Dean Cundey - Craft Truck - Through the Lens S01EP03
Dean Cundey Part 2 - Craft Truck - Through the Lens S01EP4
Dean Cundey, what would you say to aspiring cinematographers?
Dean Cundey Interview - Jurassic Park, Halloween, The Fog etc
Dean Cundey on Working with John Carpenter on Inside Horror
ASC Awards 2014 - Dean Cundey
The Reel Studio Suspense Scene Demo with Cinematographer Dean Cundey, ASC
Dean Cundey on the 35th Anniversary Edition of Halloween (1978) on Inside Horror
Dean Cundey, Cinematographer "Halloween" (1978) at the 40th Annual #SaturnAwards
"Apollo 13" microgravity shootings by Dean Cundey,
DEAN CUNDEY for We're Going Back - 25th Anniversary Celebration of Back to the Future Reunion
Puppet "Lizard King" for Cinematographer, Dean Cundey ("Death Becomes Her")
Dean Cundey On The Lighting Choices For Without Warning
NAB 2014: Q&A; with DP Dean Cundey, ASC
Dean Cundey - Craft Truck - Through the Lens S01EP03
Dean Cundey Part 2 - Craft Truck - Through the Lens S01EP4
Dean Cundey, what would you say to aspiring cinematographers?
Dean Cundey Interview - Jurassic Park, Halloween, The Fog etc
Dean Cundey on Working with John Carpenter on Inside Horror
ASC Awards 2014 - Dean Cundey
The Reel Studio Suspense Scene Demo with Cinematographer Dean Cundey, ASC
Dean Cundey on the 35th Anniversary Edition of Halloween (1978) on Inside Horror
Dean Cundey, Cinematographer "Halloween" (1978) at the 40th Annual #SaturnAwards
"Apollo 13" microgravity shootings by Dean Cundey,
DEAN CUNDEY for We're Going Back - 25th Anniversary Celebration of Back to the Future Reunion
Puppet "Lizard King" for Cinematographer, Dean Cundey ("Death Becomes Her")
Dean Cundey On The Lighting Choices For Without Warning
NAB 2014: Q&A; with DP Dean Cundey, ASC
Dean Cundey on Making The Fog
Cinematographer Dean Cundey Interview - The Fog (1980)
Through the Lens - Dean Cundey - Teaser
Dean Cundey / Distinción de Oro / Expo Ciudad Pantalla
Special Effects: Then and Now - Dean Cundey - Craft Truck - Through The Lens
Dean Cundey, how important is Plus Camerimage to the cinematic community?
Dean Cundey Joins Red Horizon Team
Saturn Awards 2014: Legendary Cinematographer Dean Cundey (and an Old Friend) Chats With FBC
Dean Cundey - Part 2 - Through the Lens - Teaser
Dean Cundey Interview - Morrow Road
The Reel Studio Interview Trailer with Dean Cundey, ASC and Charles Bernstein
PSYCHO LEGACY Clip - Dean Cundey Talks Original PSYCHO
Dean Cundey
Freedom - Peter Cousens & Dean Cundey
Freedom - Cinematographer Dean Cundey on Slavery
Dean Raymond Cundey, A.S.C. (born March 12, 1946) is an American cinematographer.
Cundey was born in Alhambra, California, United States. As a child, he used to build model sets, suggesting an interest in films from an early age. Cundey already had several low-budget films under his belt when he met Debra Hill, who in 1978 recruited him to work on Halloween, a film she co-wrote with director John Carpenter.
Having Cundey work on a film brought considerable advantages. In addition to his considerable skill as a cinematographer and director of photography, he also had the advantage of owning most of his own equipment packed in a large van, referred to by Debra Hill as the "movie van".
Cundey's work on Halloween is cited by many fans as being among his best as director of photography. In addition to his lighting skills, particularly in the famous hallway scene where the hidden face of Michael Myers is slowly revealed by way of a blue light next to the mask, he was among the first cinematographers to make use of a recent invention called the steadicam, or panaglide.
John Howard Carpenter (born January 16, 1948) is an American film director, screenwriter, producer, editor and composer. Although Carpenter has worked in numerous film genres in his four-decade career, his name is most commonly associated with horror and science fiction.
Carpenter was born in Carthage, New York, the son of Milton Jean (née Carter) and Howard Ralph Carpenter, a music professor. He and his family moved to Bowling Green, Kentucky in 1953. He was captivated by movies from an early age, particularly the westerns of Howard Hawks and John Ford, as well as 1950s low budget horror films, such as The Thing from Another World and high budget science fiction like Forbidden Planet and began filming horror shorts on 8 mm film even before entering high school. He attended Western Kentucky University where his father chaired the music department, then transferred to the University of Southern California's School of Cinematic Arts in 1968, but later dropped out to make his first feature.