'The Greek' is featured as a movie character in the following productions:

Spanners (2013)

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Genres: Sci-Fi,

Actors Richard Tanner (actor), John Campbell-Mac (actor), Leonard Kelly-Young (actor), Jim Storm (actor), Will Beinbrink (actor), Shawn Parsons (actor), Michael J. Sielaff (actor), Christine Kellogg-Darrin (actress), Aubrey Wakeling (actor), Patrick Lander (actor), Shawn Christian (actor), David C. Keith (editor), Rane Jameson (actor), David C. Keith (producer), Bomani Story (producer),

Ike vs. Vin (2012)

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Genres: Action,

Actors Isaac N. Burrows (actor), Isaac N. Burrows (producer), Isaac N. Burrows (writer), Isaac N. Burrows (director), Isaac N. Burrows (editor), Vincent M. Burrows (producer), Vincent M. Burrows (actor), Vincent M. Burrows (writer), Christos Y. Darzentas (actor), John P. Phillippe (actor),

Dolina roz (2011)

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Genres: Drama,

Actors Anatoliy Belyy (actor), Vitaliy Khaev (actor), Oksana Fandera (actress), Gundars Abolins (actor), Yuliya Snigir (actress), Boris Tenin (actor), Oleg Antonov (writer), Roman Makedonsky (actor), Andrei Feofanov (composer), Andrei Feofanov (producer), Artyom Grigorev (producer), Alexandre Gorelov (actor), Ivars Puga (actor), Dmitry Cherkasov (writer), Roman Morozov (producer),

The Trouble with Money (2006)

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Genres: Comedy, Short,

Taglines:

If someone handed you $1,000,000-- how fast would you run?

Actors Bob Costas (actor), Bill Walton (actor), G. Gordon Liddy (actor), Cookie 'Chainsaw' Randolph (actor), Cookie 'Chainsaw' Randolph (director), Cookie 'Chainsaw' Randolph (editor), Cookie 'Chainsaw' Randolph (producer), Cookie 'Chainsaw' Randolph (writer), Mike Keneally (composer), Dave Rickards (actor), Dave Rickards (producer), Pavel Sfera (actor), Luke Walton (actor), Kristen Garcia (actress), Tom Stephenson (actor),

Romance & Cigarettes (2005)

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Genres: Comedy, Musical, Romance,

Taglines:

A Savage Musical

Quotes:

Kitty Kane: You two must think I'm the cucumber in the gardener's ass.

Cousin Bo: Some people fear the Lord. I fear women.::Kitty Kane: What really happened between you and Roe?::Cousin Bo: Roe... was my first love. I traced her name in cow shit. She was my first, my last, my everything.::Kitty Kane: Was it um... true? I mean that, you had...?::Cousin Bo: What?::Kitty Kane: Um... trouble?::Cousin Bo: Only with Roe. With other chicks, I'm Barry White. I go to the meat market.

Nick Murder: Are you circumcised?::Angelo: What?::Nick Murder: Are you circumcised?::Angelo: Circularized?::Nick Murder: No, circumcised.::Angelo: My circulation's fine.::Nick Murder: No, are you circumcised?

Rosebud: I heard you with Fryburg. He makes loud noises, and I hear them.::Constance: He makes loud noises?::Rosebud: Yeah, I wanna make them too. I told my psychiatrist.::Constance: What?::Rosebud: Well I had nothin' else to tell him so...::Fryburg: HEY!::Constance: Oh, fuck off, Fryburg.::Fryburg: I'm a fucking star!::Constance: Did he do his Richard Gere for you, jumping all around in his jockstrap?::Fryburg: GEAR!::Rosebud: I love Richard Gere. He's hot.::Fryburg: Hot chocolate!

Baby: Dad?::Nick Murder: Yeah.::Baby: I'm going into wedlock.

Nick Murder: Would you give me one more chance? Please? I'll do anything! Anything! I'll give you anything! I love you. Maybe I don't know how to show it like they do in the movies or in books but I love. I have love to give.

Cousin Bo: I wanna buzz your butt.

Constance: Porkchops!::Rosebud: Porkchops!::Constance: Lambchops!::Rosebud: Lambchops!

Nick Murder: Two, two things a man should know how to do...::Nick Murder: Be romantic and smoke his brains out.::Gene Vincent: I agree...

Tula: [to Nick Murder] G-strings, push-up bras, teddies, garter belts, crotchless pantyhose. Fuck bloomers. That's what I sell. To rich, tan, bored housewives who take the fat from the ass cheeks and inject it into their lips. You gonna kiss someone's ass then you should know that that's what you're kissing. Personally, I think that kissing's sexier than shagging, but you're sucking on chicken fat there. Not that their husbands mind. You know, they're out buying big homes, buying paintings, going to the fuckin' opera, taking one up the bum for the queen while the misses are out sticking their fannies in my face. "Does my bum look big in this? Can you see my cellulite?" What they need, these women, is a good old-fashioned horse-fuck. They can buy all the new panties they want, but they get stained, don't they? Stained panties are part of life no matter how hard you wipe.::Tula: I think you're dead sexy. Not at first, then one day I looked up and saw you working with your shirt off and your gut out. That's a man, I said to meself. A real man. Someone to take me down the pub for a pint. You're way too old for me, but I figure you only go around once in life. I got, what, 75 years? Don't get hit by a bus. I want to kiss you, big man. Give you a big sloppy, wet kiss. You won't tell anyone that? Inch by inch the elephant fucked the ant.

Actors Amy Sedaris (actress), Elaine Stritch (actress), John Turturro (actor), Mary-Louise Parker (actress), Eddie Izzard (actor), Susan Sarandon (actress), Adam LeFevre (actor), James Gandolfini (actor), Christopher Walken (actor), David Thornton (actor), Steve Buscemi (actor), Tony Goldwyn (actor), Bobby Cannavale (actor), Aida Turturro (actress), Mandy Moore (actress),

The Moor (2005)

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Genres: Drama, Short,

Actors Joan Blair (actress), Timothy Carhart (actor), Michael Dempsey (actor), Jill Andre (actress), Kimberley Browning (producer), Shannon Mitchell (editor), Kathryn Shemanek (costume designer), Cato (composer), Russell Banks (writer), Tony Harras (actor), Ed Nachtrieb (producer), Scot Renfro (actor), Caerthan Banks (writer), Caerthan Banks (producer), Caerthan Banks (director),

Cool and the Crazy (1994)

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Genres: Action, Drama, Thriller,

Taglines:

Young... Beautiful... Deadly.
"You have to live before you die........"

Quotes:

Michael: What are you doing?::Lorraine: I'm going to New York to open a whorehouse, Michael.::Michael: Look, Lorraine, I'm sorry. I didn't mean what I said before.::Lorraine: I know you didn't, Michael. But I'm going to New York with Jack. It got too stuffy here.::Michael: I don't get it, Lorraine.::Lorraine: You really want to know?::Michael: Yeah.::Lorraine: You've got these rules, Michael... but whose rules are they? Whose dream are you buying into? You've been angry for so long you don't even know it. We're all scared... but somehow we don't believe that babies, TV sets, two-car garages and McCarthy are going to make us happy. You think Roslyn did something wrong. Maybe in your world she did, but in our world she's just fighting for some sort of freedom - freedom from slavery she can't even explain. Don't you see, Michael? Life is not wall-to-wall carpeting with half down and the rest of your life to pay. You and I had a good time, some tenderness... but you can't even enjoy it because somewhere in your mind it was dirty... un-American. Figure out what you want, Michael. I'm not sure time is on your side. At any rate... adios. I'll send you the bill.

Michael: What a bunch of saps we are.

Joannie: Listen, Roslyn, I've been thinking.::Roslyn: After what I just heard, you were not thinking.::Joannie: Come on, come on. This is serious. This is our lives, not some dress rehearsal. I'm tired of being some slave. I spent my whole life watching my mother cook and clean, never leave the house, never leave the valley. She died looking a hundred. She was only 45. She started out just like us - love in Hollywood High. Next thing you know, there's no money, no love, nothing. She raised all of us. So what? She broke her ass like a Mexican maid, and maybe every two weeks, she'd scrape together a few pennies for a hair set and wash, reading her Hollywood magazines for her high on Hollywood boulevard next to the studios. Big deal.::Roslyn: You're having an affair, aren't you?::Joannie: We have to live before we die. We're kids playing mothers to kids... and that includes our so-called husbands.

Michael: [after seeing her sniff a line of cocaine] What kind of dinner is that?::Lorraine: Expensive.

[Michael is watching TV when the phone rings]::Michael: Hello?::Joey: I'm gonna take her clothes off real slow... till she's begging for it. And then I'm only going to give it to her... when she admits that you're a piece of shit -::[Michael hangs the phone up]

Joey: Women are dumb. Dumber than corn.

Lorraine: So, how's it going over in Burbank with you guys?::Michael: Well, it got real exciting one night - Sullivan had Presley on. It could be worse... I guess.::Lorraine: Well, Michael, hardly any of my friends - probably none -were married at 18 and had a kid at 19. That's got to be hard.::Michael: You live with those sick beatniks in Venice. Most of my friends who grew up with me are married. That's how we all became men.::Lorraine: We're not sick. We're just horny.::Michael: Well, maybe I'll come and visit you one day... if you promise me that you won't play that record.::Lorraine: You don't like Chet Baker?::Michael: I don't understand it. It has no beat. I mean, how do you dance to it?::Lorraine: Try listening to the feelings, Michael.

Joannie: [to Roslyn] No nooky again, huh?

Actors Ralph Bakshi (director), Alicia Silverstone (actress), Debra Hill (producer), Ralph Bakshi (writer), John Hawkes (actor), John Kapelos (actor), Jared Leto (actor), Jennifer Blanc (actress), Joseph G. Medalis (actor), Larry Bock (editor), Hummie Mann (composer), Tuesday Knight (actress), Rodrigo Obregón (actor), Pancho Mansfield (miscellaneous crew), Lou Arkoff (producer),

Callan (1974)

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Genres: Thriller,

Taglines:

Callan... doesn't make friends - and all his enemies are dead!
Hotter than Hell... Bolder than Bond!
Your favourite undercover agent blasts the big screen

Quotes:

Lonely: You hit Arthur?::David Callan: I hit him... and he died of it.

Hunter: What about Meres?::David Callan: I believe he is unconscious, though with Meres it is difficult to tell.

David Callan: [after beating Meres in a fistfight] Now will you SHUT UP! I! AM! TIRED!

Hunter: Did you rebuke Lonely?::David Callan: [depressed] Yes.::Hunter: Sufficiently?::David Callan: [angry] He thinks so!

Schneider: [after Callan deliberately spills the box of model soldiers in front of Schneider] I see another madman!

Actors Don Sharp (director), Nadim Sawalha (actor), David Graham (actor), Kenneth Griffith (actor), David Prowse (actor), Edward Woodward (actor), Pamela Davies (miscellaneous crew), Don Henderson (actor), Carl Möhner (actor), Tom Laughlin (actor), Wilfred Josephs (composer), Catherine Schell (actress), Eric Porter (actor), Teddy Darvas (editor), Peter Egan (actor),

A Wedding (1961)

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Genres: Drama,

Actors Roy Kinnear (actor), Anton Chekhov (writer), Graham Armitage (actor), Reginald Marsh (actor), Hilary Mason (actress), Robert Gillespie (actor), Rosemary Hill (producer), Dennis Edwards (actor), John Gill (actor), Roger Kemp (actor), Julia McCarthy (actress), Dallas Cavell (actor), Louis Raynes (actor), Nancy Adams (actress), Eric Bentley (writer),

The Show (1927)

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Genres: Drama,

Quotes:

Cock Robin: God but you're a real dame... right straight through to the core.::Cock Robin: You shouldn't have to live in the same world with a thing like me.

Cock Robin: Christ! He's dead!

Salome: You keep away from him!::Salome: Youre hired as freaks... not vampires!

Actors Tod Browning (producer), Waldemar Young (writer), Dorothy Sebastian (actress), Gertrude Short (actress), Joseph Farnham (writer), Polly Moran (actress), Agostino Borgato (actor), Russ Powell (actor), Francis Powers (actor), John Gilbert (actor), Edward Connelly (actor), Renée Adorée (actress), Lionel Barrymore (actor), Jules Cowles (actor), Tod Browning (director),

• Play in Full Screen
  Play Karaoke in Full Screen
  The Carioca
  Caetano Veloso

  Say, have you seen the carioca?
  It's not a foxtrot or a polka
  It has a little bit of new rhythm
  A blue rhtthm that sights
  It has a meter that is tricky
  A bit of wicked wacky-wicky
  But when you dance it with a new love
  There's a true love in her eyes
  You dream of a new Carioca
  It's theme is a kiss and a sight
  You dream of a new carioca
  When music and lights are gone and we're saying goodbye
  Two heads together, they say are better than one
  Two heads together, that's how the dance's begun
  Two arms around you and lips that sigh
  I'm yours anda you're mine
  While the carioca carries you away
  While we carica till the break of day
  Now that you've done the carioca
  You'll never care to do the polka
  And then you'll realize the blue hula anda bamboola are
  through
  Tomorrow morning you"ll discover
  You're just a carioca lover
  And when you dance it with a new love
  There'll be true love just for you
  You'll dream of a new carioca
  Its theme is a kiss and a sigh
  You'll dream of a new carioca
  When music and lights are gone and we're saying goodbye
  When music lights are gone and we're saying goodbye

• Play in Full Screen
  Play Karaoke in Full Screen
  The Crow
  O.C.

  Check out the scheme of a dream thick fog all around me
  Standing in a tunnel of blood hounds surround me
  Shadow of a child my eyes visualize and figure
  And as you walked backwards the shadow grew bigger
  Temptation made me curios to follow it
  All fear in my heart at that point I done swallowed it
  State like trance as I reach out my hand
  You wore an overcoat robe face was disclosed
  Now was this a dream or reality
  I was about to become one of Satan's fuckin' fatalities
  In silence, I hear the wings of a black crow flappin'
  The bird lands, then appears a man
  Very sleek in physique, stood about six feet
  Dispute was jet black, I had to step back
  His demeanor wasn't pure, I knew this for sure
  He had a diseased look that the world couldn't cure
  I'm frozen, the fear returned to my body
  Heart pumpin' so fast, I thought I was goin' into cardiac arrest
  I wake up in a cold sweat, wifey sleepin' on my left sound asleep
  I peep around the room then I make a sudden jest
  A feather from a black crow was beside my pillow
  Was it a sign from God to repute for the things that I did in my lifetime
  Now my soul's on the line, I'm puzzled, spark up a Newport
  Then I take a fall in hell, it's the cancer
  Then I try and find an answer
  My wisdom that I'm droppin' is, is somethin' like a doctor
  And necessary like oxygen
  I'm seein' who's my opposite and who's my aid in life
  So let's attract and repel
  Third rate government, they tryin' to seize the world
  My wisdom that I'm droppin' is, is somethin' like a doctor
  And necessary like oxygen
  I'm seein' who's my opposite and who's my aid in life
  So let's attract and repel
  Third rate government, they tryin' to seize the world
  Day like a rose, the wind is blowin' hard against the window
  Pull up the blinds there sits the crow
  I back up fast heart beatin' massive
  Lost my breath, collapsin' fallin' on the mattress
  I went into a state of unconciousness
  Open my eyes up, I'm layin' on the dark street
  Leaves blowin' in the breezes, Jesus
  I on the street like a nightmare
  I take flight, a bird through the air
  While I'm wingin' it I see all sorts of chaos
  Dead bodies, burned buildings turned over cars
  Uh uh, seein' visions of an all out war
  Territory factors, picture escape from New York
  Gun fire, blomb flowin', nerve gas a-flowin'
  Just imagine whole race of Harlem gaurds showin'
  Realizin' I was havin' out-of-body experience
  Return to my physical and wake up tense
  Layin' in the hospital as I figured the riddle
  G O D was throwin' at me paranormally
  So givin' sight beyond sight about the world we know

• Play in Full Screen
  Play Karaoke in Full Screen
  The Carioca
  Fred Astaire

  Say, have you seen a Carioca?
  It's not a foxtrot or a polka
  It has a little bit of new rhythm, a blue rhythm that
  sighs
  It has a meter that is tricky
  A bit of wicked wacky-wicky
  But when you dance it with a new love, there's a true
  love in her eye
  You dream of a new Carioca
  Its theme is a kiss and a sigh
  You dream of a new Carioca
  When music and lights are gone we say goodbye
  Two heads together, they say are better than one
  Two heads together, that's how the dance is begun
  Two arms around you and lips, that's why I'm yours and
  you are mine
  And you are mine
  Now that you've done the Carioca
  You'll never care to do the Polka
  And then you'll realize the blue hula and bamboola are
  through
  Tomorrow morning you'll discover
  You're just a Carioca lover
  And when you dance it with each new love, there'll be
  true love just for you
  Now you'll dream of a new Carioca
  Its theme is a kiss and a sigh
  You'll dream of a new Carioca
  When music and lights are gone and we're saying goodbye

• Play in Full Screen
  Play Karaoke in Full Screen
  THE CRAIC
  The Beautiful Game Soundtrack

  ALL
  ARE YOU
  UP FOR THE CRAIC?
  DO YOU KNOW HOW TO PARTY?
  HERE'S THE
  PLAN OF ATTACK
  GIVE ME A DRINK AND START ME.
  ARE YOU QUITE SURE THAT YOU'VE GOT THE STOMACH FOR IT?
  ONCE THE CRAIC'S STARTED THERE'S NO WAY TO IGNORE IT.
  FREE YOUR WILD SIDE THEN LET IT ALL OUT, DON'T FEAR IT.
  DON'T JUST DANCE WITH YOUR FEET, DANCE WITH YOUR VERY SPIRIT.
  WE'RE ALL
  ON FOR THE CRAIC.
  EVERYONE'S MADE THEIR MINDS UP.
  THERE'LL BE
  NO LOOKING BACK.
  NOBODY SHOUTING TIME'S UP.
  WE'RE ALL UP FOR THE CRAIC,
  PARTYING'S WHAT WE'RE MADE FOR
  DON'T BE BORING OR SLACK,
  DANCE 'TIL IT MAKES YOUR FEET SORE.
  WE WON'T STOP NOW THAT IT'S REALLY GETTING GOING.
  WHAT THE NIGHT PROMISES THERE'S NO WAY OF KNOWING.
  GIRL, BOY. BOY, GIRL. WE CAN LOSE OUR INHIBITIONS.
  DANCE CLOSE, HOLD TIGHT, COME ON REALLY MAKE SOME FRICTION.
  WE ALL LIVE FOR THE CRAIC.
  EVERYONE'S ON THE DANCE FLOOR
  END UP, FLAT ON YOUR BACK.
  GOOD TIMES HAVE TO BE PAID FOR.
  WE ALL LIVE FOR THE CRAIC.
  EVERYONE'S ON THE DANCE FLOOR.
  END UP, FLAT ON YOUR BACK.
  GOOD TIMES HAVE TO BE PAID FOR.

• Play in Full Screen
  Play Karaoke in Full Screen
  The Crack
  Major Figgas

  [gillie]
  yo they found me .. cut me ground me
  made me powder .. say I'm expected across seas in an hour
  i was born in columbia they shippin me out
  package tight so them dogs aint sniffin me out
  [spade]
  but me I aint changed I'm a household name
  considered common but play a major part in the game
  people keep me in cabinage, drawers and shells
  and say I do magic turn four into twelve
  [gillie]
  I'm transported cross borders on planes and boats
  I dont know my name yet but there calln me coke
  I'm usually around the waist and in the line in the coats
  so they can sneak me past customs and the guards dont bust 'em
  [spade]
  and I heard about that cat called coke and I dont trust 'em
  cuz all the other dudes I know be scared to touch 'em
  they say he from columbia .. they want us to meet
  they must know how I react when I'm under the heat
  [chorus x2]
  I'm the coke .. you know you cant move wit out me
  so wut .. I'm da cut you gone loose wit out me
  but I'ma drug dealers dream
  but I'm da one dat make the drug dealer mo' cream
  nigga .. lets make a team
  [gillie]
  they got me in .. they passin me out, city to suburbs
  state to state .. they put me on china plates
  chop me up .. make me look like shake then call me weight
  and now they wanna introduce me to this kid bake
  [spade]
  o0o you da cat coke that I heard about
  from word of mouth, put us in the pot stirred us out
  I gotta admit .. man I like this guy
  they cooked us up into a pie allowed us to dry
  when together we frew from 20 to 25
  [gillie]
  this kid bake is live ..
  now we headin to the hood
  to dem niggas on da corners dat be up to no good
  this one cat .. he picked me up in a benz
  he brought me, bake and like 11 of my friends
  we headed to the kitchen .. shit we at it again
  [spade]
  and it was magic again
  I mean we jus got larger
  I got stronger .. coke strength got smaller
  put us in the hands of these niggas dey call ballas
  and hustlers .. and fiends on the streets they all lustas
  [chorus x2]
  [spade]
  me and dope is like brothas
  [gillie )
  da fiends they all loved us
  [spade]
  and da ghettos and the guttas
  [gillie]
  da east coast to the southas
  [spade]
  to the people dat ran this land
  [gillie]
  mayors and govenors
  [spade]
  congressmen .. cant believe the people we knew
  [gillie]
  and da hustlas they ran from the people in blue
  [spade]
  u know the name, the kid bake refridgerated near you
  [gillie]
  but for the love of us you see wut people will do
  they kill brothas .. aunts, uncles, neices and mothas
  aint shit you can tell us
  [spade]
  they feel for us
  [gillie]
  and we manipulate minds
  [spade]
  and they kill for us
  [gillie]
  and all my thugs on the block
  [spade]
  they whole steal for us
  [gillie]
  it might seem like a dream
  but its real for us