Marks may refer to:
Plot
Wanda the Wonderful is a feature length "Docu-Western" that tells the real life story of Wanda, a 1920's era Wild West sharpshooter. Driven by her manic personality, she was a survivor who struggled to escape the mistakes of her past. A passionate and volatile woman, she shot her fourth and final husband.
Keywords: neo-western, reenactment
His only way out is getting back in
Plot
Keith Miller (Chris Corulla, Jr.) used to be the best in his job as an undercover DEA agent. Now he's a distraught man who prefers to live a lonely existence following the brutal murder of his wife. His personal leave is cut short, however, when the Bolivian drug lord he was investigating along with his family get killed in their home. Miller gets reassigned to his more cautious but skillful partner, Jason Stokes (Andre Joseph). The two agents learn of a massive stash of cocaine that was taken from the drug lord's house and manage to link the murder to a vicious, competitive Russian drug lord named Vlad Rodchenko (Frank Sellers). The DEA works in co-junction with the FBI to form an operation where Miller and Stokes go undercover to infiltrate Rodchenko's empire and bring him down from the inside. But the operation is put into jeopardy in various ways including Miller's instability, his strained relationship with fellow agent and former lover Samantha Torres (Lisa Marie-Weldon), and the presence of a mysterious leak in the DEA who works closely with Rodchenko. What follows from there is an unraveling mystery full of bizarre twists, turns, and betrayals that lead towards a dangerous and bloody climax.
Keywords: action-noir, betrayal-of-trust, cocaine-use, drugs, fbi, infidelity, lust, police, police-corruption, torture
Plot
Wounded tells the story of former soldier John Woods. When he returns from Afghanistan with horrific injuries he settles into a new life haunted by the accident that caused his injuries. On a chance moment John witnesses a neighbor abusing his young son. Without taking long to make a decision John finds himself on the run with the young lad. With the police and the boys family pursuing them they speed across the country with John trying to find a way out of this mess. The film concludes with a showdown on Clacton Pier and a concluding twist that helps John escape the nightmare.
Plot
Set in the 1970s in a metropolis called "Bay City," this is the tale of two police detective partners, Ken "Hutch" Hutchinson, and Dave Starsky, who always seem to get the toughest cases from their boss, Captain Dobey, rely on omniscient street informer Huggy Bear and race to the scene of the crimes in their souped-up 1974 Ford Torino hot rod, telling the story of their first big case (as a prequel to the TV show), which involved a former college campus drug dealer who went on to become a white collar criminal.
Keywords: 1970s, acting-musician, afro, apartment, aquarium, assassin, assassination-attempt, bag-of-money, bar, bar-fight
They're the man.
A new comedy from the director of "Old School" and "Road Trip"
The original partners in crime.
Tough on crime. easy on the eye.
Always on the lookout for a big bust.
Crimebustin's a joint effort.
Hitting the streets March 12th
Good Cops. Bad Hair.
Huggy Bear: That's for putting hands on Huggy Bear. *Nobody* touches the Bear, you dig?
Hutch: Okay, let me ask you a question, which one do you want cause we're gonna stick to this?::Starsky: I've always had a thing for blondes.::Hutch: Good, cause I'll take anything.
Starsky: Stop shooting my car.
Starsky: In Bay City, when you cross the line, your nuts are mine.
Starsky: [in a deep Brooklyn-ish accent to prepare for a disguise] Hey, do me a favor, tip your hat forward. Just tilt it forward. C'mon.::Hutch: No, I like it where it is.::Starsky: No, seriously, come on, do it. Do it.::Hutch: Will you... will you stop with that. That voice makes you sound crazy.::Starsky: It does not make me sound crazy, it makes me sound like "Maury Finkle, founder of Finkle Fixtures, Biggest Lighting Fixture Chain in the Southland."::Hutch: Ohhhh, it's a little voice and a character. You got a whole back story. That's good.::Starsky: Yeah, little touches, ya know, little touches, little details. Ya wanna make the character full, real.
Starsky: Do it.
Starsky: Like you said, Feldman: Everybody deserves a second chance.::[Starsky fires at the front trunk of a Volkswagen]::Hutch: Whoa, what have we here? Does this look familiar? Some cocaine. Captain Doby, I suggest you take this to the lab and have it analyzed this time...::Starsky: [Reese grabs Hutch; puts a gun to Hutch's neck] Hutch!::Reese Feldman: Alright, freeze! Alright, everybody freeze! Put your hands where I can see them! Do it now!::Kevin: Put it down!::Captain Doby: You relax pal. Relax!::Kevin: Let's do it!::Reese Feldman: Put that gun down or I'm gonna kill your friend right here. Do it now!::Kevin: What the hell are we doing?::Reese Feldman: Do it now! Put it down!
Starsky: [Heather takes off her top and bottoms] So, did you uh... When did he... Did he... What... So Hutch do you got any more questions?::Hutch: Yeah, well, uh sure. We could... What's your sign?::Heather: Gemini.::Starsky: What uh... What do you weigh?::Heather: What does that have to do with anything?::Starsky: It has everything to do with anything and just answer the question please, ma'am.::Heather: Around 115 I guess, give or take. I wish I could be more helpful.::Hutch: Stop. Don't do that. You've been great. It's been terrific.::Heather: Anything else?::Starsky: I'm good.::Hutch: Yeah.::Starsky: Yeah.::Hutch: Thank you so much.
Reese Feldman: If this shit wasn't illegal guys, we'd be up for the Nobel Prize.
Hutch: [waiting outside Huggy's club] What, you've never run an errand on the clock before?::Starsky: No, I happen to take care of my personal business after work. When the taxpayers aren't paying me to protect them.::Hutch: Give me a break. You've never stopped and bought yourself a cup of coffee?::Starsky: I bring a thermos.
Plot
A three-year-old orphan is adopted by a German couple shortly after World War II. On his tenth birthday, he is told that his mother, a Yugoslav refugee, is alive and wants him back. The case must be decided in court, which must decide with whom the boy will be better off.
Keywords: adoption, ealing
Two women - each with the right to call this boy her son.
Latest Adventures of the Mysterious Tiger!
There are marks,
Where we once walked,
In buildings,
Bridges and roads.
Left for the memory,
Of what we had,
For the rememberance of how days once left,
Without leaving us this empty.
You saw through the veil,
The coating that covers,
The coming day.
Some things they're just,
Too good to remain.
Some things they're just,
Too good to remain.
You saw through the veil,
Left not to be part of a surrounding dying.
Some things they're just,
Too good to remain.
Some things they're just,
Every time that I touch you
It burns a little bit on my hand
Every word you tell me
If hurts a little more then I can stand
When we kiss and I feel the pain
But I think I like it
Baby hold me down have your way
Goes to tell baby
And I can't get enough
When you love me rough
Go ahead and mark me up
Yeah you love me rough
You know I can't get enough
When you love me rough
Girl cause you know I'm though
You love me rough
And it always leaves a mark
My back got scratched, marks
My neck got bite, marks
Because you bite hard
But I love it girl
Can't get enough of your love
You got the love that scars
But I like that
All that in my heart, girl I got marks
And every night when we get to the fighting
Girl we be breaking them chains in the room
You putting it on me
I get excited, wanna bite it
And I'm wounded that's why I'm in love with you
Cause you know just what to do
And I can't get enough
When you love me rough
Go ahead and mark me up
Yeah you love me rough
You know I can't get enough
When you love me rough
Girl cause you know I'm tough
You love me rough
And it always leaves a mark
My back got scratched, marks
My neck got bite, marks
Because you bite hard
I love it girl
Can't get enough of your love
You got the love that scars
But I like that
All of my heart, girl I got marks
And I can't get enough
When you love me rough
Go ahead and mark me up
Yeah you love me rough
You know I can't get enough
When you love me rough
Cause you know I'm tough
You love me rough
And it always leaves a mark
My back got scratched, marks
My neck got bite, marks
Because you bite hard
I love it girl
Can't get enough of your love
You got the love that scars
But I like that