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Joseph A. Gervasi

The Young Person’s Guide to Loud! Fast! Philly!

As punks, we've got to take documenting our histories into our own hands. Joseph A. ...

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Record of the Week: GAY KISS Preservation Measures LP

Filling out a hardcore full-length — at 33 rpm, no less—is one of the harder ...

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Benefit show from the 26th

Report: Four Dead After Tragedy at DOOM Show in Chile

Eyewitness account from Santiago, Chile April 26, 2015 Please donate to help cover the funeral and medical ...

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A Typical Nite Out for Ron and Hal

MRR Radio #1451 • 5/3/15

Chad joins Ron & Hal to RIP Heiko and Emilio Intro song: CONTROL – Black Hearts of ...

Read More

MRR Presents: SUPER UNISON, COMPOSITE, TONALITE, LOS HUAYCOS at the Knockout in SF, Wed. May 13th!

Very special edition of the MRR and Thrillhouse Records Present monthly show: this is a ...

Read More

Maximum Rocknroll #385 • June 2015

mrr_385_cvr

It’s time for Maximum Rocknroll #385, the June 2015 issue! Victoria and Joey from Providence’s DOWNTOWN BOYS discuss their new record Full Communism and how their politics intersect with their brand of sax-punk and their electrifying live shows, UK anarcho legends PART 1 discuss the reissue of their long out-of-print catalogue and their return to performing, and Germany’s HYSTERESE clue us into the band dynamics in advance of their US tour. Plus, Toronto’s COLUMN OF HEAVEN‘s bassist Andrew Nolan provides a window into the changing landscape of Toronto, the team behind BAD DADDIES interviews Nottingham, UK’s SLEAFORD MODS, Russia’s MINEFIELD talk making music in the shadow of a famous arms factory, and the deep friendship that Olympia, WA’s SHARKPACT is built on is made abundantly clear. We’ve also got a reflection on the Loud! Fast! Philly! oral history project—dozens of interviews with Philly punks of all ages and stripes, and growing—accompanied by amazing portraits from Karen Kirchhoff. Farrah Skeiky takes our cover photo and documented DC’s Damaged City Fest for a photo spread, while Ochi Reyes brings us a photographic dispatch from London’s Bentfest. And, of course, we’ve got all the columns you’ve come to expect—including guest columns from Darryl Andrew Reid of Montreal and Sadie Switchblade of G.L.O.S.S. about their experiences as trans women in punk—and the largest record reviews section in punk print. Pick up your copy today!

Buy MRR #385

You can also order this issue by mail by sending $4.99 in the US, $7 Canada, $9 Mexico, or $11 worldwide to: MRR • PO Box 460760 • San Francisco, CA 94146 • USA …or just SUBSCRIBE!


Still available: MRR #384 • May 2015 issue…

MRR #384Olympia’s G.L.O.S.S., Bay Area powerhouse VIOLENCE CREEPS, Spain’s TRANCE, SMZB from China, FAT CREEPS, Chicago’s Black and Brown Punk Shows, the Is This Venue Accessible? website, San Diego punk doc It’s Gonna Blow, and Finland’s VIVISEKTIO.

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You can now download MRR #384 for only $3.99!!
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The Young Person’s Guide to Loud! Fast! Philly!


May 6th, 2015 by

LFP_poster

As punks, we’ve got to take documenting our histories into our own hands. Joseph A. Gervasi discusses his oral history project Loud! Fast! Philly! in MRR #385. Joseph and Stacey Finney have built a significant resource about the history of Philadelphia punk, right up to the present, told in the participants’ own words.  I’ve spent hours delving into the audio interviews online—here, Joseph chooses some worthy points of entry. Next week, Stacey will share her picks.

Looking over a list of nearly 60 interviews (as of the time of this writing) and deciding where to take the plunge — or even the tentative dip of a tiny toe — is a daunting prospect. With many of these interviews clocking in at over an hour (and some at well over two hours), the act of listening can be a formidable time investment. And yet, if they are to be considered successful, they will serve to be both informative and entertaining. There is something about the immediacy and intimacy of the regionally-flavored human voice nestling into one’s ear canal and speeding on a collision course with one’s brain that I find to be ceaselessly appealing. When individuals ask me what they should listen to, I always point them toward those who move or have moved through a different era of punk than the listener. There is a certain comfort and reassurance in surrounding oneself with one’s contemporaries, but it is from those who came before or after that one can potentially learn the most from. This experience also allows one to make connections between one’s life and those of others many years and possibly hundreds of miles away from the listener.

Joseph A. Gervasi

Joseph A. Gervasi

I’ve been asked to direct the new listener to ten interviews to start with. Since I’ve worked with Stacey Finney on some of these interviews and she’s one of few people I know who’s listened to every damn one of them, I’m going to defer to her to contribute five of the ten recommendations. We’re going to exclude anyone associated with this interview or involved with the L!F!P! project. This includes Grace Ambrose (though her interview with the DIY PHL folks is very well worth listening to), Yoni Kroll (I love his interview with John Paul Golaski about Philly’s WKDU radio station), Stacey Finney, and those that I appear in as an interview subject. We’re also excluding the interviews featuring my brother Bull, since punks hate nepotism even though their fathers run corporations and give them cushy summer jobs. As well, we’re excluding some of the most popular interviews (Elizabeth and Allen Fiend, the members of the Dead Milkmen, Dan Yemin, Sean Agnew of R5 Productions) because we’ll assume most prospective listeners are familiar with these people and because they’ve received the lion’s share of the attention thus far.

In looking back over two years of interviews, I am struck by a collection of moments that I will forever treasure. Nearly every interview had for me, as the interviewer, several ah-ha! revelations or tidbits of related experience that quickened my pulse. It’s been such an honor to find myself in the company of the people who were kind enough to sit and talk with me. Choosing just a few to highlight is an agony, but providing some direction to the curious is essential. Quick, then, before I change my mind:

MarkPingitore1

Mark Pingitore
While Mark is best known for playing in one of Philly’s most iconic hardcore bands, The Pagan Babies, what most appealed to me about talking to him was that he was a “punk’s punk.” That is, when Mark discovered punk he wholly immersed himself into it and took part in many aspects of it. Mark played in a band, made flyers, did a ‘zine, released records, traded tapes, booked shows, and more. It was Mark’s enthusiasm for the world punk showed him outside his NE Philly neighborhood (and the fact that this enthusiasm still appears to be a coruscating presence in his life) that made listening to him such a joy. Listen to the interview.

KatePete_1

Pete Tridish and Kate Wendland Duncan
Pete and Kate fall into a category of interview that I love: how people did neat shit. While neither Pete nor Kate are strongly associated with the punk scene, they both struck me as people who took the DIY ethos out into the world and managed to do tremendously impressive things with it. Their work with Radio Mutiny (and later, for Pete, the Prometheus Radio Project) and the Rebellious Nursing activism of Kate can not only inspire others to action, but also detail how they did it so the listener can perhaps use Pete and Kate’s experiences as a guide to their own engagement. Listen to the interview.

ElizabethArnold1

Elizabeth Arnold
Elizabeth’s interview has two things in common with the Pete Tridish/Kate Wendland Duncan interview: Elizabeth is better known outside the punk scene than within it and it serves as a guide to active engagement with social/political issues. Elizabeth’s interview is one of the most popular on the site, but I believe it’s largely listened to by people outside of punk. Since she’s very well known in the community of anti-fracking activists, many look to Elizabeth as an insightful and impassioned voice on the issue. They may not know Elizabeth’s goofier side, some of which she allows out in the interview. Mostly, however, I hope the listener will come from this interview inspired to fight for the causes that matter to them, whatever they may be. Listen to the interview.

JoeyJap1

Joey Jap
I can honestly say I’ve never listened to Joey’s band, the Blessed Muthas, but I love Stacey’s interview with him, especially the first half where he details growing up in a rough neighborhood in Philadelphia and moving through a young life of crime and drugs. There are some who think that the story of punk is only that of middle class white males. Phooey! This has never been the story of Philly’s HC punk scene, and listening to Joey’s interview is a reminder that inner-city kids could be drawn to punk, too, and it wasn’t always a popular — or even safe — choice in their neighborhood or among their non-punk friends. To mention some of Joey’s antics would be to spoil the fun of listening to him recount his tales. This interview also serves to illustrate why I’ve been so happy with Stacey’s guest interviews: her warmth, empathy, and good cheer. These qualities, which she employs in her professional life, allow for interview subjects to loosen up and speak freely. What she’s achieved in her interviews is pure audio gold. Listen to the interview.

tim-dunn-2

Tim Dunn
Tim is known here in Philly as the “Mayor of Baltimore Avenue.” (Note to non-Philadelphians: Baltimore Avenue is a street in West Philly that is best known for being the home of the A-Space, Books Through Bars, Mariposa Co-op, and a diverse collection of funky-smelling people.) Tim has been a beloved fixture in this city for decades, and every accolade and profession of admiration and adoration he’s been given has been earned. Tim’s generous humanity makes me feel like a small toad enjoying a steady diet of bugs. Tim’s interview is not as long as some others, so it’s ideal to start with for an introduction to the city of Philadelphia, a personal history of its early HC scene, years of activism on behalf of those often overlooked, and the story of a man who’s made a positive difference in the lives of so many people. I don’t care if it’s corny, I just have to say it: I love Tim Dunn. Listen to the interview.

Next week, Stacey Finney shares her L!F!P! highlights.



Record of the Week: GAY KISS Preservation Measures LP


May 5th, 2015 by

gaykisspreservation

Filling out a hardcore full-length — at 33 rpm, no less—is one of the harder tasks in the challenging world of music, but after a 12” EP and a couple of 7”s GAY KISS have measured themselves up to the task. It helps if you’re a band that knows how to use the extra space, and GAY KISS are experts at twisting negative space in and out of time and tempo. The first track starts strong, rides out what sounds like a fade out of distant kick drum thump, then snaps back into a bedroom mosh-worthy breakdown. “Preservation Measures” is full of whiplash-inducing unpredictability and feverish guitar work, totally restless playing all over the frequency spectrum. Sometimes it sounds like the guitarist threw his instrument away in favor of a power drill or a dial-up modem hooked up to a Rat pedal. The strongest tracks here stretch out and use the empty space to let a riff unravel and implode before taking it somewhere else. “Relent,” for instance, lets a SACCHARINE TRUST-style riff collapse, cave in on itself and get back on its feet over and over again over a shifting set of fills. Fans of freaky hardcore bands in the game such as NASA SPACE UNIVERSE, the LOWEST FORM, and WHITE WARDS will find a lot to like here. Complete with some great cover artwork, another tremendously sick package from Sorry State.
(Sorry State)

—Eli Wald



Report: Four Dead After Tragedy at DOOM Show in Chile


May 4th, 2015 by

Eyewitness account from Santiago, Chile
April 26, 2015

Please donate to help cover the funeral and medical bills resulting from this tragedy at this link or at tinyurl.com/helppunks

olla común

olla común

The Doom show on April 16 will mark a before-and-after point for the punk scene in Santiago. No one expected a customary rush on the door to result in four dead and over a dozen injured. Lots of people are grieving. There is a lot of blame-seeking. People are worried about the future of the scene. Although there have been many (often conflicting) accounts published in Spanish, only trickles of information have come out in English. As a gringo who doesn’t speak Spanish natively, I have tried my best to piece together an overview from other published accounts, conversations with trusted friends, and my own first-hand experience. The most important thing to take away is that there are STILL people in the hospital who need financial support. Please go to the following website to support the families of those who died and the people left with incredibly high medical bills: tinyurl.com/helppunks

Everyone knew the Doom show was going to be big. In the days leading up to the show, I had a lot of friends talking excitedly about it, while in the same breath complaining about the door price: 15,000 pesos (about $25 USD). Some very basic background about punk in Santiago: punk is BIG, most punks are poor, and they don’t like to pay a lot for shows. It’s pretty normal to see a crowd of punks haggling for a group price at the door. Lots of people I know were talking casually about showing up early and seeing if they could get in for free by means of avalancha. La avalancha – the avalanche – is a tactic utilized here to get into big shows without paying. People gather near the doors of a show, and at an opportune moment they rush the door, forcing their way past the bouncers and/or cops. All stadium-size punk festivals, of which there are a few every year, have avalanchas.

Benefit show from the 26th

Benefit show, April 26th

On the night of the show, I got to the club about an hour after door time. Nevertheless, there was a crowd of seventy, eighty, a hundred punks out on the sidewalk. Some had tickets and were just drinking with friends before the bands played. Some were waiting for the right opportunity to rush the door. Others were just waiting to see what would happen, eyeing the eight or so skinhead bouncers with uncertainty. At one moment, a group of about four cops passed through the crowd to talk with the bouncers. They didn’t get to talk for long though, because a steadily growing barrage of insults, bottles, and other projectiles started to rain down upon them. The cops took off and things calmed down, although every now and then someone would throw something towards the bouncers.

In the crowd, a punk tried to fight a metalhead who had just arrived. It looked like they had some prior beef. People pulled them apart, but when the metalhead went to turn in his ticket, the punk attacked him again. This was right in front of the bouncers, who were all taken off guard. At this moment the crowd rushed the doors and pushed the bouncers back. This was la avalancha.

DOOMshowTragedyInChile_SolidaridadPunxProximos

The club is subterranean, and the entrance has a wide staircase that leads down to a landing. The bouncers retreated to the landing, and started to beat back the crowd with bats, pipes, and tasers. I couldn’t see the violence very well, but I could tell something was happening down below. The crowd at the front recoiled back, smothering and suffocating some of the people in the avalancha. I don’t know how long this went on for. It felt like a long time, maybe thirty minutes? But it could have been shorter and just felt long. Eventually, the desperation of the folks at the front got communicated to the rest of the crowd, who moved back and opened up a path for bodies to be carried up to the sidewalk.

When the crowd opened up, what I saw was horrible. There were over a dozen bodies, unconscious and injured, all over the landing. Lots of blood and lots of water. Friends I trust have told me that the bouncers were hosing people down with water and shocking them with tasers after they were soaked. People were trying to resuscitate the folks without pulses. One by one, most of the injured were carried up the stairs to the sidewalk. Some punks got into the middle of traffic and forced a city bus to stop. A number of the injured were loaded onto the bus and taken to the hospital, while some refused to move and just wanted to remain on the sidewalk.

At this point I decided to finally enter the club and look for the friend I had come with. Inside, lots of different stories were already circulating about what had happened on the street above: “Somebody died, man.”

“The cops came and they’re rioting up there.”

“It was weird, when I got here there was a bunch of shit on the stairs and I just walked in without having to pay. What happened?”

Read the rest of this entry »



MRR Radio #1451 • 5/3/15


May 2nd, 2015 by

Chad joins Ron & Hal to RIP Heiko and Emilio

Play

Intro song:
CONTROL – Black Hearts of Man

A Typical Nite Out For Ron And Hal

A Typical Nite Out for Ron And Hal

Rotten Ron Is House Trained
NEU-RONZ – Stop to Get Away
DAMNATOSQUE – Black Livers
LA FLINGUE – Pop Fracture
CUNTZ – Cooked
TOZIBABE – Trash

Chad the Ripper Motivates
WARSONG – Silent Misery
DARK AGES – Into Gray
NO///SE – The Boss
UK SUBS – The Motivator
ENEMY YOU – The Promise Breakers
UNITED BLOOD – Government Warning

Hella Hal Rocks Some Cleveland Steamers!
AMOEBAS – Telephone
BORIS THE SPRINKLER – Weird Looking Woman
CYANIDE PILLS – Government
RULETTA RUSA – Me Dan Asco
NAZI DEATH CAMP – Mongoloid Boyfriend
LOS PEPES – I Don’t Need Anyone

Rotten Ron – New York’s alright if you wanna pay 25 bucks for a show
SUCIA – Asco y Desprecio
SUICIDE – Ghost Rider
GOWANUS MUTANT COMANDOS – Designer Lobotomy
AGNOSTIC FRONT – Discriminate Me
MOMMY – Mommy

Outro song:
ONE MAN ARMY – Have Nots & Heartbreak

Maximum Rocknroll Radio is a weekly radio show and podcast featuring DIY punk, garage rock, hardcore, and more from around the world. Our rotating cast of DJs picks the best of the best from MRR magazine’s astounding, ever-growing vinyl archive. You can find MRR Radio archives, specials, and more at radio.maximumrocknroll.com. Thanks for listening!



MRR Presents: SUPER UNISON, COMPOSITE, TONALITE, LOS HUAYCOS at the Knockout in SF, Wed. May 13th!


May 1st, 2015 by

MRR

Very special edition of the MRR and Thrillhouse Records Present monthly show: this is a kickoff for the MRR Presents the Global Edition show that happens on May 16 and Super Unison + Composite tour kickoff!

SUPER UNISON is a super new post-hardcore with ex-members of Punch and Dead Seeds.  COMPOSITE is also a young band from Oakland with a post-punk/goth recipe to their sound. TONALITE adds a post-hardcore, kinda Dischord-ish sound to this night and LOS HUAYCOS will show us their fresh skate punk with English/Spanish lyrics.

For more info about May 16 Maximum Rocknroll Presents, the Global Edition at
facebook.com/events/805881439498975

9:00 pm, Wed. May 13 at the Knockout
3223 Mission St, San Francisco
$5-10 sliding scale, 21+

Facebook event link