Roll may refer to:
Cameron Jibril Thomaz (born September 8, 1987), better known by the stage name Wiz Khalifa, is an American rapper. He released his debut album, Show and Prove, in 2006, and signed to Warner Bros. Records in 2007. His Eurodance-influenced single, "Say Yeah", received urban radio airplay, charting on the Rhythmic Top 40 and Hot Rap Tracks charts in 2008. Khalifa parted with Warner Bros. and released his second album, Deal or No Deal, in November 2009. He released the mixtape Kush and Orange Juice as a free download in April 2010; he then signed with Atlantic Records. He is also well known for his debut single for Atlantic, "Black and Yellow", which peaked at number 1 on the Billboard Hot 100. His debut album for the label, Rolling Papers, was released on March 29, 2011.
Khalifa was born on September 8, 1987 to a mother and a father serving in the military. His parents divorced when Khalifa was about three years old. His parents' military service caused him to move regularly: Khalifa lived in Germany, the United Kingdom, and Japan before settling in Pittsburgh where he attended Taylor Allderdice High School.
Luke Bryan (born July 17, 1976) is an American country singer. Bryan began his musical career in the mid-2000s, writing songs for Travis Tritt and Billy Currington. After signing with Capitol Records Nashville in 2007, he released the album I'll Stay Me, which included the singles "All My Friends Say", "We Rode in Trucks" and "Country Man". Followup album Doin' My Thing included "Do I", which Bryan co-wrote with Charles Kelley of Lady Antebellum, and the number one singles "Rain Is a Good Thing" and "Someone Else Calling You Baby". Tailgates & Tanlines, released in 2011, includes "Country Girl (Shake It for Me)" and his third number one, "I Don't Want This Night to End". Bryan co-wrote all of his singles with the exception of "Drunk on You" and co-produced all three albums with Jeff Stevens.
Bryan was born and raised in Leesburg, Georgia. At age fourteen, his parents bought him his first guitar, and after learning to play it, he joined various local bands and began to play in local clubs. After graduating Lee County High School, Bryan planned to move to Nashville, Tennessee; however, this move was delayed, due to the death of his brother, Chris, on the same day he planned to leave. Luke attended Georgia Southern University, and is a member of the Eta Zeta chapter of the Sigma Chi Fraternity. After graduation Luke went to work for his dad, despite everyone encouraging him to move to Tennessee. His dad encouraged him to relocate and he arrived in Nashville in 2001, signing a record deal only two months later.
Tramar Dillard (born December 16, 1979) better known by his stage name Flo Rida (pronounced /floʊ ˈraɪdə/), is an American rapper. He released his debut album, Mail on Sunday, in March 2008. His debut single "Low", featuring T-Pain, was a No. 1 hit for ten weeks in United States in early 2008. Two other singles resulted from Mail on Sunday: "Elevator" and "In the Ayer". In 2009, his second album R.O.O.T.S. was released; its most successful single "Right Round" was at the top of the Hot 100 for six weeks. Since then, he has released his third studio album titled Only One Flo (Part 1), which will see a sequel titled Wild Ones.
Avril Ramona Lavigne (pronunciation: /ˈævrɨl ləˈviːn/; AV-ril lə-VEEN; born 27 September 1984) is a Canadian singer-songwriter. She was born in Belleville, Ontario, but spent most of her youth in the small town of Napanee. By the age of 15, she had appeared on stage with Shania Twain; by 16, she had signed a two-album recording contract with Arista Records worth more than $2 million. In 2002, when she was 17 years old, Lavigne broke onto the music scene with her debut album Let Go.
Let Go made Lavigne the youngest female soloist to reach No. 1 in the UK, and the album was certified four-times platinum by the Recording Industry Association of America. By 2009, over 16 million copies had been sold worldwide. Her breakthrough single, "Complicated", peaked at No. 1 in many countries around the world, as did the album Let Go. Her second album, Under My Skin, was released in 2004 and was her first album to peak at No. 1 on the U.S. Billboard 200, eventually selling more than 10 million copies worldwide. The Best Damn Thing, Lavigne’s third album, was released in 2007, becoming her third No. 1 album in the UK Albums Chart and featuring her first U.S. Billboard Hot 100 No. 1 single, "Girlfriend". Lavigne has scored six number-one singles worldwide, including "Complicated", "Sk8er Boi", "I'm with You", "My Happy Ending", "Nobody's Home", and "Girlfriend". With more than 30 million copies of her albums sold worldwide, Lavigne is one of the top-selling artists releasing albums in the U.S., with over 10.25 million copies certified by the RIAA. Her fourth studio album, Goodbye Lullaby, was released in March 2011. Goodbye Lullaby gave Lavigne her fourth top 10 album on the U.S. Billboard 200 and the UK Albums Chart and her third No. 1 album in both Japan and Australia. Three months after the release of Goodbye Lullaby, Lavigne began work on her fifth album, which will be released on Epic Records following her departure from RCA Records.
Benny: All right now; I'm gonna give you a little more heat, OK?::DP: Please hit this.
Tommy: Mom, put down the phone. I don't think I have a concussion. I just think I'm dead.
Benny: Maybe I should be lookin' in the same mirror you're lookin' in, kid.::Tommy: No, I wouldn't really recommend that.
Two Ton: Who does this kid think he is, Hank Aaron?
St. Agnus Coach: I'm not lookin' for athletes, Earl. I'm lookin' for ballplayers. And I just found one.
Wings: How ever can we repay you, Your... Holiness of Baseball?
Benny: You got some talent, kid. There's a lot more to baseball than talent.
Two Ton: Who names their dog Hercules?::Wok: It was probably just some chihuahua or something. You know how people name their dog just the opposite of what they are.
Squints: All right, Mr. Chairman, we accept the challenge. On one condition. The game for the sandlot is played on the sandlot.
DP: This isn't the part where you go off about the Dodgers, the Hall of Fame, and your smokin' hot girlfriend, is it?
Plot
1970s roller-skate jams fuel this coming-of-age comedy, as X and his friends, who rule their local rink, are shocked when their home base goes out of business. Heading over to the Sweetwater Roller Rink, they find their modest talents are, at first, no competition for their trick skaters and pretty girls who follow their every move.
Keywords: 1970s, african-american, biracial, boy, competition, disco-music, father-son-relationship, loss-of-mother, loss-of-wife, master-of-ceremony
Sweetness: I'm the king of this here flo', ya dig?
Byron: You know i dont like back tracking.::Victor: Yeah, we're highly opposed to backtracking::Xavier 'X': My fault. Look, i'll just bring em out at night next time.::Byron: Bring'em out at night? No, you ain't gonna just bring 'em out at night next time. What, so the German shepherd adn the pit bull puppies could snatch the bag outta there and have empty diapers and cigarette wrappers and Snickers wrappers and Stayfree boxes laid all out in the middle of the street?::Victor: Yeah. Then the neighbors call in down to the plant complainin'. Talkin about how we didn't do our job correctly.::Byron: And then we get complaints and warnings from our boss.::Victor: Then after the warning comes a demerit., And when you get to three demerits, you know what happens then?... A nigger lose his job!, His house! His family! Get kicked out of church cause you no longer got money for the collection plate. They want you out. All because you bringin' out the garbage late.::Byron: That's right. And i'm tellin' you straight up, man, if i lose my job, man you're gonna put on a little Evel Knievel suit and sell some dimes and nicks on a Big Wheel. you're gonna get my money some kinda way!::Victor: Yea, Then, 'cause of our rock-hard bodies we developed from liftin' trash::Byron: Right::Victor: We end up in the alley as prostitutes.::Byron: Righ...::Victor: [looks at Byron] Yeah, that's right! You too!::Byron: I don't know about all that.::Victor: Yeah it could happen. You end up in the alley with the shirt off, sweaty. Sellin'. Not for money! Just for a bite off the man's hamburger.::Byron: The point is we tryin' to make: Don't mess with the Department of Sanitation or you will come up dirty!
Junior: In the immortal words of my cousin, Rudy Rambo III, from the East Side...::Mixed Mike: Hey, Rudy Rambo was a pimp!::Junior: Man, pimps got advice, too. Look, stop discriminating on the black man. In the immortal words of my cousin, Rudy Rambo III, from the East Side, there's three types of people in this world - people who make things happen, people who watch things happen, and people who get Pimp Slapped for not having Rudy Rambo's money on time.
Sweetness: Let's do this Johnny!
Naps: Can I get a size 9 please? Now, ahora.::Bernard: Hey! Calm down 'fro magnum!
Junior: [continuing in playing the dozens] Your mouth looks like an explosion in a tin foil factory.::Tori: Oh yeah? Well at least I'm getting my teeth corrected. Look at yours. You need to stop chewing on those yellow crayons and start scrubbing with some Colgate yuck mouth. [she slaps X five from behind his back while Boo, Mixed Mike, and Naps are laughing hysterically]::Junior: [stammering] That's not even fair. You can't say yuck mouth. And anyway, I'm allergic to toothpaste.
Sweetness: What you scared? Scared that you don't belong over here? That you are beneath us?::Xavier 'X': No, see I'm just trying to help you save face! Cuz I would hate to see you get spanked in front of all your fans!::Sweetness: Young blood, you couldn't spank me if your hands were glued to my ass!::Xavier 'X': My hands glued to your ass? I don't know, that sounds a little sweet to me sweetness!
Tori: Sweetness you so fine!::Junior: Yes you are!::Boo: Junior!::Junior: Sh! I'm talking to tootsie!
Junior: Naps? I know you ain't crying.::Naps: [trying to hide his crying] No, I just have an eye condition.::Junior: The only condition you need is for that hair!
Plot
Every year, a bunch of grasshoppers come to the anthill and eat what the ants have gathered for them. The "offering", as the ants call the ritual, is a part of their fate. One day in spring, when the offering's preparation has just been finished, Flik, unliked inventor ant, accidentally drops the whole offered seeds into the river. The grasshoppers come and give the ants a second chance to collect food until fall. Flik sets off to find bugs that are willing to fight the grasshoppers (nobody expects him to succeed anyway) and, due to a double misinterpretation, returns with a circus crew, giving everybody new hope. When the misunderstanding finally gets cleared out, there is only little time left for a new plan, which has to work, or else...
Keywords: anger, ant, anthill, anthropomorphic-insect, aphid, assertiveness, bandit, battle, beetle, bird
An epic of miniature proportions.
Manny: I now summon the voice of Confucius...::Fly: Get off the stage, you old hag!::Manny: Huh? I demand to know who said that?::[Manny is pelted with fruit]::Manny: How dare you? Ingrates!::[leaves]::Gypsy: [inside box] Manny? Manny?
Princess Atta: You see Hopper, Nature has a certain order. The ants pick the food, the ants keep the food, and the grasshoppers leave!
Hopper: It's a bug-eat-bug world out there, princess. One of those Circle of Life kind of things. Now let me tell you how things are supposed to work: The sun grows the food, the ants pick the food, the grasshoppers eat the food...::Molt: And the birds eat the grasshoppers. Hey, like the one that nearly ate you, you remember? You remem- Oh, you shoulda seen it, okay?::Hopper: Molt!::Molt: This blue jay has him half way down his throat, okay? And Hopper - Hopper's kicking and screaming, okay? And I'm scared, okay, I'm not going anywhere near, okay- Aw, come on! It's a great story.::[Hopper grabs Molt by the antennae]::Molt: Ow! Ow! Ow!
[Hopper is about to feed Dot to Thumper]::Flik: Leave her alone!::Hopper: [pause, Hopper walks towards Flik, still holding Dot] You want her? [Holds out Dot] Go ahead, take her.::[Flik just stands where he is, terrified]::Hopper: No? Then get back in line!::[Flik slowly walks backwards back to where he was before]
Flik: Here, pretend - pretend that that's a seed.::Dot: It's a rock.::Flik: Oh, I know it's a rock, I know. But let's just pretend for a minute that it's a seed, alright? We'll just use our imaginations. Now, now do you see our tree? Everything that made that giant tree is already contained inside this tiny little seed. All it needs is some time, a little bit of sunshine and rain, and voilá!::Dot: This rock will be a tree?::Flik: Seed to tree. You've gotta work with me, here. Alright? Okay. Now, y-you might not feel like you can do much now, but that's just because, well, you're not a tree yet. You just have to give yourself some time. You're still a seed.::Dot: But it's a rock.::Flik: [shouting] I know it's a rock! Don't you think I know a rock when I see a rock? I've spent a lot of time around rocks!::Dot: You're weird, but I like you.
Flik: Oh, great ones! I have been scouting for bugs with your exact talents!::Rosie: A talent scout!::Flik: My colony is in trouble. Grasshoppers are coming. We've been forced to prepare all this food.::Manny: Dinner theater!::Heimlich: Food?::Flik: Please, will you help us?::Fly: Where are they?::Slim: We'll take the job!
Flik: Try not to look like a country bug. Blend. Blend in.
Flik: [has just realized the "warrior bugs" are from the circus] Your Highness! The warriors have called a secret meeting to make plans for circus, uh, *circumventing* the oncoming horde, so they can trapeze - *trap* them with ease!::Princess Atta: Well, shouldn't I come, too?::Flik: No! Ha ha ha! Sorry. No, no, see it's classified in the DMZ, gotta go ASAP, you know, strictly BYOB. Bye!
Molt: [in a sing-song voice] The circus! The circus! I love the circus!
Flik: They can't know the truth! The truth, you see, is bad! I will be branded with this mistake for the rest of my life! My children's children will walk down the street and people will point and say, "Look, there goes the spawn of Flik the Loser"!
[title sequence]::Announcer: It's the C B Bears! Boogie, Hustle and Bump, mobile mystery solvers. With Blast-Off Buzzard and Crazylegs in the constant comedy chase of laughs and fun. Along with Slipshod Sheriff and his Posse Impossible. All rolled into a surprise package of excitement on the "C B Bears" show!
Songwriters:
It all started from nothin'
Just a couple friends and Dad's guitar
Learnin' songs in the basement
The Dirt Band and Restless Heart
I can't say it's been that easy
And I can't say it's been that hard
A million miles out the window
And feels like we've yet to start
Let it roll, let it roll
Just keep on goin'
The road we leave behind
Let it roll, let roll
Just keep on dreamin'
Of what we're out to find
Let it roll, let it roll
Just keep believin'
This is not goodbye
We'll keep you on our minds
As we're rollin' out tonight
As we're rollin' out tonight
Seven nights in smokey bar rooms
Three hundred days away from home
But everything changes with a hit song
Still makin' fans coast to coast
Let it roll, let it roll
Just keep on goin'
The road we leave behind
Let it roll, let roll
Just keep on dreamin'
Of what we're out to find
Let it roll, let it roll
Just keep believin'
This is not goodbye
We'll keep you on our minds
As we're rollin' out tonight
Let it roll, let it roll
Just keep on goin'
The road we leave behind
Let it roll, let roll
Just keep on dreamin'
Of what we're out to find
Let it roll, let it roll
Just keep believin'
That this is not goodbye
We'll keep you on our minds
As we're rollin' out tonight
As we're rollin' out tonight
Let it roll, let it roll, let it roll, let it roll
Oh, just keep believin'
As we're rollin' out tonight
Let me check it from the top
If I attract you, you react to me
Everytime I ask her that, she answer that she naa look back
No way
You wanna roll with a pro today then roll with Protoje
And roll this'dro for me
Dunno what more to say
It's Over-Diggy-D-O-S-E
'Cause you already know wah mi deh pon girl
Keep u Posh like Beckam's girl, take a second swirl
'Cause if you check the case, have a sexy face
Run-her-up inna me room like second place
Me skip first and second base but no mi nuh deh pon haste
And her next man deh pon di case so make me have a second please
Make him know weapon deh pon waist me say
So make me know if you deh pon that
'Cause me focus and deh pon track
And me like when you deh pon top but me love when you deh pon knees
When it gone too real you can deh pon please
God damn! The flow deh pon ease
You know like the mind get more time it deh pon trees
Have some big big dreams, never step on these
Things will get cross like second t's so please
I don't want my wife making my bed, I want her
Making my blunt while she laying in bed
While I'm taking a med
Thinking ahead, thinking bout the future
If she can bring these youths you know
When mi speak mi tell the truth nuh
Naa go fabricate it baby girl just fi suit you
Mek me know if it's cool to you
If it's new to you
(feat. Rihanna & Shontelle)
Roll, roll it girl, roll it girl
Roll, control it girl, roll it girl
De way me wine and me rock and me dip so
Look 'ow me dance to reggae and calypso
Nuff style me ah 'ave
Ah so me go so back to de left and de right mek a flip so
Waistline me 'ave plenty (Buckle up!)
And prepare fi de wine ah de century
Me look good an' me fresh an' me clean
Ah you nah ready fi de Bajan Queen
Burnin' up seh me body pon fyah
Blaze it up tek ya temperature higer
Ya dun kno Shontelle score a perfect ten (Roll it up!)
Dis a Bajan-Jamaican blend!
Roll, roll it girl, roll it girl
Roll, control it girl, roll it girl
Roll, You know me love de way you work dat body, roll it girl, roll it girl
Roll, gyal, ya dont stop once you get started, control it girl, roll it girl
If yuh sexy and ya know it (throw ya hands up high)
Girl you ave it you should show it (baby dont be shy)
Make it bounce up an down now (fling it pon de right)
Wine yuh body to the ground now (girl we got all night)
Roll, roll it girl, roll it girl
Roll, control it girl, roll it girl
Roll, You know me love de way you work dat body, roll it girl, roll it girl
Roll, gyal, ya dont stop once you get started, control it girl, roll it girl
Lose yourself and wine your waistline (baby take your time)
Grind your body to the bassline (make me lose my mind)
Shake that thing your mama gave you (its too big to ide)
Its a blessing that she made you (girl me nah gon lie)
Dip it fast and dip it slow (any way you like)
Dont hold back just let it go (baby its alright)
Roll, roll it girl, roll it girl
Roll, control it girl, roll it girl
Roll, You know me love de way you work dat body, roll it girl, roll it girl
Roll, gyal, ya dont stop once you get started, control it girl, roll it girl
So you say that you want me to roll it
Tell me boy now can you control it
I bring the fire, you bring the heat
Dont hold back baby, give it to me
It aint so easy to please me ya know
Boy put it on me and then we can roll
Brand new style come fi done de place up
All of my girl come wine yo waste up
Dj selector turn de bass up
All of my girl come show u face up
Pippin under that gal roll wah u got
Zum zum naany naany ago mek me hot
Yo, gal brok out get loose do the chaka chaka
Wine it up roll it up lika caterpilla
Roll, roll it girl, roll it girl
Roll, control it girl, roll it girl
Roll, you know me love de way you work dat body, roll it girl, roll it girl
Roll, gyal, ya dont stop once you get started, control it girl, roll it girl
All the girls now report to the dance floor
And shake what ya mama gie ya
Yall hear me now? Yes girls. Line up 1 by 1, 2 by 2
Lets go!
Roll, roll it girl, roll it girl
Roll, control it girl, roll it girl
Roll, You know me love de way you work dat body, roll it girl, roll it girl
I was born
so here I am
not to bad for the unintended
the one too many in a crowded room
the chosen one couldn't leave too soon
I feel alright who was kicked out of school
I feel alright who was told she wasn't cool
I feel alright for someone who was pushed around
I feel alright for someone who was forced to leave town
I gotta ride
I gotta roll
I gotta find somebody
I gotta roll
I look for love along the road
Travelling around from town to town
I fall like Mary into your arms
And rise like Lazarus from your death
I feel alright who was kicked out of school
I feel alright who was told she was a fool
I feel alright for someone who was pushed around
I feel alright for someone who was forced to leave town
I gotta ride
I gotta roll
I gotta find somebody
I gotta roll
I gotta ride
I gotta roll
I gotta find somebody
I gotta roll
I gotta ride
I gotta roll
I gotta find somebody
I gotta roll
I gotta ride
I gotta roll
I gotta find somebody
I gotta roll
I gotta ride
I gotta roll
I gotta find somebody
(feat. J-Status & Shontelle)
Roll, roll it girl, roll it girl
Roll, control it girl, roll it girl
De way me wine and me rock and me dip so
Look 'ow me dance to reggae and calypso
Nuff style me ah 'ave
Ah so me go so back to de left and de right mek a flip so
Waistline me 'ave plenty (Buckle up!)
And prepare fi de wine ah de century
Me look good an' me fresh an' me clean
Ah you nah ready fi de Bajan Queen
Burnin' up seh me body pon fyah
Blaze it up tek ya temperature higer
Ya dun kno Shontelle score a perfect ten (Roll it up!)
Dis a Bajan-Jamaican blend!
Roll, roll it girl, roll it girl
Roll, control it girl, roll it girl
Roll, You know me love de way you work dat body, roll it girl, roll it girl
Roll, gyal, ya dont stop once you get started, control it girl, roll it girl
If yuh sexy and ya know it (throw ya hands up high)
Girl you ave it you should show it (baby dont be shy)
Make it bounce up an down now (fling it pon de right)
Wine yuh body to the ground now (girl we got all night)
Roll, roll it girl, roll it girl
Roll, control it girl, roll it girl
Roll, You know me love de way you work dat body, roll it girl, roll it girl
Roll, gyal, ya dont stop once you get started, control it girl, roll it girl
Lose yourself and wine your waistline (baby take your time)
Grind your body to the bassline (make me lose my mind)
Shake that thing your mama gave you (its too big to ide)
Its a blessing that she made you (girl me nah gon lie)
Dip it fast and dip it slow (any way you like)
Dont hold back just let it go (baby its alright)
Roll, roll it girl, roll it girl
Roll, control it girl, roll it girl
Roll, You know me love de way you work dat body, roll it girl, roll it girl
Roll, gyal, ya dont stop once you get started, control it girl, roll it girl
So you say that you want me to roll it
Tell me boy now can you control it
I bring the fire, you bring the heat
Dont hold back baby, give it to me
It aint so easy to please me ya know
Boy put it on me and then we can roll
Brand new style come fi done de place up
All of my girl come wine yo waste up
Dj selector turn de bass up
All of my girl come show u face up
Pippin under that gal roll wah u got
Zum zum naany naany ago mek me hot
Yo, gal brok out get loose do the chaka chaka
Wine it up roll it up lika caterpilla
Roll, roll it girl, roll it girl
Roll, control it girl, roll it girl
Roll, you know me love de way you work dat body, roll it girl, roll it girl
Roll, gyal, ya dont stop once you get started, control it girl, roll it girl
All the girls now report to the dance floor
And shake what ya mama gie ya
Yall hear me now? Yes girls. Line up 1 by 1, 2 by 2
Lets go!
Roll, roll it girl, roll it girl
Roll, control it girl, roll it girl
Roll, You know me love de way you work dat body, roll it girl, roll it girl
Meguri meguru kimi wo tadoru
Boku no sagasu subete ni natta
Hagare ochiru kokoro ga shitteta aishiteru
Kono sora no shitade futari yurari yurari
Mata kaze ni fukare mi wo yoseatte yuku
Ookina toki no nagare no naka de
Boku wa nani wo te ni shitan darou
Me wo tsumi atsume sakaseta mono wo
Sugu ni karasete shimau
Kumo wa kaze ni nagasare doko kade kieru
Aru ga mama de iki youto suru
Amari sore sae mo mie nai
Meguri meguru kimi wo tadoru
Boku no sagasu subete ni natta
Hagare ochiru kokoro ga shitteta aishiteru
Kono sora no shitade futari yurari yurari
Mata kaze ni fukare miwo yoseatte yuku
Hitori yogari no aijou wa
Kimi ni todokazu ni samayoutta
Wakari aeru hazu no kimi ga tookute
Tsuyoku uneru yuki ba no nai
Kono iradachi dake nageta
Meguri meguru boku wa mayou
Kimi ni totte tari nai mono
Hagare ochiru kokoro ni shimite itami dashita
Shime tsukeru sora no iro to
Hoho wo tsutau kimi no namida dake
Nouri ni yakitsuku
Kimi ni fure kimi wo daki
Nukumoriya kokyuu wo kanji
Futari no ai kotae shiri
Te ni shitato shinjiteita
Dakedo ima kimi no naka kurushimiya kanashimi ni
Furete shimatta kiduite shimatta
Boku wa sore wo osoretetanda
Meguri meguru kimi wo tadoru
Boku ga subete daite agerume soshite
Koko ni futari de atsume sakase you
Na mo shiranu hana demo ii karenu you ni
Gon' gamble with it, show me I'm da man
Shake it on da floor, like dice pon ya hand
Lemme see dat ass roll, roll roll, roll, roll
Dey it go!
It's Kingston and Flo Rida
(Flo Rida)
Kingston and Flo Rida
(Sean Kingston)
Kingston and Flo Rida
(J.R. on da track, Poe Boy)
Kingston and Flo Rida
(Let's get it!)
Gon' gamble with it, show me I'm da man
Shake it on da floor, like dice pon ya hand
Lemme see dat ass roll, roll roll, roll, roll
Dey it go!
Gon' gamble with it, show me I'm da man
Shake it on da floor, like dice pon ya hand
Lemme see dat ass roll, roll roll, roll, roll
Dey it go!
I could be the man, dat's if shawty undastand it
roll da police, when da feda gigantic
pull ova, flo rida can handle it
‘gon place ya bets, are we there yet or landed?
City to vegas, flies two plus it paid us
i stay on da treads and get pretty p***y from haden
craps tables invaded, great walk witcha lady,
block paper, i make it so i been gamblin' lately
yeah, we could play ca-ssino
you can be my ginger
sam rothstien, shawty, i supply the dealas
i gotta thank my no-go
ropin' off da game pit
boss, ghetto bras, ‘gon show me i'm da man
Gon' gamble with it, show me I'm da man
Shake it on da floor, like dice pon ya hand
Lemme see dat ass roll, roll roll, roll, roll
Dey it go!
Gon' gamble with it, show me I'm da man
Shake it on da floor, like dice pon ya hand
Lemme see dat ass roll, roll roll, roll, roll
Dey it go!
Hey, got money on the shooter am I talking about the ruga
Command that roulette, click, click, I'm no loser
Yeah, you the shit, southern slang from Anua
The booty connoisseur when I'm drinking on Kahlua
Go see this rose, gal I won't try you with tulips
I'm coppin' rosé, now my chicken's hard as Hooters
I'm Mandalay Bay, The Bellagio abuser
My paper don't amuse ya then you haven't see my Muler
Hot rod, coat tail, I need the Pink Flamingo
Gambling female, like your hips is playing Cee-Lo
Check out your Channel, see, I stroke your ego
I'm here for the gazebo, pure cooker, you's a kilo
Gon' gamble with it, show me I'm da man
Shake it on da floor, like dice pon ya hand
Lemme see dat ass roll, roll roll, roll, roll
Dey it go!
Gon' gamble with it, show me I'm da man
Shake it on da floor, like dice pon ya hand
Lemme see dat ass roll, roll roll, roll, roll
Dey it go!
7, 11, there it go, I called it, no guessing
Ain't naked but all these shawties, they looking at you, they threatened
I reckon cause you high rolling, they begging, you begging
Snake eyes while you collecting, them thighs I will invest in
Thousand dollar chips for your thousand dollar hips
Got these thousand dollar gifts, leave more thousand dollar tips
I'll be your supplier, spend it like a dryer
Roll for me baby, be my NASCAR tire
I know the odds of winning, like I do my Fellini's
The gangster proud of women, I call it Robin Givens
Flo Rida extort you, take you Pinto to Porsche
Say look what you bottom bought ya
Now do what your mama taught ya
Gon' gamble with it, show me I'm da man
Shake it on da floor, like dice pon ya hand
Lemme see dat ass roll, roll roll, roll, roll
Dey it go!
Gon' gamble with it, show me I'm da man
Shake it on da floor, like dice pon ya hand
Lemme see dat ass roll, roll roll, roll, roll