He goes on a search to find out exactly what happened to them.
Plot
If you have ever retained the memory of a dream long after waking up, it is because this dream has a feeling of significance. Chimera is an imaginative drama that uses this experience to explore the quarter-life crisis of Philip, an irresponsible asthmatic in his late 20's who wants nothing more than to find a place where he can escape the rat-race lifestyle. In his dream, Philip is led by a mystical figure to an archaic wheat field. Convinced this place to be his Utopia, Philip is determined to locate it in the physical world.
Plot
Kristof, a 30 year old Belgian returns to London after having spent the last 3 years working for his father back home. He reconnects with some of his university friends, and especially Victoria who he once had a crush on. She, however, has moved on with her life. Or has she?
Keywords: face-slap, female-nudity, friends-in-love, friendship, kiss, lost-love, love, love-hate, nudity, return
Sex and murder are just a click away!
Plot
Along a rocky, barren coastline, Jesus begins teaching, primarily using parables. He attracts disciples; he's stern, brusque, and demanding. He comes to bring a sword, not peace, he says. He's in a hurry, moving from place to place near the Sea of Galilee, sometimes attracting a multitude, sometimes being driven away. His parables often take on the powers that be, so he and his teachings come to the attention of the Pharisees, the chief priests, and elders. They conspire to have him arrested, beaten, tried, and crucified, just as he prophesied to his followers. After he dies, he appears to his disciples and gives them final instructions.
Keywords: analogy, anger, baptism, beheading, betrayal, bible, character-name-in-title, child-murder, christian, christian-film
Christ: Capharnaum, do you hope to be lifted to heaven? You shall fall low as hell.
[last lines]::Christ: All authority in heaven and earth has been given to me. Make disciples of all nations baptizing them in the name of the Father, Son and Holy ghost teaching them to obey all the commandments I have given you. Behold, I am with you always, unto the end of the world.
Christ: Many are called, but few are chosen.
Plot
Tried and true story of 3 buddies, young men thrust into danger (in this case, World War I aviation), some of whom come back, while some are less lucky. Films about WW1 fliers had been spectacularly successful in the US around the turn of the 1930s, like "Wings," "Hell's Angels," and "Dawn Patrol." The Fox Studio evidently hoped this particular story, written by Furthman and others, had enough box office potential that Fox filmed it in 2 versions, the original English-speaking one (see under "Body and Soul" (1931)), and this Spanish-language "Cuerpo y alma" [literal translation of "Body & Soul"]. In the Spanish version the 3 fliers were played by Lewis (Farrell's role), Alcantara (Bogart), Nieto (Dillaway) and the 2 women by Custodio (Landi) and Soler (Loy). It's ironic that this Spanish version actually ran a half-hour longer than the original English one (99 min. vs. 70 min.), even though it's the same story filmed in the same sets. Perhaps Fox was so disappointed with the English-speaking result that after completion the studio cut it down radically (to play on US screens as part of a double feature), while the Spanish version actually preserved intact the complete original story...? (Something similar did happen that same year to the English and Spanish versions of "Dracula.")
for everything!
darling, darling i
couldn't understand science
couldn't understand science
couldn't understand science
darling, oh darling i
how come, how come you're so pretty?
how come, how come you're so pretty?
darling, oh darling i
couldn't understand science
couldn't understand science
couldn't understand science
darling, ever darling
science, couldn't understand science
darling, oh darling i
couldn't understand science
how come, how come you're so pretty?
how come, how come you're so pretty?
how come, tracing the edge of it
how come, that's how i remember it
do we need order goodbye,
do we need order, do we need order,
do we need order, do we need order,
do we need order, do we need order goodbye!
darling, ever darling
couldn't understand science
couldn't understand science
darling, ever darling
science
darling, couldn't understand science
darling, ever darling
couldn't understand science
do we need order goodbye,
do we need order, do we need order,
do we need order, do we need order,