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Hollywoods Lost Screen Goddess Clara Bow 01/04
Hollywoods Lost Screen Goddess Clara Bow 02/04
Clara Bow
Mysteries & Scandals Clara Bow
Clara Bow - She's Got It
Clara Bow - Sexuality and Censorship in Early Cinema (Includes Hoopla outtake)
It (1927)
GET YOUR MAN. Clara Bow 1927 Silent Romantic / Comedy Film
Clara Bow Strips Dances In Hula 1927
Clara Bow - IT (1927)
Silent Hollywood Clara Bow "The It Girl" Part One
Clara Bow Dresses for Dinner
Clara Bow Talkie - Call Her Savage (1932)
Clara Bow Rare 1920s Color Screen Test
Actors Debi Mazar (actress), Ione Skye (actress), Jennifer Tilly (actress), Maria Conchita Alonso (producer), Alan Heim (actor), Tippi Hedren (actress), Maria Conchita Alonso (actress), Laura Harring (actress), Phillip Bloch (actor), Phillip Bloch (producer), Marion Ramsey (actress), Rolonda Watts (actress), Stanley Sheff (writer), Stanley Sheff (producer), Stanley Sheff (actor),
BBC-Documentary about the original It-Girl Clara Bow. "On screen she was bigger than Garbo, bigger than anybody. But off the screen she disappeared like an o...
BBC-Documentary about the original It-Girl Clara Bow. "On screen she was bigger than Garbo, bigger than anybody. But off the screen she disappeared like an o...
to see more video here : https://www.youtube.com/user/VenneLoupe3 please no haters. This is not my copyright just backup and sharing. I beg permission accide...
Clips of Clara Bow's hit movie "It" (1927) set to a song written about her called 'She's Got It' by Harry Reaser.
Clips of Clara Bow from documentary "Why Be Good? Sexuality and Censorship in Early Cinema". Also includes an outtake from her last film Hoopla (1933). Rent ...
It is a 1927 silent romantic comedy film which tells the story of a shop girl who sets her sights on the handsome and wealthy boss of the department store where she works. Because of this film, actress Clara Bow became a major star of the highest magnitude, and a result, became known as the "It girl".
This fun little film stars Clara Bow and Buddy Rogers who's parents pre-ordain their marriage as children. As they get older and meet again years later they learn it might be such a bad thing after all. Quite enjoyable This film fell into the public domain in 1955 from lack of copyright renewal. NOTE: Due to constant copyright issues and people making false claims on public domain music I removed the soundtrack. Play your favorite classical piece as you watch and enjoy.
Clara Bow in a scene from the 1927 silent film Hula ~ Please visit my blog http://www.classichollywoodbeauties.com.
It (1927) American B&W; : Seven reels / 6452 feet Directed by Clarence Badger + [Josef von Sternberg] Storyline: A salesgirl with plenty of "it" (sex appeal) ...
Silent Hollywood Clara Bow "The It Girl" Part One.
From Clara Bow's iconic film "It". A scene contrasting the preparations she and her romantic rival make to ready themselves for a dinner at the Ritz. Shopgir...
Scene from Clara Bow's second to last movie.
Rare footage of Clara Bow in a technicolor screen test from the 1920s ~ Please visit my blog http://www.classichollywoodbeauties.com/
A rare glimpse of Clara Bow singing from the promotional film "Paramount on Parade" (1930). If you look closely, you can see Clara glancing upwards ever so o...
A biography on the "It girl" Clara bow. Please comment!
1920's Clara Bow inspired make-up tutorial PRODUCTS USED: Bobbi Brown Foundation stick or MAC full coverage foundation Dark Brown Creme eyeshadow Soap MAC Da...
Pics of Clara Bow set to the song "There's Only One" sung by Clara from the film True to the Navy (1930).
1924 film where Clara Bow and Baby Peggy's paths cross. Music removed to be public domain. No copyright claimed or infringement intended. Help us get Baby Pe...
Clip from KID BOOTS. Cantor's first major film success. Based on the Flo Ziegfeld Musical Comedy of the same name.
VISIT MY BLOG FOR MORE FACTS ABOUT CLARA BOW:www.lisafreemontpages.blogspot.com This didnt turn out exactly as I wanted it to...the tutorial portion is a bit...
Music video for "Clara Bow" from 50 Foot Wave's full-length cd "Golden Ocean". Directed by Orrin Anderson. Check out www.50footwave.com Uploaded with permiss...
http://glamourdaze.blogspot.com/ and http://vintagemakeupguide.com/ Louise Brooks and Clara Bow, possibly the two greatest female screen icons of style in th...
Scenes from WINGS (1927) Starring: Clara Bow, Buddy Rodgers, Richard Arlen Directed by William A. Wellman Paramount With matchless music score by Gaylord Carter. William Thomas Sherman, wts@gunjones.com, http://www.mn-hp.com
This film features an early Clara Bow appearance and quite strong performances by all the cast. This is taken from my old S-VHS master and far from perfect but still enjoyable. This is the 60 minute version that ends at the dinner scene. The complete film with final reel is long lost (or at least not yet found). NOTE: This piece has no soundtrack so throw on your favorite classical piece as you watch and enjoy. This film fell into the public domain in 1953 from lack of copyright renewal.
Axiom sits in with Gomer this week and talks about how Indiana Governor Mike Pence tries to make his workers deny reality, people who pollute the environment out of spite, Ted Cruz's crusade to clear public lands for big companies, a police officer with a vore fetish, a Virginia police department who try to gather evidence in the complete wrong way! But what where does Clara Bow fit in and what's this about a ball pit? Tune in and find out! Grab the show on iTunes! https://itunes.apple.com/us/podcast/rt-gomer-productions-thespian/id861449937?mt=2 http://rtgomer.com http://nerdvice.com http://www.patreon.com/gomer21xx http://www.patreon.com/beckyhop
Florenz Ziegfeld's film version of his stage 1926 stage success "Kid Boots" starring Eddie Cantor, Billie Dove and Clara Bow.
A cowboy detective goes up against a gang of big-city thugs trying to set up a protection racket out west. When Owens' gang shoots it out in a New York nightclub, detective Breezy Kildare is wounded. After he recovers he takes a vacation at his father's ranch in Wyoming. Here he meets Owens again and finds him running a protection racket. When Breezy tries to stop him, Owens makes plans to eliminate Breezy. The heroic idol of young America! This B-western stars Rex Bell--a man who made quite a few Bs and also married silent star, Clara Bow. For a very interesting account of this woman's life and her marriage to Bell, try reading "Clara Bow: Running Wild"--a very interesting biography. Now to the story. Like so many B-westerns of the era, this one is an odd combination of the old and new. The film is set in the present time and is about gangsters and the like in New York. When the mob tries to kill Breezy Kildaire (Bell), he hightails it back to his family ranch out west. From here on, the film is filled with cowboys and the like--things you'd expect to be seeing around the latter portion of the 19th century. This odd juxtaposition of the old and new is not uncommon in B-westerns. Heck, I remember seeing a Gene Autry film chock full of sexy cowboys chasing pickup trucks on their horses as well as making phone calls! Odd, but not all that uncommon. It is also odd that these cowboys in "Broadway to Cheyenne" drink beer--it IS during prohibition. Talk about anachronistic! Once out west, Breezy learns of a 'protective association'--a group of mobsters selling 'protection'. In other words, if you don't pay them, then you can expect to have a life-threatening accident or have your cattle machine gunned!! This is all very modern and odd in such a western setting--and something you might expect to see in a Jimmy Cagney or Edward G. Robinson flick. I know I sure felt a might confused! So is the film worth seeing? Well, considering Hollywood made 1472950823 B-westerns, I don't think it's particularly good--especially for the casual viewer. Now if you are a huge B-western fan, it is probably worth seeing--even if Bell has a very stiff persona and the film has little to distinguish it from the crowd. Watchable but not particularly inspired or interesting. By the way, you may or may not recognize Gabby Hays in this film. In the early portion of the 1930s, he still hadn't perfected his old coot sidekick persona--and here he looks a bit like this guy but not quite as he's sporting a mustache instead of his usual beard. In fact, Hays played many different types of roles during this time in westerns--erudite gentlemen, crazy old coots, villains or whatever else was needed in the movies. Regardless, he's the best thing about this film--and is quite good in his small role. Broadway to Cheyenne (1932) Full Length Rex Bell Western Films
Charles Koechlin (1867-1950): The Seven Stars' Symphony, Op.132 (1933). I. Douglas Fairbanks (en souvenir du voleur de Bagdad) II. Lilian Harvey (menuet fugu...
Part 3: The Legacy The Jazz Age featured in Film and/or Animation, F. Scott Fitzgerald, Langston Hughes, Life Magazine, Flappers, Youth, Cigarette Smoking, T...
Manuel Rodríguez Rivero presenta "Ello", el 14 de marzo de 2014 en la Fundación Juan March, dentro del ciclo "La comedia cinematográfica". http://www.march.e...
Features footage of: Eddie Albert, June Allyson, George K. Arthur, Mary Astor, Lew Ayres, Max Baer, Lucille Ball, Richard Barthelmess, Rex Bell, Edgar Bergen, Sally Blane, Humphrey Bogart,...
A collection of behind the scenes and home movies from the golden age of Hollywood. Hosted by Ken Murray with a Special appearance by Kirk Douglas. Features footage of: Eddie Albert, June Allyson, George K. Arthur, Mary Astor, Lew Ayres, Max Baer, Lucille Ball, Richard Barthelmess, Rex Bell, Edgar Bergen, Sally Blane, Humphrey Bogart, John Boles, Pat Boone, Eddie Borden, Hobart Bosworth, Clara Bow, William Boyd, Fanny Brice, Paul Brooks, Joe E. Brown, Johnny Mack Brown, Virginia Bruce, Rory Calhoun, Leo Carrillo, Charles Chaplin, Lew Cody, William Collier Jr., Russ Columbo, Gary Cooper, Jackie Cooper, Jeanne Crain, Robert Cummings, Linda Darnell, Marion Davies, Joan Davis, Olivia de Havilland, Dolores del Rio, Cecil B. DeMille, Jack Dempsey, Walt Disney, Kirk Douglas, Marie Dressler, Irene Dunne, Josephine Dunn, Stuart Erwin, Ruth Etting, Douglas Fairbanks, Douglas Fairbanks Jr., Charles Farrell, Todd Fisher, Errol Flynn, Joan Fontaine, Glenn Ford, Clark Gable, Greta Garbo, Reginald Gardiner, Cary Grant, Alan Hale, Oliver Hardy, William Randolph Hearst, Jean Hersholt, William Holden, Bob Hope, Hedda Hopper, Walter Huston, Sam Jaffe, Van Johnson, Buck Jones, Hope Lange, Charles Laughton, Stan Laurel, Gertrude Lawrence, Mervyn LeRoy, Charles Lindbergh, Carole Lombard, William Lundigan, Fred MacMurray, Jayne Mansfield, George Marshall, Herbert Marshall, Chico Marx, Groucho Marx, Harpo Marx, Joel McCrea, Victor McLaglen, Adolphe Menjou, Mayo Methot, Marilyn Monroe, Frank Morgan, Wayne Morris, Jean Parker, Louella Parsons, Mary Pickford, Dick Powell, Tyrone Power, George Raft, Gregory Ratoff, Donna Reed, Debbie Reynolds, Buddy Rogers, Charles Ruggles, Albert Schweitzer, George Seaton, Norma Shearer, George Stevens, Lewis Stone, Margaret Sullavan, Robert Taylor, William T. Tilden, George Tobias, Spencer Tracy, Lupe Velez, Jimmy Walker, John Wayne, Johnny Weissmuller, Mae West, Claire Windsor, Robert Woolsey, Jane Wyman and others Director: Rudy Behlmer Producer: Ken Murray Production Company: Filmaster Inc Audio/Visual: sound, Black and White
FRANCISCO ALONSO.- 1887-1948.- LAS LEANDRAS ( zarzuela) Preludio (Orquesta) Intermedio (Orquesta) Introducción y coro de colegialas: "A dar la lección" Java de las viudas: "Ay que triste es ser la viuda" Terceto del divorcio: "Ahora casarse es cosa de juego" Chotis del pichi: "Pichi, es el chulo que castiga" Blues - Charlestón de Clara Bow: "Clara Bow, gentil star" Pasacalle de las Canarias: "Al bailar el tajaraste" Escena y Duo de Paco y Aurelia: "Dile al gomoso" Pasodoble de los nardos: "Por la calle de Alcalá" Número de baile. Apoteosis y desfile de la compañía: "El beso de una mujer" Delia Rubens- soprano Mimi Aznar-Tiple Tino Moro- Barítono Coro radio Nacional de España Orqueta de Cámara de Madrid Directores: Daniel Montorio Enrique Navarro Las Leandras es una Revista musical, denominada también como "Pasatiempo Cómico - Lírico", en dos actos dividos en un prólogo, cinco cuadros, varios subcuadros y una apoteosis, con música del maestro Francisco Alonso y libreto de Emilio González del Castillo y José Muñoz Román. Se estrenó en el Teatro Pavón de Madrid el 12 de noviembre de 1931. Entre el repertorio de diez canciones, resultan especialmente recordadas El Pichi y Los nardos. Esta ópera rara vez se representa en la actualidad; en las estadísticas de Operabase aparece con sólo una representación en el período 2005-2010. Argumento Ante el inesperado anuncio de la visita de su tío Don Francisco, Concha se ve en el dilema de intentar ocultarle su verdadera profesión: es una joven artista que se gana la vida como vedette de revista. Con la ayuda de su novio, Leandro, escenifican, en lo que en su día fue un burdel, un colegio de señoritas - al que bautizan como Las leandras - en el que profesores y alumnas no son otros que los miembros de la compañía teatral. Sin embargo, el enredo se desencadena cuando Francisco, un hombre de provincias, desconociendo el cierre del prostíbulo, se presenta en el lugar con su sobrino Casildo esperando los servicios de las señoritas. Todos creen que se trata del tío de Concha, quien a su vez es confundido más tarde por Leandro como un pretendiente de la chica. Tras una sucesión de malentendidos, la situación, finalmente quedará aclarada. Personajes Principales Concha, Colegiala metida a vedette. Aurora, Segunda vedette celosa del exito de concha. Fermina, Paleta que viene al colegio para prepararse como futura esposa. Manuela, mujer del tio Francisco y madre de Fermina. Clementina, colegiala despistada y algo inocente. Leandro, novio achulado y protector de Concha. Porras, apuntador y padre de Aurora. Tío Francisco, padre de Fermina y criador de canarios. Casildo, futuro marido de Fermina y chico muy timido. Don Francisco, tío de Concha y hombre muy severo y moralista. Don Cosme, empresario catalan de revistas.
A cowboy detective goes up against a gang of big-city thugs trying to set up a protection racket out west. When Owens' gang shoots it out in a New York nightclub, detective Breezy Kildare is wounded. After he recovers he takes a vacation at his father's ranch in Wyoming. Here he meets Owens again and finds him running a protection racket. When Breezy tries to stop him, Owens makes plans to eliminate Breezy. The heroic idol of young America! This B-western stars Rex Bell--a man who made quite a few Bs and also married silent star, Clara Bow. For a very interesting account of this woman's life and her marriage to Bell, try reading "Clara Bow: Running Wild"--a very interesting biography. Now to the story. Like so many B-westerns of the era, this one is an odd combination of the old and new. The film is set in the present time and is about gangsters and the like in New York. When the mob tries to kill Breezy Kildaire (Bell), he hightails it back to his family ranch out west. From here on, the film is filled with cowboys and the like--things you'd expect to be seeing around the latter portion of the 19th century. This odd juxtaposition of the old and new is not uncommon in B-westerns. Heck, I remember seeing a Gene Autry film chock full of cowboys chasing pickup trucks on their horses as well as making phone calls! Odd, but not all that uncommon. It is also odd that these cowboys in "Broadway to Cheyenne" drink beer--it IS during prohibition. Talk about anachronistic! Once out west, Breezy learns of a 'protective association'--a group of mobsters selling 'protection'. In other words, if you don't pay them, then you can expect to have a life-threatening accident or have your cattle machine gunned!! This is all very modern and odd in such a western setting--and something you might expect to see in a Jimmy Cagney or Edward G. Robinson flick. I know I sure felt a might confused! So is the film worth seeing? Well, considering Hollywood made 1472950823 B-westerns, I don't think it's particularly good--especially for the casual viewer. Now if you are a huge B-western fan, it is probably worth seeing--even if Bell has a very stiff persona and the film has little to distinguish it from the crowd. Watchable but not particularly inspired or interesting. By the way, you may or may not recognize Gabby Hays in this film. In the early portion of the 1930s, he still hadn't perfected his old coot sidekick persona--and here he looks a bit like this guy but not quite as he's sporting a mustache instead of his usual beard. In fact, Hays played many different types of roles during this time in westerns--erudite gentlemen, crazy old coots, villains or whatever else was needed in the movies. Regardless, he's the best thing about this film--and is quite good in his small role. Broadway to Cheyenne (1932) - Full Length Western Movies
Stars & Legends (Slideshow) Dedicated to Henry Fonda, John Garfield, Lana Turner, Gloria Grahame, Bob Hope, Myrna Dell, Edward G. Robinson, Corey Haim, Redd Foxx, Alicia Rhett, Arthur O'Connell, Bonnie Franklin, Shirley Temple, Freddie Bartholomew, Lucille Ball, Robert Morley, Margaret Rutherford, Anna May Wong, James Franciscus, Frances Farmer, Glenn Ford, Danny Thomas, Tony Randall, Jack Klugman, Dinah Shore, Peter Lorre, Georgia Hale, George Raft, Priscilla Lawson, Jason Robards, Lee Remick, Gail Russell, Warren Hymer, Lyda Roberti, Dirk Bogarde, Dennis Burkley, Oliver Reed, Barbara Lang, Carmen Zapata, Mike Evans, Juanita Moore, Leif Erickson, Barry Foster, Geraldine Fitzgerald, Pernell Roberts, Marty Feldman, Myrna Fahey, Jim Backus, Farrah Fawcett, Philip Seymour Hoffman, Natalie Wood, Fred Allen, Nina Foch, Russell Johnson, Lynn Redgrave,Dale Evans, Roy Rogers, Rosalind Russell, Fernandel, and many, many others...
Vera Eileen Sheila sitters 28 October 1987 Time: 1 hr. 5 minutes 27 seconds Mickey tells a Vera her "old man" comes and sees her often, keeps her in check. Vera says: "he watches me" Mickey: "I think he's looking forward to when you kick the bucket." Asks her if she is vegetarian. He then explains to her: "I wouldn't be surprised about apports, because I know about a certain experiment in your group to try to bring in objects and things may move." He gives her more advice about her group of sitters, talking about the powers in her group and the possibility for physical things to happen. He tells her there is a man who brings a little dog into her circle. he describes several people who come to her circle, Arab, a Parson bloke, tall Indian man and such. Man with faint voice "Winston comes and speaks." (very faint,) you must listen carefully. Later the sitters speak of "Winston" (who visits their group) and that there is a memorial for him in Westminster Abbey and that they have see a photo of a painting of him ("as in those times it wouldn't have been a photo.") he told them to call him "Winston" and when she asked him who he was (a very high office) he told her to basically "mind her own business." Mickey says he is there and put on a powdered wig, so he is 18th century, but Mickey says: "I don't know anymore now then I knew before" ... and goes on whispering to "Winston" Later on a woman comes and speaks, she speaks of singing and that she has met Clara Bow and always liked the Welsh choirs. She also tells them" "Time is nothing you know" ... "I suppose I have been here 30 years". ... This a very interesting communication altogether.
Finally got that iron gate finished and installed at the customer's house. Also, we took a little time out of our week to build a potato cannon or spud gun. ...
Sinopsis Una sucesión de equívocos ideados para que Concha, una supuesta colegiala huérfana costeada por su tío Don Francisco, no deje de percibir de este un importante premio en metálico por sus éxitos docentes. Lo que no sabe el pobre viejo es que la chica dejó el colegio y es una vedette de revista. Entre todos configuran un colegio en el local de una antigua casa de citas. Indice de escenas Pasatiempo cómico-lírico en dos actos con los siguientes números musicales: Acto I: 1. Introducción. 2. A dar la lección. 3. Las viudas "Ay que triste ser la viuda que a un marido llora". 4. Trío "Ahora es casarse cosa de juego". 5. Chotis "Pichi es el chulo que castiga". 6. Final del acto "Clara Bow gentil star". Acto II: 7. Las canarias "Al bailar el tajaraste". 8. Habanera "Dile al gomoso....Llévame a la verbena de San Antonio". 8ª. Pasodoble "Por la calle de Alcalá....Lleve usted nardos caballero". 9. Orquesta sola. 10. Final "El beso de una mujer" http://lazarzuela.webcindario.com/RES/r_leandras.htm
BBC-Documentary about the original It-Girl Clara Bow. "On screen she was bigger than Garbo, bigger than anybody. But off the screen she disappeared like an o...
Just a few seconds of the amazing Josephine Baker performing, sans top, wearing ostrich plumes (circa 1927). Looks like a variation on the Charleston. Incred...
Clara Bow lost silent film fragments aired on TCM on April 3, 2011. I replaced the music that was shown on the segments for something more lively and efferve...
A tribute to the actress Clara Bow. I saw a documentary about her at Christmas on the BBC and so just had to make a video. Finally a new video with moving cl...
Pics and videos of my favorite actor and actress: Gary Cooper and Clara Bow.
Bunny O'Day (Clara Bow) talks things over with playboy Douglas Thayer (Norman Foster) in the 1931 film : No Limit.
Sig Shonholtz appraises a Clara Bow anklet, watch and note in our new episode, Vintage Los Angeles! Do these items still have the "it" factor today? Fifteen ...
Nancy McLemore plays Clara Bow in this audio dramatization of Michael B. Druxman's one-woman stage play, CLARA BOW.
Kittens Westcourt (Clara Bow) arrives unannounced at her boyfriend's place and decides to have a drink. From the 1926 film : Dancing Mothers.
And here, again, is the difference between the likes of Clara Bow and Colleen Moore ... Clara Bow ...
The Examiner 2015-03-20Facebook0 Twitter0 livefyre Email Print ... (The best-picture winner was Wings, a 1927 film starring Clara Bow and Gary Cooper.
Fox News 2015-03-16by Iva-Marie Palmer, Cond� Nast Traveler ... (The best-picture winner was Wings, a 1927 film starring Clara Bow and Gary Cooper.
Huffington Post 2015-02-26The best picture winner was 1927's "Wings," a film about World War I pilots starring Clara Bow, ...
CNN 2015-02-23The best picture winner was 1927's "Wings," a film about World War I pilots starring Clara Bow, ...
CNN 2015-02-23The best picture winner was 1927's "Wings," a film about World War I pilots starring Clara Bow, ...
CNN 2015-02-20The best picture winner was 1927's "Wings," a film about World War I pilots starring Clara Bow, ...
CNN 2015-02-20... (Juliette Valle) sings of wanting to be a movie star like Clara Bow, and little Clyde (Nicholas V.
The Miami Herald 2015-01-26Marquis top billing includes "The 'It' Girl" Clara Bow; "The 'If' Girl" Jean Harlow; Mary Pickford; ...
The Examiner 2015-01-19Hollywood Rebel." ... The full lineup is listed here ... ) ... Buddy Rogers and Richard Arlen as WWI airborne aces vying for Clara Bow.
Times Union 2015-01-10... drug addiction, the high life of Clara Bow and other salacious scandals will be chronicled.
Huffington Post 2014-11-18Orson Welles. A WHILE back I wrote about. William J ... ) ... Olive Thomas, ... Clara Bow and other salacious scandals will be chronicled.
Boston Herald 2014-11-18She'll present a special double feature of 1927's It starring Clara Bow (35mm) and 1954's Carmen ...
IMDb 2014-10-24Clara Gordon Bow (July 29, 1905 – September 27, 1965) was an American actress who rose to stardom in the silent film era of the 1920s. It was her appearance as a spunky shopgirl in the film It that brought her global fame and the nickname "The It Girl." Bow came to personify the roaring twenties and is described as its leading sex symbol. She appeared in 46 silent films and 11 talkies, including hits such as Mantrap (1926), It (1927) and Wings (1927). She was named first box-office draw in 1928 and 1929 and second box-office draw in 1927 and 1930. Her presence in a motion picture was said to have ensured investors, by odds of almost 2-to-1, a "safe return". In January 1929, at the apex of her stardom, she received more than 45,000 fan letters. After marrying actor Rex Bell in 1931, Bow ended her career in 1933 with the film Hoop-La, becoming a rancher in Nevada.
Clara Bow was born in 1905 in a slum tenement in Prospect Heights, Brooklyn, New York, where she was also raised. Bow was the third child; the first two, also daughters, born in 1903 and 1904, died in infancy. Her mother, Sarah Bow (née Gordon, 1880–1923), was told by a doctor not to become pregnant again for fear the next baby might die as well. Despite the doctor's warning, Sarah Bow became pregnant with Clara in the fall of 1904. In addition to the risky pregnancy, a heat wave besieged New York in July 1905 and temperatures peaked around 100°F; the infant mortality rate rose to 80%. "I don't suppose two people ever looked death in the face more clearly than my mother and I the morning I was born. We were both given up, but somehow we struggled back to life".
Clara (Clóirtheach or An Clárach in Irish) is a town on the River Brosna in County Offaly and is the 10th largest town in the midlands of Ireland. The town has a population of 3001 (2006 census), however a number of well populated housing estates lie outside the town boundary making the actual population higher. Clara has plenty of local services including churches, banks, credit union, schools, supermarkets, shops, garages, pubs, nightclubs and restaurants. It has its own Garda(police) and fire station while the Midlands regional hospital is located just seven miles away in Tullamore. Clara has a strong association with sport. The successful GAA club looks after Gaelic football and hurling from under 8 to senior level. Clara also has a successful junior soccer club. The town has two swimming pools and a successful pitch and putt club. Clara's power lifting club has won a number of national and international awards. A golf driving range is located in the town also with the Esker Hills golf club located just outside the town. There is a local equestrian centre and sports centre also.
so if you want it,
straight from the core,
so if you need it,
I'm lettin' it show,
I'm missing you so(oh oh).
And since you wanted a change,I know,
I could back up but I lost my flow,
everything I couldn't find I lost.
I know someone had to go,
So I'm on my own, again.
So if you mean it,
I'm letting you go,
I guess I've seen it,
I've been here before.
I'm missing you so. (oh oh).
And since you wanted a change,I know,
I could back up but I lost my flow,
everything I couldn't find I lost.
I know someone had to go,
I'm naked
I'm numb
I'm stupid
I'm staying
And if Cupid's got a gun, then he's shootin'
Lights black
Heads bang
You're my drug
We live it
You're drunk, you need it
Real love, I'll give it
So we're bound to linger on
We drink the fatal drop
Then love until we bleed
Then fall apart in parts
You wasted your times
On my heart
You've burned
And if bridges gotta fall, then you'll fall, too
Doors slam
Lights black
You're gone
Come back
Stay gone
Stay clean
I need you to need me
So we're bound to linger on
We drink the fatal drop
Then love until we bleed
Then fall apart in parts
Now we're bound to linger on
We drink the fatal drop
Then love until we bleed
I wanna thank you for nothing
I wanna thank you for nothing
I wanna thank you for nothing
I wanna thank you for nothing
I wanna thank you for nothing
I wanna thank you for nothing
I wanna thank you for nothing
I wanna thank you for nothing
I wanna thank you for nothing
Someday, as I look at the sun
I think of you
And traces we leave behind
Like a fallen piece we’ll make a better start
But still end up alone
Looking down upon a place inside our heart
Dividing us in two
Somewhere, all that we leave behind
Lingers on, longing for lullabies
You live, you learn
You love, you burn
You win, you lose
Becoming you
Someday, when I cry in the rain
I think of you
Looking through eyes of pain
Passing on a feeling that we can’t deny
Over on to you
Fading memory is soon becoming blind
Dividing us in two
Somewhere
All that we leave behind
Lingers on
Longin for lullabies
You live, you learn
You love, you burn
You win, you lose
3 AM,
honey where´ve you been?
cell turned off I waited here
by the phone again
just like last night
Think I can
sort of understand
what your life´s like
all new friends
all the parties and
how you win them
3 AM, now it´s 3AM
Will not let my sadness show
how the tension grows
miss you so and
I pretend
I can feel your hands
and arms around me
trying to fall asleep again
sleep again it´s 3 AM
3 AM, soon the day will break
your voice so close
your lips are so far away
and our words they
fly around across the ocean and
disappearing somewhere over New Foundland
"Oh I love you"
3 AM, now it´s 3 AM
when will you be back again
and do you think we can
keep our love for ever more?
did we let it go?
Or Is it still beautiful?
Do we care at all?
Lost again at 3 AM
Maybe we could make it alright
We could make it better sometime
Maybe we could make it happen baby
We could keep trying, but things will never change
So I don't look back
Still I am dying with every step I take
But I don't look back
Just a little little bit better
Good enough to waste some time
Tell me would it make you happy baby?
We could keep trying, but things will never change
So I don't look back
Still I am dying with every step I take
But I don't look back.
We could keep trying, but things will never change
So I don't look back
Still I am dying with every step I take
But I don't look back
And it hurts with every heartbeat
And it hurts with every heartbeat
And it hurts with every heartbeat
And it hurts with every heartbeat
And it hurts with every heartbeat
I watched you begin again
Had it all figured out
See what you got, from knocking on heaven's door
You put yourself to rest down a river
When you woke up you were touched by an angel
Nothing left to be found
Nowhere to be safe, you've been here before
So, you're down on your knee's
Begging for ends to meet
You went up, you went down all around
But there's nothing to be found
Am I gonna see you next autumn
I'll be there when you're falling
It's alright, no doubt, somehow
You will find your way
Am I gonna see you?
Am I gonna see you?
Paying the price based on an ending
See what you've done
You got nowhere to run, after knocking on heaven's door
You lay yourself to rest down the river
When you woke up were touched by an angel
Nothing left to be found
Nowhere to be safe
You've been here before
So, you're down on your knees
Begging for ends to meet
You went up, you went down all around
But there's nothing to be found
Am I gonna see you next autumn
I'll be there when you're falling
It's alright, no doubt
You will find your way
Am I gonna see you next autumn
I'll be there when you're falling
It's alright
I'm naked
I'm numb
I'm stupid
I'm staying
And if Cupid's got a gun, then he's shootin'
Lights black
Heads bang
You're my drug
We live it
You're drunk, you need it
Real love, I'll give it
So we're bound to linger on
We drink the fatal drop
Then love until we bleed
Then fall apart in parts
You wasted your times
On my heart
You've burned
And if bridges gotta fall, then you'll fall, too
Doors slam
Lights black
You're gone
Come back
Stay gone
Stay clean
I need you to need me
So we're bound to linger on
We drink the fatal drop
Then love until we bleed
Then fall apart in parts
Now we're bound to linger on
We drink the fatal drop
Then love until we bleed