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BLIND LOVE @1991. RATCAT ! Recored at Paradise Studios
Simon Day: Vocals + Guitars
Andrew Polin: Drums + Vocals
Amr Zaid: BASS + Vocals
Robyn St, Clair: Vocals
Margaret Urlich: Vocals
Mixed By: Nick Mainsbridge
--
Email: tingles@mpx.com.au
Web: http://www.magna.com.au/~tingles
RECORDED JULY 1986
Copyright (c) 1986 by Sanctuary Music Inc.
All Rights Controlled by Zomba Enterprises Inc. (ASCAP)
Copyright (C) 1966 by Warner-Tamerlane Publishing Corp.
(BMI) and Renleigh Music Inc.
* Copyright (C) 1972/1986 by Sydney-Bron-Music Co. Ltd.
Published in the USA by Intersong-USA Inc.
WASP
BLACKIE LAWLESS
Lead Vocals and Guitar
CHRIS HOLMES
Lead Guitar
STEVE RILEY
Drums and Vocals
JOHNNY ROD
Bass and Vocals
Produced By: Blackie Lawless
Mixed By: Michael Wagener for
Double Trouble Productions, Inc.
Engineered By: Duane Baron, Alex Waltman
Additional Engineering: Hans Peter Huber,
Kelvin Lahue
Recorded At: The Pasha Music House,
Hollywood, CA
Mixed At: Amigo Studios, North Hollywood, CA
Additional Mixing Engineering:
Garth Richardson
Mastered At: Sterling Sound, N.Y.C.,
by George Marino
Management: Rod Smallwood and
Andy Taylor for Sanctuary Music, Inc.
Tour Manager: Robbie Wilson
Road Crew: Russell Wallace, Don Morrison,
Mark Humphreys, Graham Thornton, Terry
Van Vickle, Jerry Snyder, Bernie 'Bus'
Thorne, 'Cowboy' Adams, Ted O'Dell
Blackie Lawless and Johnny Rod play
B.C. Rich guitars
Chris Holmes plays Charval Jackson guitars
Steve Riley plays Tama Drums,
Paiste Cymbals, Pro-Mark Sticks,
Simmons Drums and Drum Workshop Pedals
(P) 1986 CAPITOL RECORDS, INC.
(C) 1986 CAPITOL RECORDS, INC.
Perry Farrell: vocals
Peter DiStefano: guitars
Martyn Le Noble: bass
Stephen Perkins: drums, percussion
Sound additives: Skatemaster Tate and Matt Hyde
All songs written and performed by Porno for Pyros
(c) 1992 I'll Hit You Back Music/Virgin-EMI Songs BMI
Lyrics Reprinted by Permission. All Rights Reserved.
Produced by Perry Farrell and Matt Hyde
Engineered by Matt Hyde and Rob Seifert
Assistant engineer: Damien Wagner
Recorded and mixed at Crystal Studios, Los Angeles
during the summer of '92
Mastered at Bernie Grundman's by Chris Belman
Cover Artwork: Perry Farrell and Bill Hofstadter
Photography: Bill Hoftstadter
Art direction and design: Tom Recchion
Lettering: Barrie Goshko
Cover Computer Imaging: Cecil Juanarena, Insight Communications
Management: Ted Gardner for Larrakin Management
Booking Agent: Don Muller at William Morris, L.A.
Publicity: Ted Mico at Shattered, L.A.
Thanks to: Stuart Ross, Nikki Brown, Roger Leonard, Steven Baker,
Paul V., Eric Greenspan, the Perkins family, G.K., Jr and Sr,
Krissi and Ronnie, D.W., Sabian, Remo, Pro-Mark, Ludwig, Todd Trent,
Kiva, Toi Russell, the DiStefano family and friends, Melinda Mara,
Nannie and Bram, Steve Thomson, Madea, Casey Niccoli, Bo Gardner,
Bill Vuylsteke, Kim and Donovan, Andrew Berliner, Michele Matheson,
Mike Cassel and Greg, Danny Laughlin and the Venice boys
Skatemaster Tate appears courtesy of U.K. Acid Jazz
1981 April Music
Produced by Tony Platt and Trust
Assistant: Lars Wallander
Bernard "Bernie" Bonvoisin: Vocals
Norbert "Nono" Krief: Guitar
Yves "Vivi" Brusco: Bass guitar
M. "Moho" Chemlek: Guitar
Nicko McBrain: Drums
1981 Albion Music Ltd.
Arrangement by Hazel O'Connor and Tony Visconti
Produced by Tony Visconti
Engineered by Gordon Fordyce and Chris Porter
Wesley McGoogan: saxophone, background vocals
Eddie Case: drumkit, electronic drums, background vocals
Neil O'Connor: guitar, background vocals
Andy "Roots" Qunta: keyboards, background vocals
Steve Kmch: bass guitar, background vocals
Lizzie Donovan: additional background vocals
Nicholas Donovan: additional background vocals
Delaney Visconti: additional background vocals
Jessica Visconti: additional background vocals
All songs written by Andy Latimer except
'After Words' by Ton Scherpenzeel.
All lyrics by Susan Hoover.
Produced by Andy Latimer.
Engineered by David Hutchins.
Mixed by Greg Ladanyl except "Pressure Points"
Mixed by Andy Latimer and Haydn Bendall.
Assistant Engineers: Nico Bolas, Richard
Bosworth.
Recorded at Riverside Studios, England.
Mixed in Los Angeles, California.
Mastered by Doug Sax at the Mastering Lab,
Los Angeles.
Sleeve Design: The Artifex Studio, London.
Album Co-ordination: Susan Hoover.
Merit Badges to:
Reinhard Klaassen and Charles Shiddell for
confidence and support.
Carl Leighton-Pope and Valerie Potter for
staying power.
Haydn Bendall for unbounding enthusiasm
and energy (y.c.)
Dave Hutchins for endurance, giggles, and
baa's.
Susan Hoover for constant inspiration.
Task Force:
UK Division: Maria, Gerard, Martin, Laurie,
Brian, Ruth, Pete & Jools, Doreen, Wee 'P', Mel
(one-take) Collins, Andy Dalby, Wendy Miller,
Alan Parsons (for nosh) and Kate Bush for the
Fairlight.
US Division: Greg Siehl and Dru Redwine, Rog
and Murry Wells, Teddy-B and Steve.
CAMEL are managed by: D.I.Y. Management.
CAMEL FAN CLUB: Wnedy Miller,
10 Sutherland Ave., London W9 2HQ.
Ton Scherpenzeel appears courtesy of CBS
Records.
(c) 1984 The Decca Record Company Limited,
London
(f)= female singer (Lauren)
(g)= Gavin
(b)= both
(f)There was no helicopter.
There was no great escape.
There was no supermarket, no screaming car ride, no zombie chase.
You lied about the way this went,
You're stepping in your wet cement.
(g)I had no other place to go,
This remedy is all I know.
(f)But have you grown?
(g)The truth of where I am is hard to take,
Living in the house of my mistakes.
(f)But have you ever made a place to truly call your own?
(b)Is this you/me holding on or letting go?
(b)There is no clear agenda.
There is no safe retreat.
There's just the lengthy process, of filling in,
The you-shaped hole in me.
(g)And if I'd known it would end up this way,
I'd have got you hired anyway.
Home is not the place you dwell,
All tracks by Urban Dance Squad
Produced by Phil Nicolo and Stiff Johnson
Engineered and mixed by Phil Nicolo
Rudeboy: Vocal, backing vocals
Magic Stick: Drums, short waves, backing vocals
Sil: Vas, backing vocals, vacuumcleaner
Tres Manos: Guitar, lapsteel, backing vocals
2. Bite the Pain 4:26
3. Spirit Crusher 6:44
4. Story to Tell 5:32
5. The Flesh and the Power it Holds 8:24
6. Voice of the Soul 3:40
7. To Forgive 5:53
8. A Moment of Clarity 7:20
9. Painkiller* 6:00
All songs written by DEATH
except * by JUDAS PRIEST
Produced by Jim Morris & Chuck Schuldiner
Recorded and mixed at Morrisound Studio, Tampa, FL in April - May 1998.
Shannon Hamm - Guitars
Richard Christy - Drums
Scott Clendenin - Bass
Chuck Schuldiner - Guitars and Vocals
"For anyone with a dream, this album is for you!".
- Chuck Schuldiner
following 1982's "Janet Jackson" and 1984's "Dream Street."
Songs included on "Control" are:
Control
Nasty
What Have You Done For Me Lately
You Can Be Mine
The Pleasure Principle
When I Think Of You
He Doesn't Know I'm Alive
Let's Wait Awhile
Funny How Time Flies (When You're Having Fun)
Start Anew (on some Japanese versions)
Singles from "Control" were:
What Have You Done For Me Lately
Nasty
When I Think Of You (first #1)
Control
Let's Wait Awhile
The Pleasure Principle
Start Anew (in Japan only)
Personnel:
Vocalists: Janet Jackson (lead), Jerome Benton (backing on "Nasty") and
Jellybean Johnson (backing on "Nasty")
Producers: Janet Jackson, Jimmy Jam, Terry Lewis, Jellybean Johnson,
Monte Moir, Steve Wiese, Spencer Bernard
Songwriters:
Control - James Harris III, Terry Lewis, Janet Jackson
Nasty - James Harris III, Terry Lewis, Janet Jackson
What Have You Done For Me Lately - James Harris III, Terry Lewis, Janet
Jackson
You Can Be Mine - ???? (probably Jellybean Johnson & Janet Jackson or
Johnson on his own)
The Pleasure Principle - Monte Moir
When I Think Of You - James Harris III, Terry Lewis, Janet Jackson
He Doesn't Know I'm Alive - ???? (probably Spencer Bernard & Janet
Jackson or Bernard on his own)
Let's Wait Awhile - James Harris III, Terry Lewis, Janet Jackson,
Melanie Andrews
Funny How Time Flies (When You're Having Fun) - James Harris III, Terry
Lewis, Janet Jackson
Trivia:
This album was originally written by James Harris III and Terry Lewis
for singer/pianist Patrice Rushen.
Janet Jackson did not originally write any of the music or lyrics. She
added her own touch to the songs when production on "Control" began.