The Ostend Manifesto was a document written in 1854 that described the rationale for the United States to purchase Cuba from Spain while implying that the U.S. should declare war if Spain refused. Cuba's annexation had long been a goal of U.S. expansionists, particularly as the U.S. set its sights southward following the admission of California to the Union. However, diplomatically, the country had been content to see the island remain in Spanish hands so long as it did not pass to a stronger power such as Britain or France. A product of the debates over slavery in the United States, Manifest Destiny, and the Monroe Doctrine, the Ostend Manifesto proposed a shift in foreign policy, justifying the use of force to seize Cuba in the name of national security.
During the administration of U.S. President Franklin Pierce, Southern expansionists called for Cuba's acquisition as a slave state, but the galvanizing effect of the Kansas–Nebraska Act left the administration unsure of how to proceed. At the suggestion of Secretary of State William L. Marcy, Minister to Spain Pierre Soulé met with Minister to Great Britain James Buchanan and Minister to France John Y. Mason at Ostend, Belgium to discuss the matter. The resulting dispatch, drafted at Aix-la-Chapelle and sent in October 1854, outlined the reasons a U.S. purchase of Cuba would be beneficial to all parties involved and declared that the U.S. would be "justified in wresting" the island from Spanish hands if Spain refused to sell. To Marcy's chagrin, the flamboyant Soulé had made no secret of the meetings, causing unwanted publicity in both Europe and the U.S. In the increasingly volatile political climate of 1854, the administration feared the political repercussions of making the dispatch's contents known, but pressure from journalists and politicians alike continued to mount.
David Bowie ( /ˈboʊ.i/ BOH-ee; born David Robert Jones on 8 January 1947) is an English musician, actor, record producer and arranger. A major figure for over four decades in the world of popular music, Bowie is widely regarded as an innovator, particularly for his work in the 1970s. He is known for his distinctive voice and the intellectual depth and eclecticism of his work.
Bowie first caught the eye and ear of the public in July 1969, when his song "Space Oddity" reached the top five of the UK Singles Chart. After a three-year period of experimentation he re-emerged in 1972 during the glam rock era with the flamboyant, androgynous alter ego Ziggy Stardust, spearheaded by the hit single "Starman" and the album The Rise and Fall of Ziggy Stardust and the Spiders from Mars. Bowie's impact at that time, as described by biographer David Buckley, "challenged the core belief of the rock music of its day" and "created perhaps the biggest cult in popular culture." The relatively short-lived Ziggy persona proved merely one facet of a career marked by continual reinvention, musical innovation and striking visual presentation.
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