- published: 31 Jan 2024
- views: 565625
Philip Morris Glass (born January 31, 1937) is a classical American composer. He is considered one of the most influential music makers of the late 20th century. His music is also often controversially described as minimal music, along with the work of the other "major minimalists" La Monte Young, Terry Riley and Steve Reich.
Glass has distanced himself from the "minimalist" label, describing himself instead as a composer of "music with repetitive structures". Though his early mature music shares much with what is normally called "minimalist", he has since evolved stylistically. Currently, he describes himself as a "classicist", pointing out that he is trained in harmony and counterpoint and studied such composers as Franz Schubert, Johann Sebastian Bach, and Wolfgang Amadeus Mozart with Nadia Boulanger.
Glass has founded his namesake musical group, the Philip Glass Ensemble, with which he still performs on keyboards, and has written operas, musical theatre works, ten symphonies, eleven concertos, solo works, chamber music including seven string quartets and instrumental sonatas, and film scores. Three of his film scores have been nominated for Academy Awards.
Philip Glass performs Opening, celebrating his new piano album, Philip Glass Solo, on his 87th Birthday. Filmed in Brooklyn, NY, 2021. ► Listen to Philip Glass Solo: bit.ly/m/pgsolo2024 ► Follow Philip Glass: www.philipglass.com https://www.instagram.com/philipglass/ https://www.facebook.com/philipglassmusic/ https://twitter.com/philipglass https://www.tiktok.com/@philipglassmusic ► Credits: Film By Four/Ten Media Presented By Dunvagen Music Publishers Film Production and Post-Production by Evan Chapman and Kevin Eikenberg of Four/Ten Media Music Recorded by Caley Monahon-Ward Assistant Engineer Albert Goold Mixed by Caley Monahon-Ward Music Supervisor, Alex Gray Publicity, Sacks and Co. PR Executive Producer Drew Smith Producer Adrienne White Production Manager Richard Guerin Record...
Le pianiste et compositeur Philip Glass était en concert à Montréal le samedi 7 mars 2015 à la Maison symphonique, où il a joué la pièce Mad Rush. #philipglass #piano #music #concert #classicalmusic
sadly underrated master piece by the low key Mr Glass,bridging the worlds of the classical tradition and the avant garde the violin concerto with its constantly shifting minor modes entice the listener to new levels of listening experience.
Philip Glass The HOURS Music from the motion picture Arranged for piano solo by Michael Riesman, Nico Muhly and Anton Batagov performed live by Anton Batagov at the Moscow International House of Music, October 30, 2015 The Poet Acts Morning Passages Something She Has to Do I'm Going to Make a Cake An Unwelcome Friend Dead Things Why Does Someone Have to Die? Tearing Herself Away Escape! Choosing Life The Hours Camera: Alisa Naremontti and Julia Galochkina © No Pictures 2015
Philip Glass The Complete Piano Etudes Book 1 Anton Batagov, piano Live performance at Svetlanov Hall, Moscow International House of Music 28 January, 2017 Etude 1 00:00 Etude 2 06:25 Etude 3 14:16 Etude 4 19:35 Etude 5 25:03 Etude 6 34:04 Etude 7 39:57 Etude 8 50:25 Etude 9 57:04 Etude 10 1:01:35 Camera: Alisa Naremontti, Julia Galochkina Photos: Ira Polyarnaya Video directed and edited by Alisa Naremontti Music © 2014 Dunvagen Music Publishers Inc. Video © 2017 No Pictures
The MSU College of Music is proud to present the MSU Symphony Orchestra led by guest conductor Christopher James Lees, featuring violinist Yvonne Lam making her debut since joining the MSU Music faculty as they present Philip Glass' Violin Concerto No. 1.
Provided to YouTube by Universal Music Group Prophecies · Philip Glass Koyaanisqatsi ℗ 1983 The Island Def Jam Music Group Released on: 1983-01-01 Producer: Philip Glass Producer: Kurt Munkacsi Composer Lyricist: Philip Glass Auto-generated by YouTube.
This is the first encore following Prokofiev Piano Concerto No. 1 performed with Berliner Philharmoniker conducted by Kirill Petrenko at the Waldbühne in Berlin, Jun 22, 2024. This recording is provided by Yuja Wang Archives http://yujawang.nicerweb.com/ 王羽佳存庫 #YujaWang #PhilipGlass #Waldbühne
R.I.P. Tony Todd (1954-2024) Music : Philip Glass
Photo Video Album. Pictures from the world. Music from the movie "The Hours" by Philip Glass.
Philip Morris Glass (born January 31, 1937) is a classical American composer. He is considered one of the most influential music makers of the late 20th century. His music is also often controversially described as minimal music, along with the work of the other "major minimalists" La Monte Young, Terry Riley and Steve Reich.
Glass has distanced himself from the "minimalist" label, describing himself instead as a composer of "music with repetitive structures". Though his early mature music shares much with what is normally called "minimalist", he has since evolved stylistically. Currently, he describes himself as a "classicist", pointing out that he is trained in harmony and counterpoint and studied such composers as Franz Schubert, Johann Sebastian Bach, and Wolfgang Amadeus Mozart with Nadia Boulanger.
Glass has founded his namesake musical group, the Philip Glass Ensemble, with which he still performs on keyboards, and has written operas, musical theatre works, ten symphonies, eleven concertos, solo works, chamber music including seven string quartets and instrumental sonatas, and film scores. Three of his film scores have been nominated for Academy Awards.
They're gonna clear out the studio
They're gonna tear down all the . . .
They're gonna whip down all the . . .
They're gonna sweep out all the . . .
They're gonna pay off all the . . .
(Oh, yeah!)
And then . . .
And then . . .
And then . . .
And then . . .
Hey hey hey, everybody in the orchestra and the chorus
Talkin' 'bout every one of our lovely and talented dancers
Talkin' 'bout the light bulb men
Camera men
The make-up men
(The fake-up men)
Yeah, the rake-up men
(Especially Herbie Cohen, yeah . . .)
They're all gonna rise up
They're gonna jump up
I said jump up
Talkin' 'bout jump right up and off the floor
Jump right up and hit the door
They're all gonna rise up and jump off!
They're gonna ride on home
They're gonna ride on home
They're gonna ride on home
They're gonna ride on home
And once again
Take themselves
Seriously, yeeeah!
Two, three, four, seriously
They're all gonna go home (ye-hey!)
Through the driving sleet and rain
They're all gonna go home
Through the fog, through the dust
Through the tropical fever and the blistering frost
They're all gonna go home
And get out of it as they can be, baby
And the same goes for me
(The same goes for me)
Oh, yeah!
Oh, yeah!
Oh, yeah!
Oh, yeah!
And each and every member of this rock oriented comedy group in his own special way
Is gonna get out of it as he can be
We all gonna get wasted
We all gonna get twisted
We all gonna get wasted
We all gonna get twisted
And I am definitely gonna get . . .
REAMED
'Cause I'm such a lonely
I'm such a lonely
A lonely, lonely, talkin' 'bout a lonely guy!
Oh, and I know tonight, I am definitely . . .
I am positively . . .
I just have to get . . .
BENT, REAMED AND WASTED
JCB: A disaster area the size of Atlantic City, New Jersey!
Howard: He's making me do this, ladies and gentlemen. I wouldn't do it if it weren't for him. You noticed, all through this material, I've been glancing over toward my left? Well, I'll tell you the reason for that, ladies and gentlemen. HE is over there. HE is over on the left. HE is the guy that is making me do all this shit. Right over there. Now all through this movie, every time we've been on stage, I've had to look over in that direction, right? You saw it . . . you know. Well that's 'cause HE's over there. I've got to watch him for signs. He jumps up and down like a jackass. I can't even believe the guy sometimes. But we gotta watch him. 'After all,' we said, 'it's Frank's movie.' Now, we're THE MOTHERS, but it's still Frank's movie. Let's say it, he got to paid for it, he rented the studio, had all these cheesy sets built . . . it's so moche! I can't even stand it . . . He's telling everybody, right now, right over there, to . . .