- published: 19 May 2023
- views: 1663
At All is the tenth album by the actor Viggo Mortensen, released in 2008. The album was recorded before his last album Time Waits for Everyone of 2007 and released on the label TDRS Music along with his last album.
The album features the eighth collaboration with avant-garde guitarist Buckethead, plus producer and owner of the label TDRS Music, Travis Dickerson in one song. The rest of the songs are played by Viggo Mortensen alone, according to Mortensen when referring to the album, he said:
Ain (French pronunciation: [ɛ̃]; Arpitan: En) is a department named after the Ain River on the eastern edge of France. Being part of the region Auvergne-Rhône-Alpes and bordered by the rivers Saône and Rhône, the department of Ain enjoys a privileged geographic situation. It has an excellent transport network (TGV, highways) and benefits from the proximity to the international airports of Lyon and Geneva.
Ain is composed of four geographically different areas (Bresse, Dombes, Bugey and Pays de Gex) which – each with its own characteristics – contribute to the diversity and the dynamic economic development of the department. In the Bresse agriculture and agro-industry are dominated by the cultivation of cereals, cattle breeding, milk and cheese production as well as poultry farming. In the Dombes, pisciculture assumes greater importance as does wine making in the Bugey. The high diversification of the department's industry is accompanied by a strong presence of the plastics sector in and around Oyonnax (so-called "Plastics Valley").
Ayin or Ayn is the sixteenth letter of the Semitic abjads, including Phoenician ʿAyin , Hebrew ʿAyin ע, Aramaic ʿĒ
, Syriac ʿĒ ܥ, and Arabic ʿAyn ع (where it is sixteenth in abjadi order only). ﻉ comes twenty‐first in the New Persian alphabet and eighteenth in Arabic hijaʾi order.
The ʿayin glyph in these various languages represents, or has represented, a voiced pharyngeal fricative (/ʕ/), or a similarly articulated consonant, which has no equivalent or approximate substitute in the sound‐system of English. There are many possible transliterations.
The letter name is derived from Proto-Semitic *ʿayn- "eye", and the Phoenician letter had an eye-shape, ultimately derived from the ı͗r hieroglyph
To this day, ʿayin in Hebrew, Arabic, Amharic, and Maltese means "eye" and "spring" (ʿayno in Neo-Aramaic).
The Phoenician letter gave rise to the Greek Ο, Latin O, and Cyrillic О, all representing vowels.
The sound represented by ayin is common to much of the Afrasiatic language family, such as the Egyptian, Cushitic, and Semitic languages. Some scholars believe that the sound in Proto-Indo-European transcribed h3 was similar, though this is debatable. (See Laryngeal theory.)
An ain is a spring in North Africa, which reaches the surface as a result of an artesian basin and is of particular importance in arid regions. It can produce a flow of water directly or result in evaporitic saline crusts. Known examples are found in the oases of the Tunisian region of Bled el Djerid and in the entire area around the depressions of Chott el Djerid and Chott el Gharsa. Here, there are water-bearing strata, usually of sand or sandstone, that act as aquifers in their function.
1991...
Fresh from Swanktown comes the news; life ain't like the movies. But there's a twist! Riveting! Dynamic! Heartbreaking! Passionate! And all with a minimum of snark. Don't miss it!
Šta je legendarni Arsen mislio o Štulićevom radu i djelu.
Muzika cover IZGUBLJEN BEC -MARIO ANDRIC gitara
SKC Kragujevac 1991...
Verse 1: Last night you went out But it wasn’t with me Some guy held you and loved you A love I only see Pre-Chorus: But it ain’t like the movies Can’t play a tune and drive into the night Cause you gotta see that dreams aren’t always the things you need Sometimes you gotta let them all go Chorus: I love the thought of you Got lost in my mind making a life never there I couldn’t take you where I thought we should go Can’t expect everything to turn out the way you thought But I got a lot of time and flowers For the hour we meet Verse 2: I wake up outta bed Movie dreams of a girl I can’t get out of my head I know I said she ain’t right Infatuation has taken Over something inside Pre-Chorus: But it ain’t like the movies Can’t play a tune and drive into the night Cause you gotta see that d...
Provided to YouTube by Ingrooves Ain't Like the Movies · East Road Something to Believe In, Vol. 1 (Where Egos Dare Presents) ℗ Where Egos Dare Records Writer, Composer: East Road Auto-generated by YouTube.
At All is the tenth album by the actor Viggo Mortensen, released in 2008. The album was recorded before his last album Time Waits for Everyone of 2007 and released on the label TDRS Music along with his last album.
The album features the eighth collaboration with avant-garde guitarist Buckethead, plus producer and owner of the label TDRS Music, Travis Dickerson in one song. The rest of the songs are played by Viggo Mortensen alone, according to Mortensen when referring to the album, he said:
~chorus
i know they waiting for the day that i fail,
i know they waiting for the day that i fall,
but just stop waiting cuz that day won't reveal,
no that day won't be coming at all
at all, at all, no, that day won't be coming at all
at all, at all, no, that day won't be coming at all
~cuz i'm going, and i'm going,
i'm going straight to top and i know it because i,
got a lotto drive in me like a full tank
no more shifting gears, i'ma ride the full way,
and if you're in my path, you can meet my road rage
on a one way street, steering won't rotate
august 08, K.i.D found,
ball in our court, to the board, can't afford the chance to rebound
cuz we only got one shot to make it, when i take it, uh uh, we bound,
i got records to make and now records to break,
so no rest i will take, till i rest at my wake,
so the rest of you haters can rest your debates,
cuz i won't rest my case till i, i, i, i, i,
i'm dead and gone away,
but that day is still long away,
i warned them, said make ya way back,
and now i'm Warren, coming up a Sapp (ASAP)
~had a small taste of success this year,
with my friends and peers, from a desk and chair,
in the lab, in the pad, in the booth we call it,
my music grew then it grew my wallet
hope for the moment the awards start showing,
before any more of those doors even open,
gotta keep the lines coming, overdosing
and my TRAIN of thoughts, LOCOmotive
aiming for the "top" like Leonardo in "Inception" I'm,
optimized in my Prime, never side with the Decepticons,
cuz i will not be TRANSFORMED into a sell out,