Cook may refer to:
Taylor Alison Swift (born December 13, 1989) is an American singer-songwriter and occasional actress. Raised in Wyomissing, Pennsylvania, Swift moved to Nashville, Tennessee at the age of fourteen to pursue a career in country music. She signed to the independent label Big Machine Records and became the youngest songwriter ever hired by the Sony/ATV Music publishing house. The release of Swift's self-titled debut album in 2006 established her as a country music star. "Our Song", her third single, made her the youngest sole writer and singer of a number one song on the country chart. She received a Best New Artist nomination at the 50th Grammy Awards.
Swift's second album, Fearless, was released in late 2008. Buoyed by the chart success of the singles "Love Story" and "You Belong with Me", Fearless attracted a crossover audience and became the top-selling album of 2009. The record won four Grammy Awards, with Swift becoming the youngest ever Album of the Year winner. Fearless also received Album of the Year plaudits at the American Music Awards, Academy of Country Music Awards and Country Music Association Awards, making it the most awarded album in country music history. In 2010, Swift released her third album, Speak Now, which sold over one million copies in its first week. She then embarked on the 111-date Speak Now World Tour, which was attended by over 1.6 million fans and has become one of the highest-grossing concert tours of all time. The album's third single, "Mean", won two Grammy Awards for Best Country Song and Best Country Solo Performance. Swift is currently recording her fourth studio album, due for release in the fall of 2012.
Plot
Redemption 316 is a riveting tale of a college sophomore convicted for killing her fiance. Jessica maintained her innocence throughout the course of the trial. Cast into a world of the criminal minded, she strives to survive prison life amid brutal assaults and gang affiliates who stand to gain nothing but respect in the mist of the weak. While in prison, Jessica crosses path with Zane, a die hard gang leader who wants her for a sex slave, while Krime, a leader of a rival gang wants Jessica split for peace to reign. Zane calls it a slap in the face. Things heats up, Jessica must fight to stay alive. After serving 2 yrs, she must face ultimate task to redeem herself or roast in jail.
Plot
After Nicky, the son of a New Jersey mob boss, is framed for a murder he didn't commit, he goes on the run and ends up in a small town in Tennessee where he's taken in by Trina. At first, Nicky is as suspicious of their moonshine as they are of his fake tan, but he soon bonds with the residents to take down Gilley, the town's corrupt sheriff.
Don Farelli (Nick Mancuso): That's enough Dino.::Nicky Ferelli: Yeah shut your fat mouth!::Dino: You shut your fat mouth!::Nicky Ferelli: You shut it!::Dino: Shut your mouth!::Nicky Ferelli: Shut it!::Dino: Shut your mouth!::Nicky Ferelli: You shut your mouth Dino!::Dino: You shut your mouth I'm...::Don Farelli (Nick Mancuso): Shutup, the both of youse!
Plot
Explores the overwhelming feeling of quitting to the point of abandoning even the fight for one's own life. Also embedded in the story, there's an apathy and indifference towards other people's sufferings and tragic realities. Based on the short story "The Killers" by Ernest Hemingway
Plot
Brett, a young woman from the suburbs, is an associate editor at a small New York publishing house, hoping to be promoted when, on the same day, she meets a literary lion, Archie Knox, who's 50 and who shows an interest in her, and gets a new boss, a dolly-dolly Brit. Brett is soon dating Archie, then moves in with him. He's charming, attentive, and gives advice. He also has a history - ex-wives, a distant daughter, a couple of diseases, and a photo album of former girlfriends. It's no fairy tale: family issues (and more) intervene, and Brett has decisions to make. Meanwhile, she's working with a writer who fears peanut butter sticking to the roof of his mouth. Is Archie dinner, an hors d'oeuvre, or a peanut-butter sandwich?
Keywords: advice, apartment, apartment-building, based-on-short-story, bestseller, blackberry, book, book-editor, book-publisher, book-writer
Sometimes the ending is only the beginning.
Rewriting her dream in the big city.
Brett Eisenberg: Is this all some sort of experiment, see how long it takes to seduce a young girl?::Archie Knox: Seduce? What would the point of that be?
Nurse: Just a minute miss, sorry to bug you. But your father hasn't filled out his dinner menu yet. Would you mind?::Brett Eisenberg: He's not my father.::Nurse: Excuse me?::Brett Eisenberg: I said he's not my father. He's my boyfriend. I have sex with him!::Nurse: Either way he eats, right? [Brett walks into the hospital room, pulls back the curtain, and we see Archie in bed]::Archie Knox: [using a high pitch, mimicking voice] He's my boyfriend. I have sex with him!
Archie Knox: Congratulations are in order if you're breaking bread with Brett. Looks like you're planning to sign with Gitlin and Stern?::Cas Coyote: Well, we haven't actually settled on anything yet.::Archie Knox: Well, you better hurry. You have before you the savviest editrix in this town. I've tried to hire her myself for the last couple of years, and she turned me down. You know why? She say's I'm a letch.::[both laugh]::Cas Coyote: Archie, you are a letch.
Archie Knox: [sitting with Brett's family after meeting them for the first time] Well, I do appreciate the attempt you've all made at avoiding the obvious. It was a worthy effort. But let's cut to the chase, shall we. Robert, how old are you?::Robert Eisenberg: 57.::Archie Knox: And I'm 50. So, that makes me younger than Robert. So everybody feeling good about that right now?::Ethan Eisenberg: I am very relieved. How old were you when Brett was in third grade?::Brett Eisenberg: Grow up Ethan.::Ethan Eisenberg: Brett skipped the third grade.::Ethan Eisenberg: [imitates a buzzer] Well played.
Archie Knox: Take as much time as you need.::Brett Eisenberg: I will.::Archie Knox: But don't forget that I need you too. More than I've ever needed anybody before. [starts to drive away and then reverses to be next to her again] Because you may not think so, but you're different.::Brett Eisenberg: From all the rest? [Archie nods and drives away]
Robert Eisenberg: Is Archie alcoholic?::Brett Eisenberg: Yeah::Robert Eisenberg: Look, you know I don't like to get involved in your life. But this is the reason that I don't... That I'm worried about this relationship with this man. If Archie isn't going to take care of himself someone else will. I don't want you to have to spend your life that way.
Robert Eisenberg: You're Brett Eisenberg, MD.::Brett Eisenberg: MD?::Robert Eisenberg: My daughter.
Ethan Eisenberg: I know I'm not dad, but if you ever need to talk to someone I could try to manufacture something that sounds lucid.::Brett Eisenberg: [pause] The only thing that I can't bear, that's killing me... Is the thought that he was worried about me when he died.::Ethan Eisenberg: He wasn't worried.::Brett Eisenberg: How do you know?::Ethan Eisenberg: I was here the morning that dad got the phone call from Mickey. Well, after he hung up the phone, I told him would gladly assassinate Archie, if that's what he wanted. You know a dieing wish vendetta type of thing.::Brett Eisenberg: Very comforting.::Ethan Eisenberg: Anyway, he said, "Thanks, but I think Brett can take care of herself."::Brett Eisenberg: He really said that?::Ethan Eisenberg: Yeah. That's straight from the words of Robert Eisenberg, MD.::Brett Eisenberg: MD... My Dad.
Archie Knox: Why won't you marry me?::Brett Eisenberg: Are you asking me to explain?::Archie Knox: Yes, I am.::Brett Eisenberg: When I look at you, I see a teacher. But when you look at me, you see a student. Because you like to run away. It's part of who you are. Because, in the end, a girl can't grow up until she looses a father and leaves an Archie.
Brett Eisenberg: I know, it's nuts, but when I'm with him I fell like a better version of myself... You know? Funnier, smarter, sexier.
Plot
With the death of a billionaire engaged in illegal practices, his billion-dollar fortune is up for the grabs. As his art collection is being prepared to be sold at an auction, two Turkish thieves from Germany are hired to steal valuable paintings from the art collection. Meanwhile, Seckin the fashioner designer - also the brother of Binnur, wife of the late billionaire - prepares for a fashion show in the same hotel that the robbery is going to take place. With the intervention of police, the beautiful model and her ex-lover, a hip papparazi, the two "Laz" mafia bosses seeking revenge, and the getaway driver straight out of Selcuk Erdem caricatures, the robbery is bound to go wrong. Prepare for a twist at the end as the plot unfolds towards a climactic ending...
Keywords: istanbul-turkey
Plot
Dalton's not the type of guy you're likely to remember. Quiet and unobtrusive, he's invisible to everyone at work and run over by his mother and sister at home. But all that changes when a street kid living behind Dalton's dumpster gives Dalton a mysterious pouch. Now, Dalton walks with a new confidence and strange peace. The alluring contents of his pouch bring him more attention than he's ever had - or possibly wanted. Dalton is alternately sought after and reviled by all who surround him, and he's starting to feel uncomfortable about it. When his secret ultimately leads to disaster, he breaks. With his prize turning out to be nothing but a curse, Dalton frantically searches for the kid who gave it to him. But the one person who can lift his burden has disappeared. Broken and alone, Dalton is left to choose for himself: Is his strange reward worth the price he has to pay?
Keywords: 168-hour-film-project, character-name-in-title, christian-film, faith-based-film, holy-spirit
What do you do when your only blessing is your greatest curse? Unknown & unloved, Dalton receives a gift that changes his life.
Plot
1940, Linda Voss is a woman of Irish, Jewish-German parentage who loves the movies, especially films about war and spies. She gets a job at a New York law firm, after it's revealed she can speak German, fluently. As secretary and translator to Ed Leland, she begins to suspect that her boss is involved in espionage work. The two become lovers, and when America officially joins the Allies in fighting Hitler, Linda volunteers to go undercover behind enemy lines.
Keywords: 1940s, air-raid, based-on-novel, black-stockings, bomb, double-agent, female-spy, flashback, german-american, germany
He needed to trust her with his secret. She had to trust him with her life.
Ed Leland: What I was going to ask you to do is stand up, turn around, and close your eyes and tell me everything you see in the room. It's an observation test. Do you really have a problem with that?::Linda Voss: Pictures of sailboats and polo ponies; fancy books and diplomas; stuffed fish on the wall; calendar set to the wrong date; bookcases that need dusting; carpets that need cleaning; and a couple of guys from Harvard who are surprised that a girl who needs a job won't be treated like a slave.
Marguerite Von Eberstein: Except for you, I have no use for Jews.
Ed Leland: [seeing Linda for the first time in six months after their passionate affair, and he has come strolling in with a stunning brunette] You can come work for me while I'm here, I can always use a good secretary.::Linda Voss: This is all so civilized, Edward. That's what you like, isn't it? Civilized people, polite ladies with pedigrees who look good at the opera, and never make you laugh too hard, and never make you feel too much. I've had a lot of time to think about this and don't tell me it's the war, when I've been waiting for six months to hear whether you're dead or alive and you waltz into a nightclub.::Ed Leland: Linda, I came in last night and I was going to call you.::Linda Voss: Oh, go to hell.::[He grabs her arm]::Linda Voss: Careful, Ed. You might have to admit you know me.::Ed Leland: Linda, it is the war.::Linda Voss: You're so noble, Ed.::Ed Leland: Did I promise you something? If I did, I'd like to know.::Army SSG in Canteen: Excuse me sir, I thought the young lady might like to dance.::Ed Leland: The lady is busy.::Linda Voss: I'd love to dance::[she starts dancing with soldier]::Ed Leland: I'm cutting in.::Linda Voss: Don't let him.::Army SSG in Canteen: Excuse me sir, but I don't think the young lady wants to dance with you.::Ed Leland: Don't try it, or I'll leave here with your Adam's Apple in my pocket.::Linda Voss: What do you want from me?::Ed Leland: I want you to stop feeling sorry for yourself.::Linda Voss: No, you want me to stop feeling, like you... You did love me, didn't you? I couldn't have been wrong.::Ed Leland: You weren't.::Linda Voss: Well then how do you stop, or want to?::[crying]
Linda Voss: If you don't let me go, I'll quit!::Ed Leland: I'll miss you.
Horst Drescher: [chewing raw dove] Delicious. Makes me feel like a volf. [laughs] [then gulps with a sick look on his face]
Franze-Otto Dietrich: [from car to Linda Voss who is walking alone and has just been fired by Horst Drescher] It's me, ze zoup. [points to his chest where Linda Voss had spilled soup on him earlier during the dinner] He dismissed you?::Linda Voss: Yes::Franze-Otto Dietrich: Ze doves were raw.::Linda Voss: I had no time, I arrived at 6:00.::Franze-Otto Dietrich: [talking to Linda Voss about Horst Drescher and the dinner of raw dove] He ate ze whole thing to pwove it was edible. [laughs] You should have seen him. Pompous little ass. Eating a raw bird. [shakes his head]
Ed Leland: [she lights a cigarette] When did start smoking?::Linda Voss: I don't know.::Ed Leland: That was a silly thing to do, don't you think?::Linda Voss: I'm a silly girl. Ed. I think you're living proof of that.
Linda Voss: To my father I spoke German. But he warned me to keep this language a secret, because outside of our neighborhood in Queens New York, if people heard me speak German they would either think that I was a Nazi sympathizer, or they would know I was a Jew.
Ed Leland: [being interviewed] Your grandmother, she insists you speak...::Linda Voss: German? She doesn't speak English.::Ed Leland: She's lived here for...::Linda Voss: My sixth grade teacher used to do that.::Ed Leland: Beg your pardon?::Linda Voss: Used to start a question and not finish it. Like, "the capital of Indiana is..."
Linda Voss: [reciting what she has noticed in the room] Pictures of sailing boats and polo ponies, fancy books and diplomas, stuffed fish on the wall, calendar set to the wrong date, bookcases that are dusty, carpets that need cleaning, and a couple of guys from Harvard who are surprised that a girl who needs a job won't be treated like a slave.::Ed Leland: Are always like this?::Linda Voss: I forgot to tell you, my other half's Irish.::Ed Leland: Lethal combination.
[Intro:]
Steely: Bwoy Lenny, I see your girl ah bawl yuh know
So you kicked her out, ah wha she do my yute?
[Lexxus:]
Hear me tell you now Steely
[Chorus:]
Gal Yuh better caan cook, tink yuh deya for yuh pretty looks
Yuh waan live ah restaurant and come dunn man bank book
Cook, eh!, recipe book
Gwaan inna di kitchen cause yuh hand dem nuh nook
Yuh better cook, tink yuh deya for yuh pretty looks
Yuh waan live ah restaurant and come dunn man bank book
Cook, Eh!, recipe book
Gwaan inna di kitchen cause yuh hand dem nuh nook
[Verse 1:]
Big sunday morning yuh laid down inna bed
Before yuh boil two banana, steam two fishead
Yuh mad, bout yuh waan sausage and egg
Big man nuh waan nuh bully beef and bread
First ting, mek me get yuh fingernail clip
Snip snip, tall fingernail tek ah trip
Yuh know seh yuh caan peel banana wid it
Plus dumplin, dumplin
[Chorus:]
Yuh better caan cook, tink yuh deya for yuh pretty look
Yuh waan live ah restaurant and come dunn man bank book
Cook, eh!, recipe book
Gwaan inna di kitchen cause yuh hand dem nuh nook
Cook, tink yuh deya for yuh pretty look
Yuh waan live ah restaurant and come dunn man bank book
Cook, eh!, recipe book
Gwaan inna di kitchen cause yuh hand dem nuh nook
[Verse 2:]
Have some gal well way past dem teen
Big hotty hotty but live like sardine
Caan even cook some cow foot and bean
But dem ready, fi eat then and now I scream
Cherene, hmmm, ah what smell so green?
Ah must be some last week food yuh ah steam
I mean, how could yuh let cabbage smell so mean?
(Ah big so if dat yuh hygene)
[Chorus:]
Yuh better caan cook, tink yuh deya for yuh pretty look
Yuh waan live pon fast food, and dunn man bank book
Cook, eh!, recipe book
Gwaan inna di kitchen cause yuh hand dem nuh nook
Cook, tink yuh deya for yuh pretty look
Ah lobster yuh waan lobster mi bank book
Cook, eh!, recipe book, recipe... book
[Verse 3:]
You likkle slappa, all yuh ah steam bout ah combo and whopper
Big sunday morning box food nuh look proper
And she like... fi try it...
But she ah but it fi papa, papa him ah shopper
Dem all dem know about steamfish and cocka
Food nuh linger, curry pon finger
(Hey gal ah see you, come!)
[Chorus:]
Gal yuh better caan cook, tink yuh deya fi yuh pretty looks
Yuh waan live like restaurant and come dunn man bank book
Cook, eh!, recipe book
Gwaan inna di kitchen cause yuh hand dem nuh nook
Cook, tink yuh deya for yuh pretty looks
Yuh waan live ah restaurant and come dunn man bank book
Cook, eh!, recipe book, recipe book, recipe book
Shade so dog haters I can't even see them
I got old money like a dinosaur museum
Let me send the bitches some dollar
All I do is three some
I scream lambo into [?] nigger
We are all me you're gonna [?] some recon
Come a little closer bitch I got three on
I am weirdo your girl gonna get her grip on
I tell them Missy Eliot get your freak on
Girls I was hard on left me with the hard on
[?] push one button gonna let the [?] end up
Get you with the [?] like a wild man bitch I think I am toy zone
Turn the lights out [?] your girlfriend ain't mad at all
So she bored so she [?] swagging on your main chick who you think you are playing with
Yeah [?] bowling on this [?] fucking around call it on this bitch yeah and stop trigger [?]
Let that boy cook and stop tripping let that boy cook
Cook cook cook cook cook cook cook
Let that boy cook he is [?] Give it in for all type of deviance
Somebody being cool big body bitch
[?] you just might body shift
I am the hardest nigger out that is obvious
[?] bounce the [?] of respect my [?]
Let me blow [?] stay [?] terminator will get you
Yeah [?] shit let that boy cook
[?] I am hustler nigger for long term
You want a nigger out of house [?] I bet I will be higher than the mother fucker [?]
Still riding like the mother fucker
So she bored so she [?] swagging on your main chick who you think you are playing with
Yeah [?] bowling on this [?] fucking around call it on this bitch yeah and stop trigger [?]
Let that boy cook and stop tripping let that boy cook
Cook cook cook cook cook cook cook
I big [?] gotta be [?] first
I ain't [?] squeeze on a nigger like a small shirt
[?] weed is my new bitch [?] you got so many seeds
You should be a florist
Cut a nigger arms off make him [?] go get his fiancé
Turn it into an angel [?] Beyonce JLo [?]
Nigger keep have fun for this [?] ok past that [?] baby this is promo
[?] So she bored so she [?] swagging on your main chick who you think you are playing with
Yeah [?] bowling on this [?] fucking around call it on this bitch yeah and stop trigger [?]
Let that boy cook and stop tripping let that boy cook