Se Cumplen 135 AÑOS de un Evento Historico mas recordado en Chile "EL COMBATE NAVAL DE IQUIQUE"
38:24
Mayo 1879. Combate Naval de Iquique
Mayo 1879. Combate Naval de Iquique
Mayo 1879. Combate Naval de Iquique
Combate Naval de Iquique. El 21 de mayo de 1879 en la Rada de Iquique se produjo el enfrentamiento entre la corbeta chilena Esmeralda y el acorazado Huáscar....
82:14
LA ESMERALDA 1879 (Completo)
LA ESMERALDA 1879 (Completo)
LA ESMERALDA 1879 (Completo)
http://canalperucultural.blogspot.com/
8:17
Model 1879 Reichsrevolver at RIA
Model 1879 Reichsrevolver at RIA
Model 1879 Reichsrevolver at RIA
http://www.rockislandauction.com/viewitem/aid/1025/lid/2545
We are used to German small arms being highly efficient and modern for their times, but the Reichsrevolver is an exception to that trend. The first centerfire adopted by the newly formed German empire, the model 1879 Reichsrevolver had traits we would typically associate with Russian arms rather than German. It was simple (too simple in some ways) and very durable, at the expense of not being very conducive to fast or efficient shooting. The Germans realized some of its problems, and in its initial form it only remained a standard front-line weapon until 1883.
1:47
TRAILER LA ESMERALDA 1879
TRAILER LA ESMERALDA 1879
TRAILER LA ESMERALDA 1879
AVANT PREMIER 05 DE MAYO DE 2010 EN IQUIQUE, 06 DE MAYO DE 2010 EN SANTIAGO, ESTRENO 20 DE MAYO A NIVEL NACIONAL.
Zulu is a 1964 historical war film depicting the Battle of Rorke's Drift between the British Army and the Zulus in January 1879 just shortly after the impact of Joseph Smith and revolutions that were occuring around the world and some post pending towards the first world war.
During the Anglo-Zulu War 150 British soldiers fighting on Zulu Land many of whom were sick and wounded as patients in a field hospital, successfully held off a force of 4,000 Zulu warriors to end what was their defeat and those that survived returned to England.
The Battle of Rorke's Drift in the Anglo-Zulu War ended in the defence of the Mission of Rorke's Drift th
11:37
La Verdadera Historia de la Guerra del Pacifico 1879!!! Peru-Chile
La Verdadera Historia de la Guerra del Pacifico 1879!!! Peru-Chile
La Verdadera Historia de la Guerra del Pacifico 1879!!! Peru-Chile
Nicolas de Pierola movio la balanza a favor de Chile en la Guerra del Pacifico de 1879 al tomar pesimas decisiones politicas y militares.......... Chile sin ...
10:48
TIME TO SAY HELLO!! (6.22.14 - Day 1879)
TIME TO SAY HELLO!! (6.22.14 - Day 1879)
TIME TO SAY HELLO!! (6.22.14 - Day 1879)
Signed posters at http://CTFxCmerch.com (↓↓ click show more ↓↓) Tour Dates http://wethekingsmusic.com/tour Twitter Charles - http://twitter.com/CharlesTrippy...
35:48
Charles Marie Widor - Organ Symphony No. 6 (1879)
Charles Marie Widor - Organ Symphony No. 6 (1879)
Charles Marie Widor - Organ Symphony No. 6 (1879)
Charles-Marie Jean Albert Widor (21 February 1844 – 12 March 1937) was a French organist, composer and teacher.
Symphony No. 6 Op. 42, No. 2 (1879)
1. Allegro
2. Adagio
3. Intermezzo: Allegro
4. Cantabile
5. Finale: Vivace
Ben van Oosten, organ
Cavaillè-Coll-Organ, Saint-Quen, Rouen
Widor was born in Lyon, to a family of organ builders, and initially studied music there with his father, François-Charles Widor, titular organist of Saint-François-de-Sales from 1838 to 1889. The French organ builder Aristide Cavaillé-Coll, reviver of the art of organ building, was a friend of the Widor family; he arranged for the talented young organist to
21:31
Claude Debussy - Piano Trio in G major (1879)
Claude Debussy - Piano Trio in G major (1879)
Claude Debussy - Piano Trio in G major (1879)
Jean-Efflam Bavouzet (piano), Daniel Rowland (violin) and Jacqueline Thomas (cello). Fantastic set of musicians plays quite unknown piece by Claude Achille D...
10:30
[1879년]줄루전쟁"로크스 드리프트 전투" - Zulu war [Battle of Rorke's Drift](羅克渡口戰役)
[1879년]줄루전쟁"로크스 드리프트 전투" - Zulu war [Battle of Rorke's Drift](羅克渡口戰役)
[1879년]줄루전쟁"로크스 드리프트 전투" - Zulu war [Battle of Rorke's Drift](羅克渡口戰役)
1879년 1월 22일. 아프리카 남부의 나탈(Natal) 지방. 상황은 절망적이었다. 영국군 본대는 이산들와나(Isandlwana)에서 거의 전멸했다. 수십 명의 생존자들만이 이곳 부족이 음진야티(“들소”)라고 부르는 강가에 있는 작은 선교 기지로 몰려들었다. 그러나 전투의 생존자들과 이곳에 있는 민간인들을 합쳐보았자 약 400명 정도. 밖에는 4000명 규모의 줄루족 임피(사단)가 초소를 포위하고 있었다.
처음에 줄루족 사단이 접근한다는 소식을 들었을 때, 우연히 이 기지의 책임자가 된 차드 소위(Lt. John Chard), 브롬헤드 소위(Lt. Gonville Bromhead), 그리고 보급관인 돌턴(James Dalton)은 기지에 모인 사람들의 운명을 결정해야 했다. 그들이 선택할 수 있는 두 가지는 16km 떨어진 소도시 헬프메카르(Helpmekaar)까지 이동하여 구원 부대와 합류하느냐, 아니면 기지에 남아 싸우느냐였다. 이들은 부상자들과 보급품을 모두 수레에 싣고 후방으로 이동하기에는 줄루족 임피의 이동속도가 너무 빠르다는 데 의견을 같이하였다. 보호 장벽도 없는 개활지에서 줄루족 대부대에게 따라잡힐 가능성이 많았고, 그리되면 몰살이 뻔한 상황이었다.
차드와 브롬헤드는 초소 주위에 장애물을 쌓아 최대한 요새화시키고 움직일 수
3:58
"La Esmeralda 1879" - (Tema Principal) Inmortales [VIDEO OFICIAL]
"La Esmeralda 1879" - (Tema Principal) Inmortales [VIDEO OFICIAL]
"La Esmeralda 1879" - (Tema Principal) Inmortales [VIDEO OFICIAL]
Video Clip Oficial del tema principal de la película "Esmeralda 1879", "Inmortales" interpretado por Nicole Natalino, Mario Guerrero y Denisse Malebrán.
24:22
Reviving an Abandoned 1879 Rowhouse | The Washington House, Episode 1 (2006)
Reviving an Abandoned 1879 Rowhouse | The Washington House, Episode 1 (2006)
Reviving an Abandoned 1879 Rowhouse | The Washington House, Episode 1 (2006)
Master Carpenter Norm Abram and host Kevin O'Connor travel to Washington, D.C., to help non-profit developer Mi Casa Inc. renovate an abandoned 1879 rowhouse...
Se Cumplen 135 AÑOS de un Evento Historico mas recordado en Chile "EL COMBATE NAVAL DE IQUIQUE"
38:24
Mayo 1879. Combate Naval de Iquique
Mayo 1879. Combate Naval de Iquique
Mayo 1879. Combate Naval de Iquique
Combate Naval de Iquique. El 21 de mayo de 1879 en la Rada de Iquique se produjo el enfrentamiento entre la corbeta chilena Esmeralda y el acorazado Huáscar....
82:14
LA ESMERALDA 1879 (Completo)
LA ESMERALDA 1879 (Completo)
LA ESMERALDA 1879 (Completo)
http://canalperucultural.blogspot.com/
8:17
Model 1879 Reichsrevolver at RIA
Model 1879 Reichsrevolver at RIA
Model 1879 Reichsrevolver at RIA
http://www.rockislandauction.com/viewitem/aid/1025/lid/2545
We are used to German small arms being highly efficient and modern for their times, but the Reichsrevolver is an exception to that trend. The first centerfire adopted by the newly formed German empire, the model 1879 Reichsrevolver had traits we would typically associate with Russian arms rather than German. It was simple (too simple in some ways) and very durable, at the expense of not being very conducive to fast or efficient shooting. The Germans realized some of its problems, and in its initial form it only remained a standard front-line weapon until 1883.
1:47
TRAILER LA ESMERALDA 1879
TRAILER LA ESMERALDA 1879
TRAILER LA ESMERALDA 1879
AVANT PREMIER 05 DE MAYO DE 2010 EN IQUIQUE, 06 DE MAYO DE 2010 EN SANTIAGO, ESTRENO 20 DE MAYO A NIVEL NACIONAL.
Zulu is a 1964 historical war film depicting the Battle of Rorke's Drift between the British Army and the Zulus in January 1879 just shortly after the impact of Joseph Smith and revolutions that were occuring around the world and some post pending towards the first world war.
During the Anglo-Zulu War 150 British soldiers fighting on Zulu Land many of whom were sick and wounded as patients in a field hospital, successfully held off a force of 4,000 Zulu warriors to end what was their defeat and those that survived returned to England.
The Battle of Rorke's Drift in the Anglo-Zulu War ended in the defence of the Mission of Rorke's Drift th
11:37
La Verdadera Historia de la Guerra del Pacifico 1879!!! Peru-Chile
La Verdadera Historia de la Guerra del Pacifico 1879!!! Peru-Chile
La Verdadera Historia de la Guerra del Pacifico 1879!!! Peru-Chile
Nicolas de Pierola movio la balanza a favor de Chile en la Guerra del Pacifico de 1879 al tomar pesimas decisiones politicas y militares.......... Chile sin ...
10:48
TIME TO SAY HELLO!! (6.22.14 - Day 1879)
TIME TO SAY HELLO!! (6.22.14 - Day 1879)
TIME TO SAY HELLO!! (6.22.14 - Day 1879)
Signed posters at http://CTFxCmerch.com (↓↓ click show more ↓↓) Tour Dates http://wethekingsmusic.com/tour Twitter Charles - http://twitter.com/CharlesTrippy...
35:48
Charles Marie Widor - Organ Symphony No. 6 (1879)
Charles Marie Widor - Organ Symphony No. 6 (1879)
Charles Marie Widor - Organ Symphony No. 6 (1879)
Charles-Marie Jean Albert Widor (21 February 1844 – 12 March 1937) was a French organist, composer and teacher.
Symphony No. 6 Op. 42, No. 2 (1879)
1. Allegro
2. Adagio
3. Intermezzo: Allegro
4. Cantabile
5. Finale: Vivace
Ben van Oosten, organ
Cavaillè-Coll-Organ, Saint-Quen, Rouen
Widor was born in Lyon, to a family of organ builders, and initially studied music there with his father, François-Charles Widor, titular organist of Saint-François-de-Sales from 1838 to 1889. The French organ builder Aristide Cavaillé-Coll, reviver of the art of organ building, was a friend of the Widor family; he arranged for the talented young organist to
21:31
Claude Debussy - Piano Trio in G major (1879)
Claude Debussy - Piano Trio in G major (1879)
Claude Debussy - Piano Trio in G major (1879)
Jean-Efflam Bavouzet (piano), Daniel Rowland (violin) and Jacqueline Thomas (cello). Fantastic set of musicians plays quite unknown piece by Claude Achille D...
10:30
[1879년]줄루전쟁"로크스 드리프트 전투" - Zulu war [Battle of Rorke's Drift](羅克渡口戰役)
[1879년]줄루전쟁"로크스 드리프트 전투" - Zulu war [Battle of Rorke's Drift](羅克渡口戰役)
[1879년]줄루전쟁"로크스 드리프트 전투" - Zulu war [Battle of Rorke's Drift](羅克渡口戰役)
1879년 1월 22일. 아프리카 남부의 나탈(Natal) 지방. 상황은 절망적이었다. 영국군 본대는 이산들와나(Isandlwana)에서 거의 전멸했다. 수십 명의 생존자들만이 이곳 부족이 음진야티(“들소”)라고 부르는 강가에 있는 작은 선교 기지로 몰려들었다. 그러나 전투의 생존자들과 이곳에 있는 민간인들을 합쳐보았자 약 400명 정도. 밖에는 4000명 규모의 줄루족 임피(사단)가 초소를 포위하고 있었다.
처음에 줄루족 사단이 접근한다는 소식을 들었을 때, 우연히 이 기지의 책임자가 된 차드 소위(Lt. John Chard), 브롬헤드 소위(Lt. Gonville Bromhead), 그리고 보급관인 돌턴(James Dalton)은 기지에 모인 사람들의 운명을 결정해야 했다. 그들이 선택할 수 있는 두 가지는 16km 떨어진 소도시 헬프메카르(Helpmekaar)까지 이동하여 구원 부대와 합류하느냐, 아니면 기지에 남아 싸우느냐였다. 이들은 부상자들과 보급품을 모두 수레에 싣고 후방으로 이동하기에는 줄루족 임피의 이동속도가 너무 빠르다는 데 의견을 같이하였다. 보호 장벽도 없는 개활지에서 줄루족 대부대에게 따라잡힐 가능성이 많았고, 그리되면 몰살이 뻔한 상황이었다.
차드와 브롬헤드는 초소 주위에 장애물을 쌓아 최대한 요새화시키고 움직일 수
3:58
"La Esmeralda 1879" - (Tema Principal) Inmortales [VIDEO OFICIAL]
"La Esmeralda 1879" - (Tema Principal) Inmortales [VIDEO OFICIAL]
"La Esmeralda 1879" - (Tema Principal) Inmortales [VIDEO OFICIAL]
Video Clip Oficial del tema principal de la película "Esmeralda 1879", "Inmortales" interpretado por Nicole Natalino, Mario Guerrero y Denisse Malebrán.
24:22
Reviving an Abandoned 1879 Rowhouse | The Washington House, Episode 1 (2006)
Reviving an Abandoned 1879 Rowhouse | The Washington House, Episode 1 (2006)
Reviving an Abandoned 1879 Rowhouse | The Washington House, Episode 1 (2006)
Master Carpenter Norm Abram and host Kevin O'Connor travel to Washington, D.C., to help non-profit developer Mi Casa Inc. renovate an abandoned 1879 rowhouse...
8:03
The American West 06 - The Cattle Trail (1879) - from Timelines.tv
The American West 06 - The Cattle Trail (1879) - from Timelines.tv
The American West 06 - The Cattle Trail (1879) - from Timelines.tv
A cowboy remembers the days of the great cattle drives, and the transformation of the western plains into a cattle kingdom. (8 mins) This module tells the st...
35:10
Peter Lange Müller - Symphony No. 1 (1879)
Peter Lange Müller - Symphony No. 1 (1879)
Peter Lange Müller - Symphony No. 1 (1879)
I. Moderato - 00:00 II. Vivace - Ma Non Troppo Allegro - 14:31 III. Andante - 19:07 IV. Allegro Con Fuoco - 27:08 Peter Erasmus Lange-Müller was a Danish com...
14:45
Gabriel Fauré - Ballade Op. 19 (1879)
Gabriel Fauré - Ballade Op. 19 (1879)
Gabriel Fauré - Ballade Op. 19 (1879)
Gabriel Urbain Fauré (12 May 1845 – 4 November 1924) was a French composer, organist, pianist and teacher. He was one of the foremost French composers of his generation, and his musical style influenced many 20th-century composers.
Ballade for piano in F sharp major, Op. 19 (orch. 1881 for piano and orchestra)
Jean-Philippe Collard, piano
The two versions of Fauré's Ballade -- the first for solo piano, the second for piano and orchestra -- have very few bar-to-bar discrepancies, but their effects are quite different. The solo version, using Chopin's Ballades as its obvious model, is thick, large-scaled, and passionate; the concerto version
2:09
Eadweard James Muybridge--Zoopraxiscope--1879-The first movie projector in history--Amazing moments
Eadweard James Muybridge--Zoopraxiscope--1879-The first movie projector in history--Amazing moments
Eadweard James Muybridge--Zoopraxiscope--1879-The first movie projector in history--Amazing moments
Eadweard James Muybridge (pron.: /ˌɛdwərd ˈmaɪbrɪdʒ/; 9 April 1830 -- 8 May 1904) was an English photographer important for his pioneering work in photograph...
4:03
Charles Gounod — Ave, verum corpus (1879, a 4)
Charles Gounod — Ave, verum corpus (1879, a 4)
Charles Gounod — Ave, verum corpus (1879, a 4)
"Ave, verum corpus", motet for four voices, composed in 1879 by Charles Gounod (1818-1893), performed by Cappella Musicale della Venerabile Reale Cappella in Acireale (Sicily); conductor: Alessandro Maria Trovato
The song was performed in the Royal Chapel of Santa Venera at the Cathedral of Acireale, where the relics of the patron saint of the city and diocese of Acireale, for the preservation and enhancement of Reale Cappella di Santa Venera, reported in the project of "I Luoghi del Cuore" of the FAI, "Fondo Ambiente Italiano"
Cappella Musicale della Venerabile Reale Cappella di Santa Venera
Sopranos:
Gioconda Calanzone, Melina Conti, M° C
27:52
Charles Villiers Stanford - Cello Concerto (1879)
Charles Villiers Stanford - Cello Concerto (1879)
Charles Villiers Stanford - Cello Concerto (1879)
I. Allegro Molto Moderato - Cadenza - 00:00 II. Molto Adagio - 15:32 III. Allegretto Non Troppo - 21:17 Of those British composers who preceded Elgar, the mo...
24:46
Rome Total War Online Battle #1879: bridge battle (Live-Commentary)
Rome Total War Online Battle #1879: bridge battle (Live-Commentary)
Rome Total War Online Battle #1879: bridge battle (Live-Commentary)
Bridge Battle. I command the Seleucids. My opponent, [USMC]mrrappingjake, commands the Macedonians. Map: Moon River Denarii: unlimited Rules: CWB.
86:17
Le canal de Panama (1879-1914) Troisième République
Le canal de Panama (1879-1914) Troisième République
Le canal de Panama (1879-1914) Troisième République
Le scandale de Panama : de la transparence à la gadoue & le mystérieux Docteur Cornélius. Histoire Vivante sur La 1ère / Radio Suisse Romande de Jean Leclerc...
54:44
Life and work of Albert Einstein (1879-1955)
Life and work of Albert Einstein (1879-1955)
Life and work of Albert Einstein (1879-1955)
In this video produced at The University of Manchester in 1972 the eminent theoretical physicist and applied mathematician Cornelius Lanczos talks about Albe...
Combate Naval de Iquique. El 21 de mayo de 1879 en la Rada de Iquique se produjo el enfrentamiento entre la corbeta chilena Esmeralda y el acorazado Huáscar....
Combate Naval de Iquique. El 21 de mayo de 1879 en la Rada de Iquique se produjo el enfrentamiento entre la corbeta chilena Esmeralda y el acorazado Huáscar....
http://www.rockislandauction.com/viewitem/aid/1025/lid/2545
We are used to German small arms being highly efficient and modern for their times, but the Reichsrevolver is an exception to that trend. The first centerfire adopted by the newly formed German empire, the model 1879 Reichsrevolver had traits we would typically associate with Russian arms rather than German. It was simple (too simple in some ways) and very durable, at the expense of not being very conducive to fast or efficient shooting. The Germans realized some of its problems, and in its initial form it only remained a standard front-line weapon until 1883.
http://www.rockislandauction.com/viewitem/aid/1025/lid/2545
We are used to German small arms being highly efficient and modern for their times, but the Reichsrevolver is an exception to that trend. The first centerfire adopted by the newly formed German empire, the model 1879 Reichsrevolver had traits we would typically associate with Russian arms rather than German. It was simple (too simple in some ways) and very durable, at the expense of not being very conducive to fast or efficient shooting. The Germans realized some of its problems, and in its initial form it only remained a standard front-line weapon until 1883.
Nicolas de Pierola movio la balanza a favor de Chile en la Guerra del Pacifico de 1879 al tomar pesimas decisiones politicas y militares.......... Chile sin ...
Nicolas de Pierola movio la balanza a favor de Chile en la Guerra del Pacifico de 1879 al tomar pesimas decisiones politicas y militares.......... Chile sin ...
Signed posters at http://CTFxCmerch.com (↓↓ click show more ↓↓) Tour Dates http://wethekingsmusic.com/tour Twitter Charles - http://twitter.com/CharlesTrippy...
Signed posters at http://CTFxCmerch.com (↓↓ click show more ↓↓) Tour Dates http://wethekingsmusic.com/tour Twitter Charles - http://twitter.com/CharlesTrippy...
Charles-Marie Jean Albert Widor (21 February 1844 – 12 March 1937) was a French organist, composer and teacher.
Symphony No. 6 Op. 42, No. 2 (1879)
1. Allegro
2. Adagio
3. Intermezzo: Allegro
4. Cantabile
5. Finale: Vivace
Ben van Oosten, organ
Cavaillè-Coll-Organ, Saint-Quen, Rouen
Widor was born in Lyon, to a family of organ builders, and initially studied music there with his father, François-Charles Widor, titular organist of Saint-François-de-Sales from 1838 to 1889. The French organ builder Aristide Cavaillé-Coll, reviver of the art of organ building, was a friend of the Widor family; he arranged for the talented young organist to study in Brussels in 1863 with Jacques-Nicolas Lemmens for organ technique and with the elderly François-Joseph Fétis, director of the Brussels Conservatoire, for composition. After this term of study Widor moved to Paris, where he would make his home for the rest of his life. At the age of 24 he was appointed assistant to Camille Saint-Saëns at Église de la Madeleine.
In January 1870, with the combined lobbying of Cavaillé-Coll, Saint-Saëns, and Charles Gounod, the 25-year-old Widor was appointed as "provisional" organist of Saint-Sulpice in Paris, the most prominent position for a French organist. The organ at St-Sulpice was Cavaillé-Coll's masterwork; the instrument's spectacular capabilities proved an inspiration to Widor. Despite his job's ostensibly "provisional" nature, Widor remained as organist at St-Sulpice for nearly 64 years, until the end of 1933. He was succeeded in 1934 by his former student and assistant, Marcel Dupré.
In 1890, upon the death of César Franck, Widor succeeded him as organ professor at the Paris Conservatoire. The class he inherited was initially stunned by this new teacher, who suddenly demanded a formidable technique and a knowledge of J.S. Bach's organ works as prerequisites to effective improvisation. Later (1896), he gave up this post to become composition professor at the same institution. Widor had several students in Paris who were to become famous composers and organists in their own right, most notably the aforementioned Dupré, Louis Vierne, Charles Tournemire, Darius Milhaud, Alexander Schreiner, Edgard Varèse, and the Canadian Henri Gagnon. Albert Schweitzer also studied with Widor, mainly from 1899; master and pupil collaborated on an annotated edition of J. S. Bach's organ works published in 1912-14. Widor, whose own master Lemmens was an important Bach exponent, encouraged Schweitzer's theological exploration of Bach's music.
Among the leading organ recitalists of his time, Widor visited in this capacity many different nations, including Russia, England, Germany, the Netherlands, Portugal, Italy, Poland and Switzerland. In addition he participated in the inaugural concerts of many of Cavaillé-Coll's greatest instruments, notably Notre-Dame de Paris, Saint-Germain-des-Près, the Trocadéro and Saint-Ouen de Rouen.
Well known as a man of great culture and learning, Widor was made a chevalier of the Légion d'Honneur in 1892, named to the Institut de France in 1910, and was elected "Secrétaire perpetuel" (permanent secretary) of the Académie des Beaux-Arts on 18 July 1914, succeeding Henry Roujon.
In 1921, Widor founded the American Conservatory at Fontainebleau with Francis-Louis Casadesus. He was the Director until 1934, when he was succeeded by Maurice Ravel. His close friend, Isidor Philipp gave piano lessons there, and Nadia Boulanger taught an entire generation of new composers.
At the age of 76, Widor married Mathilde de Montesquiou-Fézensac on 26 April 1920 at Charchigné. The 36-year-old Mathilde was a member of one of the oldest and most prominent families of Europe. She died in 1960: there were no children from this union.
On 31 December 1933, Widor resigned his position at Saint-Sulpice. Three years later he suffered a stroke which paralysed the right side of his body, although he remained mentally alert to the last. He died at his home in Paris on 12 March 1937 at the age of 93, and his remains were interred in the crypt of Saint-Sulpice four days later.
Publisher info:
Paris: J. Hamelle, n.d.[1879]. Plate J. 1460 H.
Reprinted:
Symphonies pour orgue, Op.13 et 42
Paris: J. Hamelle, 1901. Plate J. 1460 H.
Copyright:
Public Domain
Charles-Marie Jean Albert Widor (21 February 1844 – 12 March 1937) was a French organist, composer and teacher.
Symphony No. 6 Op. 42, No. 2 (1879)
1. Allegro
2. Adagio
3. Intermezzo: Allegro
4. Cantabile
5. Finale: Vivace
Ben van Oosten, organ
Cavaillè-Coll-Organ, Saint-Quen, Rouen
Widor was born in Lyon, to a family of organ builders, and initially studied music there with his father, François-Charles Widor, titular organist of Saint-François-de-Sales from 1838 to 1889. The French organ builder Aristide Cavaillé-Coll, reviver of the art of organ building, was a friend of the Widor family; he arranged for the talented young organist to study in Brussels in 1863 with Jacques-Nicolas Lemmens for organ technique and with the elderly François-Joseph Fétis, director of the Brussels Conservatoire, for composition. After this term of study Widor moved to Paris, where he would make his home for the rest of his life. At the age of 24 he was appointed assistant to Camille Saint-Saëns at Église de la Madeleine.
In January 1870, with the combined lobbying of Cavaillé-Coll, Saint-Saëns, and Charles Gounod, the 25-year-old Widor was appointed as "provisional" organist of Saint-Sulpice in Paris, the most prominent position for a French organist. The organ at St-Sulpice was Cavaillé-Coll's masterwork; the instrument's spectacular capabilities proved an inspiration to Widor. Despite his job's ostensibly "provisional" nature, Widor remained as organist at St-Sulpice for nearly 64 years, until the end of 1933. He was succeeded in 1934 by his former student and assistant, Marcel Dupré.
In 1890, upon the death of César Franck, Widor succeeded him as organ professor at the Paris Conservatoire. The class he inherited was initially stunned by this new teacher, who suddenly demanded a formidable technique and a knowledge of J.S. Bach's organ works as prerequisites to effective improvisation. Later (1896), he gave up this post to become composition professor at the same institution. Widor had several students in Paris who were to become famous composers and organists in their own right, most notably the aforementioned Dupré, Louis Vierne, Charles Tournemire, Darius Milhaud, Alexander Schreiner, Edgard Varèse, and the Canadian Henri Gagnon. Albert Schweitzer also studied with Widor, mainly from 1899; master and pupil collaborated on an annotated edition of J. S. Bach's organ works published in 1912-14. Widor, whose own master Lemmens was an important Bach exponent, encouraged Schweitzer's theological exploration of Bach's music.
Among the leading organ recitalists of his time, Widor visited in this capacity many different nations, including Russia, England, Germany, the Netherlands, Portugal, Italy, Poland and Switzerland. In addition he participated in the inaugural concerts of many of Cavaillé-Coll's greatest instruments, notably Notre-Dame de Paris, Saint-Germain-des-Près, the Trocadéro and Saint-Ouen de Rouen.
Well known as a man of great culture and learning, Widor was made a chevalier of the Légion d'Honneur in 1892, named to the Institut de France in 1910, and was elected "Secrétaire perpetuel" (permanent secretary) of the Académie des Beaux-Arts on 18 July 1914, succeeding Henry Roujon.
In 1921, Widor founded the American Conservatory at Fontainebleau with Francis-Louis Casadesus. He was the Director until 1934, when he was succeeded by Maurice Ravel. His close friend, Isidor Philipp gave piano lessons there, and Nadia Boulanger taught an entire generation of new composers.
At the age of 76, Widor married Mathilde de Montesquiou-Fézensac on 26 April 1920 at Charchigné. The 36-year-old Mathilde was a member of one of the oldest and most prominent families of Europe. She died in 1960: there were no children from this union.
On 31 December 1933, Widor resigned his position at Saint-Sulpice. Three years later he suffered a stroke which paralysed the right side of his body, although he remained mentally alert to the last. He died at his home in Paris on 12 March 1937 at the age of 93, and his remains were interred in the crypt of Saint-Sulpice four days later.
Publisher info:
Paris: J. Hamelle, n.d.[1879]. Plate J. 1460 H.
Reprinted:
Symphonies pour orgue, Op.13 et 42
Paris: J. Hamelle, 1901. Plate J. 1460 H.
Copyright:
Public Domain
Jean-Efflam Bavouzet (piano), Daniel Rowland (violin) and Jacqueline Thomas (cello). Fantastic set of musicians plays quite unknown piece by Claude Achille D...
Jean-Efflam Bavouzet (piano), Daniel Rowland (violin) and Jacqueline Thomas (cello). Fantastic set of musicians plays quite unknown piece by Claude Achille D...
1879년 1월 22일. 아프리카 남부의 나탈(Natal) 지방. 상황은 절망적이었다. 영국군 본대는 이산들와나(Isandlwana)에서 거의 전멸했다. 수십 명의 생존자들만이 이곳 부족이 음진야티(“들소”)라고 부르는 강가에 있는 작은 선교 기지로 몰려들었다. 그러나 전투의 생존자들과 이곳에 있는 민간인들을 합쳐보았자 약 400명 정도. 밖에는 4000명 규모의 줄루족 임피(사단)가 초소를 포위하고 있었다.
처음에 줄루족 사단이 접근한다는 소식을 들었을 때, 우연히 이 기지의 책임자가 된 차드 소위(Lt. John Chard), 브롬헤드 소위(Lt. Gonville Bromhead), 그리고 보급관인 돌턴(James Dalton)은 기지에 모인 사람들의 운명을 결정해야 했다. 그들이 선택할 수 있는 두 가지는 16km 떨어진 소도시 헬프메카르(Helpmekaar)까지 이동하여 구원 부대와 합류하느냐, 아니면 기지에 남아 싸우느냐였다. 이들은 부상자들과 보급품을 모두 수레에 싣고 후방으로 이동하기에는 줄루족 임피의 이동속도가 너무 빠르다는 데 의견을 같이하였다. 보호 장벽도 없는 개활지에서 줄루족 대부대에게 따라잡힐 가능성이 많았고, 그리되면 몰살이 뻔한 상황이었다.
차드와 브롬헤드는 초소 주위에 장애물을 쌓아 최대한 요새화시키고 움직일 수 없는 중상자를 제외한 모든 인원에게 전투준비를 명령하였다. 1월 22일 오후 4시, 줄루족 임피는 예정대로 나타났고 영국인들은 로크스-드리프트(Rorke’s Drift)라고 불리운 곳에서 줄루족의 공격을 기다렸다. 이산들와나에서 뜻밖의 패배를 당하고 강가의 작은 초소로 쫓겨온 병사들 중에는 이렇게 생각하는 병사들도 있었을 것이다.
1879년 1월 22일. 아프리카 남부의 나탈(Natal) 지방. 상황은 절망적이었다. 영국군 본대는 이산들와나(Isandlwana)에서 거의 전멸했다. 수십 명의 생존자들만이 이곳 부족이 음진야티(“들소”)라고 부르는 강가에 있는 작은 선교 기지로 몰려들었다. 그러나 전투의 생존자들과 이곳에 있는 민간인들을 합쳐보았자 약 400명 정도. 밖에는 4000명 규모의 줄루족 임피(사단)가 초소를 포위하고 있었다.
처음에 줄루족 사단이 접근한다는 소식을 들었을 때, 우연히 이 기지의 책임자가 된 차드 소위(Lt. John Chard), 브롬헤드 소위(Lt. Gonville Bromhead), 그리고 보급관인 돌턴(James Dalton)은 기지에 모인 사람들의 운명을 결정해야 했다. 그들이 선택할 수 있는 두 가지는 16km 떨어진 소도시 헬프메카르(Helpmekaar)까지 이동하여 구원 부대와 합류하느냐, 아니면 기지에 남아 싸우느냐였다. 이들은 부상자들과 보급품을 모두 수레에 싣고 후방으로 이동하기에는 줄루족 임피의 이동속도가 너무 빠르다는 데 의견을 같이하였다. 보호 장벽도 없는 개활지에서 줄루족 대부대에게 따라잡힐 가능성이 많았고, 그리되면 몰살이 뻔한 상황이었다.
차드와 브롬헤드는 초소 주위에 장애물을 쌓아 최대한 요새화시키고 움직일 수 없는 중상자를 제외한 모든 인원에게 전투준비를 명령하였다. 1월 22일 오후 4시, 줄루족 임피는 예정대로 나타났고 영국인들은 로크스-드리프트(Rorke’s Drift)라고 불리운 곳에서 줄루족의 공격을 기다렸다. 이산들와나에서 뜻밖의 패배를 당하고 강가의 작은 초소로 쫓겨온 병사들 중에는 이렇게 생각하는 병사들도 있었을 것이다.
published:14 Nov 2014
views:210
"La Esmeralda 1879" - (Tema Principal) Inmortales [VIDEO OFICIAL]
Video Clip Oficial del tema principal de la película "Esmeralda 1879", "Inmortales" interpretado por Nicole Natalino, Mario Guerrero y Denisse Malebrán.
Video Clip Oficial del tema principal de la película "Esmeralda 1879", "Inmortales" interpretado por Nicole Natalino, Mario Guerrero y Denisse Malebrán.
Master Carpenter Norm Abram and host Kevin O'Connor travel to Washington, D.C., to help non-profit developer Mi Casa Inc. renovate an abandoned 1879 rowhouse...
Master Carpenter Norm Abram and host Kevin O'Connor travel to Washington, D.C., to help non-profit developer Mi Casa Inc. renovate an abandoned 1879 rowhouse...
A cowboy remembers the days of the great cattle drives, and the transformation of the western plains into a cattle kingdom. (8 mins) This module tells the st...
A cowboy remembers the days of the great cattle drives, and the transformation of the western plains into a cattle kingdom. (8 mins) This module tells the st...
I. Moderato - 00:00 II. Vivace - Ma Non Troppo Allegro - 14:31 III. Andante - 19:07 IV. Allegro Con Fuoco - 27:08 Peter Erasmus Lange-Müller was a Danish com...
I. Moderato - 00:00 II. Vivace - Ma Non Troppo Allegro - 14:31 III. Andante - 19:07 IV. Allegro Con Fuoco - 27:08 Peter Erasmus Lange-Müller was a Danish com...
Gabriel Urbain Fauré (12 May 1845 – 4 November 1924) was a French composer, organist, pianist and teacher. He was one of the foremost French composers of his generation, and his musical style influenced many 20th-century composers.
Ballade for piano in F sharp major, Op. 19 (orch. 1881 for piano and orchestra)
Jean-Philippe Collard, piano
The two versions of Fauré's Ballade -- the first for solo piano, the second for piano and orchestra -- have very few bar-to-bar discrepancies, but their effects are quite different. The solo version, using Chopin's Ballades as its obvious model, is thick, large-scaled, and passionate; the concerto version, by redistributing the thematic and harmonic strands, seems leaner and more elegant. Fauré showed an early version of the solo Ballade to Franz Liszt in 1877; the older composer played part of it, then asked Fauré to finish, saying, "I have no more fingers." The writing is elaborate and formidably difficult in the solo version. The more accessible version with orchestra, which the composer premiered with Edouard Colonne's orchestra in 1881, is no longer a display of virtuosity; this version seems more relaxed, even prettier. Debussy caustically dismissed it as overly charming and effeminate.
The Ballade enjoys a very free form -- "somewhat outside what is usually done," in the composer's admission -- but essentially falls into three initial sections, each developing its own theme, followed by a fourth section that combines the second and third themes. In the version with orchestra, Fauré added a bar just before the flute solo that hints at the third theme, thus now incorporating some form of all the thematic material into the work's first 40 bars. The opening Andante cantabile, in F sharp major, introduces the A theme, a lyrical melody over a gently palpitating left-hand accompaniment, with the orchestra delicately supporting and answering the piano's phrases. The piano part soon becomes more declamatory and intense, but then relaxes into the sorts of arpeggios and runs that the score's detractors deemed too frivolously decorative. Some unsettling modulations lead to the E flat minor Allegretto section, dominated by the B theme. This decadent, falling motif is more impetuous (by Fauré's gentle standards) and sends the pianist into long passages of runs and trills. The harmony brightens to B major for the Allegro section (framed by two short Andante interludes), which centers on the rocking and trilling C theme. The final section, Allegro molto moderato, returns to the opening tonality of F sharp major and gracefully intertwines the second and third themes with busy, sparkling piano writing. Fauré eschews a bravura ending, wrapping up the Ballade with a few quiet, arpeggiated flourishes.
Editor: First edition
Publisher Info.:
Paris: J. Hamelle, n.d.(ca.1879). Plate J. 1707 H.
Copyright:
Public Domain
Gabriel Urbain Fauré (12 May 1845 – 4 November 1924) was a French composer, organist, pianist and teacher. He was one of the foremost French composers of his generation, and his musical style influenced many 20th-century composers.
Ballade for piano in F sharp major, Op. 19 (orch. 1881 for piano and orchestra)
Jean-Philippe Collard, piano
The two versions of Fauré's Ballade -- the first for solo piano, the second for piano and orchestra -- have very few bar-to-bar discrepancies, but their effects are quite different. The solo version, using Chopin's Ballades as its obvious model, is thick, large-scaled, and passionate; the concerto version, by redistributing the thematic and harmonic strands, seems leaner and more elegant. Fauré showed an early version of the solo Ballade to Franz Liszt in 1877; the older composer played part of it, then asked Fauré to finish, saying, "I have no more fingers." The writing is elaborate and formidably difficult in the solo version. The more accessible version with orchestra, which the composer premiered with Edouard Colonne's orchestra in 1881, is no longer a display of virtuosity; this version seems more relaxed, even prettier. Debussy caustically dismissed it as overly charming and effeminate.
The Ballade enjoys a very free form -- "somewhat outside what is usually done," in the composer's admission -- but essentially falls into three initial sections, each developing its own theme, followed by a fourth section that combines the second and third themes. In the version with orchestra, Fauré added a bar just before the flute solo that hints at the third theme, thus now incorporating some form of all the thematic material into the work's first 40 bars. The opening Andante cantabile, in F sharp major, introduces the A theme, a lyrical melody over a gently palpitating left-hand accompaniment, with the orchestra delicately supporting and answering the piano's phrases. The piano part soon becomes more declamatory and intense, but then relaxes into the sorts of arpeggios and runs that the score's detractors deemed too frivolously decorative. Some unsettling modulations lead to the E flat minor Allegretto section, dominated by the B theme. This decadent, falling motif is more impetuous (by Fauré's gentle standards) and sends the pianist into long passages of runs and trills. The harmony brightens to B major for the Allegro section (framed by two short Andante interludes), which centers on the rocking and trilling C theme. The final section, Allegro molto moderato, returns to the opening tonality of F sharp major and gracefully intertwines the second and third themes with busy, sparkling piano writing. Fauré eschews a bravura ending, wrapping up the Ballade with a few quiet, arpeggiated flourishes.
Editor: First edition
Publisher Info.:
Paris: J. Hamelle, n.d.(ca.1879). Plate J. 1707 H.
Copyright:
Public Domain
published:29 Nov 2014
views:63
Eadweard James Muybridge--Zoopraxiscope--1879-The first movie projector in history--Amazing moments
Eadweard James Muybridge (pron.: /ˌɛdwərd ˈmaɪbrɪdʒ/; 9 April 1830 -- 8 May 1904) was an English photographer important for his pioneering work in photograph...
Eadweard James Muybridge (pron.: /ˌɛdwərd ˈmaɪbrɪdʒ/; 9 April 1830 -- 8 May 1904) was an English photographer important for his pioneering work in photograph...
"Ave, verum corpus", motet for four voices, composed in 1879 by Charles Gounod (1818-1893), performed by Cappella Musicale della Venerabile Reale Cappella in Acireale (Sicily); conductor: Alessandro Maria Trovato
The song was performed in the Royal Chapel of Santa Venera at the Cathedral of Acireale, where the relics of the patron saint of the city and diocese of Acireale, for the preservation and enhancement of Reale Cappella di Santa Venera, reported in the project of "I Luoghi del Cuore" of the FAI, "Fondo Ambiente Italiano"
Cappella Musicale della Venerabile Reale Cappella di Santa Venera
Sopranos:
Gioconda Calanzone, Melina Conti, M° Carmen Finocchiaro, M° Antonella Grasso, Joan Leotta, Maria Rosaria Pappalardo, Susanna Pennisi
Altos:
M° Clotilde Fiorini, Letizia Leotta, Loredana Marchica, M° Nella Mazzoli, M° Santina Privitera
Tenors:
Davide Belfiore, Giuseppe Castorina, M° Sebastiano Ferlito, Antonio Licciardello, Giuseppe Maugeri, Pierluigi Pennisi, Sergio Tomarchio
Basses:
Francesco Adamantino, Franco Alessandro, Angelo D'Agata, Carmelo Grasso, M° Alberto Patanè, M° Giuseppe Rapisarda, Andrea Francesco Scalia
Conductor: Alessandro Maria Trovato
Other:
Iscriviti/Subscribe → http://www.youtube.com/channel/UCddui4IAYqvlFJaeKX7PfiQ
Facebook FanPage → http://www.facebook.com/pages/Cappella-Musicale-della-Venerabile-Reale-Cappella-di-Santa-Venera/673302586017421?fref=ts
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"Ave, verum corpus", motet for four voices, composed in 1879 by Charles Gounod (1818-1893), performed by Cappella Musicale della Venerabile Reale Cappella in Acireale (Sicily); conductor: Alessandro Maria Trovato
The song was performed in the Royal Chapel of Santa Venera at the Cathedral of Acireale, where the relics of the patron saint of the city and diocese of Acireale, for the preservation and enhancement of Reale Cappella di Santa Venera, reported in the project of "I Luoghi del Cuore" of the FAI, "Fondo Ambiente Italiano"
Cappella Musicale della Venerabile Reale Cappella di Santa Venera
Sopranos:
Gioconda Calanzone, Melina Conti, M° Carmen Finocchiaro, M° Antonella Grasso, Joan Leotta, Maria Rosaria Pappalardo, Susanna Pennisi
Altos:
M° Clotilde Fiorini, Letizia Leotta, Loredana Marchica, M° Nella Mazzoli, M° Santina Privitera
Tenors:
Davide Belfiore, Giuseppe Castorina, M° Sebastiano Ferlito, Antonio Licciardello, Giuseppe Maugeri, Pierluigi Pennisi, Sergio Tomarchio
Basses:
Francesco Adamantino, Franco Alessandro, Angelo D'Agata, Carmelo Grasso, M° Alberto Patanè, M° Giuseppe Rapisarda, Andrea Francesco Scalia
Conductor: Alessandro Maria Trovato
Other:
Iscriviti/Subscribe → http://www.youtube.com/channel/UCddui4IAYqvlFJaeKX7PfiQ
Facebook FanPage → http://www.facebook.com/pages/Cappella-Musicale-della-Venerabile-Reale-Cappella-di-Santa-Venera/673302586017421?fref=ts
Facebook → http://www.facebook.com/andrea.f.scalia
Google+ → http://plus.google.com/+AndreaScalia81/posts
I. Allegro Molto Moderato - Cadenza - 00:00 II. Molto Adagio - 15:32 III. Allegretto Non Troppo - 21:17 Of those British composers who preceded Elgar, the mo...
I. Allegro Molto Moderato - Cadenza - 00:00 II. Molto Adagio - 15:32 III. Allegretto Non Troppo - 21:17 Of those British composers who preceded Elgar, the mo...
Le scandale de Panama : de la transparence à la gadoue & le mystérieux Docteur Cornélius. Histoire Vivante sur La 1ère / Radio Suisse Romande de Jean Leclerc...
Le scandale de Panama : de la transparence à la gadoue & le mystérieux Docteur Cornélius. Histoire Vivante sur La 1ère / Radio Suisse Romande de Jean Leclerc...
In this video produced at The University of Manchester in 1972 the eminent theoretical physicist and applied mathematician Cornelius Lanczos talks about Albe...
In this video produced at The University of Manchester in 1972 the eminent theoretical physicist and applied mathematician Cornelius Lanczos talks about Albe...
Combate Naval de Iquique. El 21 de mayo de 1879 en la Rada de Iquique se produjo el enfrentamiento entre la corbeta chilena Esmeralda y el acorazado Huáscar....
http://www.rockislandauction.com/viewitem/aid/1025/lid/2545
We are used to German small a...
published:09 Jun 2015
Model 1879 Reichsrevolver at RIA
Model 1879 Reichsrevolver at RIA
http://www.rockislandauction.com/viewitem/aid/1025/lid/2545
We are used to German small arms being highly efficient and modern for their times, but the Reichsrevolver is an exception to that trend. The first centerfire adopted by the newly formed German empire, the model 1879 Reichsrevolver had traits we would typically associate with Russian arms rather than German. It was simple (too simple in some ways) and very durable, at the expense of not being very conducive to fast or efficient shooting. The Germans realized some of its problems, and in its initial form it only remained a standard front-line weapon until 1883.
published:09 Jun 2015
views:301
1:47
TRAILER LA ESMERALDA 1879
AVANT PREMIER 05 DE MAYO DE 2010 EN IQUIQUE, 06 DE MAYO DE 2010 EN SANTIAGO, ESTRENO 20 DE...
La Verdadera Historia de la Guerra del Pacifico 1879!!! Peru-Chile
La Verdadera Historia de la Guerra del Pacifico 1879!!! Peru-Chile
Nicolas de Pierola movio la balanza a favor de Chile en la Guerra del Pacifico de 1879 al tomar pesimas decisiones politicas y militares.......... Chile sin ...
Signed posters at http://CTFxCmerch.com (↓↓ click show more ↓↓) Tour Dates http://wethekingsmusic.com/tour Twitter Charles - http://twitter.com/CharlesTrippy...
Charles-Marie Jean Albert Widor (21 February 1844 – 12 March 1937) was a French organist, ...
published:03 Nov 2014
Charles Marie Widor - Organ Symphony No. 6 (1879)
Charles Marie Widor - Organ Symphony No. 6 (1879)
Charles-Marie Jean Albert Widor (21 February 1844 – 12 March 1937) was a French organist, composer and teacher.
Symphony No. 6 Op. 42, No. 2 (1879)
1. Allegro
2. Adagio
3. Intermezzo: Allegro
4. Cantabile
5. Finale: Vivace
Ben van Oosten, organ
Cavaillè-Coll-Organ, Saint-Quen, Rouen
Widor was born in Lyon, to a family of organ builders, and initially studied music there with his father, François-Charles Widor, titular organist of Saint-François-de-Sales from 1838 to 1889. The French organ builder Aristide Cavaillé-Coll, reviver of the art of organ building, was a friend of the Widor family; he arranged for the talented young organist to study in Brussels in 1863 with Jacques-Nicolas Lemmens for organ technique and with the elderly François-Joseph Fétis, director of the Brussels Conservatoire, for composition. After this term of study Widor moved to Paris, where he would make his home for the rest of his life. At the age of 24 he was appointed assistant to Camille Saint-Saëns at Église de la Madeleine.
In January 1870, with the combined lobbying of Cavaillé-Coll, Saint-Saëns, and Charles Gounod, the 25-year-old Widor was appointed as "provisional" organist of Saint-Sulpice in Paris, the most prominent position for a French organist. The organ at St-Sulpice was Cavaillé-Coll's masterwork; the instrument's spectacular capabilities proved an inspiration to Widor. Despite his job's ostensibly "provisional" nature, Widor remained as organist at St-Sulpice for nearly 64 years, until the end of 1933. He was succeeded in 1934 by his former student and assistant, Marcel Dupré.
In 1890, upon the death of César Franck, Widor succeeded him as organ professor at the Paris Conservatoire. The class he inherited was initially stunned by this new teacher, who suddenly demanded a formidable technique and a knowledge of J.S. Bach's organ works as prerequisites to effective improvisation. Later (1896), he gave up this post to become composition professor at the same institution. Widor had several students in Paris who were to become famous composers and organists in their own right, most notably the aforementioned Dupré, Louis Vierne, Charles Tournemire, Darius Milhaud, Alexander Schreiner, Edgard Varèse, and the Canadian Henri Gagnon. Albert Schweitzer also studied with Widor, mainly from 1899; master and pupil collaborated on an annotated edition of J. S. Bach's organ works published in 1912-14. Widor, whose own master Lemmens was an important Bach exponent, encouraged Schweitzer's theological exploration of Bach's music.
Among the leading organ recitalists of his time, Widor visited in this capacity many different nations, including Russia, England, Germany, the Netherlands, Portugal, Italy, Poland and Switzerland. In addition he participated in the inaugural concerts of many of Cavaillé-Coll's greatest instruments, notably Notre-Dame de Paris, Saint-Germain-des-Près, the Trocadéro and Saint-Ouen de Rouen.
Well known as a man of great culture and learning, Widor was made a chevalier of the Légion d'Honneur in 1892, named to the Institut de France in 1910, and was elected "Secrétaire perpetuel" (permanent secretary) of the Académie des Beaux-Arts on 18 July 1914, succeeding Henry Roujon.
In 1921, Widor founded the American Conservatory at Fontainebleau with Francis-Louis Casadesus. He was the Director until 1934, when he was succeeded by Maurice Ravel. His close friend, Isidor Philipp gave piano lessons there, and Nadia Boulanger taught an entire generation of new composers.
At the age of 76, Widor married Mathilde de Montesquiou-Fézensac on 26 April 1920 at Charchigné. The 36-year-old Mathilde was a member of one of the oldest and most prominent families of Europe. She died in 1960: there were no children from this union.
On 31 December 1933, Widor resigned his position at Saint-Sulpice. Three years later he suffered a stroke which paralysed the right side of his body, although he remained mentally alert to the last. He died at his home in Paris on 12 March 1937 at the age of 93, and his remains were interred in the crypt of Saint-Sulpice four days later.
Publisher info:
Paris: J. Hamelle, n.d.[1879]. Plate J. 1460 H.
Reprinted:
Symphonies pour orgue, Op.13 et 42
Paris: J. Hamelle, 1901. Plate J. 1460 H.
Copyright:
Public Domain
published:03 Nov 2014
views:4809
21:31
Claude Debussy - Piano Trio in G major (1879)
Jean-Efflam Bavouzet (piano), Daniel Rowland (violin) and Jacqueline Thomas (cello). Fanta...
Jean-Efflam Bavouzet (piano), Daniel Rowland (violin) and Jacqueline Thomas (cello). Fantastic set of musicians plays quite unknown piece by Claude Achille D...
[1879년]줄루전쟁"로크스 드리프트 전투" - Zulu war [Battle of Rorke's Drift](羅克渡口戰役)
1879년 1월 22일. 아프리카 남부의 나탈(Natal) 지방. 상황은 절망적이었다. 영국군 본대는 이산들와나(Isandlwana)에서 거의 전멸했다. 수십 명...
published:14 Nov 2014
[1879년]줄루전쟁"로크스 드리프트 전투" - Zulu war [Battle of Rorke's Drift](羅克渡口戰役)
[1879년]줄루전쟁"로크스 드리프트 전투" - Zulu war [Battle of Rorke's Drift](羅克渡口戰役)
1879년 1월 22일. 아프리카 남부의 나탈(Natal) 지방. 상황은 절망적이었다. 영국군 본대는 이산들와나(Isandlwana)에서 거의 전멸했다. 수십 명의 생존자들만이 이곳 부족이 음진야티(“들소”)라고 부르는 강가에 있는 작은 선교 기지로 몰려들었다. 그러나 전투의 생존자들과 이곳에 있는 민간인들을 합쳐보았자 약 400명 정도. 밖에는 4000명 규모의 줄루족 임피(사단)가 초소를 포위하고 있었다.
처음에 줄루족 사단이 접근한다는 소식을 들었을 때, 우연히 이 기지의 책임자가 된 차드 소위(Lt. John Chard), 브롬헤드 소위(Lt. Gonville Bromhead), 그리고 보급관인 돌턴(James Dalton)은 기지에 모인 사람들의 운명을 결정해야 했다. 그들이 선택할 수 있는 두 가지는 16km 떨어진 소도시 헬프메카르(Helpmekaar)까지 이동하여 구원 부대와 합류하느냐, 아니면 기지에 남아 싸우느냐였다. 이들은 부상자들과 보급품을 모두 수레에 싣고 후방으로 이동하기에는 줄루족 임피의 이동속도가 너무 빠르다는 데 의견을 같이하였다. 보호 장벽도 없는 개활지에서 줄루족 대부대에게 따라잡힐 가능성이 많았고, 그리되면 몰살이 뻔한 상황이었다.
차드와 브롬헤드는 초소 주위에 장애물을 쌓아 최대한 요새화시키고 움직일 수 없는 중상자를 제외한 모든 인원에게 전투준비를 명령하였다. 1월 22일 오후 4시, 줄루족 임피는 예정대로 나타났고 영국인들은 로크스-드리프트(Rorke’s Drift)라고 불리운 곳에서 줄루족의 공격을 기다렸다. 이산들와나에서 뜻밖의 패배를 당하고 강가의 작은 초소로 쫓겨온 병사들 중에는 이렇게 생각하는 병사들도 있었을 것이다.
published:14 Nov 2014
views:210
3:58
"La Esmeralda 1879" - (Tema Principal) Inmortales [VIDEO OFICIAL]
Video Clip Oficial del tema principal de la película "Esmeralda 1879", "Inmortales" interp...
"La Esmeralda 1879" - (Tema Principal) Inmortales [VIDEO OFICIAL]
"La Esmeralda 1879" - (Tema Principal) Inmortales [VIDEO OFICIAL]
Video Clip Oficial del tema principal de la película "Esmeralda 1879", "Inmortales" interpretado por Nicole Natalino, Mario Guerrero y Denisse Malebrán.
Reviving an Abandoned 1879 Rowhouse | The Washington House, Episode 1 (2006)
Reviving an Abandoned 1879 Rowhouse | The Washington House, Episode 1 (2006)
Master Carpenter Norm Abram and host Kevin O'Connor travel to Washington, D.C., to help non-profit developer Mi Casa Inc. renovate an abandoned 1879 rowhouse...
Behind the Candelabra star tells Event magazine he ‘regretted the embarrasment’ to Catherine Zeta-Jones of his comments about oral sex and cancer given in a 2013 Guardian interview. ‘It was one of those things’ … Michael Douglas. Photograph. Clarius Entertainment/cour/R/Clarius Entertainment/cour/R. Ben Child. @BenChildGeek. Monday 29 June 2015 09.48 BST...Related. Michael Douglas. oral sex caused my cancer ... “And her family.” ... Related ... Related ... ....
(CNN)The question everyone is asking, now that the two Dannemora, New York, fugitives are no longer on the run, is. What took the cops so long?. It's the wrong question. The real question we should be asking is. How is it possible that nobody, other than the fugitives, got hurt? No one from law enforcement. No one from the public. Not a single injury, not a single fatality ...Philip Lerman. There's certainly an element of luck involved ... ....
June 30.. The Islamic State group has beheaded two women in Syria on accusations of "sorcery," the first such execution of women in Syria, the Syrian Observatory for Human Rights monitor said today ...News from e-generator.net. Recommend Twitter ... ....
Article by WN.com Correspondent DallasDarling. Never before have so few controlled the perceptions of so many. Indeed, and despite historical ignorance, corporate and military elitism, Cold War rhetoric, anti-Iranian warriors, powerful Israeli lobbying groups, and a deadline, Iran has already won the battle over its goal in achieving nuclear enrichment capabilities ... Reasonably, they are to be treated as equals ... In the past, the U.S....
(Source. MBT Financial Corporation). MONROE, Mich., June 29, 2015 (GLOBE NEWSWIRE) -- MBT Financial Corp. (Nasdaq.MBTF) announced today that it will release its second quarter 2015 preliminary results after the close of the market on Tuesday, July 21, 2015 ... Eastern ... The replay will be available until August 22, 2015 at 9 a.m ... John Skibski Executive Vice PresidentChief Financial OfficerMonroe Bank & Trust (734) 242-1879 Source ... (noodl....
Research by pianist Kirill Gerstein has revealed that the standardly performed version of Tchaikovsky’s FirstPiano Concerto differs substantially from what the composer actually wrote. It’s a shame this year’s competitors haven’t taken the opportunity to perform the authentic version ... This version was published in 1879, and this was the text of Tchaikovsky’s First Piano Concerto that stood for the rest of the composer’s life ... comments....
MONROE, Mich., June 29, 2015 (GLOBE NEWSWIRE) -- MBT Financial Corp. (Nasdaq.MBTF) announced today that it will release its second quarter 2015 preliminary results after the close of the market on Tuesday, July 21, 2015. The earnings report will be available on the company’s website, www.mbandt.com ... Eastern ... Eastern ... About MBT ... John Skibski Executive Vice PresidentChief Financial OfficerMonroe Bank & Trust (734) 242-1879. ....
(Source. Principal Financial Group Inc) 06/29/2015. Results to be released July 23; conference call scheduled for July 24 ... (NYSE ... On Friday, July 24, 2015, at 10 a.m ... 866-427-0175 (U.S ... Founded in 1879 and a member of the FORTUNE500®, the Principal Financial Group has $530.3 billion in assets under management2 and serves some 19.9 million customers worldwide from offices in Asia, Australia, Europe, Latin America and the United States....
Birks GroupInc ... Jean-Christophe Bédos, President and Chief Executive Officer of Birks Group, said. “The Company has realized several key achievements during fiscal 2015... Fiscal 2015 financial overview ... Fiscal 2015 Results ... dollars ... Birks was founded in 1879 and developed over the years into Canada’s premier retailer, designer and manufacturer of fine jewelry, timepieces, sterling and plated silverware and gifts ... Ended ... ....
Decrauzat (1879-1960) had originally studied as a sculptor but as a young man working in Paris, he began to turn from photography to the new medium of photo journalism ... ....
In March, with funding from an undisclosed source ... (NYSE ... Iolani Palace, the only royal palace in the United States, was used as an official residence by reigning monarch, was built in 1879 and was governed by two monarchs, King Kalakaua and Queen Liliuokalani ... Industries Topics ... ....