4:02
Otolith Removal
This short video details a quick and effective way for collecting fish otoliths using mutt...
published: 01 Jun 2010
author: MarineCostalGeogTAMU
Otolith Removal
Otolith Removal
This short video details a quick and effective way for collecting fish otoliths using mutton snapper caught in the Virgin Islands.- published: 01 Jun 2010
- views: 2769
- author: MarineCostalGeogTAMU
1:24
How the Body Works :The Organs of Balance
The Organs of Balance The organs of balance which influence the action of the cerebellum, ...
published: 03 Aug 2007
author: dan izzo
How the Body Works :The Organs of Balance
How the Body Works :The Organs of Balance
The Organs of Balance The organs of balance which influence the action of the cerebellum, are located in the inner ear adjacent to the organs of hearing. The...- published: 03 Aug 2007
- views: 291026
- author: dan izzo
2:04
What is an Otolith?
This is a snippet from Microworlds - "How Old is a Fish?" that has been linked to the publ...
published: 08 May 2013
author: NOAAOceanMediaCenter
What is an Otolith?
What is an Otolith?
This is a snippet from Microworlds - "How Old is a Fish?" that has been linked to the public media project "QUEST: Exploring the Science of Sustainability." ...- published: 08 May 2013
- views: 289
- author: NOAAOceanMediaCenter
1:37
Otolith Removal From a Fish
Removing the otolith's from and Arctic Grayling using only a multi tool. These are the "ea...
published: 27 May 2012
author: MoDawg14
Otolith Removal From a Fish
Otolith Removal From a Fish
Removing the otolith's from and Arctic Grayling using only a multi tool. These are the "earstones" of a fish and allow you to age it accurately.- published: 27 May 2012
- views: 354
- author: MoDawg14
12:23
How to Extract a Bluefin Tuna Otolith
A hands-on step-by-step demonstration to provide recreational and commercial fishermen wit...
published: 21 Jun 2013
author: DevelopmentGMRI
How to Extract a Bluefin Tuna Otolith
How to Extract a Bluefin Tuna Otolith
A hands-on step-by-step demonstration to provide recreational and commercial fishermen with the skills to extract the otoliths (bony ear parts), and with thi...- published: 21 Jun 2013
- views: 14
- author: DevelopmentGMRI
3:03
Turner Prize 10: The Otolith Group
Turner Prize nominated collective The Otolith Group: "The world doesn't need any more film...
published: 02 Dec 2010
author: Channel4News
Turner Prize 10: The Otolith Group
Turner Prize 10: The Otolith Group
Turner Prize nominated collective The Otolith Group: "The world doesn't need any more films, the world doesn't need any more video art - so you have to think...- published: 02 Dec 2010
- views: 2753
- author: Channel4News
2:33
The Otolith Group - The Radiant, Lo schermo dell'arte, Cinema Odeon, Firenze
Brani dal video The Radiant, di The Otolith Group, programmato da Lo schermo dell'arte, Ci...
published: 22 Nov 2012
author: artribunetv
The Otolith Group - The Radiant, Lo schermo dell'arte, Cinema Odeon, Firenze
The Otolith Group - The Radiant, Lo schermo dell'arte, Cinema Odeon, Firenze
Brani dal video The Radiant, di The Otolith Group, programmato da Lo schermo dell'arte, Cinema Odeon, Firenze, da mercoledì 21 novembre.- published: 22 Nov 2012
- views: 694
- author: artribunetv
7:26
Prelude (The Otolith Sessions)
Promotional video for "The Otolith Sessions" featuring "Prelude"; the opening track from t...
published: 15 Dec 2013
Prelude (The Otolith Sessions)
Prelude (The Otolith Sessions)
Promotional video for "The Otolith Sessions" featuring "Prelude"; the opening track from the record. The Otolith Sessions is an exploration of experiments with magnetic tape manipulations and is offered as a limited edition CD accompanied with a 50 page book complete with beautiful images and texts eluding to the recording materials, machinery, processes and personnel. Available on Forwind Records: http://www.forwind.net/releases/fwd11 __________________________________ The culmination of a year's worth of sound experiments with machines of a bygone era, The Otolith Sessions sees Elsie Martins 'Atom Eye' project realise it's most ambitious and complete work to date. A meticulously programmed full length as opposed to a collection of tracks the album develops and unfolds with a palpable sense of purpose and adventure over the albums six storied compositions. The visceral nature of the beautiful but abstruse music is no fluke but a deliberate result of the unhurried nature of the albums writing and production process. The Otolith Sessions was mixed & co-produced by James Aparicio (Liars, Spiritualized) and features guest appearances from regular collaborators; award-winning percussionist Pete Lockett (Björk, David Holmes, Royal Philharmonic Orchestra, Lee Scratch Perry, Primal Scream) and Mute Artist, Composer and Producer Simon Fisher Turner (whose work includes soundtracks for Derek Jarman's Caravaggio, The Last of England, The Garden and David Lynch-produced Nadja). www.atomeyemusic.com www.forwind.net- published: 15 Dec 2013
- views: 52
3:32
Dissecting a red drum and fish otolith
Dissecting a red drum and fish otolith
http://www.saltyshores.com...
published: 11 Nov 2013
Dissecting a red drum and fish otolith
Dissecting a red drum and fish otolith
Dissecting a red drum and fish otolith http://www.saltyshores.com- published: 11 Nov 2013
- views: 288
4:41
Retrieving American Red Snapper Otolith
Retrieving Red snapper otolith after aqua aces rodeo new orleans, la june 26....
published: 28 Jun 2011
author: JoeWegmann
Retrieving American Red Snapper Otolith
Retrieving American Red Snapper Otolith
Retrieving Red snapper otolith after aqua aces rodeo new orleans, la june 26.- published: 28 Jun 2011
- views: 710
- author: JoeWegmann
2:20
indians in the ussr (from "otolith ii" by otolith group)
...
published: 01 Feb 2012
author: autohystoria
indians in the ussr (from "otolith ii" by otolith group)
indians in the ussr (from "otolith ii" by otolith group)
- published: 01 Feb 2012
- views: 265
- author: autohystoria
2:55
Atom Eye The Otolith Sessions (Trailer)
More info: http://www.atomeyemusic.com http://http://www.forwind.net/artists/AtomEye Follo...
published: 02 Aug 2013
author: AtomEyeMusic
Atom Eye The Otolith Sessions (Trailer)
Atom Eye The Otolith Sessions (Trailer)
More info: http://www.atomeyemusic.com http://http://www.forwind.net/artists/AtomEye Following the release of the cinematic EP Trilogy120 (May 2012), Atom Ey...- published: 02 Aug 2013
- views: 5
- author: AtomEyeMusic
1:09
Otolith 1 (extract), Otolith Group (Kodwo Eshun, Anjalika Sagar) with Richard Couzins
www.artscatalyst.org 22' 20 digital video by the Otolith Group with Richard Couzins, commi...
published: 29 May 2010
author: artscat
Otolith 1 (extract), Otolith Group (Kodwo Eshun, Anjalika Sagar) with Richard Couzins
Otolith 1 (extract), Otolith Group (Kodwo Eshun, Anjalika Sagar) with Richard Couzins
www.artscatalyst.org 22' 20 digital video by the Otolith Group with Richard Couzins, commissioned by The Arts Catalyst and the MIR programme Microgravity's r...- published: 29 May 2010
- views: 8675
- author: artscat
3:23
Atom Eye The Otolith Sessions (Trailer#2)
Trailer no.2 for Atom Eye's album "The Otolith Sessions" due out 18th November on Forwind...
published: 31 Oct 2013
Atom Eye The Otolith Sessions (Trailer#2)
Atom Eye The Otolith Sessions (Trailer#2)
Trailer no.2 for Atom Eye's album "The Otolith Sessions" due out 18th November on Forwind Records (track excerpt "Prelude"). Video by Oliver Barton. Full artist & album info: More info: http://www.atomeyemusic.com http://http://www.forwind.net/artists/AtomEye Following the release of the cinematic EP Trilogy120 (May 2012), Atom Eye returns with an ambitious full length album The Otolith Sessions; the culmination of a year's worth of sound experiments captured on various machines of a bygone era. The materials underlying each composition were formed from experiments with magnetic tape manipulation - deconstructing, layering, looping, suspending, pitch-warbling... carefully tended arrangements that unravel gently, to glorious, dramatic effect. Intense and rich sound designs harnessing oscillating tones, chime-like guitars, symphonic drones, saxophone swirls, trills drenched in echo and orchestral percussion - the sheer iridescence of the sound harnessed in The Otolith Sessions exacts a mournful beauty, at once delicate and immense. Drawing influences from film soundtracks, experimental music and sound art, The Otolith Sessions was mixed & co-produced by James Aparicio (Liars, Spiritualized) and features guest appearances from regular collaborators; award-winning percussionist Pete Lockett (Björk, David Holmes, Royal Philharmonic Orchestra, Lee Scratch Perry, Primal Scream) and Mute Artist, Composer and Producer Simon Fisher Turner; whose work includes soundtracks for Derek Jarman's Caravaggio, The Last of England, The Garden and David Lynch-produced Nadja. The Otolith Sessions will be offered as a limited edition CD accompanied with an exquisitely presented book featuring beautiful images and texts eluding to the recording materials, machinery and processes. This indispensable companion piece to the recording also encompasses an audio cookbook with recipes for you to create your own magnetic tape experiments. The Otolith Sessions will be released on the Forwind imprint on the 18th November 2013.- published: 31 Oct 2013
- views: 91
Vimeo results:
2:55
Atom Eye - The Otolith Sessions - FWD11
Promotional video for our year-end release on Forwind...
published: 01 Aug 2013
author: Forwind
Atom Eye - The Otolith Sessions - FWD11
Promotional video for our year-end release on Forwind
0:52
Curiosity and Method: Ten Years of Cabinet Magazine
This anthology gathers some of the most interesting successes, and a few instructive failu...
published: 22 Oct 2012
author: Cabinet
Curiosity and Method: Ten Years of Cabinet Magazine
This anthology gathers some of the most interesting successes, and a few instructive failures, published in the first forty issues of Cabinet. Taking the form of an illustrated encyclopedia, the idiosyncratic entries include Addiction, Animal Architecture, Goalkeeping, Micronation, Otolith, Sandal, Worlding, and Zoosemiotics.
72:20
Nuclear Culture on Film, Round Table Discussion - 28 April 2013
Sunday 28 April 2013, 11am - 5.30pm. The Arts Catalyst, London.
Mark Aerial Waller / Isao...
published: 07 May 2013
author: The Arts Catalyst
Nuclear Culture on Film, Round Table Discussion - 28 April 2013
Sunday 28 April 2013, 11am - 5.30pm. The Arts Catalyst, London.
Mark Aerial Waller / Isao Hashimoto / Sandra Lahire / Otolith Group / Eva & Franco Mattes / Chris Oakley / Yelena Popova
A programme of artists’ films investigating nuclear culture from the perspective of the 21st Century reflecting on 1980s feminist experimental film and activism, gritty dramatic satire of the 1990s, and recent video-essay works from 2009 – 2012. Artists narrate their own experience of nuclear environments in Britain, the Urals, Estonia, Ukraine, Japan and Canada, travelling back home or to sites of disaster to try and capture the invisible or the unimaginable. Investigating the aesthetic implications of radiation reveals the impossibility of capturing an energy that bleaches the images from film and erases the hard drives of digital devices. The films raise important questions for nuclear critique from nuclear entropy, utopian and dystopian belief systems, questioning scientific certainty, political agency and the proliferation of nuclear culture. Curated by Ele Carpenter with students from MFA Curating, Goldsmiths.
Roundtable Discussion
A roundtable discussion with artists Kodwo Eshun (Otolith Group) and Mark Aerial Waller in conversation with philosopher Liam Sprod, chaired by Susan Kelly. The recording of the event is available in four parts below.
Roundtable discussants
Kodwo Eshun is a writer, theorist, filmmaker and co-founder of The Otolith Group with Anjalika Sagar, 2002. Their practice includes curating, publishing and production of artists work. Their research into aural and visual cultures is informed by the legacy and potential of the moving image and the archive. In 2012 The Otolith Group made the film ‘The Radiant’ exploring the aftermath of the Great Tohoku Earthquake and the partial meltdown of the Fukushima Daiichi nuclear power plant.
Susan Kelly (Chair) is an artist and writer whose research looks at relationships between art and micropolitics, rhetoric and practices of organisation. She works in performance, installation, video, and writes and publishes. She works both independently and collectively with various art-activist research groups in London, and teaches Fine Art at Goldsmith's College.
Liam Sprod was born in England before the possibility of nuclear war prompted his parents to relocate to Hobart, Australia. There he studied, researched and taught philosophy at the University of Tasmania. Eventually tiring of merely reading European philosophy he has been undertaking research throughout Europe, tracing the various end-of narratives from the ends of history in Berlin and Jena, through the end of poetry in Auschwitz, to the end of television in Timisoara, Romania. The result of this was the book Nuclear Futurism (Zero Books, 2012). He is currently a PhD Student with the London Graduate School at Kingston University, where he is working on the confusion of time and space in post-Kantian philosophy as a way to open up the confrontation between realist and idealist tendencies within that tradition.
Mark Aerial Waller makes films, events and sculptural installations that seek relationships with the historical positioning of culture; that mythologically potent archival data can coexist in the area between the reconfigured present and its original home. This work includes the film Glow Boys (1999), made in part at Oldbury and Sizewell reactors, after a year's research meeting staff and contractors at BNFL sites across the UK, Midwatch (2001), where interviews with veterans of the first British nuclear weapons tests collide with Melville's Moby Dick in a psychologically charged exchange. Waller lectures at Central Saint Martins and Norwich University of the Arts and exhibits internationally.
132:41
Trust Me, I'm an Artist #2: "Self-experimentation and the Ethics Committee of 1" with Neal White
This series of public events, taking place in international settings, investigate the new ...
published: 27 Jun 2012
author: Anna Dumitriu
Trust Me, I'm an Artist #2: "Self-experimentation and the Ethics Committee of 1" with Neal White
This series of public events, taking place in international settings, investigate the new ethical issues arising from art and science collaboration and consider the roles and responsibilities of the artists, scientists and institutions involved. At each event (before a live audience) an internationally known artist will propose an artwork to a specially formed ethics committee (following the rules and procedures typical for the host country), the ethics committee will then debate the proposal and come to a decision, the artist will then be informed of the ethics committee’s decision and, alongside the audience, they can enter into a discussion about the result. The proposals have been selected as they raise interesting questions for science ethics committees and will help reveal the mechanisms that drive this usually hidden process, enabling the wider public to understand the driving forces behind ethical decisions and the role of artists working in scientific settings more deeply. The project “Trust Me I’m an Artist: Towards an Ethics of Art/Science Collaboration” is led by artist Anna Dumitriu in collaboration with Professor Bobbie Farsides (Chair of Ethics, Brighton and Sussex Medical School) in collaboration with Waag Society, Leiden University and BioSolar Cells.
Event 2: “Self-Experimentation” and the Ethics Committee of 1 with Neal White
The event took place at Friday 27th January 2012, 7-9:30pm at The Arts Catalyst, 50-54 Clerkenwell Road, London, EC1M 5PS
Introduction:
Anna Dumitriu introduces the project “Trust Me I’m an Artist: Towards an Ethics of Art/Science Collaboration” on which she is lead artist.
Outline:
Neal White works across media, and in no particular medium at all – creating projects with the Office of Experiments that develop collaborative, social and critical spaces using art methods and art materials. His work operates along the fine line between how art thinks and the effect that art has as a social practice. He has been associated with 0+1, formerly APG, Artists’ Placement Group, for several years. Maintaining that art has always pushed the boundaries of the possible in terms of models of social collaboration and networking, his work looks at how these models can engage with other kinds of knowledge producing structures. Neal White is an Associate Professor in Art and Media Practice, The Media School, Bournemouth University. He is also a Research Fellow at Chelsea College of Art and Design (UAL) where he works with Critical Practice Research cluster.
The historical scene:
May 1959 on the opening of Yves Klein’s exhibition Le Vide (The Void) at Gallery Iris Clert in Paris. Crowds thronged as Yves opened his highly controversial exhibition – that featured a seemingly empty white gallery space. Those lucky enough to gain access, were in for an unexpected treat.
“Special blue cocktails were served: a mixture of gin, Cointreau and methylene blue prepared for Klein by La Coupole, the famous brasserie. As Klein intended, the cocktails caused the urine of drinkers to turn blue for about a week, roughly the planned run of the show.”
More recently…
Since this event took place in 1959, Methylene blue as a stain has been established as toxic. However, it is also a component in several medications (Trac Tabs, Urised, Uroblue) used to reduce symptoms of cystitis, and in other forms for the treatment of methemoglobinemia.
It is our intention to re-create the event as an experiment to establish what are the safest, or least toxic dosage of methylene blue in an alcoholic cocktail required to turn urine blue, if only for a limited period. The effect of this will be monitored, and the dosage will be controlled during the trial.
The setting of the trial is a gallery – the visitor becomes a consensual participant - an informed Self –Experimenter. In a managed process of consensual participation, the visitor is faced with a choice to consume an artwork that contains the ingredients of Methylene – with only the clinical information. Or to keep the artwork they are given as an intact form, signed by the artist.
The experiment is proposed on the one hand as a rational and logical approach to create a cultural experiment on the basis of a clinical trial under closely monitored conditions. On the other hand it is proposed as a challenge to the limits and practices of ethics as articulated across art and science practice - in its engagement with the politics of consent, belief and institutions themselves.
Proposed for the deregulated spaces at the service of art and life itself, our aim is to question the physical site of an artwork, the scale of an artwork and our willingness to commit beyond the visual to an embodied experience of art. Our hunch, based anecdotal approach, is that pharmacological research is also a dimension of experience not limited to science, edging us inward from the visible toward the teetering edge of the void.
Ethics Committee:
Pr
Youtube results:
46:17
the Otolith Group in conversation
Anjalika Sagar and Kodwo Eshun of The Otolith Group in conversation with Honor Harger abou...
published: 26 Apr 2012
author: Fabrica Gallery
the Otolith Group in conversation
the Otolith Group in conversation
Anjalika Sagar and Kodwo Eshun of The Otolith Group in conversation with Honor Harger about I See Infinite Distance Between Any Point and Another.- published: 26 Apr 2012
- views: 931
- author: Fabrica Gallery
0:59
Extracting fish otolith.mpg
...
published: 11 Jul 2011
author: sustainableoceansint
Extracting fish otolith.mpg
4:59
Salmonid Otolith Removal Training
Eric Huber from UC Berkeley demonstrates how to remove otoliths from the skull of a store ...
published: 10 Dec 2009
author: Coastodian
Salmonid Otolith Removal Training
Salmonid Otolith Removal Training
Eric Huber from UC Berkeley demonstrates how to remove otoliths from the skull of a store bought steelhead skull. Two tiny pieces of calcium carbonate store ...- published: 10 Dec 2009
- views: 2030
- author: Coastodian
10:01
Otolith Group - Parsons Visiting Artist Lecture
Some highlights of their presentation in Parsons, mainly on the understanding of aesthetic...
published: 05 Mar 2012
author: Alexander Chaparro
Otolith Group - Parsons Visiting Artist Lecture
Otolith Group - Parsons Visiting Artist Lecture
Some highlights of their presentation in Parsons, mainly on the understanding of aesthetics as means of "counter sorcery" that can resist (or serve as bait t...- published: 05 Mar 2012
- views: 715
- author: Alexander Chaparro
