The Sicambri (var. Sicambers, Sicambres, Sugambri or Sicambrians) were a Germanic people living on the right bank of the Rhine river, near where it passes out of Germany and enters what is now called the Netherlands at the turn of the first millennium. Originating in the Germanic-Celtic contact zone (cf. Nordwestblock), the region they lived in had become Frankish by the 3rd century, associated with the Low Franconian Salians.
The Sicambri appear in history around 55 BC, during the time of conquests of Gaul by Julius Caesar and his expansion of the Roman Empire. Caesar wrote in his Commentarii de Bello Gallico that at the confluence of the Rhine and Meuse River a battle took place in the land of the Menapii with Tencteri and Usipetes. When these two peoples were routed by him their cavalry escaped and found asylum north of the river with the Sicambri. Caesar then built a bridge across the river to punish the Sicambri.
Claudius Ptolemy located the Sicambri, together with the Bructeri Minores, at the most northern part of the Rhine and south of the Frisii who inhabit the coast north of the river. Strabo located the Sicambri next to the Menapii, “who dwell on both sides of the river Rhine near its mouth, in marshes and woods. It is opposite to these Menapii that the Sicambri are situated". This information places the Sicambri near the lower Rhine in or near what is now called the Netherlands.
Vincenzo Salvatore Carmelo Francesco Bellini (3 November 1801 – 23 September 1835) was a Italian opera composer. A native of Catania in Sicily, his greatest works are I Capuleti ed i Montecchi (1830), La sonnambula (1831), Norma (1831), Beatrice di Tenda (1833), and I puritani (1835). Known for his long-flowing melodic lines, for which he was named "the Swan of Catania", Bellini was the quintessential composer of bel canto opera. He died in Puteaux, France at the age of 33, nine months after the premiere of his last opera, I puritani.
Born in Catania, Sicily, Bellini was a child prodigy from a highly musical family and legend has it he could sing an aria of Valentino Fioravanti at eighteen months. He began studying music theory at two, the piano at three, and by the age of five could apparently play well. Bellini's first five pieces were composed when he was just six years old. Regardless of the veracity of these claims, it is certain that Bellini grew up in a musical household and that a career as a musician was never in doubt.