Come join in the celebration!
Plot
I hate you/I love you...Dan Lake is a veteran TV newsman beyond his prime with an ego the size of an empty room; Ms. Gabby is a young and popular and feisty Hollywood newspaper gossip columnist ala Liz Smith-Hedda Hopper style; and when they are together as hosts of a weekly TV talk show called "Movie Celebrities", they are cat and dog. Is it hate or love? Only a jealous Lu-Lu knows for sure.
Keywords: love-hate
"I love you...I hate you!"
Plot
19th-century Boston woman dedicated to the suffrage movement, meets a faith healer's daughter, a Mississippi lawyer also has eyes for the young woman.
Keywords: based-on-novel, independent-film, lesbian, womens-lib
A BEAUTIFUL FILM . . . An intimate and exquisite probe of the feminist heart. [Australia Theatrical]
Plot
Battle-axe Emma Hornett dominates her hen-pecked husband Henry, his meek sister Edie and daughter Shirley. Shirley is to marry young sailor Albert,raised in an orphanage,and he and best man Carnoustie stay with the Hornetts on the eve of the wedding, though Emma makes sure the stag night is a brief one. Next day Albert fails to show up for the wedding. He eventually turns up at the house and confides in the vicar that if family life is anything like the Hornetts he wants no part of it. When the Hornetts are told this Emma declares that she sees that has been a "very wicked woman" and will mend her ways but, as the young couple eventually marry and move into their own house , one wonders how long her change of heart will last.
Keywords: aunt-niece-relationship, based-on-play, best-friend, best-man, bride-and-groom, british, british-navy, church, domineering-mother, domineering-wife
Henry Hornett: [hearing Emma sob from behind the door] Has she been listining! Let me get out of here while I'm still alive!
Plot
Two dumb soda jerks dream of writing radio mysteries. When they try to pitch an idea at a radio station, they end up in the middle of a real murder when the station owner is killed during a broadcast.
Keywords: abbott-and-costello, danger, electric-shock, electrocution, handcuffs, light-bulb, murder, murder-on-the-air, night, private-detective
Mervin Q. Milgrim: [nauseous] I gotta go back upstairs and get something...::Chick Larkin: What have you gotta get?::Mervin Q. Milgrim: My stomach...
Col. J.R. Andrews: Mr. Turner, may I remind you that I have a contact for your services, and I intend to exercise it.::Jimmy Turner: You'll get plenty of exercise trying to find me.
Mervin Q. Milgrim: Operator! Give me Alexander two two, two two!::Telephone operator: The line is busy!
Customer: What happened to my strawberry sundae?::Mervin Q. Milgrim: What's today?::Customer: Friday.::Mervin Q. Milgrim: You've got two more days to wait.
Mervin Q. Milgrim: I've seen better heads on malted milks.
Mervin Q. Milgrim: [Mervin and Chick and performing their radio play for Juliet, Mervin's holding a gun on Chick] Bang! Ow! Bang! Ow! Bang! Ow!::Juliet Collins: Wait a minute, if you're shooting at him [Chick] , then why are you yelling?::Mervin Q. Milgrim: I'm holding the gun backwards!
Chick Larkin: [talking about Juliet Collins] She's only got a couple of buck teeth.::Mervin Q. Milgrim: Why do I care what she paid for them?
HERE THEY COME...THE FOUR HORSEMEN OF HILARITY! swinging you into the gayest, giddiest musi-comedy of the season. (original poster)
Everybody takes everybody else for a ride! (original poster)
Your head will spin on the MERRY-GO-ROUND OF 1938...what with swamis in the parlor and people floating on the ceiling! (original poster)
* When one woman has five babies...that's news! When 4 men become the father of 1 girl...that's the "Merry-Go-Round of 1938!" (original poster)
* "50 grains of rice...that's the diet for swamis!" But Mischa likes his rice smothered in turkey sandwiches! (original poster)
She Made the Frozen North... Red Hot!
The Frisco Doll: When caught between two evils, I generally like to take the one I never tried.
Bull Brackett: We've never had a woman passenger on this boat. That is, none like you!
Chan Lo: It is written there are two perfectly good men: one dead, the other unborn.::The Frisco Doll: Which one are you?
The Frisco Doll: Now I'll tell ya - you people have been on the wrong track, and I'm gonna steer you right You'll never get anywhere because you don't know how to wrassle the devil. Tying a knot in his tail won't throw 'im on his back; you've gotta grab 'im by his horns - you've gotta know him, know his tricks. I know 'em, and how I know 'em! Why, I can make him say uncle - that is, if he's got an uncle.
The Frisco Doll: I got a debt to pay - not to this crowd, but to Annie, and I'm gonna do it. It won't take long, and then I'll be squared up.
The Frisco Doll: [singing] I'm an Occidental woman in an Oriental mood for love...
Bull Brackett: I can always tell a lady.::The Frisco Doll: Yeah? Whaddya tell 'em?
The Frisco Doll: Bull, you ain't no oil paintin', but you're a fascinatin' monster.
An organist is a musician who plays any type of organ. An organist may play solo organ works, play with an ensemble or orchestra, or accompany one or more singers or instrumental soloists. In addition, an organist may accompany congregational hymn-singing and play liturgical music.
The majority of organists, amateur and professional, are principally involved in church music. The pipe organ still plays a large part in the leading of traditional western Christian worship, with roles including the accompaniment of hymns, choral anthems and other parts of the worship. The degree to which the organ is involved varies depending on the church and denomination. It also may depend on the standard of the organist. In more provincial settings, organists may be more accurately described as pianists obliged to play the organ for worship services; nevertheless, some churches are fortunate to have trained organists capable of more elaborate "voluntaries" (the solo music before, during and after the service) and improvisation. As most churches can afford to employ only one musician, the organist is usually also responsible for directing and rehearsing the choir(s). In the twentieth-century, many pipe organs were replaced by pipe-less electronic and digital organs, often as a low-cost alternative to rebuilding older pipe organs.
Cameron Carpenter (born 1981) is an American organist known for his virtuosity, showmanship, technique and arrangements for the organ.
Carpenter has bachelor's and master's degrees from The Juilliard School in New York, having studied with Gerre Hancock, John Weaver, and Paul Jacobs. Though he is not religious, Carpenter was from 2008 to 2009 the artist-in-residence at Middle Collegiate Church in New York's East Village, where he played a four-manual virtual pipe organ that he designed for the broad ranging music of that church. Carpenter ended his residency in July 2009.
A champion of virtual pipe organs, Carpenter has been referred to as "extraordinary", "the most controversial organist in the world" and "meshing virtuosity with musical intelligence" while also attracting criticism.
Early in 2008, Telarc signed Carpenter to an exclusive five-album recording contract. His Telarc debut album, Revolutionary, was recorded as a CD and DVD at Trinity Church Wall Street in New York City, and released September 23, 2008. The title comes from Carpenter's transcription of Chopin's Revolutionary Etude. The album made Carpenter the first organist ever to receive a Grammy nomination in the category Best Solo Instrumental Performance (without orchestra) for a solo album. His first commercial album was a 2006 CD/DVD, Pictures at an Exhibition, on SeeMusicDVD. It includes his arrangement of the programmatic piano work by Modest Mussorgsky, and his own improvisatory "New York City Sessions." Visuals for the Moussorgsky were created by Marshall Yaeger and his Kaleidoplex. The recording was made at Trinity Church, New York.
Ken Cowan is a Canadian organist. A native of Thorold, Ontario, he has toured extensively in the United States, Canada, and Europe, and currently serves as Assistant Professor of Organ and Coordinator of Organ and Sacred Music at Westminster Choir College in Princeton, New Jersey. He has made numerous recordings, most on the JAV Label. Cowan is a graduate of both The Curtis Institute of Music (Bachelor of Music) and the Yale Institute of Sacred Music (Master of Music and Artist Diploma). He has held positions at Saint Bartholomew's Church, St. James Episcopal Church, and the Church of Saint Mary the Virgin in New York City, and Saint Clement's Church, Philadelphia. He has also been on the roster of Associate Organists for the famous Wanamaker Grand Court Organ in Philadelphia. Cowan has won many national and international competitions and has been a featured recitalist at the last three national conventions of the American Guild of Organists. Cowan lives in Princeton, New Jersey with his wife Lisa Shihoten. Effective July, 2012 He will serve as a faculty member at the Shepherd School of Music at Rice University.
Clay C. Christiansen (born June 28, 1958 in Wichita, Kansas) is a retired Major League Baseball pitcher. He played during one season at the major league level for the New York Yankees. He was drafted by the Yankees in the 15th round of the 1980 amateur draft. Christiansen played his first professional season with their Class-A (Short Season) Oneonta Yankees in 1980, and his last with the Houston Astros' Triple-A Tucson Toros in 1988.
Christiansen graduated from Columbus Unified High School in Columbus, Kansas, in 1976. In addition to being an American Legion baseball standout, he was the quarterback of the football team, played basketball and participated in track and field. In his senior year he set a new school record for discus throwing. Ironically, the previous record had been set some 30 years earlier by his father, Galen Christiansen.[citation needed]
After high school, Clay Christiansen attended the University of Kansas in Lawrence, Kansas, where he was a member of the Jayhawks baseball team prior to embarking on his professional career.
So you're coming into my house OK
Tell me if you're gonna stay
If you feel you can resist my ways
Say what you gotta say
Let's get forward, as we cut the chase
Tonight we go all the way
Do you wanna get busy
And You know I'm feeling jiggy
'Cos tonight we gonna play
No point in waiting for you to call
Two hours straight no word at all
Time to get down for the physical
Been so long can't wait no more
Don't be shy - we can get it on
So give it up 'cos the night is young
Can't be tripping when I feel this strong, yeah
You can't deny that you dream of me everyday
Gotta keep it going
So we get hot
Forget about the clock
So we don't stop
You gotta keep it coming
Be a man and make a stand
Lose control
I know you think you're ready
But I think not
So come a little closer
And guess what?
I'm gonna tell you when you hit
The spot
Tonight it's on
So coming into my house it's okay
Tell if you're gonna stay
If you think you miss my way
Say what you gotta say
Let's get forward, let's get on the chase
Tonight we can walk away
To you wanna get busy
You know I'm get jiggy
'Cos tonight we gonna play
How's it feel tell me what's the deal
No need for lies gotta keep it real
Took so long why you hesitate
That's why we're hooking up so late
If I didn't bother to step to you
You'd be out first base won't have a clue
I bet you're glad that we be getting it on
I gave you the feeling and I hope that you're here to stay
Gotta keep it going
So we get hot
Forget about the clock
So we don't stop
You gotta keep it coming
Be a man and make a stand
Lose control
I know you think you're ready
But I think not
So come a little closer
And guess what?
I'm gonna tell you when you hit
The spot
Tonight it's on
So you're coming into my house OK
Tell me if you're gonna stay
If you feel you can resist my ways
Say what you gotta say
Let's get forward, as we cut the chase
Tonight we go all the way
Do you wanna get busy
And You know I'm feeling jiggy
'Cos tonight we gonna play
All I wanna say is that I won't forget you
All the way I step to you
Memories can fade
In my mind you'll always stay
Just stay with me and make it last forever
So you're coming into my house OK
Tell me if you're gonna stay
If you feel you can resist my ways
Say what you gotta say
Let's get forward, as we cut the chase
Tonight we go all the way
Do you wanna get busy
And You know I'm feeling jiggy
'Cos tonight we gonna play
So you're coming into my house OK
Tell me if you're gonna stay
If you feel you can resist my ways
Say what you gotta say
Let's get forward, as we cut the chase
Tonight we go all the way
Do you wanna get busy
And You know I'm feeling jiggy