Roaming Portugal Dec 2014 - January 2015 Dedicated to InuitAldebaran - Jörg , JMan, THanKYoU for the opportunity to see the Magic and Beauty of Portugal. CaramelCaveHug, Waterchimes XX Love Susan Film and Photographs edited by me. Locations : Albufeira , Rua Alves Correia 37.0897° N, 8.2458° W Faro, Sesmarias, estrada da Gale & Rua do Farol 37.0333° N, 7.9167° W Parque Natural do Sudoeste Alenteja ( Vial do Bispo & Albufeira , Faro) Sagres , Sintra - Cascais Natural Park 37.0100° N, 8.9390° W The name Sagres, follows from Sagrado (holy) owing to the important local religious practices and rituals that occurred during the pre-history of the nation. From here some of the Mediterranean peoples (including the Phoenicians, Greeks, Carthaginians and Romans), venerated their divinities and which some believed, owing to the absence of a human settlement, was the gathering place for their gods. Christinas (Mozarabs) that lived in this zone, during the Muslim occupation, erected the Church of Corvo, where the mortal remains of the saint Vincent were deposited in the 8th century. The presence of martyr's remains lead the Portuguese to refer to the site and the peninsula as the Cape of Saint Vincent. Cabo do Roca -Cape Roca -38 Deg. 46' 51" N 9 Deg. 30' 2" W The cape is located within the Sintra-Cascais Natural Park, 42 kilometres northwest of the urbanized area of Lisbon and 18 kilometres northwest of Sintra. A location (38°47′N 9°30′W) is inscribed on a stone plaque, located on a monument at the site. The western coast is a mixture of sand beaches and rocky cliff promontories: around Cabo da Roca, cliffs are more than 100 metres in height, and cut into crystalline rocks, composed of strongly folded and faulted sedimentary units. These forms are disturbed by dikes and small beaches.This promontory of "high" beaches is the extreme western immersion of the ancient eruptive Sintra massif, as evident from the rose-coloured granite in the north and syenite of the Ribeira do Louriçal in the south. In the vicinity of the Cape, there are geomorphological examples of gabbro-diorite, volcanic breccia, and granite. Part of the granite formations show evidence of strong coastal erosion, while in other areas there are limestone deposits embedded in the granite. Much of the vegetation in this cape are low-lying and adapted to saltwater and windy conditions. Once home to a variety of plant life, Cabo da Roca has been overrun with the invasive plant species Carpobrotus edulis. This creeping, mat-forming plant, a member of the Aizoaceae succulent family, was introduced as ground cover by local residents several decades ago, but now covers much of the arable land on Cabo da Roca. Many migratory and marine birds roost temporarily along the cliffs and protected coves of the coastal area. Boco do inferno , Cascais( Hell's Mouth ) 38.6911° N, 9.4311° W Music: In order, Mozart Concerto No.3. The Beautiful Schizophonic - Bellkiss. Fantasia on a Theme - Thomas Tallis.Pt.1. The Far Side of the World - (Master & Commander) A trio of noted Australian musicians--Iva Davies, Richard Tognetti and Christopher Gordon--composed the film's score. They previously collaborated on "The Ghost of Time," a piece commissioned for the Millennium celebrations in Sydney, which came to the attention of Peter Weir. The director was so impressed, he played the piece on the Master And Commander set throughout production, and he asked its creators to write the music for his movie. The score interweaves "Old World" and "New World" music, reflecting the talents and backgrounds of its composers. Iva Davies hails from both pop and classical traditions; Richard Tognetti, one of the world's great violin virtuosos; and film/television composer Christopher Gordon brought orchestral texture to the project. Given the period, it comes as no surprise that the score is infused with source music from Bach (Cello Suite) and Mozart, among other great classical composers. Percussion dominates portions of the score. "Drums signal the forward movement of the ship," says Davies, "that it's on a mission. It brings you back into the action." The score's biggest surprise comes with its use of synthesizers. "Peter doesn't make films in the expected way," says Davies, "and for that reason we wanted the score to be not what everyone expected. Peter wanted some scenes to have what I call a kind of 'futuristic' sense"--conveying the idea that these 19th century sailors were cutting-edge explorers.

• published: 20 Feb 2015
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