There are many places called Weston:
Weston meaning 'western settlement' in Old English, is a common place name. Places named Weston include:
England
Scotland
Wales
The Weston family of Canada and the United Kingdom are prominent businesspeople with global interests in food and clothing businesses. The family operations began with the founding of a bakery in Toronto, Ontario by George Weston.
Through George Weston Limited and various holding companies, the Canadian branch of the Weston family owns or controls over 200 companies, including Canada's largest supermarket chain, Loblaws. Among their other businesses, they own or control a number of retailers such as upscale department stores Holt Renfrew in Canada, Brown Thomas in Ireland and Selfridges at various locations in the United Kingdom.
The main holding company of the British branch of the family is Wittington Investments. 79.2% of this company belongs to a charitable trust called the Garfield Weston Foundation, with the balance owned personally by family members. Wittington Investments owns a majority stake in Associated British Foods (which itself owns the discount clothing chain Primark), and 100% of retailers Fortnum & Mason and Heal & Son.
Taylor Alison Swift (born December 13, 1989) is an American singer-songwriter and occasional actress. Raised in Wyomissing, Pennsylvania, Swift moved to Nashville, Tennessee at the age of fourteen to pursue a career in country music. She signed to the independent label Big Machine Records and became the youngest songwriter ever hired by the Sony/ATV Music publishing house. The release of Swift's self-titled debut album in 2006 established her as a country music star. "Our Song", her third single, made her the youngest sole writer and singer of a number one song on the country chart. She received a Best New Artist nomination at the 50th Grammy Awards.
Swift's second album, Fearless, was released in late 2008. Buoyed by the chart success of the singles "Love Story" and "You Belong with Me", Fearless attracted a crossover audience and became the top-selling album of 2009. The record won four Grammy Awards, with Swift becoming the youngest ever Album of the Year winner. Fearless also received Album of the Year plaudits at the American Music Awards, Academy of Country Music Awards and Country Music Association Awards, making it the most awarded album in country music history. In 2010, Swift released her third album, Speak Now, which sold over one million copies in its first week. She then embarked on the 111-date Speak Now World Tour, which was attended by over 1.6 million fans and has become one of the highest-grossing concert tours of all time. The album's third single, "Mean", won two Grammy Awards for Best Country Song and Best Country Solo Performance. Swift is currently recording her fourth studio album, due for release in the fall of 2012.
When you don't know who to trust, sleep with both eyes open.
John Figg: Did you break into my house?::Jairo Torres: What's this guy talking about?::Andrew Booker: John. Stop. Stop it!::John Figg: Are you mocking me?
Martha Collins: What were you thinking? You made us look like a couple of crazies.::John Figg: I was just trying to find some answers, that's all.::Martha Collins: Honey, you need to stop. You're hurting yourself.
Ted Lemont: Maybe it's one of those darned rodents. I get those from time to time.::John Figg: That's exactly what it is Ted. A rat crawled into the house and died.
Ted Lemont: John, I gotta admit, something doesn't seem right here... So spill it.::Frank: Sir, I see you have a beautiful family, have you thought about starting some sort of a retirement plan for the future of your wife and ki...::Ted Lemont: Quiet! I was only talking to John... So talk to me John.
Plot
Joshua Lazarus (Nick Stahl) possesses a special gift that enables him to read people's minds, and the government has trained him to use his ability for missions involving national defense, all the while telling him that it will ultimately destroy him -- but will it? When Joshua falls in love with Anna (Mía Maestro), another telepathic "scoper," he and his friend, Kira (Taryn Manning), must find a cure for their gift and expose the lies.
Keywords: airplane, argentina, casino, cerebral, cheating-at-a-game, clown, death-of-father, drugs, dying-young, elephant
Scopers. They know everything but the truth.
There are no secrets
[first lines]::[There is a long aural montage of strangers talking, presumably overheard in their thoughts by Joshua]::Emily: [Emily is chatting on the phone while walking down a busy street at night] I'm supposed to trust you? Trust is earned, my friend. Anyway, get your ass down here. If you take too long, I may be gone.::Joshua Lazarus: [She enters a nightclub and sits at the bar. Joshua approaches her] Hi. My name is Joshua.::Emily: I'm Vanessa.::Joshua Lazarus: Vanessa. You are a...::[he rubs his forehead with his index finger]::Joshua Lazarus: ...Virgo.::Emily: I'm not an obvious Virgo.::Joshua Lazarus: It was obvious to me.::Emily: [She smiles] You're very intuitive.::Joshua Lazarus: You could say that.::[He pauses]::Joshua Lazarus: Vanessa. You're name's not really Vanessa, is it?::Emily: [She's embarrassed] Emily.
Joshua Lazarus: That was the Argentinean Finance Minister. They want me to bankrupt him because he's not playing ball. They can't have that.::Sandy: That's awful. I should just say no when they ask to hire one of you. And they always ask for you or Kira. You're the only scopers they consider level-headed. Anyway, I'm sorry to make you do these abominable government jobs, but the Home needs the money.::Joshua Lazarus: You don't have to justify yourself to me, Sandy. You saved my life.
Joshua Lazarus: I started hearing the voices again.::Sandy: Can you control them?::Joshua Lazarus: For now.::[He pauses]::Joshua Lazarus: How long do I have?::Sandy: From the recurrence of the voices, sanity is generally lost within a month. I'm so sorry.::Joshua Lazarus: Don't be. I've had enough time. Thank you for being straight with me, Sandy.::Sandy: [Sandy rises and pulls a pill bottle out of his pocket] Here. These are stronger. They should help a little. Make sure you take them regularly!::[He grimaces]::Sandy: I'm needed back at the Home, Josh.::[He pulls some papers from his inner coat pocket]::Sandy: So... you should decide this now. Don't make the same mistake Bobby made.::Joshua Lazarus: [Josh looks unhappy] You decide for me. I mean it.::Sandy: Have you visited Bobby recently?::Joshua Lazarus: No. I can't.::Sandy: The NSA insists on permanent restraints, even with the sedation.::Joshua Lazarus: Yeah. Just...::[He picks up a pen. A tear rolls down his face]::Joshua Lazarus: Nothing, uh... sentimental with, uh, with the ashes.::[He wipes his eye]::Joshua Lazarus: You promise me?::Sandy: When you feel like the voices are becoming too much, come back to the Home.
Bridger: Hello, Lazarus. Oh, you look a little too conscious for my liking. It's amazing how these drugs keep you mind-reading freaks talking, even when you're semi-comatose.::Joshua Lazarus: What'd I get?::Bridger: Hmm? Oh, you're more coherent when you're conscious, but then, of course, you're much less cooperative.
[Josh and Anna run into each other at a market]::Anna Manheim: Hi!::Joshua Lazarus: Hey.::Anna Manheim: You're staying on the outside?::Joshua Lazarus: We don't believe in being in people's heads if they don't want us there. Unless they're normals.::Anna Manheim: Who's 'we'?::Joshua Lazarus: There are others like us. Not many.::Anna Manheim: You know, when I said, yesterday, "Get out," I didn't mean you had to get out of the house. I meant, get out from...::[she touches her forehead]::Anna Manheim: ...here. I wasn't prepared for it.::Joshua Lazarus: You are now?::[He focuses, and they appear, facing each other, in the dark, dreamy area that is telepathy]::Joshua Lazarus: Better this time?::Anna Manheim: Better.::Joshua Lazarus: You're fuzzy, you know.::Anna Manheim: I know - I thought it had to be this way, but you're not.::Joshua Lazarus: [He smiles] We'll fix it for you.::Anna Manheim: I'm - it's okay, it doesn't bother me.::Joshua Lazarus: Don't worry. It's an easy technique.
[Joshua has just met Anna in the market and returns to the car, where Bridger is waiting for his report]::Bridger: What'd you get?::Joshua Lazarus: Well, some vodka for me, and...::[teasing her]::Joshua Lazarus: ...for you, a laxative. Cherry flavor.::Bridger: [She's not amused] What did you get from the girl?
[Joshua is in a restaurant when Anna enters and takes a seat, many tables away. She shuts her eyes and concentrates. He enters her mind, where she is sitting in a room with rectangles of different colors on the walls, as in paintings by Mondrian]::Joshua Lazarus: Nice place you have here. Very... organized.::Anna Manheim: [Teasingly] Are you talking to me? I don't recall inviting you in.::Joshua Lazarus: No, I was talking to the busboy. He's a telepath, too.
Joshua Lazarus: We need order. It's how Sandy teaches us to deal with the chaos.::Anna Manheim: Who's Sandy?::Joshua Lazarus: Sandy taught me everything. Who trained you?::Anna Manheim: What do you mean?::Joshua Lazarus: I mean, who taught you to use your abilities?::Anna Manheim: No one.::Joshua Lazarus: That's not possible. You can't fight the voices on your own.::Anna Manheim: You don't have to fight them. It took me years to learn that.::Joshua Lazarus: I don't follow you.
Joshua Lazarus: You missed my birthday, by the way.::Kira: Happy belated condolences.::Joshua Lazarus: Both made it to 28, huh? What are the chances of that?
Joshua Lazarus: I'm... I'm... good.::Kira: [She looks skeptical] You're "good."::[Referring to scopers:]::Kira: We don't do "good."
Bass Reeves: I just might take a liking to being law. It's kind of fun.
Plot
Now What is intended as a short comedy pilot, derives its humor from the all too familiar and sometimes excruciating awkward situations in life. Our characters face obstacles which challenge their sense of dignity, or lack thereof. Amy and Weston find themselves trying to "make do" in situations in which they have no experience. This leads them to seek advice from their friend Caitlin, whose improvised solutions are not always ideal, or even adequate.
Plot
A small rag tag team of plastic building block figurines is thrown in to peril as an invading alien force destroys most of humanity. Once the initial battle is over, it becomes a race for survival as the alien force continues to hunt down and destroy the surviving members of the Alliance. Mankind's only hope for survival is a fighter squadron full of misfits and foul mouthed idiots known as the Dawg Squadron
In Space, No one can hear you build
Plot
Jeff Carter has put an end to the town's delinquency with a boys' club. Young hoodlum Danny shows up and influences teenagers Doris, Willy and Leo. They hang out at a juke joint where Eve works. When Jeff tries to stop a robbery planned by Danny, he is killed and Danny goes on trial.
Plot
As a parting shot, fired reporter Ann Mitchell prints a fake letter from unemployed "John Doe," who threatens suicide in protest of social ills. The paper is forced to rehire Ann and hires John Willoughby to impersonate "Doe." Ann and her bosses cynically milk the story for all it's worth, until the made-up "John Doe" philosophy starts a whole political movement. At last everyone, even Ann, takes her creation seriously...but publisher D.B. Norton has a secret plan.
Keywords: american-politics, baseball, character-name-in-title, christmas, club, convention, diner, father-figure, hoax, hobo
ALL AMERICA WANTS TO MEET THE "MR. DEEDS" OF 1941! (original print media ad - all caps)
The Colonel: I don't read no papers, and I don't listen to radios either. I know the world's been shaved by a drunken barber, and I don't have to read it.
Long John Willoughby: Hey, stop worryin', Colonel, fifty bucks ain't gonna ruin me.::The Colonel: I've seen plenty of fellas start out with fifty bucks and wind up with a *bank* account!::Beany: Hey, what's wrong with a bank account, anyway?::The Colonel: And let me tell you, Long John, when you become a guy with a bank account, they gotcha! Yes sir, they gotcha!::Beany: Who's got him?::The Colonel: The helots!
Mayor Hawkins: O.K. folks, but remember your manners. No stampeding. Walk slow, like you do when you come to pay your taxes.
Angelface: [after Willoughby gives the Colonel the $50 to give away] Say, he's giving it away. I better get me some of that::Beany: Hey, come back here you helot.
D. B. Norton: You'll play your cards right and you'll never have to worry about money again.
D. B. Norton: From now on, I think you'd better work directly with me.
The Colonel: $5,000. Holy mackerel! I can see the helots coming now. A whole army of them.
Ann: Everything in that speech is what a certain man believed in. He was my father. When he talked people listened. They will listen to you too.
Henry Connel: Listen, if that guy lays an egg I want to get *something* out of it! I'm getting a Jane Doe ready.
Mayor Hawkins: No you can't see him, you didn't vote for me in the last election. Shame on you.
Plot
Actress Jessica Wells, sister of actor Damon Wells, is on top of her form except when her husband Vance is around. When Vance takes her to the apartment of a theatrical producer she comes home incoherent and Vance is found dead in the vanished producer's hotel suite.
Keywords: actor, actress, alcoholic, aunt, autopsy, based-on-play, bellboy, bible, blackmail, body-identification
It's the most unusual picture since "Dr. Jekyll and Mr. Hyde."
Daphne Flowers: [to Sergeant Curtis about Wells] Get him to explain refinement to you. It's just too divine!
Producer Ben Weston: [Contemptuously to Vance] You know, Vance, there must be some way of getting rid of rat like you. I suppose the best way is just to crunch you underfoot on the sidewalk.
Daphne Flowers: Listen here, you big heel, you've left me flat for over a week!::Damon Welles: Well, that's the way i found you!::Daphne Flowers: What were you doing in Philadelpia on Monday?::Damon Welles: I never go to Philadelphia!
Dr. Kendall: [Speaking of Jessica] If there's a remedy for her, it's not in my satchel.::Aunt Martha Temple: Oh, but, doctor, there must be something... other cases?::Dr. Kendall: The doctors who understood these cases are all dead. They died in the Middle Ages. They would have said she's possessed... and they would have been right... perhaps.
Hattie, Martha's Housekeeper: [to Vance] I'm a housekeeper, not a mouse keeper.
Damon Welles: Well, a new groupie. [32-years before it's first usage as noted by Merriam-Webster at http://www.merriam-webster.com/dictionary/groupie on 2012-04-06 12:28 CT]
Stanley Vance: Now let me warn you. If you hurt those mice I shall have the extreme pleasure of knocking you down and kicking your brains out.
Plot
"Tonto" Daily fails as a cowpuncher for Weston, wealthy cattleman, and is demoted to chuck-wagon driver. He falls even lower, in Weston's estimation, when he loses the wagon in a river crossing and imperils the life of Nina, Weston's daughter. Porky and Tex, two worthless cowboys, who aspire to own a pig farm, learn that Daily has inherited a fortune and they beg him to invest in their pig-farm venture. Daily declines. In spite of his bumbling mistakes, Munther, the ranch foreman, and a rustler on the side, keeps Daily around. He assigns him to guard 5,000 longhorn cattle in the Weston stockyards. When he falls asleep, Munther and Joe Gilbert, a suitor for Nina's hand, steal six hundred head of cattle and hide them in a cavern below the Mexico border. Daily flees the situation and invests money in the pig farm, but his heart is still with the cows. Porky and Tex take him to a Mexican border cantina, and they spread the report that their friend is really the notorious outlaw, the Tonto Kid, from "under the Tonto Rim." Nina is also at the cantina, accompanied by Gilbert, and she is thrilled to learn that Daily is a bold, bad man. Gilbert exposes Daily for the meek man he really is and has a bouncer throw him into the street. Nina's sudden scorn changes Daily into a roaring, two-fisted he-man, cleans out the saloon, commandeers a couple of horses, takes Nina prisoner and escapes.
Keywords: 1880s, arizona, b-movie, b-western, bad-reputation, bartender, based-on-novel, bumbling-hero, cantina, cattle
LOVE TURNS A BASHFUL ROMEO INTO THE WEST'S FIERCEST BAD-MAN (original poster-all caps)
Rampaging Drama of a Bashful Bad-Man with the Women! (original poster)
FRenzied Thrills...Brawling Action...Stirring Romance...Board Comedy...as only Zane Grey can tell it! (original poster)
THE PRIZE SAP OF THE MEXICAN BORDER GETS TOUGH! (original poster-all caps)
Milk was his favorite strong drink---and he got drunk on it! Yet across the border they called him "The Tonto Kid." (original poster)
Heather Lewis
Heather Lewis
When you left for college
I thought you would visit
Heather Lewis
Heather Lewis
Tell me why you
Had to go so far away
I thought you'd call me
Cuz you would miss me
I guess I understand your busy
I thought you'd write me
Because you liked me
Do you even think about me
I know I'm dull compared to sororities
(Yes you are)
I don't like to go to parties
(No you don't)
But I thought for sureI meant more to you
Then anybody
Heather Lewis
Heather Lewis
When you left for college
I thought you would visit
Heather Lewis
Heather Lewis
Tell me why you
Had to go so far away
I thought you'd call me
Cuz you would miss me
I never thought you'd dis me
I thought you'd write me
Because you liked me
Sometimes I think you
Just forgot me
I know I'm dull compared to sororities
(Yes you are)
I don't like to go to parties
(No you don't)
But I thought for sure I meant more to you
Then anybody
Heather Lewis
Heather Lewis
Heather Lewis
Heather Lewis
I got a new shirt
For school yesterday
And my mom said
I looked real hansome in it
I got a new shirt
I got a new shirt
Cuz I thought
You might like me in it
I got a new shirt
I got a new shirt
Cuz I thought
You might like me in it
I got a new shirt
I got a new shirt
Cuz I thought
Maybe you might wear my ring
I heard your song on the radio,
Tried to sing along, but I didn't know...
Half of the words... How does it go?
I sure think we would make a real cool pair,
You could sing your songs, I could sit and stare,
And fall in love... in love with Liz Phair
You sang a song with Bent Lee...
How about singin' with me?
You look real pretty in your video,
and you write better songs than anyone I know,
Me and you should go to the big black show...
Or maybe I could just meet you there?
I'm getting sorta cool, but mostly I'm a square,
I'd rather get around, around to Liz Phair...
I don't want nothing physical, but I sure think you're cool...
...sang a song with Bent Lee,
How about singin' with me?
Your records always in my stereo,
I never turn it off, I never play it low,
You're the greatest thing in rock n' roll...
I sure think we would make a real cool pair,
You could sing you songs, I could sit and stare,
And dream about you... dream about Liz Phair,
dream about Liz Phair, dream about Liz Phair,
Tried all my life to be a round peg round hole guy
I was always way to square
I kept waking up on the bus in my underwear
[Chorus]
Always one step off always one beat behind
With my sneakers or dumb hair
Will I ever get there
I know I'll never be the
Number one that everybody wants to talk to
I know I'll always be that
Fat kid on your bus
Everybodies a jerk too
A freakin jerk too
No kind of
Superstar
No kind of superstar
I was always way to clumsy stupid shy
I could barely walk much less dance
I've accepted the fact that I'm a dork
In human pants
Tried all my life to be a round peg round hole guy
I was always way to square
I kept waking up on the bus in my underwear
[Chorus]
Always one step off always one beat behind
With my sneakers or dumb hair
Will I ever get there
I know I'll never be the
Number one that everybody wants to talk to
I know I'll always be that
Fat kid on your bus
Everybodies a jerk too
A freakin jerk too
No kind of
Superstar
No kind of superstar
I was always way to clumsy stupid shy
I could barely walk much less dance
I've accepted the fact that I'm a dork
In human pants
[Repeat Chorus x2]
friday night was out of sight
we didn't have a single fight
saturday it totally changed
you said forget about being engaged
you can see what i can see
when i see you beating me
but it's alright
it's just a game
you are so retarded i must be retarded too
you're afraid of what i started
i guess you didn't want something new
and everything is so retarded
i expected more after all i have been through
i can't believe it i'm still in love with you
if my friends only knew what you do
they'd tell me not to parle voix
i should leave but my damn love wont
i'm so use to this what else can i do
they can see what i can see
when you're in my company
but it's alright
it's just a game
you are so retarded i must be retarded too
you're afraid of what i started
i guess you didn't want something new
and everything is so retarded
i expected more after all i have been through
i can't believe it i'm still in love with you
i can't believe you are so retarded
you are so retarded i must be retarded too
you're afraid of what i started
i guess you didn't want something new
and everything is so retarded
i expected more after all i have been through