- published: 15 May 2021
- views: 1681
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早坂文雄 - 交響的組曲 《ユーカラ》（1955年）
Kazuo Yamada 山田一雄 conducting the Japan Philharmonic Symphony Orchestra 日本フィルハーモニー管弦楽団
00:00 I. Prologo
03:34 II. Hanrokka
10:52 III. Santatoripaina
18:22 IV. Panchikiki
26:23 V. Nōpē
39:58 VI. Kenepe-tuitui
------------------
Yukara, Hayasaka's last composition, is a symphonic suite in six movements, with texts taken from an epic Ainu saga.
According to the composer, he stated that it had not been his intention to write program music or to try to represent in music the images conjured up by Ainu mythology. What he had wanted to convey were his emotional and intuitive reactions to this ancient saga. Yukara was written as a reaction against the spreading tide of westernization and, because he felt the need to reaffirm basic oriental values such as irrationality and essentiality, Hayasaka deliberately avoids any hint of "folklore." He wrote: "While composing I aimed to render every single detail as simply and as clearly as possible and to achieve immense power with as little material as possible... In my orchestration I avoided the prevailing Western technique of using orchestration to emphasize the musical structure and I worked on the development of a method based on oriental concepts in which emphasis is placed on elements such as 'lines' and 'dots'"
The first movement (which functions as a sort of prologue) is a single linear phrase played by a solo clarinet (Andante molto tranquillo mistico).
The second movement (Allegretto) is subtitled "Hanrokka" (the swallow-god who lives in the sand). Here two themes are developed and intertwined and the movement concludes with the appearance of a third theme played by the strings, which imitate bird song with an uninterrupted sequence of semitones and octaves.
The third movement (Andante dolentemente) is subtitled "Santatoripaina". It tells the story of a child who has been locked inside the moon as punishment for having maltreated birds and fishes. It is an extended, heart-rending melody played in unison octaves by the strings.
The fourth movement (Allegro vivace) is subtitled "Panchikiki". It depicts a merry scene with birds and gods enjoying a drunken party with a rhythmic ostinato based on a cell of two notes.
"Nōpē" is the fifth and longest movement. It refers to the story of an outbreak of jealousy among some divinities. It is a work in three sections based on a long dissonant melody with the middle section consisting of a twelve-bar episode played at a faster tempo.
"Kenepe tsuitsui" (Al-legro assai con brio feroce) is the sixth movement. It is the story of how human beings were given hands to enable them to defend themselves from a man-eating bear. The music is a sequence of variations (including timbric variations) on two ideas: one rhythmic and the other melodic. Throughout the work the deilberately sparse material is emplyed very effectively to create a sensitive and open expressiveness.
- "Yogaku: Japanese Music in the 20th Century" by Luciana Galliano
------------------
Recording: https://www.amazon.co.jp/%E6%97%A9%E5%9D%82%E6%96%87%E9%9B%84-%E4%BA%A4%E9%9F%BF%E7%9A%84%E7%B5%84%E6%9B%B2%E3%80%8C%E3%83%A6%E3%83%BC%E3%82%AB%E3%83%A9%E3%80%8D-%E5%B1%B1%E7%94%B0%E4%B8%80%E9%9B%84/dp/B001BDD7E6
------------------
Support this channel!: https://ko-fi.com/imwaldevesteel
Russian Philharmonic Orchestra conducted by/ Orquesta Filarmónica Rusa dirigida por Dmitry Yablonsky. Piano: Hiromi Okada.
I. Lento (0:00)
II. Rondo (22:22)
Fumio (or Humiwo) Hayasaka is remembered for his important musical collaborations with filmmaking titan Akira Kurosawa, especially on his two first masterpieces The Seven Samurai and Rashomon. However, Hayasaka was well crafted in classical forms, composing cantatas, overtures and concertos. His Piano Concerto in D minor is his personal war Requiem, the first part dedicated to his fallen brother. The second part is a whimsy rondo that creates a singular amalgam of Japanese pentatonic scales, French-style melodies and American jazz.
Fumio (o Humiwo) Hayasaka es recordado por sus importantes colaboraciones musicales con el titán del cine Akira Kurosawa, especialmente para sus dos primeras obras maestras Los Siete Samurai y Rashomon. No obstante, Hayasaka también creaba obras clásicas de gran calidad como cantatas, oberturas y conciertos. Su Concierto para Piano en Re menor es su Réquiem de guerra personal, dedicando así la primera parte a la memoria de su hermano quien murió en combate. La segunda parte es un alegre rondó que crea una amalgama singular compuesta de escalas pentatónicas japonesas, melodías a la francesa y jazz estadounidense.
Image/ imagen: Mount Fuji under Mannen Bridge at Fukagawa. / Monte Fuji bajo el puente Mannen de Fukagawa. Katsushika Hokusai. Ca. 1830.
- published: 22 May 2015
- views: 28441
Fumio Hayasaka – Rashômon (Directed by Akira Kurosawa)
Record: Rashômon Soundtrack (a cover Ravel’s Bolero), 1950
Rashomon IMDB: http://www.imdb.com/title/tt0042876/
Fumio Hayasaka Wikipedia: https://en.wikipedia.org/wiki/Fumio_Hayasaka
MetafoR Facebook: https://www.facebook.com/MetafoR-1445768205664908/
- published: 07 Jan 2017
- views: 33255
Russian Philharmonic Orchestra conducted by/Orquesta Filarmónica Rusa dirigida por Dmitry Yablonsky
Composed for the 2600th Anniversary of the Japanese Throne, Hayasaka’s Festive Overture in D is a piece in bolero-style development. The overture uses melodic material in Japanese pentatonic style without recurring to folk songs or traditional scales.
Compuesto para el 2600 Aniversario del Trono del Japón, la Obertura Festiva en Re Mayor es una obra que se desarrolla al estilo del Bolero. La Obertura usa melodías al estilo pentatónico japonés sin recurrir a canciones populares o escalas musicales tradicionales.
More info/más información: http://musicalhistories.blogspot.mx/2014/10/asian-sensitivities-i-ww2-special-ww2.html
Imagen/image: Emperor of Japan and his Royal Escort/El Emperador de Japón y su Escolta real. Artist unknown/Desconocido. 1939.
- published: 17 Oct 2014
- views: 1889
Provided to YouTube by Xelon Entertainment
Seven Samurai · Fumio Hayasaka
Akira Kurosawa - Soundtracks: 1952-1963
℗ 2020 From The Valley
Released on: 2020-12-18
Auto-generated by YouTube.
- published: 17 Dec 2020
- views: 19777
早坂文雄 管弦楽のための変容
composer: Fumio Hayasaka
title: Metamorphosis for orchestra
Tetsuji Honna, Japan Philharmonic Orchestra
- published: 14 Aug 2016
- views: 4964
Megumi Takano at St. Petersburg Conservatory Glazunov Hall
International Conservatory Week (October 2009)
- published: 30 Jun 2012
- views: 4081
早坂文雄 弦楽四重奏曲 (1950)
ラモー弦楽四重奏団 1958年録音
composer: Fumio Hayasaka (早坂文雄)
String Quartet (1950)
Rameau String Quartet, recorded in 1958
1. Adagio Assai [0:00]
2. Allegro Pizzicato [9:31]
3. Allegro Moderato [13:19]
[18:28] Commentary by K.M. (radio broadcast)
- published: 28 Aug 2016
- views: 4538
Soundtrack From The Akira Kurosawa's Film "The Seven Samurai" (1954)
Composed By Fumio Hayasaka
- published: 04 Jul 2011
- views: 260638
Fumio Hayasaka
Ancient Dances on the Left and on the Right (1941)
(左方の舞と右方の舞)
- published: 02 Mar 2021
- views: 188
developed with YouTube
Fumio Hayasaka
Fumio Hayasaka (早坂文雄 Hayasaka Fumio; August 19, 1914 – October 15, 1955) was a Japanese composer of classical music and film scores.
Early life
Hayasaka was born in the city of Sendai on the main Japanese island of Honshū. In 1918, Hayasaka and his family moved to Sapporo on the northern island of Hokkaidō. In 1933, Hayasaka and Akira Ikufube organized the New Music League, which held a new music festival the year after.
Hayasaka won a number of prizes for his early concert works; in 1935, his piece Futatsu no sanka e no zensōkyoku won first prize in a radio competition, and another concert piece, Kodai no bukyoku, won the 1938 Weingartner Prize. Other early works include a Nocturne (1936) for piano and the orchestral Ancient Dance (1938). In 1939, Hayasaka moved to Tokyo to begin a career as film composer. By early 1940, Hayasaka was seen as "a major composer for Japanese Cinema".
Post-War film music
After the war, Hayasaka continued working on films, quickly winning recognition for his abilities. In 1946, he received the film music award for An Enemy of the People (Minshū no Teki, 1946) at the first annual Mainichi Film Awards. The year after, 1947, Hayasaka received the Mainichi film music award for Teinosuke Kinugasa's Actress (Joyu).
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Fumio_Hayasaka
Hayasaka, Fumio Filmography
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Podcasts:
早坂文雄
ALBUMS
- Listen Kurosawa: Real Soundtrack Seven Samurai released: 2010
- 左方の舞と右方の舞, Piano Concerto released: 2006
- 七人の侍 released: 2001
七人の侍
Released 2001- Titles
- To the Little Watermill
- Samurai Search
- Kanbei & Katsuhiro - Kikuchiyo's Mambo
- Rikichi's Tears - White Rice
- Two Search for Samurai
- Gorobei
- Let's Get to It
- Fishing for Slippery Fish
- 6 Samurai
- Extraordinary Man
- Morning Departure
- Journey Landscape - Our Stronghold
- Wild Warrior's Coming
- Seven Men Completed
- Katsushiro & Shino
- Katsushiro, Come Back
- Bed Change
- In the Forrest of the Water God
- Wheat Field
- Kanbei's Anger
- Interlude
- Harvesting
- Rikichi's Trouble
- Heihachi & Rikichi
- Farm Village Scenery
- Weak Insects Into Samurai Ways
- Foreboding of Bandits
- To the Night Attack
- Flag
- Sudden Confrontation
- Magnificent Samurai
- Bandits Sighted
- Kikuchiyo Rises to the Occasion
- Reward
- Tryst
- Manzo & Shino
- Rice Planting Song
- Ending
Born: 1914-08-19
Died: 1955-10-15
-
Fumio Hayasaka 早坂文雄 - Yukara - Symphonic Suite (1955)
早坂文雄 - 交響的組曲 《ユーカラ》（1955年） Kazuo Yamada 山田一雄 conducting the Japan Philharmonic Symphony Orchestra 日本フィルハーモニー管弦楽団 00:00 I. Prologo 03:34 II. Hanrokka 10:52 III. Santatoripaina 18:22 IV. Panchikiki 26:23 V. Nōpē 39:58 VI. Kenepe-tuitui ------------------ Yukara, Hayasaka's last composition, is a symphonic suite in six movements, with texts taken from an epic Ainu saga. According to the composer, he stated that it had not been his intention to write program music or to try to represent in music the images conjured up by Ainu mythology. What he had wanted to convey were his emotional and intuitive reactions to this ancient saga. Yukara was written as a reaction against the spreading tide of westernization and, because he felt the need to reaffirm basic oriental values such as irrationality ...
published: 15 May 2021 -
Fumio Hayasaka: Piano Concerto in D minor (1948)
Russian Philharmonic Orchestra conducted by/ Orquesta Filarmónica Rusa dirigida por Dmitry Yablonsky. Piano: Hiromi Okada. I. Lento (0:00) II. Rondo (22:22) Fumio (or Humiwo) Hayasaka is remembered for his important musical collaborations with filmmaking titan Akira Kurosawa, especially on his two first masterpieces The Seven Samurai and Rashomon. However, Hayasaka was well crafted in classical forms, composing cantatas, overtures and concertos. His Piano Concerto in D minor is his personal war Requiem, the first part dedicated to his fallen brother. The second part is a whimsy rondo that creates a singular amalgam of Japanese pentatonic scales, French-style melodies and American jazz. Fumio (o Humiwo) Hayasaka es recordado por sus importantes colaboraciones musicales con el titán del ...
published: 22 May 2015 -
Fumio Hayasaka – Rashômon (Directed by Akira Kurosawa)
Fumio Hayasaka – Rashômon (Directed by Akira Kurosawa) Record: Rashômon Soundtrack (a cover Ravel’s Bolero), 1950 Rashomon IMDB: http://www.imdb.com/title/tt0042876/ Fumio Hayasaka Wikipedia: https://en.wikipedia.org/wiki/Fumio_Hayasaka MetafoR Facebook: https://www.facebook.com/MetafoR-1445768205664908/
published: 07 Jan 2017 -
Fumio Hayasaka: Festive Overture in D (1939)
Russian Philharmonic Orchestra conducted by/Orquesta Filarmónica Rusa dirigida por Dmitry Yablonsky Composed for the 2600th Anniversary of the Japanese Throne, Hayasaka’s Festive Overture in D is a piece in bolero-style development. The overture uses melodic material in Japanese pentatonic style without recurring to folk songs or traditional scales. Compuesto para el 2600 Aniversario del Trono del Japón, la Obertura Festiva en Re Mayor es una obra que se desarrolla al estilo del Bolero. La Obertura usa melodías al estilo pentatónico japonés sin recurrir a canciones populares o escalas musicales tradicionales. More info/más información: http://musicalhistories.blogspot.mx/2014/10/asian-sensitivities-i-ww2-special-ww2.html Imagen/image: Emperor of Japan and his Royal Escort/El Emperado...
published: 17 Oct 2014 -
Seven Samurai
Provided to YouTube by Xelon Entertainment Seven Samurai · Fumio Hayasaka Akira Kurosawa - Soundtracks: 1952-1963 ℗ 2020 From The Valley Released on: 2020-12-18 Auto-generated by YouTube.
published: 17 Dec 2020 -
Fumio Hayasaka - Metamorphosis for orchestra (1953)
早坂文雄 管弦楽のための変容 composer: Fumio Hayasaka title: Metamorphosis for orchestra Tetsuji Honna, Japan Philharmonic Orchestra
published: 14 Aug 2016 -
HAYASAKA Fumio - "Uguisu"
Megumi Takano at St. Petersburg Conservatory Glazunov Hall International Conservatory Week (October 2009)
published: 30 Jun 2012 -
Fumio Hayasaka - String Quartet (1950)
早坂文雄 弦楽四重奏曲 (1950) ラモー弦楽四重奏団 1958年録音 composer: Fumio Hayasaka (早坂文雄) String Quartet (1950) Rameau String Quartet, recorded in 1958 1. Adagio Assai [0:00] 2. Allegro Pizzicato [9:31] 3. Allegro Moderato [13:19] [18:28] Commentary by K.M. (radio broadcast)
published: 28 Aug 2016 -
The Seven Samurai - Suite
Soundtrack From The Akira Kurosawa's Film "The Seven Samurai" (1954) Composed By Fumio Hayasaka
published: 04 Jul 2011 -
Fumio Hayasaka Ancient Dances on the Left and on the Right
Fumio Hayasaka Ancient Dances on the Left and on the Right (1941) (左方の舞と右方の舞)
published: 02 Mar 2021
developed with YouTube
49:24
Fumio Hayasaka 早坂文雄 - Yukara - Symphonic Suite (1955)
- Order: Reorder
- Duration: 49:24
- Uploaded Date: 15 May 2021
- views: 1681
早坂文雄 - 交響的組曲 《ユーカラ》（1955年）
Kazuo Yamada 山田一雄 conducting the Japan Philharmonic Symphony Orchestra 日本フィルハーモニー管弦楽団
00:00 I. Prologo
03:34 II. Hanrokka
10:52 III...
早坂文雄 - 交響的組曲 《ユーカラ》（1955年）
Kazuo Yamada 山田一雄 conducting the Japan Philharmonic Symphony Orchestra 日本フィルハーモニー管弦楽団
00:00 I. Prologo
03:34 II. Hanrokka
10:52 III. Santatoripaina
18:22 IV. Panchikiki
26:23 V. Nōpē
39:58 VI. Kenepe-tuitui
------------------
Yukara, Hayasaka's last composition, is a symphonic suite in six movements, with texts taken from an epic Ainu saga.
According to the composer, he stated that it had not been his intention to write program music or to try to represent in music the images conjured up by Ainu mythology. What he had wanted to convey were his emotional and intuitive reactions to this ancient saga. Yukara was written as a reaction against the spreading tide of westernization and, because he felt the need to reaffirm basic oriental values such as irrationality and essentiality, Hayasaka deliberately avoids any hint of "folklore." He wrote: "While composing I aimed to render every single detail as simply and as clearly as possible and to achieve immense power with as little material as possible... In my orchestration I avoided the prevailing Western technique of using orchestration to emphasize the musical structure and I worked on the development of a method based on oriental concepts in which emphasis is placed on elements such as 'lines' and 'dots'"
The first movement (which functions as a sort of prologue) is a single linear phrase played by a solo clarinet (Andante molto tranquillo mistico).
The second movement (Allegretto) is subtitled "Hanrokka" (the swallow-god who lives in the sand). Here two themes are developed and intertwined and the movement concludes with the appearance of a third theme played by the strings, which imitate bird song with an uninterrupted sequence of semitones and octaves.
The third movement (Andante dolentemente) is subtitled "Santatoripaina". It tells the story of a child who has been locked inside the moon as punishment for having maltreated birds and fishes. It is an extended, heart-rending melody played in unison octaves by the strings.
The fourth movement (Allegro vivace) is subtitled "Panchikiki". It depicts a merry scene with birds and gods enjoying a drunken party with a rhythmic ostinato based on a cell of two notes.
"Nōpē" is the fifth and longest movement. It refers to the story of an outbreak of jealousy among some divinities. It is a work in three sections based on a long dissonant melody with the middle section consisting of a twelve-bar episode played at a faster tempo.
"Kenepe tsuitsui" (Al-legro assai con brio feroce) is the sixth movement. It is the story of how human beings were given hands to enable them to defend themselves from a man-eating bear. The music is a sequence of variations (including timbric variations) on two ideas: one rhythmic and the other melodic. Throughout the work the deilberately sparse material is emplyed very effectively to create a sensitive and open expressiveness.
- "Yogaku: Japanese Music in the 20th Century" by Luciana Galliano
------------------
Recording: https://www.amazon.co.jp/%E6%97%A9%E5%9D%82%E6%96%87%E9%9B%84-%E4%BA%A4%E9%9F%BF%E7%9A%84%E7%B5%84%E6%9B%B2%E3%80%8C%E3%83%A6%E3%83%BC%E3%82%AB%E3%83%A9%E3%80%8D-%E5%B1%B1%E7%94%B0%E4%B8%80%E9%9B%84/dp/B001BDD7E6
------------------
Support this channel!: https://ko-fi.com/imwaldevesteel
https://wn.com/Fumio_Hayasaka_早坂文雄_Yukara_Symphonic_Suite_(1955)
早坂文雄 - 交響的組曲 《ユーカラ》（1955年）
Kazuo Yamada 山田一雄 conducting the Japan Philharmonic Symphony Orchestra 日本フィルハーモニー管弦楽団
00:00 I. Prologo
03:34 II. Hanrokka
10:52 III. Santatoripaina
18:22 IV. Panchikiki
26:23 V. Nōpē
39:58 VI. Kenepe-tuitui
------------------
Yukara, Hayasaka's last composition, is a symphonic suite in six movements, with texts taken from an epic Ainu saga.
According to the composer, he stated that it had not been his intention to write program music or to try to represent in music the images conjured up by Ainu mythology. What he had wanted to convey were his emotional and intuitive reactions to this ancient saga. Yukara was written as a reaction against the spreading tide of westernization and, because he felt the need to reaffirm basic oriental values such as irrationality and essentiality, Hayasaka deliberately avoids any hint of "folklore." He wrote: "While composing I aimed to render every single detail as simply and as clearly as possible and to achieve immense power with as little material as possible... In my orchestration I avoided the prevailing Western technique of using orchestration to emphasize the musical structure and I worked on the development of a method based on oriental concepts in which emphasis is placed on elements such as 'lines' and 'dots'"
The first movement (which functions as a sort of prologue) is a single linear phrase played by a solo clarinet (Andante molto tranquillo mistico).
The second movement (Allegretto) is subtitled "Hanrokka" (the swallow-god who lives in the sand). Here two themes are developed and intertwined and the movement concludes with the appearance of a third theme played by the strings, which imitate bird song with an uninterrupted sequence of semitones and octaves.
The third movement (Andante dolentemente) is subtitled "Santatoripaina". It tells the story of a child who has been locked inside the moon as punishment for having maltreated birds and fishes. It is an extended, heart-rending melody played in unison octaves by the strings.
The fourth movement (Allegro vivace) is subtitled "Panchikiki". It depicts a merry scene with birds and gods enjoying a drunken party with a rhythmic ostinato based on a cell of two notes.
"Nōpē" is the fifth and longest movement. It refers to the story of an outbreak of jealousy among some divinities. It is a work in three sections based on a long dissonant melody with the middle section consisting of a twelve-bar episode played at a faster tempo.
"Kenepe tsuitsui" (Al-legro assai con brio feroce) is the sixth movement. It is the story of how human beings were given hands to enable them to defend themselves from a man-eating bear. The music is a sequence of variations (including timbric variations) on two ideas: one rhythmic and the other melodic. Throughout the work the deilberately sparse material is emplyed very effectively to create a sensitive and open expressiveness.
- "Yogaku: Japanese Music in the 20th Century" by Luciana Galliano
------------------
Recording: https://www.amazon.co.jp/%E6%97%A9%E5%9D%82%E6%96%87%E9%9B%84-%E4%BA%A4%E9%9F%BF%E7%9A%84%E7%B5%84%E6%9B%B2%E3%80%8C%E3%83%A6%E3%83%BC%E3%82%AB%E3%83%A9%E3%80%8D-%E5%B1%B1%E7%94%B0%E4%B8%80%E9%9B%84/dp/B001BDD7E6
------------------
Support this channel!: https://ko-fi.com/imwaldevesteel
- published: 15 May 2021
- views: 1681
32:41
Fumio Hayasaka: Piano Concerto in D minor (1948)
- Order: Reorder
- Duration: 32:41
- Uploaded Date: 22 May 2015
- views: 28441
Russian Philharmonic Orchestra conducted by/ Orquesta Filarmónica Rusa dirigida por Dmitry Yablonsky. Piano: Hiromi Okada.
I. Lento (0:00)
II. Rondo (22:22)
...
Russian Philharmonic Orchestra conducted by/ Orquesta Filarmónica Rusa dirigida por Dmitry Yablonsky. Piano: Hiromi Okada.
I. Lento (0:00)
II. Rondo (22:22)
Fumio (or Humiwo) Hayasaka is remembered for his important musical collaborations with filmmaking titan Akira Kurosawa, especially on his two first masterpieces The Seven Samurai and Rashomon. However, Hayasaka was well crafted in classical forms, composing cantatas, overtures and concertos. His Piano Concerto in D minor is his personal war Requiem, the first part dedicated to his fallen brother. The second part is a whimsy rondo that creates a singular amalgam of Japanese pentatonic scales, French-style melodies and American jazz.
Fumio (o Humiwo) Hayasaka es recordado por sus importantes colaboraciones musicales con el titán del cine Akira Kurosawa, especialmente para sus dos primeras obras maestras Los Siete Samurai y Rashomon. No obstante, Hayasaka también creaba obras clásicas de gran calidad como cantatas, oberturas y conciertos. Su Concierto para Piano en Re menor es su Réquiem de guerra personal, dedicando así la primera parte a la memoria de su hermano quien murió en combate. La segunda parte es un alegre rondó que crea una amalgama singular compuesta de escalas pentatónicas japonesas, melodías a la francesa y jazz estadounidense.
Image/ imagen: Mount Fuji under Mannen Bridge at Fukagawa. / Monte Fuji bajo el puente Mannen de Fukagawa. Katsushika Hokusai. Ca. 1830.
https://wn.com/Fumio_Hayasaka_Piano_Concerto_In_D_Minor_(1948)
Russian Philharmonic Orchestra conducted by/ Orquesta Filarmónica Rusa dirigida por Dmitry Yablonsky. Piano: Hiromi Okada.
I. Lento (0:00)
II. Rondo (22:22)
Fumio (or Humiwo) Hayasaka is remembered for his important musical collaborations with filmmaking titan Akira Kurosawa, especially on his two first masterpieces The Seven Samurai and Rashomon. However, Hayasaka was well crafted in classical forms, composing cantatas, overtures and concertos. His Piano Concerto in D minor is his personal war Requiem, the first part dedicated to his fallen brother. The second part is a whimsy rondo that creates a singular amalgam of Japanese pentatonic scales, French-style melodies and American jazz.
Fumio (o Humiwo) Hayasaka es recordado por sus importantes colaboraciones musicales con el titán del cine Akira Kurosawa, especialmente para sus dos primeras obras maestras Los Siete Samurai y Rashomon. No obstante, Hayasaka también creaba obras clásicas de gran calidad como cantatas, oberturas y conciertos. Su Concierto para Piano en Re menor es su Réquiem de guerra personal, dedicando así la primera parte a la memoria de su hermano quien murió en combate. La segunda parte es un alegre rondó que crea una amalgama singular compuesta de escalas pentatónicas japonesas, melodías a la francesa y jazz estadounidense.
Image/ imagen: Mount Fuji under Mannen Bridge at Fukagawa. / Monte Fuji bajo el puente Mannen de Fukagawa. Katsushika Hokusai. Ca. 1830.
- published: 22 May 2015
- views: 28441
8:57
Fumio Hayasaka – Rashômon (Directed by Akira Kurosawa)
- Order: Reorder
- Duration: 8:57
- Uploaded Date: 07 Jan 2017
- views: 33255
Fumio Hayasaka – Rashômon (Directed by Akira Kurosawa)
Record: Rashômon Soundtrack (a cover Ravel’s Bolero), 1950
Rashomon IMDB: http://www.imdb.com/title/tt0...
Fumio Hayasaka – Rashômon (Directed by Akira Kurosawa)
Record: Rashômon Soundtrack (a cover Ravel’s Bolero), 1950
Rashomon IMDB: http://www.imdb.com/title/tt0042876/
Fumio Hayasaka Wikipedia: https://en.wikipedia.org/wiki/Fumio_Hayasaka
MetafoR Facebook: https://www.facebook.com/MetafoR-1445768205664908/
https://wn.com/Fumio_Hayasaka_–_Rashômon_(Directed_By_Akira_Kurosawa)
Fumio Hayasaka – Rashômon (Directed by Akira Kurosawa)
Record: Rashômon Soundtrack (a cover Ravel’s Bolero), 1950
Rashomon IMDB: http://www.imdb.com/title/tt0042876/
Fumio Hayasaka Wikipedia: https://en.wikipedia.org/wiki/Fumio_Hayasaka
MetafoR Facebook: https://www.facebook.com/MetafoR-1445768205664908/
- published: 07 Jan 2017
- views: 33255
9:26
Fumio Hayasaka: Festive Overture in D (1939)
- Order: Reorder
- Duration: 9:26
- Uploaded Date: 17 Oct 2014
- views: 1889
Russian Philharmonic Orchestra conducted by/Orquesta Filarmónica Rusa dirigida por Dmitry Yablonsky
Composed for the 2600th Anniversary of the Japanese Throne,...
Russian Philharmonic Orchestra conducted by/Orquesta Filarmónica Rusa dirigida por Dmitry Yablonsky
Composed for the 2600th Anniversary of the Japanese Throne, Hayasaka’s Festive Overture in D is a piece in bolero-style development. The overture uses melodic material in Japanese pentatonic style without recurring to folk songs or traditional scales.
Compuesto para el 2600 Aniversario del Trono del Japón, la Obertura Festiva en Re Mayor es una obra que se desarrolla al estilo del Bolero. La Obertura usa melodías al estilo pentatónico japonés sin recurrir a canciones populares o escalas musicales tradicionales.
More info/más información: http://musicalhistories.blogspot.mx/2014/10/asian-sensitivities-i-ww2-special-ww2.html
Imagen/image: Emperor of Japan and his Royal Escort/El Emperador de Japón y su Escolta real. Artist unknown/Desconocido. 1939.
https://wn.com/Fumio_Hayasaka_Festive_Overture_In_D_(1939)
Russian Philharmonic Orchestra conducted by/Orquesta Filarmónica Rusa dirigida por Dmitry Yablonsky
Composed for the 2600th Anniversary of the Japanese Throne, Hayasaka’s Festive Overture in D is a piece in bolero-style development. The overture uses melodic material in Japanese pentatonic style without recurring to folk songs or traditional scales.
Compuesto para el 2600 Aniversario del Trono del Japón, la Obertura Festiva en Re Mayor es una obra que se desarrolla al estilo del Bolero. La Obertura usa melodías al estilo pentatónico japonés sin recurrir a canciones populares o escalas musicales tradicionales.
More info/más información: http://musicalhistories.blogspot.mx/2014/10/asian-sensitivities-i-ww2-special-ww2.html
Imagen/image: Emperor of Japan and his Royal Escort/El Emperador de Japón y su Escolta real. Artist unknown/Desconocido. 1939.
- published: 17 Oct 2014
- views: 1889
11:21
Seven Samurai
- Order: Reorder
- Duration: 11:21
- Uploaded Date: 17 Dec 2020
- views: 19777
Provided to YouTube by Xelon Entertainment
Seven Samurai · Fumio Hayasaka
Akira Kurosawa - Soundtracks: 1952-1963
℗ 2020 From The Valley
Released on: 2020-1...
Provided to YouTube by Xelon Entertainment
Seven Samurai · Fumio Hayasaka
Akira Kurosawa - Soundtracks: 1952-1963
℗ 2020 From The Valley
Released on: 2020-12-18
Auto-generated by YouTube.
https://wn.com/Seven_Samurai
Provided to YouTube by Xelon Entertainment
Seven Samurai · Fumio Hayasaka
Akira Kurosawa - Soundtracks: 1952-1963
℗ 2020 From The Valley
Released on: 2020-12-18
Auto-generated by YouTube.
- published: 17 Dec 2020
- views: 19777
25:55
Fumio Hayasaka - Metamorphosis for orchestra (1953)
- Order: Reorder
- Duration: 25:55
- Uploaded Date: 14 Aug 2016
- views: 4964
早坂文雄 管弦楽のための変容
composer: Fumio Hayasaka
title: Metamorphosis for orchestra
Tetsuji Honna, Japan Philharmonic Orchestra
早坂文雄 管弦楽のための変容
composer: Fumio Hayasaka
title: Metamorphosis for orchestra
Tetsuji Honna, Japan Philharmonic Orchestra
https://wn.com/Fumio_Hayasaka_Metamorphosis_For_Orchestra_(1953)
早坂文雄 管弦楽のための変容
composer: Fumio Hayasaka
title: Metamorphosis for orchestra
Tetsuji Honna, Japan Philharmonic Orchestra
- published: 14 Aug 2016
- views: 4964
5:17
HAYASAKA Fumio - "Uguisu"
- Order: Reorder
- Duration: 5:17
- Uploaded Date: 30 Jun 2012
- views: 4081
Megumi Takano at St. Petersburg Conservatory Glazunov Hall
International Conservatory Week (October 2009)
Megumi Takano at St. Petersburg Conservatory Glazunov Hall
International Conservatory Week (October 2009)
https://wn.com/Hayasaka_Fumio_Uguisu
Megumi Takano at St. Petersburg Conservatory Glazunov Hall
International Conservatory Week (October 2009)
- published: 30 Jun 2012
- views: 4081
22:28
Fumio Hayasaka - String Quartet (1950)
- Order: Reorder
- Duration: 22:28
- Uploaded Date: 28 Aug 2016
- views: 4538
早坂文雄 弦楽四重奏曲 (1950)
ラモー弦楽四重奏団 1958年録音
composer: Fumio Hayasaka (早坂文雄)
String Quartet (1950)
Rameau String Quartet, recorded in 1958
1. Adagio Assai [0:00]
2. All...
早坂文雄 弦楽四重奏曲 (1950)
ラモー弦楽四重奏団 1958年録音
composer: Fumio Hayasaka (早坂文雄)
String Quartet (1950)
Rameau String Quartet, recorded in 1958
1. Adagio Assai [0:00]
2. Allegro Pizzicato [9:31]
3. Allegro Moderato [13:19]
[18:28] Commentary by K.M. (radio broadcast)
https://wn.com/Fumio_Hayasaka_String_Quartet_(1950)
早坂文雄 弦楽四重奏曲 (1950)
ラモー弦楽四重奏団 1958年録音
composer: Fumio Hayasaka (早坂文雄)
String Quartet (1950)
Rameau String Quartet, recorded in 1958
1. Adagio Assai [0:00]
2. Allegro Pizzicato [9:31]
3. Allegro Moderato [13:19]
[18:28] Commentary by K.M. (radio broadcast)
- published: 28 Aug 2016
- views: 4538
11:23
The Seven Samurai - Suite
- Order: Reorder
- Duration: 11:23
- Uploaded Date: 04 Jul 2011
- views: 260638
Soundtrack From The Akira Kurosawa's Film "The Seven Samurai" (1954)
Composed By Fumio Hayasaka
Soundtrack From The Akira Kurosawa's Film "The Seven Samurai" (1954)
Composed By Fumio Hayasaka
https://wn.com/The_Seven_Samurai_Suite
Soundtrack From The Akira Kurosawa's Film "The Seven Samurai" (1954)
Composed By Fumio Hayasaka
- published: 04 Jul 2011
- views: 260638
15:45
Fumio Hayasaka Ancient Dances on the Left and on the Right
- Order: Reorder
- Duration: 15:45
- Uploaded Date: 02 Mar 2021
- views: 188
Fumio Hayasaka
Ancient Dances on the Left and on the Right (1941)
(左方の舞と右方の舞)
Fumio Hayasaka
Ancient Dances on the Left and on the Right (1941)
(左方の舞と右方の舞)
https://wn.com/Fumio_Hayasaka_Ancient_Dances_On_The_Left_And_On_The_Right
Fumio Hayasaka
Ancient Dances on the Left and on the Right (1941)
(左方の舞と右方の舞)
- published: 02 Mar 2021
- views: 188
49:24
Fumio Hayasaka 早坂文雄 - Yukara - Symphonic Suite (1955)
早坂文雄 - 交響的組曲 《ユーカラ》（1955年）
Kazuo Yamada 山田一雄 conducting the Japan Philharmonic Symphony O...
published: 15 May 2021
Fumio Hayasaka 早坂文雄 - Yukara - Symphonic Suite (1955)
Fumio Hayasaka 早坂文雄 - Yukara - Symphonic Suite (1955)
- Report rights infringement
- published: 15 May 2021
- views: 1681
早坂文雄 - 交響的組曲 《ユーカラ》（1955年）
Kazuo Yamada 山田一雄 conducting the Japan Philharmonic Symphony Orchestra 日本フィルハーモニー管弦楽団
00:00 I. Prologo
03:34 II. Hanrokka
10:52 III. Santatoripaina
18:22 IV. Panchikiki
26:23 V. Nōpē
39:58 VI. Kenepe-tuitui
------------------
Yukara, Hayasaka's last composition, is a symphonic suite in six movements, with texts taken from an epic Ainu saga.
According to the composer, he stated that it had not been his intention to write program music or to try to represent in music the images conjured up by Ainu mythology. What he had wanted to convey were his emotional and intuitive reactions to this ancient saga. Yukara was written as a reaction against the spreading tide of westernization and, because he felt the need to reaffirm basic oriental values such as irrationality and essentiality, Hayasaka deliberately avoids any hint of "folklore." He wrote: "While composing I aimed to render every single detail as simply and as clearly as possible and to achieve immense power with as little material as possible... In my orchestration I avoided the prevailing Western technique of using orchestration to emphasize the musical structure and I worked on the development of a method based on oriental concepts in which emphasis is placed on elements such as 'lines' and 'dots'"
The first movement (which functions as a sort of prologue) is a single linear phrase played by a solo clarinet (Andante molto tranquillo mistico).
The second movement (Allegretto) is subtitled "Hanrokka" (the swallow-god who lives in the sand). Here two themes are developed and intertwined and the movement concludes with the appearance of a third theme played by the strings, which imitate bird song with an uninterrupted sequence of semitones and octaves.
The third movement (Andante dolentemente) is subtitled "Santatoripaina". It tells the story of a child who has been locked inside the moon as punishment for having maltreated birds and fishes. It is an extended, heart-rending melody played in unison octaves by the strings.
The fourth movement (Allegro vivace) is subtitled "Panchikiki". It depicts a merry scene with birds and gods enjoying a drunken party with a rhythmic ostinato based on a cell of two notes.
"Nōpē" is the fifth and longest movement. It refers to the story of an outbreak of jealousy among some divinities. It is a work in three sections based on a long dissonant melody with the middle section consisting of a twelve-bar episode played at a faster tempo.
"Kenepe tsuitsui" (Al-legro assai con brio feroce) is the sixth movement. It is the story of how human beings were given hands to enable them to defend themselves from a man-eating bear. The music is a sequence of variations (including timbric variations) on two ideas: one rhythmic and the other melodic. Throughout the work the deilberately sparse material is emplyed very effectively to create a sensitive and open expressiveness.
- "Yogaku: Japanese Music in the 20th Century" by Luciana Galliano
------------------
Recording: https://www.amazon.co.jp/%E6%97%A9%E5%9D%82%E6%96%87%E9%9B%84-%E4%BA%A4%E9%9F%BF%E7%9A%84%E7%B5%84%E6%9B%B2%E3%80%8C%E3%83%A6%E3%83%BC%E3%82%AB%E3%83%A9%E3%80%8D-%E5%B1%B1%E7%94%B0%E4%B8%80%E9%9B%84/dp/B001BDD7E6
------------------
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32:41
Fumio Hayasaka: Piano Concerto in D minor (1948)
Russian Philharmonic Orchestra conducted by/ Orquesta Filarmónica Rusa dirigida por Dmitry...
published: 22 May 2015
Fumio Hayasaka: Piano Concerto in D minor (1948)
Fumio Hayasaka: Piano Concerto in D minor (1948)
- Report rights infringement
- published: 22 May 2015
- views: 28441
Russian Philharmonic Orchestra conducted by/ Orquesta Filarmónica Rusa dirigida por Dmitry Yablonsky. Piano: Hiromi Okada.
I. Lento (0:00)
II. Rondo (22:22)
Fumio (or Humiwo) Hayasaka is remembered for his important musical collaborations with filmmaking titan Akira Kurosawa, especially on his two first masterpieces The Seven Samurai and Rashomon. However, Hayasaka was well crafted in classical forms, composing cantatas, overtures and concertos. His Piano Concerto in D minor is his personal war Requiem, the first part dedicated to his fallen brother. The second part is a whimsy rondo that creates a singular amalgam of Japanese pentatonic scales, French-style melodies and American jazz.
Fumio (o Humiwo) Hayasaka es recordado por sus importantes colaboraciones musicales con el titán del cine Akira Kurosawa, especialmente para sus dos primeras obras maestras Los Siete Samurai y Rashomon. No obstante, Hayasaka también creaba obras clásicas de gran calidad como cantatas, oberturas y conciertos. Su Concierto para Piano en Re menor es su Réquiem de guerra personal, dedicando así la primera parte a la memoria de su hermano quien murió en combate. La segunda parte es un alegre rondó que crea una amalgama singular compuesta de escalas pentatónicas japonesas, melodías a la francesa y jazz estadounidense.
Image/ imagen: Mount Fuji under Mannen Bridge at Fukagawa. / Monte Fuji bajo el puente Mannen de Fukagawa. Katsushika Hokusai. Ca. 1830.
8:57
Fumio Hayasaka – Rashômon (Directed by Akira Kurosawa)
Fumio Hayasaka – Rashômon (Directed by Akira Kurosawa)
Record: Rashômon Soundtrack (a cov...
published: 07 Jan 2017
Fumio Hayasaka – Rashômon (Directed by Akira Kurosawa)
Fumio Hayasaka – Rashômon (Directed by Akira Kurosawa)
- Report rights infringement
- published: 07 Jan 2017
- views: 33255
Fumio Hayasaka – Rashômon (Directed by Akira Kurosawa)
Record: Rashômon Soundtrack (a cover Ravel’s Bolero), 1950
Rashomon IMDB: http://www.imdb.com/title/tt0042876/
Fumio Hayasaka Wikipedia: https://en.wikipedia.org/wiki/Fumio_Hayasaka
MetafoR Facebook: https://www.facebook.com/MetafoR-1445768205664908/
9:26
Fumio Hayasaka: Festive Overture in D (1939)
Russian Philharmonic Orchestra conducted by/Orquesta Filarmónica Rusa dirigida por Dmitry ...
published: 17 Oct 2014
Fumio Hayasaka: Festive Overture in D (1939)
Fumio Hayasaka: Festive Overture in D (1939)
- Report rights infringement
- published: 17 Oct 2014
- views: 1889
Russian Philharmonic Orchestra conducted by/Orquesta Filarmónica Rusa dirigida por Dmitry Yablonsky
Composed for the 2600th Anniversary of the Japanese Throne, Hayasaka’s Festive Overture in D is a piece in bolero-style development. The overture uses melodic material in Japanese pentatonic style without recurring to folk songs or traditional scales.
Compuesto para el 2600 Aniversario del Trono del Japón, la Obertura Festiva en Re Mayor es una obra que se desarrolla al estilo del Bolero. La Obertura usa melodías al estilo pentatónico japonés sin recurrir a canciones populares o escalas musicales tradicionales.
More info/más información: http://musicalhistories.blogspot.mx/2014/10/asian-sensitivities-i-ww2-special-ww2.html
Imagen/image: Emperor of Japan and his Royal Escort/El Emperador de Japón y su Escolta real. Artist unknown/Desconocido. 1939.
11:21
Seven Samurai
Provided to YouTube by Xelon Entertainment
Seven Samurai · Fumio Hayasaka
Akira Kurosawa...
published: 17 Dec 2020
Seven Samurai
Seven Samurai
- Report rights infringement
- published: 17 Dec 2020
- views: 19777
Provided to YouTube by Xelon Entertainment
Seven Samurai · Fumio Hayasaka
Akira Kurosawa - Soundtracks: 1952-1963
℗ 2020 From The Valley
Released on: 2020-12-18
Auto-generated by YouTube.
25:55
Fumio Hayasaka - Metamorphosis for orchestra (1953)
早坂文雄 管弦楽のための変容
composer: Fumio Hayasaka
title: Metamorphosis for orchestra
Tetsuji Honna, ...
published: 14 Aug 2016
Fumio Hayasaka - Metamorphosis for orchestra (1953)
Fumio Hayasaka - Metamorphosis for orchestra (1953)
- Report rights infringement
- published: 14 Aug 2016
- views: 4964
早坂文雄 管弦楽のための変容
composer: Fumio Hayasaka
title: Metamorphosis for orchestra
Tetsuji Honna, Japan Philharmonic Orchestra
5:17
HAYASAKA Fumio - "Uguisu"
Megumi Takano at St. Petersburg Conservatory Glazunov Hall
International Conservatory Week...
published: 30 Jun 2012
HAYASAKA Fumio - "Uguisu"
HAYASAKA Fumio - "Uguisu"
- Report rights infringement
- published: 30 Jun 2012
- views: 4081
Megumi Takano at St. Petersburg Conservatory Glazunov Hall
International Conservatory Week (October 2009)
22:28
Fumio Hayasaka - String Quartet (1950)
早坂文雄 弦楽四重奏曲 (1950)
ラモー弦楽四重奏団 1958年録音
composer: Fumio Hayasaka (早坂文雄)
String Quartet (1950)...
published: 28 Aug 2016
Fumio Hayasaka - String Quartet (1950)
Fumio Hayasaka - String Quartet (1950)
- Report rights infringement
- published: 28 Aug 2016
- views: 4538
早坂文雄 弦楽四重奏曲 (1950)
ラモー弦楽四重奏団 1958年録音
composer: Fumio Hayasaka (早坂文雄)
String Quartet (1950)
Rameau String Quartet, recorded in 1958
1. Adagio Assai [0:00]
2. Allegro Pizzicato [9:31]
3. Allegro Moderato [13:19]
[18:28] Commentary by K.M. (radio broadcast)
11:23
The Seven Samurai - Suite
Soundtrack From The Akira Kurosawa's Film "The Seven Samurai" (1954)
Composed By Fumio ...
published: 04 Jul 2011
The Seven Samurai - Suite
The Seven Samurai - Suite
- Report rights infringement
- published: 04 Jul 2011
- views: 260638
Soundtrack From The Akira Kurosawa's Film "The Seven Samurai" (1954)
Composed By Fumio Hayasaka
15:45
Fumio Hayasaka Ancient Dances on the Left and on the Right
Fumio Hayasaka
Ancient Dances on the Left and on the Right (1941)
(左方の舞と右方の舞)
published: 02 Mar 2021
Fumio Hayasaka Ancient Dances on the Left and on the Right
Fumio Hayasaka Ancient Dances on the Left and on the Right
- Report rights infringement
- published: 02 Mar 2021
- views: 188
Fumio Hayasaka
Ancient Dances on the Left and on the Right (1941)
(左方の舞と右方の舞)
Fumio Hayasaka
Fumio Hayasaka (早坂文雄 Hayasaka Fumio; August 19, 1914 – October 15, 1955) was a Japanese composer of classical music and film scores.
Early life
Hayasaka was born in the city of Sendai on the main Japanese island of Honshū. In 1918, Hayasaka and his family moved to Sapporo on the northern island of Hokkaidō. In 1933, Hayasaka and Akira Ikufube organized the New Music League, which held a new music festival the year after.
Hayasaka won a number of prizes for his early concert works; in 1935, his piece Futatsu no sanka e no zensōkyoku won first prize in a radio competition, and another concert piece, Kodai no bukyoku, won the 1938 Weingartner Prize. Other early works include a Nocturne (1936) for piano and the orchestral Ancient Dance (1938). In 1939, Hayasaka moved to Tokyo to begin a career as film composer. By early 1940, Hayasaka was seen as "a major composer for Japanese Cinema".
Post-War film music
After the war, Hayasaka continued working on films, quickly winning recognition for his abilities. In 1946, he received the film music award for An Enemy of the People (Minshū no Teki, 1946) at the first annual Mainichi Film Awards. The year after, 1947, Hayasaka received the Mainichi film music award for Teinosuke Kinugasa's Actress (Joyu).
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Fumio_Hayasaka
Fumio Hayasaka 早坂文雄 - Yukara - Symphonic Suite (19...
Fumio Hayasaka: Piano Concerto in D minor (1948)...
Fumio Hayasaka – Rashômon (Directed by Akira Kuros...
Fumio Hayasaka: Festive Overture in D (1939)...
Seven Samurai...
Fumio Hayasaka - Metamorphosis for orchestra (1953...
HAYASAKA Fumio - "Uguisu"...
Fumio Hayasaka - String Quartet (1950)...
The Seven Samurai - Suite...
Fumio Hayasaka Ancient Dances on the Left and on ...
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Filming the Fear Index
Kurosawa said that he was inspired to make the film by conversations he had with his longtime film composer Fumio Hayasaka who had become seriously ill during the making of “Seven Samurai”. Hayasaka had told him, “The world has come to such a state that we don’t really know what is in store for us tomorrow ... Uncertainties, nothing but uncertainties ... .
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Comment RSS Email Print. . On Sunday July 26 at 2.00 AM Turner Classic Movies TCM will air one of the greatest of all Japanese films ... Adding to the ethereal atmosphere is the musical score by Mizoguchi’s favorite collaborator Fumio Hayasaka, which mixes Japanese and Western instruments and rhythms to great effect ... . .
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Elegant Tchaikovsky caps rich performance
The Peristyle was only just over half-full, a depressingly meager turnout for what was a rich and rewarding performance ... Despite minor glitches in a few entries and exits, the orchestra responded in kind with playing that was as understated yet balanced as the work itself, written as a tribute to Japanese filmmaker Fumio Hayasaka ... .
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Bob's Take on Cinema: Kurosawa's genius shines at Film Streams
BY BOB FISCHBACH. WORLD-HERALD STAFF WRITER. Many cinema experts and fans rank Japanese director Akira Kurosawa as one of the all-time greats. Omaha director-screenwriter Alexander Payne ("Sideways") ranks him higher ... He often used the same crew (cinematographer Asakazu Kakai, composer Fumio Hayasaka) and actors (Toshiro Mifune, Takashi Shimura) ... .
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VIDEO REVIEW: 1948's 'Drunken Angel' now out on DVD
By BRUCE DANCIS Sacramento Bee ... It was also the first time Kurosawa worked with two frequent collaborators, composer Fumio Hayasaka and production designer Takashi ("So") Matsuyama. But most importantly, Kurosawa himself viewed "Drunken Angel," his sixth feature-length film, as his "breakthrough." ... It was my picture. I was doing it and no one else." ... ...
Edit
1948's 'Drunken Angel' now out on DVD
It was also the first time Kurosawa worked with two frequent collaborators, composer Fumio Hayasaka and production designer Takashi ("So") Matsuyama. But most importantly, Kurosawa himself viewed "Drunken Angel," his sixth feature-length film, as his "breakthrough." ... It was my picture. I was doing it and no one else." ... .. ... .
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Rashomon
It wouldn't be a stretch to name legendary Japanese film maker Akira Kurosawa as one of the ten greatest motion picture directors of all time ... But much is different, as well ... a kaleidoscope of black-and-white images accompanied only by Fumio Hayasaka's evocative score as the woodcutter makes his way into the woods and discovers the dead body ... .
Edit
Two famous Japanese films are released on DVD
... a poor village of farmers against attack by bandits; the state-of-the-art location photography by Kurosawa and cinematographer Asakazu Nakai; the percussively compelling musical score by Fumio Hayasaka, and the stunning battle scenes that make up the film's legendary climax.
Edit
Viva evokes as Chorale and MSO unite
Musica Viva, Menage,. at the Night Cat,. Fitzroy,. May 20 ... Out went the scheduled 19th-century Sor and early 20th-century Albeniz ... Not that it was all serious stuff ... ... Takemitsu's Requiem dealt in tougher terms and brooding power with his reactions to the death of Fumio Hayasaka, the composer responsible for the scores to Rashomon and The Seven Samurai. .
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ART BEAT / Mayuzumi: Still misunderstood after all these years
Around the same time, however, composers like Fumio Hayasaka (1914-55) and Akira Ifukube (born 1914), who had bigger inclinations toward Russian music than Sudaka, were also searching for their own identities as Japanese from the standpoints different from Germanic expression.
Edit
Redemption found in Kurosawa's 'Ikiru'
"Ikiru" belongs to a supremely creative period in the career of the great Japanese filmmaker Akira Kurosawa. Made between "Rashomon" and "The Seven Samurai," it was an immediate commercial and critical success in Japan when released in October 1952 ... 16 ... a birthday party ... Before this consummation, Mr ... **** ... Music by Fumio Hayasaka.
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