The drop is a unit of measure of volume, the amount dispensed as one drop from a dropper or drip chamber. It is often used in giving quantities of liquid drugs to patients, and occasionally in cooking.
The volume of a drop is not well-defined: it depends on the device and technique used to produce the drop, on the strength of the gravitational field, and on the density and the surface tension of the liquid.
There are several exact definitions of a "drop":
A drop in popular music, especially electronic music styles, is a point in a music track where a switch of rhythm or bass line occurs and usually follows a recognizable build section and break.
The term "drop" comes from the composer or producer "dropping in" the primary rhythmic and foundational elements previously hinted at into the mix more or less at once. Related terms, typically describing certain types of drops, include "beat-up" (so named because it is a point where the producer brings up the foundational kick drum beat after having faded it down during a break or buildup) and "climax" (typically describing a single particularly striking drop heard late in the track).
Many genres of EDM can have more than one drop during a track, especially if the song is built on a "dance-pop" verse/chorus with vocals; a drop of some kind is typically heard somewhere during each chorus as the high point of that verse/chorus cycle. Most genres, however, tend to emphasize a single drop as the beginning of the high point, or climax, of the entire track; in vocal subgenres this is typically the last repetition of the chorus, while in nonvocal genres it typically occurs in the last quarter of the track.
An overhand (or overcut or drop) is a semi-circular and vertical punch thrown with the rear hand. It is usually employed when the opponent is bobbing or slipping. The strategic utility of the drop relying on body weight can deliver a great deal of power.
Left overhand in long range
Left overhand in long range
Right overhand in long range
Right overhand in long range
Left overhand in long range and counterpunch
Left overhand in long range and counterpunch
Jazz (Kanso series) is a series of 20 paintings made by Nabil Kanso in 1978-79. The subjects of the works are based on the jazz music and the entertainments night life in New York and New Orleans. The paintings are done in oil and acrylic on canvas measuring 224 X 182 cm (88 X 72 inches) each. Their compositions reflect predominant red tonality built with broad brushstrokes. Works from the series were exhibited in Atlanta in 1985.
Jazz is an album by saxophonist John Handy III featuring tracks recorded in 1962 and originally released on the Roulette label.
AllMusic awarded the album 3 stars and its review by Scott Yanow states, "Handy's appealing and already distinctive alto sound, combined with an exploratory style, resulted in this music having plenty of surprising moments".
All compositions by John Handy III except as indicated
Carlene Denise Moore-Begnaud (born August 27, 1973) is an American professional wrestler, signed to Women Superstars Uncensored under the ring name Jazz since 2007. She is best known for her tenure in Extreme Championship Wrestling, and in World Wrestling Federation/Entertainment as a WWE Diva, where she was a two-time Women's Champion.
After dropping out of college, Begnaud was approached about starting a career as a professional wrestler and joined a wrestling school in Louisiana. She was originally inspired to be a wrestler when she saw Jacqueline Moore perform. Begnaud trained with Rod Price for six to eight months, and she later made her professional wrestling debut in a match against Moore.
Using the name Jazzmine, she later joined Extreme Championship Wrestling as a part of an alliance called the Impact Players, which included wrestlers such as Jason Knight, Lance Storm, and Justin Credible. She later began a feud with Jason and defeated him at Heat Wave in 1999. She appeared on a random basis before leaving the company before ECW was shut down due to bankruptcy.
I usually dont do this on tha first night.
Hold on... what chu want me to do wit that?
Damn, Im at it again.
(Trackboyz)
This dude approached me slowly
n told me his name was Jody
n his homiez say he kno me
cuz he used to fuck wit Tony
Say he wanna get to kno me
got sum things he wanna sho me
would I be his tendaroni
told me call him when Im lonely
then I took a couple digits
feelin tipsey off tha liqour
ya her titties might be bigger but my ass a little thicker
n they lyk em my weight my shape my size
my height my lips my hips n my thighs
(drop it)Bitch u a hoe
(drop it)Nigga u a hoe
(drop it)Bitch u a hoe
(drop it)U actin lyk a hoe
*repeat 3 times
I see my cousin comin
he probly up to somethin
look at him wit sum chickenhead face kno he frontin
I aint the one to gossp now you aint heard it from me
but that chick that he was mackin is really a he
n look at her came out the house lookin that crazy
talkin bout she got on baby phat
thats juss fat baby
you had a cup or two
well thats enough for you
but let him buy you one more drink before you cut him lose
so gon flirt a lil bit
n make him think you feelin him
n smile at him wink your eyes n make him think he gettin sum
before he kno you by tha door
see you already out tha door
you wont be home till after four
gon proly stop at Callicos
pull up on tha parkin lot
n by this time its barkin hot
you circle back around the block n take the handicapped spot
n ya you might juss get a ticket
hell wit it you tryin to kick it
more than likely if you get tha digits she gon let you hit it
(drop it)Bitch u a hoe
(drop it)Nigga u a hoe
(drop it)Bitch u a hoe
(drop it)U actin lyk a hoe
*repeat 3 times
After tha club you proly tryin to take somebody home
I guess you better keep it on tha low dont want your cover blown
n so you better make it kown before they play tha last song
cuz you aint tryin to spend tha night alone
right or wrong
got money in your pocket then take it out n throw it
n put your hands up in tha air if you tha shyt n kno it
this cat up in my face breath smellin lyk sum shyt
teeth lookin lyk he been biten a bag of bricks
he talkin bout girl you think I told that nigga you dont get your funky breath up out my face gon be sum shyt dont make me ticked
dont ask me for my name n you dont need to kno my number n dont worry if i got my big ol booty from my momma
its tha last call for alcohol n im juss tryin to have a ball
n aint worried bout nothin at all
I almost tripped but played it off
the djs spinnin tha last record
by this time they half naked
same place same time 2marrow theyll be back at it
(drop it)Bitch u a hoe
(drop it)Nigga u a hoe
(drop it)Bitch u a hoe
(drop it)U actin lyk a hoe
*repeat 3 times