Kiddush (Hebrew: קידוש), literally, "sanctification," is a blessing recited over wine or grape juice to sanctify the Shabbat and Jewish holidays.
The Torah refers to two requirements concerning Shabbat - to "keep it" and to "remember it" (shamor and zakhor). Jewish law therefore requires that Shabbat be observed in two respects. One must "keep it" by refraining from thirty-nine forbidden activities, and one must "remember it" by making special arrangements for the day, and specifically through the kiddush ceremony.
Reciting kiddush before the meal on the eve of Shabbat and Jewish holidays is thus a commandment from the Torah (as it is explained by the Oral Torah). Reciting kiddush before the morning meal on Shabbat and holidays is a requirement of rabbinic origin. Kiddush is not usually recited at the third meal on Shabbat, although Maimonides was of the opinion that wine should be drunk at this meal as well.
To honor the mitzvah of reciting kiddush, a silver goblet is often used, although any cup can suffice. The cup must hold a revi'it of liquid. A revi'it is between 5.46 fluid ounces (161.5 ml) (Rabbi Avrohom Yeshaya Karelitz) and 3.07 fluid ounces (90.7 ml) (Rabbi Avraham Chaim Naeh). After the person reciting the kiddush drinks from the wine, the rest of it is passed around the table or poured out into small cups for the other participants. Alternatively, wine is poured for each of the participants before kiddush.
Richard Tucker (August 28, 1913 – January 8, 1975) was an American operatic tenor.
Tucker was born Rivn (Rubin) Ticker in Brooklyn, New York, the son of Romanian Jewish parents from Bessarabia. His father, Shmul (Sam) Ticker, and mother Fanya-Tsipa (Fanny) Ticker had already adopted the surname "Tucker" by the time their son entered first grade. His musical aptitude was discovered early, and was nurtured under the tutelage of Samuel Weisser at the Tifereth Israel synagogue in lower Manhattan. As a teenager, Tucker's interests alternated between athletics, at which he excelled during his high-school years, and singing for weddings and bar mitzvahs as a cantorial student. Eventually, he progressed from a part-time cantor at Temple Emanuel in Passaic, New Jersey, to full-time cantorships at Temple Adath Israel in the Bronx and, in June 1943, at the large and prestigious Brooklyn Jewish Center. Until then, Tucker's income derived mainly from his weekly commissions as a salesman for the Reliable Silk Company, in Manhattan's garment district.
Kurt Julian Weill (March 2, 1900 – April 3, 1950) was a German-Jewish composer, active from the 1920s, and in his later years in the United States. He was a leading composer for the stage who was best known for his fruitful collaborations with Bertolt Brecht. With Brecht, he developed productions such as his most well known work The Threepenny Opera, a Marxist critique of capitalism, which included the ballad "Mack the Knife". Weill was a socialist[unreliable source?] who held the ideal of writing music that served a socially useful purpose. He also wrote a number of works for the concert hall, as well as several Judaism-themed pieces.
Kurt Julian Weill was born on March 2, 1900, the third of four children to Albert Weill (1867–1950) and Emma Weill née Ackermann (1872–1955). He grew up in a religious Jewish family in the "Sandvorstadt", the Jewish quarter in Dessau, Germany, where his father was a cantor. At the age of twelve, Kurt Weill started taking piano lessons and made his first attempts at writing music; his earliest preserved composition was written in 1913 and is titled Mi Addir. Jewish Wedding Song.
Tasty
Chorus:
Tasty sweet like candy
(I'm so tasty, just like candy, you're my type of guy)
Sexy…You really want to have me
I see the filling is strong
You're my kind of guy so let's get it on
Verse1:
I'm tasty
Skin silky smooth like caramel
I may let you taste but you can't tell
Or I won't give you no more
Even if you scream at my door
Things can go smooth
If you just stick to the rules
Don't run your mouth like a fool
Kiss me on my neck and go ooh
Whisper in my ear I'm tasty
Chorus:
Tasty sweet like candy
(I'm so tasty just like candy, you're my type of guy)
Sexy you really want to have me
I see the filling is strong
You're my kind of guy so let's get it on
Verse2:
I'm sexy
Hot and bothered come get me
Don't act shy let's get it on
Turn off your cellular phone
I'm gone make you moan and groan
Things 'ill go my way
If you have a problem hit the highway
First we do a little foreplay
Caress my body baby
Whisper in my ear I'm sexy.
Chorus:
Tasty sweet like candy
(I'm so tasty just like candy you're my type of guy)
Sexy you really want to have me
I see the filling is strong
You're my kind of guy so let's get it on
Rap:
Now that's the type of girl I like ma
Type a girl I put my dukes up and fight for
The type of girl that when you walk in the room
You gone steal the show
Have them other broads feeling low
They try to steal your flow
When you pass sweat smell of channel
And on the 10 scale you weigh way over 12
No I ain't trying to hit and question mark
I'm trying tell how I feel you'se a work of art
Yeah I know you...
Chorus:
Tasty sweet like candy
(I'm so tasty just like candy you're my type of guy)
Sexy you really want to have me
I see the filling is strong
Vers1> Dame he lookin to sexy
Tatoos on his body an he all grilled up with dem gold(hastal)as he creeps in da cheava (real slow) yea.HE got my attention (yeae yeae yea)didn't really wanta mention (yeae yeae yea) Im tryin ta holla at him 'cause im diggin his thug style...
Hook> Im in love with a gangsta (hes hustlen he thugin he thugin.he grindin his mind an) Im in love wid a gangsta(thses chicks they be tryin ta get at him , but im hopein he see im right wid 'em)Im in love with a gangsta (hes hustlen he thugin he thugin. he grindin his mind an) Im in love wid a gangsta(thses chicks they be tryin ta get at him , but im hopein he see im right wid 'em)im in love love..
Vers2> Out of all da G'z you be da hottest he's runnin from dem PoPo'z i can see you boy(Therr he goes) Posted up on da corner(Dats how he rolls)yea.. he doin dat street thang(yeae yeae yea) nutthin but a G thang( yeae yeae yea)im tryin ta holla at him 'cause im diggin hiz thug style...
Hook>Im in love with a gangsta (hes hustlen he thugin he thugin. he grindin his mind an) Im in love wid a gangsta(thses chicks they be tryin ta get at him , but im hopein he see im right wid 'em)Im in love with a gangsta (hes hustlen he thugin he thugin. he grindin his mind an) Im in love wid a gangsta(thses chicks they be tryin ta get at him , but im hopein he see im right wid 'em)
Vers3> IM IN LOVE WID A GANGSTA A REAL O'G WEN HE OPEN HIS MOUTH ALL U SEE IS GOLD TEETH SO.. SMILE FO ME DADDY 'cause I LIKE IT LIKE DAT DEM SOUTHERN BOYZ WHAT U NO ABOUT DAT..HE UP EARLY IN DA MORRIN HOME LATE AT NIGHT HE COME HOME WITH THEM STACKS THEN EVERY THANG IS ALL RIGHT IM IN LOVE WID A GANGSTA HE IN LOVE WID ME DIS IS A GHETTO LOVE AN WE ADITTED TO DA STREETS