In physics, resonance is the tendency of a system to oscillate at a greater amplitude at some frequencies than at others. These are known as the system's resonant frequencies (or resonance frequencies). At these frequencies, even small periodic driving forces can produce large amplitude oscillations, because the system stores vibrational energy.
Resonance occurs when a system is able to store and easily transfer energy between two or more different storage modes (such as kinetic energy and potential energy in the case of a pendulum). However, there are some losses from cycle to cycle, called damping. When damping is small, the resonant frequency is approximately equal to the natural frequency of the system, which is a frequency of unforced vibrations. Some systems have multiple, distinct, resonant frequencies.
Resonance phenomena occur with all types of vibrations or waves: there is mechanical resonance, acoustic resonance, electromagnetic resonance, nuclear magnetic resonance (NMR), electron spin resonance (ESR) and resonance of quantum wave functions. Resonant systems can be used to generate vibrations at a specific frequency (e.g. musical instruments), or pick out specific frequencies from a complex vibration containing many frequencies (e.g. filters).
Talay Riley (born July 10, 1990) is a British singer signed to record label Sony Music. Riley began his musical career after featuring on rapper Chipmunk's single "Look for Me". He is due to release his fourth single, Make You Mine on August 28, 2011.
Talay Riley grew up in East London and attended St. Bonaventure's secondary school in Forest Gate. He continued further education in the joint sixth form: St. Angela's and St. Bonaventure's (also situated in Forest Gate). He was first exposed to the pop music of the early 1990s by his older brother and sister. 20-year-old urban-pop breakout star Talay Riley first remembers singing when he was five. As a boy growing up in East London, music was always around him, and he was first exposed to the pop music of the early 1990s by his older brother and sister. He doesn’t remember it, but he’s constantly reminded of moments in front of the bathroom mirror singing along to their MC Hammer CDs.
Talay’s aim is for nothing lower than the stars, naming Michael Jackson, Stevie Wonder, Beyonce and James Brown as his greatest inspirations. But he has always been a talent hungry for a twist, and he proudly claims a strong country influence from artists like Taylor Swift and Rascal Flatts in album tracks like ‘Missing You’. But he also went further, going out and studying the biggest names in indie and rock from Coldplay to The Beatles in the hope of stitching together a truly universal sound. “I knew I wanted to branch over,” he explains, “I didn’t just want to be the typical R&B black guy which I thought was what people would expect from me. So I took it upon myself to listen to all that stuff, I sat down and taught myself to enjoy it and after a while it became natural.”[dead link]
Kachitotte mo mada mitasarezu mata hashiri dashita
Maku wa kitte otosareta tomadoi mo naku kane wo narase
Dore dake ubaeba mitasareru yosou mo tsukanai
Fuan ge na kimi no senaka ni kono kotowari oshieyou
Jiyuu wa amaku aimai na sonzai gensou no you de
Kousoku naku shite arienai sonzai koikogareteku
Tozasareta kono yoni kanzen na mono nado nai
Erabareta hitsuyou na teikou wo ukeirete
Kachitotta sore wa futatsu no kao wo mochi warau
Kirei de minikui wana wo hari hisomi tsuzukete iru
Jiyuu wa amaku aimai na sonzai gensou no you de
Kousoku naku shite arienai sonzai koikogareteku
Tozasareta kono yoni kanzen na mono nado nai
Erabareta hitsuyou na teiko wo ukeirete
Tetsugoushi no naka ni mitsuketa wazuka na kanousei
Instrumental
I have no name
No wisdom
No idea
I have no want to pleasure
No mood for fight
I have no appetite
No discipline
No delusions
I have no conscience
I have no talent
But I know who I am
Thunderous events below the atmosphere.
Hibernate within my fissures.
Mind has compressed what it lent from the ear.
Like a diamond that sings of external pressure.
But this zenith is chased by a curse.
That time seems cruel to our memory.
Expressive bow strokes in the bodily universe.
Soon fade into a monotonous symphony.
Like solar flares that reach our plexus.
Through the cloud chamber's web.
So we learnt to forget about essentiality.
And deny the primal frequency.
But its spirit still exists in me.
As my existence is its gree.
Like fertility found its mother in fallow.
We found our ethics in each other.
Organic development was to follow.
And intelligence defeated pother.
Earthquake: Its stentorian chord.
The core's hollow choir.
Fields tremble where Alps aboard.
Repercussion*
Living pulse... the birth of light
Forward evolution into destinies
Echo of beginnings... time... space... matter...
Pineal alchemies awaken the dream of imagination
The dream of dreams... of everything
The synapse
Within the mind
Of creation
Countless stars are born
Mirrored by worlds within
The living suns of eternities... light
Force of gravity
The eternal core
Universal center
The micro-physics of subatomic relativity
One/soul eternal branching outward replicating itself through repetition
Unknown ancient forces
Energies released...
Emerging of polarity's frequencies of thought
The patterns deform
Balanced in the paradox of... contradictions
Harmony
Mirroring
Symbiosis of opposing elements
Coexisting creations of synergy
Reproduction living matter
The displacement of existence
Casting thought across the figments of time
Voices cry throughout the multi-verse
Living vibrations resound
Tsunaida tamashii no hi ga mune wo sasu nara.Kotoba yori motto tsuyoi hibiki ga ima kikoeru ka.
Roku ni me mo awasazu unmei ni made karandeku.Yukisaki moro kabutteru kuenai yoru wo hashire.Fukaoi shi sugita mabushisa ga.Warui yume ni tsuzuite mo.
Tsunaida tamashii no hi ga mune wo sasu nara.Kotoba yori motto tsuyoi hibiki ga ima kikoeru ka.Deatta wake wa dou datte ii hikitsukerarete.Fureta shunkan no kizu no bun dake tashika ni nareru.
Uso mo gisou mo aru yoreta sekai wo keritsukete.Morotomo bukkowareso na muchuu no hate ga mitai.Hitori ni shinai to tsukamu te wa.Yasashisa kara toosugite.
Subete wo yakusoku dekiru asu wa nai kara.Kinou yori chotto mashi na kizuna wo shinjite miyou ka.