Palladium ( /pəˈleɪdiəm/ pə-LAY-dee-əm) is a chemical element with the chemical symbol Pd and an atomic number of 46. It is a rare and lustrous silvery-white metal discovered in 1803 by William Hyde Wollaston. He named it after the asteroid Pallas, which was itself named after the epithet of the Greek goddess Athena, acquired by her when she slew Pallas. Palladium, platinum, rhodium, ruthenium, iridium and osmium form a group of elements referred to as the platinum group metals (PGMs). These have similar chemical properties, but palladium has the lowest melting point and is the least dense of them.
The unique properties of palladium and other platinum group metals (PGMs) account for their widespread use. A quarter of all goods manufactured today either contain PGMs or have a significant part in their manufacturing process played by PGMs. Over half of the supply of palladium and its congener platinum goes into catalytic converters, which convert up to 90% of harmful gases from auto exhaust (hydrocarbons, carbon monoxide, and nitrogen dioxide) into less-harmful substances (nitrogen, carbon dioxide and water vapor). Palladium is also used in electronics, dentistry, medicine, hydrogen purification, chemical applications, and groundwater treatment. Palladium plays a key role in the technology used for fuel cells, which combine hydrogen and oxygen to produce electricity, heat, and water.
Judy Garland (June 10, 1922 – June 22, 1969) was an American actress, singer and vaudevillian. Renowned for her contralto voice, she attained international stardom through a career that spanned 45 of her 47 years as an actress in musical and dramatic roles, as a recording artist and on the concert stage. Respected for her versatility, she received a Juvenile Academy Award and won a Golden Globe Award, as well as Grammy Awards and a Special Tony Award. She was nominated for the Academy Award for Best Actress for her role in the remake of A Star is Born and for Best Supporting Actress for her performance in the 1961 film, Judgment at Nuremberg. At 39 years of age, she remains the youngest recipient of the Cecil B. DeMille Award for lifetime achievement in the motion picture industry.
After appearing in vaudeville with her two older sisters, Garland was signed to Metro-Goldwyn-Mayer as a teenager. There she made more than two dozen films, including nine with Mickey Rooney and the 1939 film with which she would be most identified, The Wizard of Oz. After 15 years, she was released from the studio but gained renewed success through record-breaking concert appearances, including a return to acting beginning with critically acclaimed performances.
by Janelle Scott & Matt Willis
There's a Wonderland for Alice,
There's a tall beanstalk for Jack,
The sleepy train will take you there,
So safely down the track,
With the sandman at the throttle,
You'll be off to dreams and back,
It's pillow time again.
You will meet all your storybook friends
As you go down Mother Goose Lane,
Romp with Jack and Jill,
Up and down the hill,
And try to put Humpty together again.
Close your sleepy eyes and listen
While we take a little hop,
The candy whistle's blowing,
Don't you miss your station stop,
So, good night, my weary farer,
Pleasant dreams to you, old top,
It's pillow time again.
You will meet all your storybook friends
As you go down Mother Goose Lane,
Romp with Jack and Jill,
Up and down the hill,
And try to put Humpty together again.
Close your sleepy eyes and listen
While we take a little hop,
The candy whistle's blowing,
Don't you miss your station stop,
So, good night, my weary farer,
Pleasant dreams to you, old top,
It's pillow time again,
It's pillow time again,
It's pillow time again,
It's pillow time again,
It's pillow-pillow time again.
Told you the story 'bout a teather's pet
well aou ain't heard nothing yet
skooldaze over teacher thinks that's no life
skirts up, heads down, Playtime
you know I'm wanting you
I know you're wanting every inch of me
you love how hard it gets and I
love just how dirty you can be
I told her that she needs
a good stiff talking to
this conversation piece
is sure to do you good
Playtime
teacher's getting horny
reading little pornographic storys
Playtime
loving every minute
she can take it in the hilt
Playtime
teasing and pleading
she can make it harder than before
Playtime
give her all you've got
she can take it all and beg for more
silk stockings, black high heels
skirt so tight you won't believe you eyes
the way she swallows you
you'll wonder what she's got between her thighs
she is insatible
she's never satisfied
warm, wet and willing
as she welcomes you inside
she make it obvious
the things that she has got upon her mind
she needs it hard
the way she winks at you and wiggles her behind
her blouse is open
just enough to make you drool
I do my homework
Billy wants to be a rock star, (hey hey hey)
Billy wants to be a rock star, (hey hey hey)
Thinks about it every night and day. (hey hey hey)
Everyday in the lime light, (hey hey hey)
And she says she's gonna make it some day.
Backbeat says, Everybody loves her,
Everybody, everybody loves her.
Backbeat says, this is her passion.
Feels so good tonight, everything is alright,
The marketing plan is right.
And EMI is very nice,
But they are all tired.
Hey hey hey.
Tammy works in a diner, (hey hey hey)
She wants to be in the movie action.
She wants to move to the big city,
Everybody thinks she's pretty.
Backbeat says, Everybody loves her,
Everybody, everybody loves her.
Backbeat says, this is her passion.
Feels so good tonight, everything is alright,
The marketing plan is right.
And EMI is very nice,
But they are all tired.
Some say it's easy to be Billy,
To be Tammy cuz they're stars.
But's it's a journey,
It takes you all around the world.
Feels so good tonight, everything is alright,
The marketing plan is right.
And EMI is very nice,
But they are all tired.
Feels so good tonight, everything is alright,
The marketing plan is right.
And EMI is very nice,
Nuair a bhuail tú ar thaobh liom, chaill mé mo ghreim,
Is ní bhinnse tógtha leis seo, easpa taithí i bhfeidhm
B'fhéidir go bhfuilim ag eirí, beagáinín sean
Ach ag breathnú ar do chruth, ag breathnú chomh teann,
Á tharraingt, á tharraingt chuig do bhladhm
Táim ag iarraidh a bheith taobh leat, i do sholas úrnua
Is suí cois tine, ar oíche fhuar dhubh
Taobh do bhladhm
Táim ag iarraidh a bheith taobh leat, i do sholas úrnua
Is suí cois tine, ar oíche fhuar dhubh
Leátar do cholainn liom ar nós na Comaoineach
Ach níor lig tú do Chríost do chloigeann a líonadh
Tá cuimhne an ghrá seo ag crochadh i mo chroí,
Ach labharfainn níos mó faoi, dá dtuigfinn an bhrí
Ach labharfainn níos mó faoi, dá dtuigfinn an bhrí
Faigh réidh leis an scáth seo, dod bhrú 'nois ag
cromadh Faoi na craobhacha, tar éis báisteach throm
Ar do bhladhm
Faigh réidh leis an scáth seo, dod bhrú 'nois ag
cromadh Faoi na craobhacha, tar éis báisteach throm
Ar do bhladhm
Táim ag iarraidh a bheith taobh leat, i do sholas úrnua
Is suí cois tine, ar oíche fhuar dhubh
Taobh do bhladhm
Táim ag iarraidh a bheith taobh leat, i do sholas úrnua
Is suí cois tine, ar oíche fhuar dhubh
Scaoil tú do bhladhm, istigh i spás mo chroí
Scaoil tú do bhladhm, ag lasadh chuile ní
Is tá do bhladhm, líonadh ballaí lena scáth, líonadh
ballaí lena scáth
Faigh réidh leis an scáth seo, dod bhrú 'nois ag
cromadh
Faoi na craobhacha, tar éis báisteach throm
Ar do bhladhm
Faigh réidh leis an scáth seo, dod bhrú 'nois ag
cromadh
Faoi na craobhacha, tar éis báisteach throm
Ar do bhladhm
Faigh réidh leis an scáth seo, dod bhrú 'nois ag
cromadh
Faoi na craobhacha, tar éis báisteach throm
Ar do bhladhm
Faigh réidh leis an scáth seo, dod bhrú 'nois ag
cromadh
Faoi na craobhacha, tar éis báisteach throm
Ar do bhladhm
Táim ag iarraidh a bheith taobh leat, i do sholas úrnua
Is suí cois tine, ar oíche fhuar dhubh
Táim ag iarraidh a bheith taobh leat, i do sholas úrnua
Is suí cois tine, ar oíche fhuar dhubh
Táim ag iarraidh a bheith taobh leat, i do sholas úrnua
Is suí cois tine, ar oíche fhuar dhubh
Táim ag iarraidh a bheith taobh leat, i do sholas úrnua
Tanto tempo pra pensar
Mas no meio na correria acho que não deu
Eu tentando concertar a nossa história
Mas sem a sua ajuda, não aconteceu
Acontece que se fosse esperta
E desse tempo ao tempo
Não seria assim
Sugando tudo o que tenho de forças
Eu ja não estou querendo mais você pra mim
Infelizmente é assim
Termina-se uma história
Que a gente mal começou
Se tomasse cuidado com meus sentimentos
Talvez meu coração ainda fosse seu
Esse final não me agradou
E o nosso entendimento
Não aconteceu
Eu que lutei um dia pra te ter ao meu lado
Agora eu te confesso
Quem não quer sou eu
Fui eu quem te dei
O primeiro beijo
O primeiro toque
A primeira canção
Se realmente quer ficar comigo
Não faz bola de meia com meu coração
Tanto tempo, tanto tempos
"Father when you stand above my grave
staring down and what could not be saved
watch me lowered to the darkest place
don't you wipe those tears, off your face
never dealt with conscience or said a thing
even bees feel pain as they sting
hope that I kept some order
since my sacrifice meant nothing"
provoked to exist, like smoke in the mist
we all fade away from claws
the sickness in laws we made...
when children just fade away
so let your eyes weep upon my own
and don't be silent for my esteem
what was then so proud now bares no tone
only in silence you'll hear me scream
loss of self, nothing left
just a shadow oozing breath
loss of sight, emission of disgust
what I trust left me (am I owned?)
humans are disposable and everybody
knows the young blood soaks the soil
but nothing ever grows behind these
dark lines where the sun does not shine
(and in case that it does) the stench
fills up our minds as our soul shares its
stench with the world from this trench
as we die on this earth for their bullshit
this bullshit