High Noon is a 1952 American Western film directed by Fred Zinnemann and starring Gary Cooper and Grace Kelly. The film tells in real time the story of a town marshal forced to face a gang of killers by himself. The screenplay was written by Carl Foreman.
In 1989, High Noon was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant," entering the registry during the latter's first year of existence. The film is #27 on the American Film Institute's 2007 list of great films.
Will Kane (Gary Cooper), the longtime marshal of Hadleyville, New Mexico Territory, has just married pacifist Quaker Amy (Grace Kelly) and turned in his badge. He intends to become a storekeeper elsewhere. Suddenly, the town learns that Frank Miller (Ian MacDonald)—a criminal Kane brought to justice—is due to arrive on the noon train.
Miller had been sentenced to hang but was pardoned on an unspecified legal technicality. In court, he had vowed to get revenge on Kane and anyone else who got in the way. Miller's three gang members (his younger brother Ben (Sheb Wooley), Jack Colby and Pierce) wait for him at the station.
Frankie Lane (20 July 1948 – 19 May 2011) was an English former footballer who played as a goalkeeper. He began his Football League career with Tranmere Rovers, before joining Liverpool, where he spent four years as reserve goalkeeper. He made only two appearances for the club – the first of which, against Derby County, was notable for an incident where he safely caught a cross, only to step back over his goal line – but did make it onto the bench for the 1973 UEFA Cup Final, before leaving to join Notts County in 1975. He was also second choice at Meadow Lane, understudying Eric McManus,[citation needed] before dropping into non-league football with Kettering Town in March 1978. Lane died in May 2011.
I've already been to heaven
So I might as well step down
Up seems like a real good offer
But I'm gonna have to turn it down
Losing heart
Wondering if it's worth saving
Well at least what remains
After it hits the pavement
I just had to make sure
You knew I was sincere
Trains change
They jump the tracks
They almost always
Switch back
Once again it's just me
The smoking empty shotgun shell
So close to a dream you can't touch
My very own version of hell
Playing tables and gambling
Bad hands of cards
Running out of crosswalks
Betting on the oddest odds
I just had to make sure
You knew I was sincere
Trains change
They jump the tracks
They almost always
Switch back
I've changed
I've jumped the tracks
I almost always switch back
I just had to make sure
You knew I was sincere
I've already been to heaven
So they asked me to step down
Up was a real good offer
But I screwed up big and turned it down
Lost heart
Knowing it's not worth saving
No usable remains
After it hits the pavement
I just had to make sure
You knew I was sincere
Trains change
They jump the tracks
They almost always
Switch back
I've changed
I've jumped the tracks
I almost always switch back
Trains change
They jump the tracks
They almost always
Switch back
You've changed
You've jumped the tracks
You've almost always switched back
And now I know for sure
You knew I was sincere
I just had to make sure
You knew I was sincere
I just had to make sure
You knew I was sincere
It's been too long and "Runnin' on Empty" is playin' on the radio
Don't know what it is but somethin' down in me
Is tellin' me boy you better get back home
I need a refill, I sure could go
For a little Southern Comfort in my rock and roll
I need a refill, pour it slow
One for my glass and one for my soul
One for my glass and one for my soul
I left town to make a little money but there's always a price to pay
I miss my baby's peaches and her Tennessee honey
There's only one road that I can take
I need a refill, I sure could go
For a little Southern Comfort in my rock and roll
I need a refill, pour it slow
One for my glass and one for my soul
One for my glass and one for my soul
So baby, fill it up with your touch
I need some time alone with some homegrown love
Can I get a refill, I sure could go
For a little Southern Comfort in my rock and roll
I need a refill, pour it slow
One for my glass and one for my soul
I need a refill, I sure could go
For a little Southern Comfort in my rock and roll
I need a refill, pour it slow
One for my glass and one for my soul
One for my glass and one for my soul
One for my glass, one for my soul
With contrite hearts on the blackest of days
We've done our deeds but now we have to pay
The social call; the presidents not home
The gossip line we never would have known
I awoke to the sound of singing in the streets [x2]
The sorrow fell like the setting sun
On dusty streets the sound of running in our heads
As we hung like leaves from the trees
Shooting from the hip we live our lives so precariously
Breathing deeply for the last time I can see
The lights shining just for me...
Built to last
This winters going to end
The sun will shine on our faces
Life begins...
Swing low, Sweet chariot
Carry me home [x2]
Ride till sunset leave it all behind [x2]
And go
Cowboys never die [x4]
Built to last
This winters going to end
The sun will shine on our faces
Life begins...
When life ends life begins [x2]
[Red 1]
Yo yo
We rude bwoys Van-city outlaws
Yo, the Red reaper, bust back your street sweeper
Call Mr. Martin and the preacher
To the saloon, the showdown high noon
Men dressed all black, yo pon cock platoon
Outlaws, shedding blood by the liter
Saddle up, ride into the sun, done defeat ya
Ride out and scout a safe hideout
With a bounty on my head, that's the word of the moth
Misfit and Red, wanted alive or dead
But Billy bad on the draw, cowboy ninja dread
Retreat to the bush where the Indians live
To survive off the land, recuperating
Yo, walk the warpath like a brave Mohican
Then scalpel the tongue chief rocker speaking
Young gun, bust and murder the sound boy
Anything in my way, no choice but to destroy
CHORUS
"Hold my ground like it's high noon" -- Inspectah Deck
**scratched by Kemo**
[Misfit]
Trigger happy, blazing these mics to this undoubtedly
Unanimous that we the champ, to center your cipher
And blow up the ship, just to get a rep, that's the way we step
Droppin rhymes, so clean out the top
You think I had a violent
Naughty locks chopping you down like box cutters
Spreading this lyric on the ideo like butters
Gripping neck, keeping next, the style that you missing
But you be getting it from the rendition
Hitting this rap game with some tight shit to remain
'Cause it's only the quicker the dead and I must remain
You know the name, Misfit, speed of the mantis
Rhymes will split your wig at ten paces, show down shit
So bring it, you had your warning
Mr. Martin, is on his way with an open coffin
Talking your way out of this, won't happen
We taking it to the front of the stage with a gun clapping
And when we done with your, we run your crew out of town
Dis that shit, stomp your wack lick sound
Never come around or let us catch you on the rebound
We pound suckers like cats who can't rap, who want to clown
CHORUS
[Red 1]
Yo dressed and ready to shoot, in my bad boy suit
Pistol grip on the hip like these cowboy boots
Ready to rip, some running judgement day coming
When we clack and reload like Kardinal done it
And ban it from the ground to the roof
'Nuff chat dem rats, se we leave no proof
As we move, rarely got nothing to prove
Rough ride and abide by none of the rules
Work our vibe, watch the hand read the eyes
Quick draw, nobody moves nobody dies
Yo, we in control let the story be told
By the Rascal outlaws from the north coast
[Misfit]
What, you didn't know, FitnRed handle them foe
Take of the them soul, hang 'em out, let them die slow
And account of who the best was when they roll
Granted by the hand passage who afraid to explode
Yeah yeah, that's the way it goes
Anti-? behold, we lay down tracks while the rest of be told
So best move and gets go, act like you've been told
By the heat of the sun or the tongue, when we let go
CHORUS
[Misfit] {Red 1} **Chorus continues in background**
Word, see what I'm saying
Rascalz, straight up we ain't playing
North west side of things
The Outlaws laying it down
The story's already been told
Rascalz, is the way we come brother
{Word up}
Word *repeated*
{From the mountain top to the valley below}
{Let the story be told my man, let it be told}
[Red 1]
Yo yo
We rude bwoys Van-city outlaws
Yo, the Red reaper, bust back your street sweeper
Call Mr. Martin and the preacher
To the saloon, the showdown high noon
Men dressed all black, yo pon cock platoon
Outlaws, shedding blood by the liter
Saddle up, ride into the sun, done defeat ya
Ride out and scout a safe hideout
With a bounty on my head, that's the word of the moth
Misfit and Red, wanted alive or dead
But Billy bad on the draw, cowboy ninja dread
Retreat to the bush where the Indians live
To survive off the land, recuperating
Yo, walk the warpath like a brave Mohican
Then scalpel the tongue chief rocker speaking
Young gun, bust and murder the sound boy
Anything in my way, no choice but to destroy
CHORUS
"Hold my ground like it's high noon" **scratched by Kemo**
[Misfit]
Trigger happy, blazing these mics to this undoubtedly
Unanimous that we the champ, to center your cipher
And blow up the ship, just to get a rep, that's the way we step
Droppin rhymes, so clean out the top
You think I had a violent
Naughty locks chopping you down like box cutters
Spreading this lyric on the ideo like butters
Gripping neck, keeping next, the style that you missing
But you be getting it from the rendition
Hitting this rap game with some tight shit to remain
'Cause it's only the quicker the dead and I must remain
You know the name, Misfit, speed of the mantis
Rhymes will split your wig at ten paces, show down shit
So bring it, you had your warning
Mr. Martin, is on his way with an open coffin
Talking your way out of this, won't happen
We taking it to the front of the stage with a gun clapping
And when we done with your, we run your crew out of town
Dis that shit, stomp your wack lick sound
Never come around or let us catch you on the rebound
We pound suckers like cats who can't rap, who want to clown
CHORUS
[Red 1]
Yo dressed and ready to shoot, in my bad boy suit
Pistol grip on the hip like these cowboy boots
Ready to rip, some running judgement day coming
When we clack and reload like Kardinal done it
And ban it from the ground to the roof
'Nuff chat dem rats, se we leave no proof
As we move, rarely got nothing to prove
Rough ride and abide by none of the rules
Work our vibe, watch the hand read the eyes
Quick draw, nobody moves nobody dies
Yo, we in control let the story be told
By the Rascal outlaws from the north coast
[Misfit]
What, you didn't know, FitnRed handle them foe
Take of the them soul, hang 'em out, let them die slow
And account of who the best was when they roll
Granted by the hand passage who afraid to explode
Yeah yeah, that's the way it goes
Anti-??? behold, we lay down tracks while the rest of be told
So best move and gets go, act like you've been told
By the heat of the sun or the tongue, when we let go
CHORUS
[Misfit] {Red 1} **Chorus continues in background**
Word, see what I'm saying
Rascalz, straight up we ain't playing
North west side of things
The Outlaws laying it down
The story's already been told
Rascalz, is the way we come brother
{Word up}
Word *repeated*
{From the mountain top to the valley below}
{Let the story be told my man, let it be told}
This is the story of two men
One, an ex-convict
The other, a man of honour
The ex-convict vowed while in prison
A leather life from the prairie to the blue, blue ocean
A one horse town of promised gold and western fortune
Oh, token slug of bourbon
Time after time
High noon - riding a dream
Lie after lie
High noon - not what they seem
But it only happened in film
Hot dust and lust, a dawn to dusk can lead to danger
I bought a lover locket - a barroom dolly -
Bathtub stranger (swear to me calamity again!)
Sasperella
Red neck fella
Lace umbrella
Be my girl!
When I find the west is won
Got to keep on rolling on and on
Time after time
High noon - riding a dream
Lie after lie
High noon - not what they seem
Mile after mile
High noon - building a dream
Lie after lie
High Noon
High noon in the valley of the shadow
When the deep of the valley was bright
When the mouth of the tomb
Shouted, "Glory, the Groom is alive"
So long, you wages of sin
Go on, don't you come back again
I've been raised and redeemed
You've lost all your sting
To the victor of the battle
At high noon in the valley
In the valley of the shadow
Now the demons, they danced in the darkness
When that last ragged breath left his lungs
And they reveled and howled
At the war that they thought they had won
But then, in the dark of the grave
The stone rolled away
In the still of the dawn on the greatest of days
High noon in the valley of the shadow
When the shadows were shot through with light
When Jesus took in that breath
And shattered all Death with his life
So long, you wages of sin
Go on, don't you come back again
I've been raised and redeemed
You've lost all your sting
To the victor of the battle
High noon in the valley of the shadow
Let the people rejoice
Let the heavens resound
Let the name of Jesus, who sought us
And freed us forever ring out
All praise to the fighter of the night
Who rides on the light
Whose gun is the grace of the God of the sky
High noon in the valley of the shadow
When the shadows were shot through with light
When the mouth of the tomb
Shouted, "Glory, the Groom is alive"
So long, you wages of sin
I said go on, don't you come back again
I've been raised and redeemed
All praise to the king
The victor of the battle
High noon in the valley
In the valley of the shadow