Coordinates: 51°30′26″N 0°03′40″W / 51.5073°N 0.0610°W / 51.5073; -0.0610
Wapping (/ˈwɒpɪŋ/ WOP-ing) is a place in the London Borough of Tower Hamlets which forms part of the Docklands to the east of the City of London. It is situated between the north bank of the River Thames and the ancient thoroughfare simply called The Highway. Wapping's proximity to the river has given it a strong maritime character, which it retains through its riverside public houses and steps, such as the Prospect of Whitby and Wapping Stairs.
Many of the original buildings were demolished during the construction of the London Docks and Wapping was further seriously damaged during the Blitz. As the London Docklands declined after the Second World War, the area became run down, with the great warehouses left empty. The area's fortunes were transformed during the 1980s by the London Docklands Development Corporation when the warehouses started to be converted into luxury flats.
Rupert Murdoch moved his News International printing and publishing works into Wapping in 1986, resulting in a trade union dispute that became known as the "Battle of Wapping".
Tarrus Riley (born Omar Riley, 1979, The Bronx, New York City, United States) is a Jamaican-American reggae singer, member of the Rastafari movement and the son of Jamaican reggae singer Jimmy Riley.
His father is veteran reggae singer Jimmy Riley. He made his recording debut as a teenager. In 2004, Tarrus released his debut album, Challenges. Riley has consistently racked up awards for his work. Among his accolades are Best Singer, Male Vocalist, Cultural Artiste, Song of the Year, and Best Song. Some of the awards institutions which have rewarded Riley include the Youth View Awards, The Star People’s Choice Awards, EME Awards, and the Reggae Academy awards. Tarrus is the holder of Jamaica's CVM TV's 15th Anniversary Award, held in February 2009, for the ‘Most Admired Song in the Past 15 Years’ for the hit, "She’s Royal".
In 2009 Riley released his third opus Contagious on Cannon Production. The album was distributed by VP Records. It contained the hits Start Anew, Contagious, Good Girl Gone Bad featuring Konshens and Superman, a cover of a Robin Thicke original.2010 saw the release of the chart topper Protect the People, which scaled several charts in Jamaica and across the Caribbean. Early 2011 saw the release of the Black History themed Shaka Zulu Pickney which was featured on the Nyabingi rhythm from Bombrush Music. The video for the song which was directed by Storm Saulter was well received upon its release. His interest in educating the youth about Black History resulted in the Tarrus Riley Freedom Writers Competition, which ran on Jamaica’s Irie FM radio station.
Dame Felicity Ann Emwhyla Lott, DBE, FRCM (b. 8 May 1947, Cheltenham) is an English soprano.
From her earliest years she was musical, having started studying piano at age 5. She also played violin and began singing lessons at 12. She is an alumna of Royal Holloway, University of London, obtaining a BA in French and Latin in 1969. During her year in France as part of the degree course from 1967–68, she took singing lessons at the conservatory in Grenoble. She graduated from the Royal Academy of Music, winning the Principal's Prize.
She made her debut in 1975 as Pamina in Mozart's The Magic Flute at the English National Opera. In 1976 she appeared in the premiere of Henze's We Come to the River at the Royal Opera House Covent Garden and began a long relationship with the Glyndebourne Festival.
She has been associated with the works of Richard Strauss including various lieder, the Four Last Songs and the roles of the Marschallin in Der Rosenkavalier and the Countess in Capriccio. She has also appeared in operettas, singing the title role in Franz Lehár's The Merry Widow at Glyndebourne, as well as Rosalinde in Die Fledermaus and the title roles in Offenbach's La belle Hélène and La Grande-Duchesse de Gérolstein'.[citation needed]
Ken Gill (30 August 1927 - 23 May 2009) was a British trade unionist leader. He was the General Secretary of the Technical, Administrative and Supervisory Section (TASS), from 1974 to 1988, when it merged with ASTMS to form the Manufacturing, Science and Finance Union (MSF). He was General Secretary of the MSF, 1988 - 1992, initially jointly with Clive Jenkins. A committed Communist, he was elected to the TUC General Council in 1974, and was a prominent figure in the militant industrial relations of the 1970s. From 1981 to 1987 he was a member of the Commission for Racial Equality.
Ken Gill was born in Melksham, Wiltshire, in 1927. Gill was politicised when young, having experienced poverty in his childhood during the Great Depression. He attended a grammar school and was offered officer training during the Second World War, but refused this owing to a political opposition to the officer class. In 1943, aged 15, he became an apprentice draughtsman. During the war his family took in a lodger, a cobbler and communist who convinced the young Gill of the cause of socialism. In 1945 he was a prominent campaigner for the local Labour candidate, who was elected as the first local Labour MP.
What the fuck is up with this?
You want to live for nothing with a fucked disease
It doesn't make a difference can you believe
Only one condition that I'm not alone
I will do it what it takes
You want to be alive
It don't take much to be
I know that I will survive
Try taking something from me
You ain't nothing
Keep coming back
You ain't nothing
What's the use in bringing me
Bringing me this far to leave me in the dark
You drag me like I've never seen the dark in my life
I close my eyes I hold my breath I'm at the end
Have you got what it takes?
Life is set to death
From the very moment you breathe
Living lies on a needle
Taking life out on me
You ain't nothing
Keep coming back
You ain't nothing
No more I'll take it to the place I hate
I'll never be the same erase
No fuck will ever take the fact that I was
Giving nothing more to life then
Stand I deliver every promise that I
Make my integrity will take me to the
Next time I stare death in the face
I stand alone I'll wait I'll stand in line
Against the wall of every corner that I take
We stand together everything is in our fate
No fuck will give me one more reason
And I'll take it to another level
Test my ability to stand out from the rest of
Every fucking wannabe that jumped on
All of them now changing for the
Next changing for the
Next wave fucking craze a fabricated waste of nothing
Steps on my own falls from above
Alone here I stand, alone here I am
My life what I believe
Most people cannot see
I stand to take the fall
I've seen it all before so
I find within myself
Truth without a doubt
I've come this far alone
I'll get there on my own
I've made a lot of mistakes
I've put my life at stake
I still don't understand
What the fuck did I do that was
Wrong for me to hide
Time's not on my side
Cross it from my heart
It's tearing me apart
All in the end [x3]
I'm not what people say
You live I live my way
Why I pushed from place to place
I read it in their face so I
Say what I believe
Respect that I receive
Proves my honesty
Will come out in the end
I can see your smile I remember
Tears run down my face I surrender
We die tomorrow we dance as the rain ends
There is no end we fly on forever
I can take the fight, I can make it right
I can stand alone, strength is on my own
I screamed I begged I prayed
I lost I gave I paid
You take your fake I hate
I cried but still I rise
A thousand days have gone and I still try
I have no faith my hands have been tied from
We have to fight survive or we die for
How long we live in dreams that we run from
Can you justify, can you judge my life?
I can free your mind I will set you free
I screamed I begged I prayed
I lost I gave I paid
You take your fake I hate
Desperate measures we take
To be remembered how soon do we fade
Only a moment in time
What I survived in my life will set me free
I can't take no more
What do you live for?
It doesn't matter to me
Just one day in your life
I can take the fight from the motherfucker
I can stand, hold my head up with honour
What we do in life echoes on forever
I swear I'll never say your name again
Looking back in my life
Seen nothing but heartache my life tragedy
Now I'm falling from grace
What I have done I can take to my grave
Ash to ash
And dust to dust
They day will come
There's nowhere to run
Here we go again we stand and fight together
I'll never quit, admit I can take the pressure
Good things come to those of us who never
Spend there moment in fucking time holding back
It doesn't matter what they say I don't give a fuck
I'll do as I please never been the one to hold anyone back
Some of us elate over someone who falls
Not me I'll be true until the day I'm called
You got to stand your ground
Upholding the fight to survive
One chance you'll get
Don't let it slip to the next
Spend your life in regret
When you get to the path
What you've wanted from the start
I've seen it all fall apart
Whatever has become of the life that we lead
Too many of us listen what we're lead to believe
Don't listen to those rat fucks never evolve
Some days I am wishing that I'd never been told
You got to stand your ground
Upholding the fight to survive
[Repeat chorus]
One chance you'll get, don't slip regret
You'll cross the path don't fall apart
Easy come easy go I'll be the one who knows
I won't waste my time
When I'm gone on my way close my eyes and pray
I will feel no pain
Upholding the fight to survive
Am I living here just live and die
Have you seen what's after
What do we see when we fade away
If I knew the answer
Would you believe me
Or would you be afraid?
Light the day's end
I'll be back resend
What I have seen it leads to be
The end of days not yet will be
As I lay here waiting
I am fading will I disappear?
Nothing is forever
I have seen it if you don't believe
Light the day's end
I'll be back depends
My trust in you it leads me to
The end of days is after you