A sequel is a narrative, documental, or other work of literature, Movie, Cinema, or song that continues the story of or expands upon issues presented in some previous work. In the common context of a narrative work of fiction, a sequel portrays events set in the same fictional universe as a previous work, usually chronologically following the events of that work.
In many cases, the sequel continues elements of the original story, often with the same characters and settings. A sequel can lead to a series, in which key elements appear in a number of stories. Although the difference between more than one sequel and a series is somewhat arbitrary, it is clear that some media franchises have enough sequels to become a series, whether originally planned as such or not.
Sequels are attractive to creators and to publishers because there is less risk involved in returning to a story with known popularity rather than developing new and untested characters and settings. Audiences are sometimes eager for more stories about popular characters or settings, making the production of sequels financially appealing.
Matthew Langford Perry (born August 19, 1969) is a Canadian-American actor and comedian, best known for his Emmy-nominated role as Chandler Bing on the popular, long-running NBC television sitcom Friends. He also received acclaim for his portrayal of Ron Clark in the television movie The Ron Clark Story, accompanied by another Emmy nomination as well as a Golden Globe nomination. Perry also starred in the short-lived series Studio 60 on the Sunset Strip and has appeared in a number of films, including Fools Rush In (1997), The Whole Nine Yards (2000), and 17 Again (2009). In 2010 he expanded his resume to include both video games and voiceover work when he voiced Benny in the role-playing game Fallout: New Vegas.
Perry was the co-creator, co-writer, executive producer and star of the short-lived ABC sitcom Mr. Sunshine, which ran from February to April 2011.
Perry was born in Williamstown, Massachusetts, United States. His mother, Suzanne Jane Louise Morrison (née Langford), is a Canadian journalist and former press secretary to Canadian Prime Minister Pierre Trudeau, and his father, John Bennett Perry, is an American actor and former model. His parents divorced before his first birthday and his mother subsequently married Keith Morrison, a broadcast journalist. Perry was raised by his mother in Ottawa, Ontario, and was enrolled at Rockcliffe Park Public School and Ashbury College. While growing up, he took a keen interest in tennis and became a top-ranked junior player.
Robin McLaurin Williams (born July 21, 1951) is an American actor and comedian. Rising to fame with his role as the alien Mork in the TV series Mork & Mindy, and later stand-up comedy work, Williams has performed in many feature films since 1980. He won the Academy Award for Best Supporting Actor for his performance in the 1997 film Good Will Hunting. He has also won two Emmy Awards, four Golden Globes, two Screen Actors Guild Awards and five Grammy Awards.
Williams was born in Chicago, Illinois. His mother, Laura McLaurin (née Smith, 1922–2001), was a former model from New Orleans, Louisiana. His father, Robert Fitzgerald Williams (September 10, 1906 – October 18, 1987), was a senior executive at Ford Motor Company in charge of the Midwest region. His maternal great-great-grandfather was senator and Mississippi governor Anselm J. McLaurin. Williams is of English, Welsh, Irish, and French ancestry. He was raised in the Episcopal Church (his mother practiced Christian Science). He grew up in Bloomfield Hills, Michigan, where he was a student at the Detroit Country Day School, and later moved to Woodacre, Marin County, California, where he attended the public Redwood High School. Williams studied at Claremont McKenna College (then called Claremont Men's College) for four years. He has two half-brothers: Todd (who died August 14, 2007) and McLaurin.
How can you think you have the right in using her without consent
Does stating this surprise you
Did you think about the consequences
Mentality It is low
One thing he knows for sure
She hits the floor:again
One thing he knows for sure
She hits the floor:again
Seemed like a good idea
Date a fellow student in his class
Thought he'd be cool and not cold
He pinned her to the floor
The rest is left unsaid In fear she keeps it inside
Disturbed by his gross act
No pride Isolate me I can't hide
Erase his being in mind
I loved what we had but things just have to change. Life
tends to continue on. Hold on to the guilt. It helps us
remember what is missing. Our selfishness turns into
needs and wants. It becomes a choice. The choice is a
change. Find out what is it means to exist. Let go of
sense and live for yourself. We can never lose hope.
Believe in yourself. Don't ever forget about me. I won't
ever forget about you. I call this home and I always
will. (I)Can't let go. So what if that's gone? I won't
loosen my grip. Just because some things change, should I
let go? If I could go back to those days... And I swear
to you that I'm scared to death because I've seen this
world's steep decline. But in this time I've built walls
assuring confidence. I've had loads of fun, now its time
for me to change. I've seen the steep fall this world has
to offer. It's not exactly what you think. It's not as
bad as it's portrayed. I've put my faith in the way of
the pedestal games, and I'd never believe that again. It
last less than a moment for me friend.
So here she's acting happy, inside her handsome home. And me, I'm flying in my taxi, taking tips, and getting stoned.
I got into town a little early. Had eight hours to kill before the show. First I thought about heading up North of the bay, then I knew where I had to go.
I thought about taking a limousine, or at least a fancy car, but I ended up taking a taxi, 'cause that's how I got this far.
You see, ten years ago it was the front seat, driving stoned and feeling no pain. Now here I am straight, and sitting in the back, hitting Sixteen Parkside Lane.
The driveway was the same as I'd remembered, and a butler came and answered the door. He just shook his head, when I asked for her, and said "She doesn't live here anymore." But he offered to give me the address, that they were forwarding her letters to. I just took it and returned to the cabby and said, "I got one more fare for you."
And so we rolled bakc into the city, up to a five story old brownstone. I rang the bell that had her name on the mailbox. The buzzer said somebody's home.
And the look on her face, as she opened the door was like an old joke told by a friend. It'd taken ten more years but she'd found her smile, and I watched the corners start to bend. And she said, "How are you Harry? Haven't we played this scene before?"
I said, "It's so good to see you, Sue. Had to play it out just once more. Play it out just once more."
She said "I've heard you flying high on my radio."
I answered "It's not all it seems." Thats when she laughed and she said "It's better sometimes when we don't get to touch our dreams."
That's when I asked her "Where was that actress?"
She said "That was somebody else." And then I asked why she looked so happy now. She said, "I finally like myself. At last I like myself."
So we talked all through that afternoon. Talking 'bout where we been. We talked of the tiny difference between ending and starting to begin. We talked 'cause talking tells you things, like what you really are thinking about. But sometimes you can find what you're feeling, 'til all the words run out.
So I asked her to come to the concert. She said, "No, I work at night."
I said "We've gotten to damn good at leaving, Sue."
She said, "Harry, you're right."
Don't ask me if I made love to her, or which one of us started to cry. Don't ask me why she wouldn't take the money that I left. If I asnwered at all I'd lie.
Ohh Ohh Ohhh Ohh Ohh Ohh Noo
Good lord have mercy I'm happy to see you
The last time I've seen you must've been high school
How we lost in touch
Girl right now don't matter much cause we got unfinished busniness that we gotta discuss
First and for most shawty you still got it lookin' cute
That's why I gave you your nickname betty boo
Back to the subject
Girl remember where we left
You tellin' me gimme somethin that I won't forget
Started out from just watch and play
Then one day made our own movie
Oh I
Still holding on to that one time
You know that was a tease
So now that were both grown and sexy
And it ain't like couldn't say you just met me
I'm thinking why not catch up with your people
Get ready get ready
Girl it's time to make a sequel
Time we make a sequel
Time we make a sequel
Let me be your pornstar
You can take the lead roll
Love I've been waiting, stay in tune for the part two
Camera started roll
Time we make a sequel
Time we make a sequel
Girl you know you wanted to
Everything I didn't do
I'm a make it up to you
Rip up the script
Girl get busy cause there's no rules
Camera started roll
Time we make a sequel
Wanna be your trainer
Work your body ody ody
All day all night baby we'll doin big (something)
Know how to just get you numb
Ever had a orgasm
Whispering all the things you wanna hear (something)
Have you do them tricks
Like you were into gymnastics
Can't help it
Can't help it
My lovin's fantastic
Baby we just begun
No were near my final stunt
No doubt about it
Your gonna label me your best
Yes!
Started out from just watch and play
Then one day made our own movie
Oh I
Still holding on to that one time
You know that was a tease
So now that were both grown and sexy
And it ain't like couldn't say you just met me
I'm thinking why not catch up with your people
Get ready get ready
Girl it's time to make a sequel
Time we make a sequel
Time we make a sequel
Let me be your pornstar
You can take the lead roll
Love I've been waiting, stay in tune for the part two
Camera started roll
Time we make a sequel
Time we make a sequel
Girl you know you wanted to
Everything I didn't do
I'm a make it up to you
Rip up the script
Girl get busy cause there's no rules
Camera started roll
Time we make a sequel
Scene 1
Searching for my keys as were kissing under sun
Slam the door as baby we begin this marathon
Start right here on the floor
And then I pick you up
Change rolls
Gotta nominate you
Scene 2
Best part is coming
This is were you gon' end
You deserve an Oscar for your performance
I'm a give you your award
Now how about we make this official
Cause' I'm ready to make a sequel
Time we make a sequel
Time we make a sequel
Let me be your pornstar
You can take the lead roll
Love I've been waiting, stay in tune for the part two
Camera started roll
Time we make a sequel
Time we make a sequel
Girl you know you wanted to
Everything I didn't do
I'm a make it up to you
Rip up the script
Girl get busy cause there's no rules
Camera started roll
We've broken it off again;
we put it all to an end,
But still I can't comprehend,
will I be with you again?
Don't tell me
I make this hard,
there's no need
to take this far,
and now I've figured out,
what I've been stressing about.
Funny to see how we doubt
the things we can't live without;
I'll never hold back again,
you have been more than a friend.
All of this time
I've been so lost
and you stayed with me.
Please take me back
because I want to make you happy.
I'll do whatever it'll take
to make up for all of my mistakes
and for a minute I can see
how much you really mean to me.
All of this time
I've been so lost
and you stayed with me.
Please take me back
because I want to make you happy.
It's been so complicated,
over exaggerated.
Somebody tell me this will make sense in the end.
All of this time
I've been so lost
and you stayed with me.
Please take me back
because I want to make you happy.