Plot
When a talented photographer chooses her social conscience over family during the economic and political upheavals of the 1930's and 1940's, her photographic legacy is secured, but the emotional price she pays is steep and it ultimately forces her to face a painful childhood marked by abandonment, physical deformity and the struggle to trust and embrace love.
Keywords:
A famous American photographer must choose between her family and social conscience during the economic and political upheavals of the 1930s and 1940s.
Dorothea Lange (May 26, 1895 – October 11, 1965) was an influential American documentary photographer and photojournalist,best known for her Depression-era work for the Farm Security Administration (FSA). Lange's photographs humanized the consequences of the Great Depression and influenced the development of documentary photography.
Born of second generation German immigrants on May 26, 1895, in Hoboken, New Jersey, Dorothea Lange was named Dorothea Margaretta Nutzhorn at birth. She dropped her middle name and assumed her mother's maiden name after her father abandoned the family when she was 12 years old, one of two traumatic incidents in her early life. The other was her contraction of polio at age seven which left her with a weakened right leg and a permanent limp. "It formed me, guided me, instructed me, helped me and humiliated me," Lange once said of her altered gait. "I've never gotten over it, and I am aware of the force and power of it."
Lange was educated in photography at Columbia University in New York City, in a class taught by Clarence H. White. She was informally apprenticed to several New York photography studios, including that of the famed Arnold Genthe. In 1918, she moved to San Francisco, and by the following year she had opened a successful portrait studio. She lived across the bay in Berkeley for the rest of her life. In 1920, she married the noted western painter Maynard Dixon, with whom she had two sons. One, born in 1925, was named Daniel Rhoades Dixon. The second child, born in 1929, was named John Eaglesfeather Dixon.[citation needed]
American Masters is a PBS television show which produces biographies on the artists, actors and writers of the United States who have left a profound impact on the nation's popular culture. It is produced by WNET in New York City. The show debuted on PBS in 1986.
Groups or organizations featured include: Actor's Studio, Algonquin Round Table, Group Theatre, Sweet Honey in the Rock, Women of Tin Pan Alley, Negro Ensemble Company, Juilliard School, the Beat Generation, The Singer-songwriters of the 1970s, Sun Records, Vaudeville, and Warner Bros. Pictures.
American Masters, a series "devoted to America's 'greatest native-born and adopted' artists," was originally scheduled to premier in September 1985; for "logistical scheduling reasons" the premiere was delayed until summer 1986, though on October 16, 1985, an American Masters "special" called Aaron Copland: A Self-Portrait was aired.
The first of the 15 first-season episodes was Private Conversations, a "cinema-verite documentary by Christian Blackwood done in that trickiest of cinematic forms: a film about a film, in this instance the television version of Death of a Salesman, directed by Volker Schlöndorff". It aired on June 23, 1986, as one of two episodes not specifically commissioned for the show's first season.
Linda Gordon is an American historian. She lives in New York City and in Madison Wisconsin.
Linda Gordon was born in Chicago but considers Portland, Oregon, her home town. She graduated from Swarthmore College, and from Yale University with an MA and PhD in Russian History. Her dissertation was published as Cossack Rebellions: Social Turmoil in the Sixteenth-century Ukraine. SUNY Press. 1983. ISBN 978-0-87395-654-3. http://books.google.com/books?id=qq0c9viLrB4C&printsec=frontcover&dq=Linda+Gordon&cd=5#v=onepage&q=&f=false. .
She taught at the University of Massachusetts-Boston from 1968 to 1984, and at the University of Wisconsin–Madison from 1984 to 1999. The University of Wisconsin awarded her the university's most prestigious chair professorship, the Vilas Research Chair. Today she is University Professor of the Humanities and professor of history at New York University..
Starting in the 1970s, Gordon’s research and writing examined the historical roots of contemporary social policy debates in the US, particularly as they concern gender and family issues. Her Woman's Body, Woman's Right: the History of Birth Control in America. Viking/Penguin. 1976. ISBN 978-0-14-013127-7. , reissued in 1990, remains the definitive history of birth-control politics in the US. It was completely revised and re-published as The Moral Property of Women. http://books.google.com/books?id=Hwh2wGplDc4C&printsec=frontcover&dq=Linda+Gordon&cd=1#v=onepage&q=&f=false. in 2002.
Imogen Cunningham (April 12, 1883 – June 24, 1976) was an American photographer known for her botanical photography, nudes, and industrial landscapes.
Cunningham was born in Portland, Oregon in 1883. In 1901, at the age of eighteen, Cunningham bought her first camera, a 4x5 inch view camera, from the American School of Art in Scranton, Pennsylvania. She soon lost interest and sold the camera to a friend. It wasn’t until 1906, while studying at the University of Washington in Seattle, that she was inspired by an encounter with the work of Gertrude Käsebier, to take up photography again. With the help of her chemistry professor, Dr. Horace Byers, she began to study the chemistry behind photography and she subsidized her tuition by photographing plants for the botany department.
After being graduated in 1907 Cunningham went to work for Edward S. Curtis in his Seattle studio, gaining knowledge about the portrait business and practical photography.
In 1909, Cunningham won a scholarship from her sorority (Pi Beta Phi) for foreign study and applied to study with Professor Robert Luther at the Technische Hochschule in Dresden, Germany. In Dresden she concentrated on her studies and didn’t take many photographs. In May 1910 she finished her paper, “About the Direct Development of Platinum Paper for Brown Tones”, describing her process to increase printing speed, improve clarity of highlights tones, and produce sepia tones. On her way back to Seattle she met Alvin Langdon Coburn in London, and Alfred Stieglitz and Gertrude Kasebier in New York.
Thomas Alan "Tom" Waits (born December 7, 1949) is an American singer-songwriter, composer, and actor. Waits has a distinctive voice, described by critic Daniel Durchholz as sounding "like it was soaked in a vat of bourbon, left hanging in the smokehouse for a few months, and then taken outside and run over with a car." With this trademark growl, his incorporation of pre-rock music styles such as blues, jazz, and vaudeville, and experimental tendencies verging on industrial music, Waits has built up a distinctive musical persona. He has worked as a composer for movies and musical plays and has acted in supporting roles in films including Paradise Alley and Bram Stoker's Dracula; he also starred in the 1986 film Down by Law. He was nominated for an Academy Award for his soundtrack work on One from the Heart.
Lyrically, Waits' songs frequently present atmospheric portrayals of grotesque, often seedy characters and places—although he has also shown a penchant for more conventional ballads. He has a cult following and has influenced subsequent songwriters despite having little radio or music video support. His songs are best-known through cover versions by more commercial artists: "Jersey Girl", performed by Bruce Springsteen, "Ol' '55", performed by the Eagles, and "Downtown Train", performed by Rod Stewart. Although Waits' albums have met with mixed commercial success in his native United States, they have occasionally achieved gold album sales status in other countries. He has been nominated for a number of major music awards and has won Grammy Awards for two albums, Bone Machine and Mule Variations. In 2011, Waits was inducted into the Rock and Roll Hall of Fame.