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Moses Mendelssohn Jewish History Lecture by Dr. Henry Abramson
This is a video of a lecture on Moses Mendelssohn, a hugely influential thinker in 18th-century Germany. An unusually gifted intellect, he became the primary...
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LPACTV: The Legacy of Moses Mendelssohn
www.LaRouchePAC.com.
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Moses Mendelssohn und die Aufklärung in Deutschland
Ein Beitrag des Deutschlandfunk vom 01.08.2012 - Erzeugt mit AquaSoft DiaShow für YouTube: http://www.aquasoft.de.
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Mit Verstand handeln – das Moses Mendelssohn Zentrum in Potsdam (Europazeit)
Das Mosel Mendelssohn Zentrum in Potsdam beschäftigt sich mit jüdisch-europäischer Geschichte, aber auch mit der Lage im Mittleren Osten. Was sind die Aufgaben des Instituts, worüber wird dort geforscht? Diese Fragen sind genauso Gegenstand des gesprächs zwischen Eckart Stratenschulte und dem Direktor des
Zentrums, Prof. Julius Schoeps, wie die Lage im Mittleren Osten, in dem einige Minderheiten u
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Moses Mendelssohn Quotes
What was your favorite Moses Mendelssohn quote? 'Like' and leave a comment below, then jump over to http://quotetank.com/quotes-by/moses-mendelssohn and make...
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Jewish History in ASL #76- Moses Mendelssohn & Haskalah
Topics in Jewish history and heritage presented in ASL.
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The Best of Mendelssohn
The best of Jakob Ludwig Felix Mendelssohn Bartholdy (3 February 1809 -- 4 November 1847) A grandson of the philosopher Moses Mendelssohn, Felix Mendelssohn ...
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Friedrich in Potsdam - Moses Mendelssohn Zentrum Potsdam
Im März 2012 galt es im Rahmen der "Spurensuche Friedrich 300" das Moses Mendelssohn Zentrum am Neuen Markt 8 in Potsdam zu entdecken. Das Haus ist unter Fri...
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Yael Sela Moses Mendelssohn on Palms
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La visione di Moses Mendelssohn
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FELIX MENDELSSOHN - Violin Concerto in E minor, Op. 64 - Shlomo Mintz/Israel Symphony/Zubin Mehta
Shlomo Mintz, a protégé of Issac Stern, and a phenomenal violinist in his own right, plays a part of the Mendelssohn Violin Concerto in E Minor, first moveme...
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Felix Mendelssohn Piano Concerto No 2
Composers Bio: Jakob Ludwig Felix Mendelssohn Bartholdy (3 February 1809 -- 4 November 1847) was a German composer, pianist, organist and conductor of the ea...
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Piano Trio Op 11 - Fanny Mendelssohn (Hensel) [HD]
Fanny Mendelssohn's Trio Op 11 in stunning HD quality! Fanny Mendelssohn (14 November 1805 -- 14 May 1847), later Fanny [Cäcilie] Mendelssohn Bartholdy and, ...
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Felix Mendelssohn: Violin Concerto in E Minor. Op. 64 - SHLOMO MINTZ - Chicago Symphony Orchestra.
Jakob Ludwig Felix Mendelssohn Bartholdy, born, and generally known in English-speaking countries, as Felix Mendelssohn was a German composer, pianist, organ...
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Dějiny Židovského národa - Sijón - 5/5 -dokument (www.Dokumenty.TV)
Židé - Dějiny jednoho národa
Muž na cestě vzhůru: Moses Mendelssohn, filozof a Žid. Studoval dějiny svého národa a chce změnit jeho budoucnost. Je pozván do Sanssouci. Žid a pozván do zámku pruského krále Fridricha Velikého! Zde se odehrál památný dialog: „S čím obchoduješ, Žide?“ „S něčím, co vám chybí: s rozumem.“ Moses Mendelssohn si vytvořil jméno jako filozof osvícenství, a to nejen v Německ
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Mendelssohn, Cuarteto de cuerdas N º 6 (completo), Música Clásica
Música Clásica, Mendelssohn, Cuarteto de cuerdas N º 6
Felix Mendelssohn (Hamburgo, 3 de febrero de 1809 -- Leipzig, 4 de noviembre de 1847), cuyo nombre completo era Jakob Ludwig Felix Mendelssohn Bartholdy, fue un compositor, director de orquesta y pianista de música romántica alemán.
Era nieto del filósofo Moses Mendelssohn y nació en el seno de una destacada familia judía que más tarde se co
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Música Clásica, Mendelssohn, Cuarteto de cuerdas N º 6, III Adagio
Felix Mendelssohn (Hamburgo, 3 de febrero de 1809 -- Leipzig, 4 de noviembre de 1847), cuyo nombre completo era Jakob Ludwig Felix Mendelssohn Bartholdy, fue...
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Sonata aux F Minor Op. 65 No. 1 - Félix Mendelssohn Bartholdy.
Felix Mendelssohn (Hamburgo, 3 de febrero de 1809 – Leipzig, 4 de noviembre de 1847), cuyo nombre completo era Jakob Ludwig Felix Mendelssohn Bartholdy, fue un compositor, director de orquesta y pianista de música romántica alemán.
Era nieto del filósofo Moses Mendelssohn y nació en el seno de una destacada familia judía que más tarde se convirtió al protestantismo, adoptando el apellido Mendelss
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Felix Mendelssohn Bartholdy - Elias (« Es Ist Genug! »)
Auteur : Felix Mendelssohn Bartholdy (1809-1847) Titre :Elias (« Es Ist Genug! ») (1846) Jakob Ludwig Felix Mendelssohn Bartholdy (plus couramment appelé Fél...
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Música Clásica, Mendelssohn, Cuarteto de cuerdas N º 6, IV Fuga
Felix Mendelssohn (Hamburgo, 3 de febrero de 1809 -- Leipzig, 4 de noviembre de 1847), cuyo nombre completo era Jakob Ludwig Felix Mendelssohn Bartholdy, fue...
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Mendelssohn Violin Concerto part 1
Sarah Chang preforms Mendelssohn violin concerto e-minor op.64 in New York and Philharmonic and Kurt Masur in Avery Fisher Hall 1995. Jakob Ludwig Felix Mend...
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The Protocols of Zion & Islamic Prophecies
David Pidcock with Daryl Bradford Smith, May 26, 2009.
On Theodor Herzl; The Protocols of Zion; The Talmud; The Babylonian Talmud; Rabbi Ehrenpreis; Pidcock's book Satanic Voices Ancient and Modern; Max Nordau; Asher Ginsberg; Moses Mendelssohn; Baruch Spinoza; Friedrich Nietzsche; Nihilism; Salman Rushdie; Karl Marx; The Fall of the Ottoman Empire; Leon Trotsky (Bronstein) & Jacob Schiff (Rothsch
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Elias Sacks: "Religion Contested: Mendelssohn's Aesthetic Critique of Christianity."
One way to explore the boundaries of tolerance in the Enlightenment is to consider the work of Moses Mendelssohn. As a Jew who was one of the most prominent figures in German intellectual life, he struggled with questions of tolerance throughout his career, defending the integration of Jews into Prussian society and confronting repeated calls to convert to Christianity. Engaging his work is part
Moses Mendelssohn Jewish History Lecture by Dr. Henry Abramson
This is a video of a lecture on Moses Mendelssohn, a hugely influential thinker in 18th-century Germany. An unusually gifted intellect, he became the primary......
This is a video of a lecture on Moses Mendelssohn, a hugely influential thinker in 18th-century Germany. An unusually gifted intellect, he became the primary...
wn.com/Moses Mendelssohn Jewish History Lecture By Dr. Henry Abramson
This is a video of a lecture on Moses Mendelssohn, a hugely influential thinker in 18th-century Germany. An unusually gifted intellect, he became the primary...
Moses Mendelssohn und die Aufklärung in Deutschland
Ein Beitrag des Deutschlandfunk vom 01.08.2012 - Erzeugt mit AquaSoft DiaShow für YouTube: http://www.aquasoft.de....
Ein Beitrag des Deutschlandfunk vom 01.08.2012 - Erzeugt mit AquaSoft DiaShow für YouTube: http://www.aquasoft.de.
wn.com/Moses Mendelssohn Und Die Aufklärung In Deutschland
Ein Beitrag des Deutschlandfunk vom 01.08.2012 - Erzeugt mit AquaSoft DiaShow für YouTube: http://www.aquasoft.de.
Mit Verstand handeln – das Moses Mendelssohn Zentrum in Potsdam (Europazeit)
Das Mosel Mendelssohn Zentrum in Potsdam beschäftigt sich mit jüdisch-europäischer Geschichte, aber auch mit der Lage im Mittleren Osten. Was sind die Aufgaben ...
Das Mosel Mendelssohn Zentrum in Potsdam beschäftigt sich mit jüdisch-europäischer Geschichte, aber auch mit der Lage im Mittleren Osten. Was sind die Aufgaben des Instituts, worüber wird dort geforscht? Diese Fragen sind genauso Gegenstand des gesprächs zwischen Eckart Stratenschulte und dem Direktor des
Zentrums, Prof. Julius Schoeps, wie die Lage im Mittleren Osten, in dem einige Minderheiten unter starkem existenziellen Druck stehen. Prof. Schoeps geht darauf ein, was Europa in dieser Situation tun muss, er erzählt aber auch, was Moses Mendelssohn zu einem Wachposten sagte, der sich ihm, als er auf dem Weg zum
König war, in den Weg stellte.
wn.com/Mit Verstand Handeln – Das Moses Mendelssohn Zentrum In Potsdam (Europazeit)
Das Mosel Mendelssohn Zentrum in Potsdam beschäftigt sich mit jüdisch-europäischer Geschichte, aber auch mit der Lage im Mittleren Osten. Was sind die Aufgaben des Instituts, worüber wird dort geforscht? Diese Fragen sind genauso Gegenstand des gesprächs zwischen Eckart Stratenschulte und dem Direktor des
Zentrums, Prof. Julius Schoeps, wie die Lage im Mittleren Osten, in dem einige Minderheiten unter starkem existenziellen Druck stehen. Prof. Schoeps geht darauf ein, was Europa in dieser Situation tun muss, er erzählt aber auch, was Moses Mendelssohn zu einem Wachposten sagte, der sich ihm, als er auf dem Weg zum
König war, in den Weg stellte.
- published: 25 Dec 2014
- views: 2
Moses Mendelssohn Quotes
What was your favorite Moses Mendelssohn quote? 'Like' and leave a comment below, then jump over to http://quotetank.com/quotes-by/moses-mendelssohn and make......
What was your favorite Moses Mendelssohn quote? 'Like' and leave a comment below, then jump over to http://quotetank.com/quotes-by/moses-mendelssohn and make...
wn.com/Moses Mendelssohn Quotes
What was your favorite Moses Mendelssohn quote? 'Like' and leave a comment below, then jump over to http://quotetank.com/quotes-by/moses-mendelssohn and make...
- published: 17 Mar 2012
- views: 161
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author: quotetank
Jewish History in ASL #76- Moses Mendelssohn & Haskalah
Topics in Jewish history and heritage presented in ASL....
Topics in Jewish history and heritage presented in ASL.
wn.com/Jewish History In Asl 76 Moses Mendelssohn Haskalah
Topics in Jewish history and heritage presented in ASL.
- published: 02 Jun 2008
- views: 1274
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author: jhahinasl
The Best of Mendelssohn
The best of Jakob Ludwig Felix Mendelssohn Bartholdy (3 February 1809 -- 4 November 1847) A grandson of the philosopher Moses Mendelssohn, Felix Mendelssohn ......
The best of Jakob Ludwig Felix Mendelssohn Bartholdy (3 February 1809 -- 4 November 1847) A grandson of the philosopher Moses Mendelssohn, Felix Mendelssohn ...
wn.com/The Best Of Mendelssohn
The best of Jakob Ludwig Felix Mendelssohn Bartholdy (3 February 1809 -- 4 November 1847) A grandson of the philosopher Moses Mendelssohn, Felix Mendelssohn ...
Friedrich in Potsdam - Moses Mendelssohn Zentrum Potsdam
Im März 2012 galt es im Rahmen der "Spurensuche Friedrich 300" das Moses Mendelssohn Zentrum am Neuen Markt 8 in Potsdam zu entdecken. Das Haus ist unter Fri......
Im März 2012 galt es im Rahmen der "Spurensuche Friedrich 300" das Moses Mendelssohn Zentrum am Neuen Markt 8 in Potsdam zu entdecken. Das Haus ist unter Fri...
wn.com/Friedrich In Potsdam Moses Mendelssohn Zentrum Potsdam
Im März 2012 galt es im Rahmen der "Spurensuche Friedrich 300" das Moses Mendelssohn Zentrum am Neuen Markt 8 in Potsdam zu entdecken. Das Haus ist unter Fri...
FELIX MENDELSSOHN - Violin Concerto in E minor, Op. 64 - Shlomo Mintz/Israel Symphony/Zubin Mehta
Shlomo Mintz, a protégé of Issac Stern, and a phenomenal violinist in his own right, plays a part of the Mendelssohn Violin Concerto in E Minor, first moveme......
Shlomo Mintz, a protégé of Issac Stern, and a phenomenal violinist in his own right, plays a part of the Mendelssohn Violin Concerto in E Minor, first moveme...
wn.com/Felix Mendelssohn Violin Concerto In E Minor, Op. 64 Shlomo Mintz Israel Symphony Zubin Mehta
Shlomo Mintz, a protégé of Issac Stern, and a phenomenal violinist in his own right, plays a part of the Mendelssohn Violin Concerto in E Minor, first moveme...
Felix Mendelssohn Piano Concerto No 2
Composers Bio: Jakob Ludwig Felix Mendelssohn Bartholdy (3 February 1809 -- 4 November 1847) was a German composer, pianist, organist and conductor of the ea......
Composers Bio: Jakob Ludwig Felix Mendelssohn Bartholdy (3 February 1809 -- 4 November 1847) was a German composer, pianist, organist and conductor of the ea...
wn.com/Felix Mendelssohn Piano Concerto No 2
Composers Bio: Jakob Ludwig Felix Mendelssohn Bartholdy (3 February 1809 -- 4 November 1847) was a German composer, pianist, organist and conductor of the ea...
Piano Trio Op 11 - Fanny Mendelssohn (Hensel) [HD]
Fanny Mendelssohn's Trio Op 11 in stunning HD quality! Fanny Mendelssohn (14 November 1805 -- 14 May 1847), later Fanny [Cäcilie] Mendelssohn Bartholdy and, ......
Fanny Mendelssohn's Trio Op 11 in stunning HD quality! Fanny Mendelssohn (14 November 1805 -- 14 May 1847), later Fanny [Cäcilie] Mendelssohn Bartholdy and, ...
wn.com/Piano Trio Op 11 Fanny Mendelssohn (Hensel) Hd
Fanny Mendelssohn's Trio Op 11 in stunning HD quality! Fanny Mendelssohn (14 November 1805 -- 14 May 1847), later Fanny [Cäcilie] Mendelssohn Bartholdy and, ...
Felix Mendelssohn: Violin Concerto in E Minor. Op. 64 - SHLOMO MINTZ - Chicago Symphony Orchestra.
Jakob Ludwig Felix Mendelssohn Bartholdy, born, and generally known in English-speaking countries, as Felix Mendelssohn was a German composer, pianist, organ......
Jakob Ludwig Felix Mendelssohn Bartholdy, born, and generally known in English-speaking countries, as Felix Mendelssohn was a German composer, pianist, organ...
wn.com/Felix Mendelssohn Violin Concerto In E Minor. Op. 64 Shlomo Mintz Chicago Symphony Orchestra.
Jakob Ludwig Felix Mendelssohn Bartholdy, born, and generally known in English-speaking countries, as Felix Mendelssohn was a German composer, pianist, organ...
Dějiny Židovského národa - Sijón - 5/5 -dokument (www.Dokumenty.TV)
Židé - Dějiny jednoho národa
Muž na cestě vzhůru: Moses Mendelssohn, filozof a Žid. Studoval dějiny svého národa a chce změnit jeho budoucnost. Je pozván do Sa...
Židé - Dějiny jednoho národa
Muž na cestě vzhůru: Moses Mendelssohn, filozof a Žid. Studoval dějiny svého národa a chce změnit jeho budoucnost. Je pozván do Sanssouci. Žid a pozván do zámku pruského krále Fridricha Velikého! Zde se odehrál památný dialog: „S čím obchoduješ, Žide?“ „S něčím, co vám chybí: s rozumem.“ Moses Mendelssohn si vytvořil jméno jako filozof osvícenství, a to nejen v Německu. Jeho spisy čte celá Evropa. Saský ministr svobodný pán vo Fritsch ho obdivuje. Přijel do Postupimi jen proto, aby mohl pohovořit se slavným mužem. Mendelssohn státníkův zájem využívá pro své politické požadavky. Říká: „Náboženská tolerance musí platit pro všechny stejnou měrou, i pro Židy a muslimy. Přísluší nám stejná práva a stejné povinnosti jako všem občanům.“ Von Fritsch v něm vidí živoucí důkaz základní myšlenky osvicenství: Každý se může vymanit z pout svých sociálních poměrů.
wn.com/Dějiny Židovského Národa Sijón 5 5 Dokument (Www.Dokumenty.Tv)
Židé - Dějiny jednoho národa
Muž na cestě vzhůru: Moses Mendelssohn, filozof a Žid. Studoval dějiny svého národa a chce změnit jeho budoucnost. Je pozván do Sanssouci. Žid a pozván do zámku pruského krále Fridricha Velikého! Zde se odehrál památný dialog: „S čím obchoduješ, Žide?“ „S něčím, co vám chybí: s rozumem.“ Moses Mendelssohn si vytvořil jméno jako filozof osvícenství, a to nejen v Německu. Jeho spisy čte celá Evropa. Saský ministr svobodný pán vo Fritsch ho obdivuje. Přijel do Postupimi jen proto, aby mohl pohovořit se slavným mužem. Mendelssohn státníkův zájem využívá pro své politické požadavky. Říká: „Náboženská tolerance musí platit pro všechny stejnou měrou, i pro Židy a muslimy. Přísluší nám stejná práva a stejné povinnosti jako všem občanům.“ Von Fritsch v něm vidí živoucí důkaz základní myšlenky osvicenství: Každý se může vymanit z pout svých sociálních poměrů.
- published: 20 Nov 2014
- views: 4
Mendelssohn, Cuarteto de cuerdas N º 6 (completo), Música Clásica
Música Clásica, Mendelssohn, Cuarteto de cuerdas N º 6
Felix Mendelssohn (Hamburgo, 3 de febrero de 1809 -- Leipzig, 4 de noviembre de 1847), cuyo nombre compl...
Música Clásica, Mendelssohn, Cuarteto de cuerdas N º 6
Felix Mendelssohn (Hamburgo, 3 de febrero de 1809 -- Leipzig, 4 de noviembre de 1847), cuyo nombre completo era Jakob Ludwig Felix Mendelssohn Bartholdy, fue un compositor, director de orquesta y pianista de música romántica alemán.
Era nieto del filósofo Moses Mendelssohn y nació en el seno de una destacada familia judía que más tarde se convirtió al protestantismo, adoptando el apellido Mendelssohn-Bartholdy. En su infancia fue considerado un prodigio musical, pero sus padres no trataron de sacar partido de sus habilidades. De hecho, su padre declinó la oportunidad de que Felix siguiera una carrera musical hasta que quedó claro que tenía la firme intención de dedicarse seriamente a ella.1
Al temprano éxito en Alemania, le siguió un viaje a través de toda Europa; Mendelssohn fue recibido particularmente bien en Inglaterra como compositor, director y solista, y sus diez visitas allí, durante las que estrenó la mayoría de sus obras, formaron una parte importante de su carrera adulta. Fundó el Conservatorio de Leipzig, un bastión de su lucha contra las perspectivas musicales radicales de algunos de sus contemporáneos.
Las obras de Mendelssohn incluyen sinfonías, conciertos, oratorios, oberturas, música para piano y música de cámara. También tuvo un importante papel en el resurgimiento del interés en la obra de Johann Sebastian Bach. Sus gustos musicales esencialmente conservadores lo separaron de muchos de sus contemporáneos más aventurados, como Franz Liszt, Richard Wagner o Hector Berlioz. Después de un largo periodo de denigración debido al cambio de los gustos musicales y el antisemitismo a finales del siglo XIX y comienzos del XX, su originalidad creativa tiene un buen reconocimiento,2 ha sido evaluada de nuevo y se ha convertido en uno de los compositores más populares del periodo romántico.
Música es un canal dedicado solo a la música clásica, Mozart, Beethoven, Vivaldi, Tchaikovsky, Strauss, Bach y todos los demas grandes compositores.
Toda la música de este canal es música de dominio público.
Música clásica, apta para relajación, meditación, concentración, abrir tu mente, conciliar el sueño y muchas cosas mas.
Música: (Musopen.org)
Autor: Felix Mendelssohn
Títulos:
Cuarteto de cuerdas N º 6, I. Allegro vivace assai
Cuarteto de cuerdas N º 6, II. Allegro assai
Cuarteto de cuerdas N º 6, III. Adagio
Cuarteto de cuerdas N º 6, IV. Fuga
https://musopen.org/music/1595/felix-mendelssohn/string-quartet-no-6-in-fm-op-80/
Licencia: (Public Domain Mark 1.0)
https://creativecommons.org/publicdomain/mark/1.0/
Musica clasica, relajacion, meditacion,
classical music, relaxation, meditation,
古典音乐,放松,冥想,
klassische Musik, Entspannung, Meditation,
الموسيقى الكلاسيكية، والاسترخاء، والتأمل،
klasične glazbe, opuštanja, meditacije,
musique classique, la relaxation, la méditation,
musica classica, il rilassamento, la meditazione,
klassieke muziek, ontspanning, meditatie,
классическая музыка, релаксации, медитации,
música clássica, relaxamento, meditação,
класическа музика, релаксация, медитация,
klassisk musik, avslappning, meditation,
wn.com/Mendelssohn, Cuarteto De Cuerdas N º 6 (Completo), Música Clásica
Música Clásica, Mendelssohn, Cuarteto de cuerdas N º 6
Felix Mendelssohn (Hamburgo, 3 de febrero de 1809 -- Leipzig, 4 de noviembre de 1847), cuyo nombre completo era Jakob Ludwig Felix Mendelssohn Bartholdy, fue un compositor, director de orquesta y pianista de música romántica alemán.
Era nieto del filósofo Moses Mendelssohn y nació en el seno de una destacada familia judía que más tarde se convirtió al protestantismo, adoptando el apellido Mendelssohn-Bartholdy. En su infancia fue considerado un prodigio musical, pero sus padres no trataron de sacar partido de sus habilidades. De hecho, su padre declinó la oportunidad de que Felix siguiera una carrera musical hasta que quedó claro que tenía la firme intención de dedicarse seriamente a ella.1
Al temprano éxito en Alemania, le siguió un viaje a través de toda Europa; Mendelssohn fue recibido particularmente bien en Inglaterra como compositor, director y solista, y sus diez visitas allí, durante las que estrenó la mayoría de sus obras, formaron una parte importante de su carrera adulta. Fundó el Conservatorio de Leipzig, un bastión de su lucha contra las perspectivas musicales radicales de algunos de sus contemporáneos.
Las obras de Mendelssohn incluyen sinfonías, conciertos, oratorios, oberturas, música para piano y música de cámara. También tuvo un importante papel en el resurgimiento del interés en la obra de Johann Sebastian Bach. Sus gustos musicales esencialmente conservadores lo separaron de muchos de sus contemporáneos más aventurados, como Franz Liszt, Richard Wagner o Hector Berlioz. Después de un largo periodo de denigración debido al cambio de los gustos musicales y el antisemitismo a finales del siglo XIX y comienzos del XX, su originalidad creativa tiene un buen reconocimiento,2 ha sido evaluada de nuevo y se ha convertido en uno de los compositores más populares del periodo romántico.
Música es un canal dedicado solo a la música clásica, Mozart, Beethoven, Vivaldi, Tchaikovsky, Strauss, Bach y todos los demas grandes compositores.
Toda la música de este canal es música de dominio público.
Música clásica, apta para relajación, meditación, concentración, abrir tu mente, conciliar el sueño y muchas cosas mas.
Música: (Musopen.org)
Autor: Felix Mendelssohn
Títulos:
Cuarteto de cuerdas N º 6, I. Allegro vivace assai
Cuarteto de cuerdas N º 6, II. Allegro assai
Cuarteto de cuerdas N º 6, III. Adagio
Cuarteto de cuerdas N º 6, IV. Fuga
https://musopen.org/music/1595/felix-mendelssohn/string-quartet-no-6-in-fm-op-80/
Licencia: (Public Domain Mark 1.0)
https://creativecommons.org/publicdomain/mark/1.0/
Musica clasica, relajacion, meditacion,
classical music, relaxation, meditation,
古典音乐,放松,冥想,
klassische Musik, Entspannung, Meditation,
الموسيقى الكلاسيكية، والاسترخاء، والتأمل،
klasične glazbe, opuštanja, meditacije,
musique classique, la relaxation, la méditation,
musica classica, il rilassamento, la meditazione,
klassieke muziek, ontspanning, meditatie,
классическая музыка, релаксации, медитации,
música clássica, relaxamento, meditação,
класическа музика, релаксация, медитация,
klassisk musik, avslappning, meditation,
- published: 24 Apr 2014
- views: 6740
Música Clásica, Mendelssohn, Cuarteto de cuerdas N º 6, III Adagio
Felix Mendelssohn (Hamburgo, 3 de febrero de 1809 -- Leipzig, 4 de noviembre de 1847), cuyo nombre completo era Jakob Ludwig Felix Mendelssohn Bartholdy, fue......
Felix Mendelssohn (Hamburgo, 3 de febrero de 1809 -- Leipzig, 4 de noviembre de 1847), cuyo nombre completo era Jakob Ludwig Felix Mendelssohn Bartholdy, fue...
wn.com/Música Clásica, Mendelssohn, Cuarteto De Cuerdas N º 6, Iii Adagio
Felix Mendelssohn (Hamburgo, 3 de febrero de 1809 -- Leipzig, 4 de noviembre de 1847), cuyo nombre completo era Jakob Ludwig Felix Mendelssohn Bartholdy, fue...
Sonata aux F Minor Op. 65 No. 1 - Félix Mendelssohn Bartholdy.
Felix Mendelssohn (Hamburgo, 3 de febrero de 1809 – Leipzig, 4 de noviembre de 1847), cuyo nombre completo era Jakob Ludwig Felix Mendelssohn Bartholdy, fue un ...
Felix Mendelssohn (Hamburgo, 3 de febrero de 1809 – Leipzig, 4 de noviembre de 1847), cuyo nombre completo era Jakob Ludwig Felix Mendelssohn Bartholdy, fue un compositor, director de orquesta y pianista de música romántica alemán.
Era nieto del filósofo Moses Mendelssohn y nació en el seno de una destacada familia judía que más tarde se convirtió al protestantismo, adoptando el apellido Mendelssohn-Bartholdy. En su infancia fue considerado un prodigio musical, pero sus padres no trataron de sacar partido de sus habilidades. De hecho, su padre declinó la oportunidad de que Felix siguiera una carrera musical hasta que quedó claro que tenía la firme intención de dedicarse seriamente a ella.1
Al temprano éxito en Alemania, le siguió un viaje a través de toda Europa; Mendelssohn fue recibido particularmente bien en Inglaterra como compositor, director y solista, y sus diez visitas allí, durante las que estrenó la mayoría de sus obras, formaron una parte importante de su carrera adulta. Fundó el Conservatorio de Leipzig, un bastión de su lucha contra las perspectivas musicales radicales de algunos de sus contemporáneos.
Las obras de Mendelssohn incluyen sinfonías, conciertos, oratorios, oberturas, música para piano y música de cámara. También tuvo un importante papel en el resurgimiento del interés en la obra de Johann Sebastian Bach. Sus gustos musicales esencialmente conservadores lo separaron de muchos de sus contemporáneos más aventurados, como Franz Liszt, Richard Wagner o Hector Berlioz. Después de un largo periodo de denigración debido al cambio de los gustos musicales y el antisemitismo a finales del siglo XIX y comienzos del XX, su originalidad creativa tiene un buen reconocimiento,2 ha sido evaluada de nuevo y se ha convertido en uno de los compositores más populares del periodo romántico.
Sonata en F menor, Opus 65 No. 1.
1.- Allegro Moderato e Serioso.
2.- Adagio.
3.- Andante Recitativo.
4.- Allegro - Assai - Vivace.
Ejecuta. Robert Parkins, en el Organo Holandés: D. A. Flentrop
( 1976 ), de la Capilla, en la Universidad de Duke, USA.
wn.com/Sonata Aux F Minor Op. 65 No. 1 Félix Mendelssohn Bartholdy.
Felix Mendelssohn (Hamburgo, 3 de febrero de 1809 – Leipzig, 4 de noviembre de 1847), cuyo nombre completo era Jakob Ludwig Felix Mendelssohn Bartholdy, fue un compositor, director de orquesta y pianista de música romántica alemán.
Era nieto del filósofo Moses Mendelssohn y nació en el seno de una destacada familia judía que más tarde se convirtió al protestantismo, adoptando el apellido Mendelssohn-Bartholdy. En su infancia fue considerado un prodigio musical, pero sus padres no trataron de sacar partido de sus habilidades. De hecho, su padre declinó la oportunidad de que Felix siguiera una carrera musical hasta que quedó claro que tenía la firme intención de dedicarse seriamente a ella.1
Al temprano éxito en Alemania, le siguió un viaje a través de toda Europa; Mendelssohn fue recibido particularmente bien en Inglaterra como compositor, director y solista, y sus diez visitas allí, durante las que estrenó la mayoría de sus obras, formaron una parte importante de su carrera adulta. Fundó el Conservatorio de Leipzig, un bastión de su lucha contra las perspectivas musicales radicales de algunos de sus contemporáneos.
Las obras de Mendelssohn incluyen sinfonías, conciertos, oratorios, oberturas, música para piano y música de cámara. También tuvo un importante papel en el resurgimiento del interés en la obra de Johann Sebastian Bach. Sus gustos musicales esencialmente conservadores lo separaron de muchos de sus contemporáneos más aventurados, como Franz Liszt, Richard Wagner o Hector Berlioz. Después de un largo periodo de denigración debido al cambio de los gustos musicales y el antisemitismo a finales del siglo XIX y comienzos del XX, su originalidad creativa tiene un buen reconocimiento,2 ha sido evaluada de nuevo y se ha convertido en uno de los compositores más populares del periodo romántico.
Sonata en F menor, Opus 65 No. 1.
1.- Allegro Moderato e Serioso.
2.- Adagio.
3.- Andante Recitativo.
4.- Allegro - Assai - Vivace.
Ejecuta. Robert Parkins, en el Organo Holandés: D. A. Flentrop
( 1976 ), de la Capilla, en la Universidad de Duke, USA.
- published: 03 Sep 2014
- views: 13
Felix Mendelssohn Bartholdy - Elias (« Es Ist Genug! »)
Auteur : Felix Mendelssohn Bartholdy (1809-1847) Titre :Elias (« Es Ist Genug! ») (1846) Jakob Ludwig Felix Mendelssohn Bartholdy (plus couramment appelé Fél......
Auteur : Felix Mendelssohn Bartholdy (1809-1847) Titre :Elias (« Es Ist Genug! ») (1846) Jakob Ludwig Felix Mendelssohn Bartholdy (plus couramment appelé Fél...
wn.com/Felix Mendelssohn Bartholdy Elias (« Es Ist Genug »)
Auteur : Felix Mendelssohn Bartholdy (1809-1847) Titre :Elias (« Es Ist Genug! ») (1846) Jakob Ludwig Felix Mendelssohn Bartholdy (plus couramment appelé Fél...
- published: 04 Jun 2013
- views: 2327
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author: fcarcena01
Música Clásica, Mendelssohn, Cuarteto de cuerdas N º 6, IV Fuga
Felix Mendelssohn (Hamburgo, 3 de febrero de 1809 -- Leipzig, 4 de noviembre de 1847), cuyo nombre completo era Jakob Ludwig Felix Mendelssohn Bartholdy, fue......
Felix Mendelssohn (Hamburgo, 3 de febrero de 1809 -- Leipzig, 4 de noviembre de 1847), cuyo nombre completo era Jakob Ludwig Felix Mendelssohn Bartholdy, fue...
wn.com/Música Clásica, Mendelssohn, Cuarteto De Cuerdas N º 6, Iv Fuga
Felix Mendelssohn (Hamburgo, 3 de febrero de 1809 -- Leipzig, 4 de noviembre de 1847), cuyo nombre completo era Jakob Ludwig Felix Mendelssohn Bartholdy, fue...
Mendelssohn Violin Concerto part 1
Sarah Chang preforms Mendelssohn violin concerto e-minor op.64 in New York and Philharmonic and Kurt Masur in Avery Fisher Hall 1995. Jakob Ludwig Felix Mend......
Sarah Chang preforms Mendelssohn violin concerto e-minor op.64 in New York and Philharmonic and Kurt Masur in Avery Fisher Hall 1995. Jakob Ludwig Felix Mend...
wn.com/Mendelssohn Violin Concerto Part 1
Sarah Chang preforms Mendelssohn violin concerto e-minor op.64 in New York and Philharmonic and Kurt Masur in Avery Fisher Hall 1995. Jakob Ludwig Felix Mend...
The Protocols of Zion & Islamic Prophecies
David Pidcock with Daryl Bradford Smith, May 26, 2009.
On Theodor Herzl; The Protocols of Zion; The Talmud; The Babylonian Talmud; Rabbi Ehrenpreis; Pidcock's b...
David Pidcock with Daryl Bradford Smith, May 26, 2009.
On Theodor Herzl; The Protocols of Zion; The Talmud; The Babylonian Talmud; Rabbi Ehrenpreis; Pidcock's book Satanic Voices Ancient and Modern; Max Nordau; Asher Ginsberg; Moses Mendelssohn; Baruch Spinoza; Friedrich Nietzsche; Nihilism; Salman Rushdie; Karl Marx; The Fall of the Ottoman Empire; Leon Trotsky (Bronstein) & Jacob Schiff (Rothschild); Bolsheviks & Mensheviks; Satanism; Christ in The Gospel of Barnabas; The Bolshevik Revolution; The Russo-Japanese War of 1904-1905 & Jacob Schiff; The Predictions of David Ben-Gurion in 1962; The Planned Economy in America; Hardcore Zionist Rahm Emanuel & Freddie Mac; Germany defeated from within (thanks to the Crypto-Jewish Nazis); Islamic Prophecies, and more.
wn.com/The Protocols Of Zion Islamic Prophecies
David Pidcock with Daryl Bradford Smith, May 26, 2009.
On Theodor Herzl; The Protocols of Zion; The Talmud; The Babylonian Talmud; Rabbi Ehrenpreis; Pidcock's book Satanic Voices Ancient and Modern; Max Nordau; Asher Ginsberg; Moses Mendelssohn; Baruch Spinoza; Friedrich Nietzsche; Nihilism; Salman Rushdie; Karl Marx; The Fall of the Ottoman Empire; Leon Trotsky (Bronstein) & Jacob Schiff (Rothschild); Bolsheviks & Mensheviks; Satanism; Christ in The Gospel of Barnabas; The Bolshevik Revolution; The Russo-Japanese War of 1904-1905 & Jacob Schiff; The Predictions of David Ben-Gurion in 1962; The Planned Economy in America; Hardcore Zionist Rahm Emanuel & Freddie Mac; Germany defeated from within (thanks to the Crypto-Jewish Nazis); Islamic Prophecies, and more.
- published: 10 Mar 2015
- views: 440
Elias Sacks: "Religion Contested: Mendelssohn's Aesthetic Critique of Christianity."
One way to explore the boundaries of tolerance in the Enlightenment is to consider the work of Moses Mendelssohn. As a Jew who was one of the most prominent fi...
One way to explore the boundaries of tolerance in the Enlightenment is to consider the work of Moses Mendelssohn. As a Jew who was one of the most prominent figures in German intellectual life, he struggled with questions of tolerance throughout his career, defending the integration of Jews into Prussian society and confronting repeated calls to convert to Christianity. Engaging his work is particularly appropriate at a conference concerned with aesthetics, for his writings address topics ranging from the philosophical significance of music to the nature and effects of drama. Indeed, issues of tolerance and aesthetics are deeply intertwined in his thought, for he treated aesthetics as capable of fostering the creation of an inclusive society: one of his strategies for defending the suitability of Jews for civic rights was to showcase the aesthetic richness of the Jewish tradition, and he saw biblical poetry such as the Psalms as highlighting religious truths shared across confessional boundaries. This paper seeks to shed new light on Mendelssohn’s engagement with such questions, uncovering a crucial yet neglected dimension of his approach to these issues. More specifically, I argue that he developed what we might call an aesthetic critique of Christianity—a critique revolving around Christianity’s posture towards poetry and music associated with the Bible. He suggested, implicitly but forcefully, that theological and ethical problems plague Christianity because it neglected the substantive content of biblical poetry and the musical recitation of the biblical text. For this towering Jewish figure in Enlightenment Berlin, then, aesthetic claims not only built bridges between faiths, but also underscored gaps between traditions. Such claims are a source of religious unity but also a basis for religious critique.
wn.com/Elias Sacks Religion Contested Mendelssohn's Aesthetic Critique Of Christianity.
One way to explore the boundaries of tolerance in the Enlightenment is to consider the work of Moses Mendelssohn. As a Jew who was one of the most prominent figures in German intellectual life, he struggled with questions of tolerance throughout his career, defending the integration of Jews into Prussian society and confronting repeated calls to convert to Christianity. Engaging his work is particularly appropriate at a conference concerned with aesthetics, for his writings address topics ranging from the philosophical significance of music to the nature and effects of drama. Indeed, issues of tolerance and aesthetics are deeply intertwined in his thought, for he treated aesthetics as capable of fostering the creation of an inclusive society: one of his strategies for defending the suitability of Jews for civic rights was to showcase the aesthetic richness of the Jewish tradition, and he saw biblical poetry such as the Psalms as highlighting religious truths shared across confessional boundaries. This paper seeks to shed new light on Mendelssohn’s engagement with such questions, uncovering a crucial yet neglected dimension of his approach to these issues. More specifically, I argue that he developed what we might call an aesthetic critique of Christianity—a critique revolving around Christianity’s posture towards poetry and music associated with the Bible. He suggested, implicitly but forcefully, that theological and ethical problems plague Christianity because it neglected the substantive content of biblical poetry and the musical recitation of the biblical text. For this towering Jewish figure in Enlightenment Berlin, then, aesthetic claims not only built bridges between faiths, but also underscored gaps between traditions. Such claims are a source of religious unity but also a basis for religious critique.
- published: 13 Nov 2014
- views: 2
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Prof. Dr. Julius H. Schoeps, Direktor des MMZ, im Interview
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Dr. Irene Diekmann, stellvertretende Direktorin des MMZ, im Interview
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Dr. Olaf Glöckner, Wissenschaftlicher Mitarbeiter am MMZ, im Interview
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Holger Marks im Interview mit Sängern von E Deum Voice • Medan, Indonesien
Holger Marks, Tenor beim Rundfunkchor Berlin, interviewt zwei junge Sänger des indonesischen Chors E Deum Voice in Medan. Die Chöre geben ein gemeinsamen Konzert im Rahmen der Deutschen Saison des Auswärtigen Amts in Indonesien.
Holger Marks, tenor with the Berlin Radio Choir, interviews two young singers of the Indenesian choir E Deum Voice in Medan. Both choirs give a united concert in the cont
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Interview mit Gijs Leenaars · Rundfunkchor Berlin
Ab Juni ein Berliner:
Gijs Leenaars, künftiger Chefdirigent und künstlerischer Leiter des Rundfunkchores Berlin ab 2015/16, hat anlässlich der Vorstellung der neuen Saison mit Holger Marks, Tenor, gesprochen.
Sein Antrittskonzert in dieser Position findet am 19. September in der Passionskirche im Rahmen des Musikfest Berlin statt. Weitere Infos erhalten Sie unter: http://www.rundfunkchor-berlin.
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Stanimir Todorov Interview
Stanimir Todorov Interview
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Interview with Conductor Mr Quek - Programme for Strumming & Drumming / 访问驻团指挥郭勇德 - 《鼓筝风采》曲目介绍
Interview with Resident Conductor Quek Ling Kiong - Programme for Strumming & Drumming
访问驻团指挥郭勇德 - 《鼓筝风采》曲目介绍
16 & 17 Jan 2015 (Fri & Sat)
8pm
SCO Concert Hall
Conductor: Quek Ling Kiong
Guzheng/Vocal: Luo Xiao Ci
Percussion: Ngoh Kheng Seng, Xu Fan
Xiao (16 Jan): Yin Zhi Yang
Cello (17 Jan): Xu Zhong
2015年1月16及17日 (星期五及六)
8pm
新加坡华乐团音乐厅
指挥:郭勇德
古筝/演唱:罗小慈
打击乐:伍庆成、徐帆
箫(1月16日):尹志阳
大提琴(1月17日):徐忠
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Interview mit Paavo Järvi zu seinem Abschiedskonzert (4)
Heute Abend gibt Paavo Järvi sein Abschiedskonzert als Chefdirigent des hr-Sinfonieorchesters. Im Interview spricht er nicht nur über die letzten sieben Jahr...
-
PreViews - Sebastian Knauer Interview
Sebastian Knauer has appeared in prominent concert halls on four continents. The Grammy-nominated German pianist joins the Vienna Concert-Verein Orchestra, g...
-
The Yiddish Renaissance
Oct. 2001 Harley Schlanger, Taking inspiration from Dante, & Cervantes, a few Jews , Mendele Mocher Sforim, I L Peretz, & Sholem Aleichem, decided to transform some kitchen jargon, Yiddish, into a literate form of language in order to transform the backwards and degraded culture of the Shtetl (ghetto). Earlier developments around great intellects such as Maimonides and Moses Mendelsohnn are gone
-
Ben Kamins Interview 1
A conversation with bassoonist Benjamin Kamins, an Academy faculty artist and alumnus.
-
2013 IMK Audition Interview, Stefan Kropfitsch, Cellist
An interview of Stefan Kropfitsch, Cellist, regarding on oncoming 2013 IMK International Audition in August, 2013 www.schwingungen.at.
-
Interview with Violinist Julia Fischer in Slovak TV
broadcast and published on April 15th, 2013.
Host Peter Craven presents German musician Julia Fischer. More music with her for free listening and download: and for purchase: .
Julia Fischer, born in Munich, Germany, is of German-Slovakian parentage. Fischer began her studies before her fourth birthday, when she received her first .
with Kristjan Järvi and Rundfunk-Sinfonieorchester Berlin
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Pasha Sabouri Interviews Professor Brian Lewis
University of Texas at Austin, professor of violin, Brian Lewis, sits down with Pasha Sabouri to talk auditions, practice, and studio acceptance.
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Introducing our cello teacher: Philharmonic musician, Gloria Lum
https://www.indiegogo.com/projects/music-lifeboat/x/9354404
We are thrilled to have Gloria not only as a teacher, but also as a wonderful contributor to our advisory board. A frequent participant of the Philharmonic’s Green Umbrella series and its Chamber Music Series, Ms. Lum has been involved in tributes to Elliott Carter, György Ligeti, Witold Lutoslawski, and most recently appeared in a solo
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Das MMZ Potsdam in laufenden Bildern
Imagefilm über Entstehung, Aufbau und Arbeitsweise des Moses Mendelssohn Zentrums für europäisch-jüdische Studien in Potsdam, gedreht von Kristina Tschesch i...
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Malta International Music Festival - Interview with Yuri Didenko
Interview of Yuri Didenko - Internationally acclaimed Russian pianist and professor of Moscow State Conservatory
Holger Marks im Interview mit Sängern von E Deum Voice • Medan, Indonesien
Holger Marks, Tenor beim Rundfunkchor Berlin, interviewt zwei junge Sänger des indonesischen Chors E Deum Voice in Medan. Die Chöre geben ein gemeinsamen Konzer...
Holger Marks, Tenor beim Rundfunkchor Berlin, interviewt zwei junge Sänger des indonesischen Chors E Deum Voice in Medan. Die Chöre geben ein gemeinsamen Konzert im Rahmen der Deutschen Saison des Auswärtigen Amts in Indonesien.
Holger Marks, tenor with the Berlin Radio Choir, interviews two young singers of the Indenesian choir E Deum Voice in Medan. Both choirs give a united concert in the context of the German Season (Jerman Fest) in Indonesia.
wn.com/Holger Marks Im Interview Mit Sängern Von E Deum Voice • Medan, Indonesien
Holger Marks, Tenor beim Rundfunkchor Berlin, interviewt zwei junge Sänger des indonesischen Chors E Deum Voice in Medan. Die Chöre geben ein gemeinsamen Konzert im Rahmen der Deutschen Saison des Auswärtigen Amts in Indonesien.
Holger Marks, tenor with the Berlin Radio Choir, interviews two young singers of the Indenesian choir E Deum Voice in Medan. Both choirs give a united concert in the context of the German Season (Jerman Fest) in Indonesia.
- published: 23 Oct 2015
- views: 125
Interview mit Gijs Leenaars · Rundfunkchor Berlin
Ab Juni ein Berliner:
Gijs Leenaars, künftiger Chefdirigent und künstlerischer Leiter des Rundfunkchores Berlin ab 2015/16, hat anlässlich der Vorstellung der n...
Ab Juni ein Berliner:
Gijs Leenaars, künftiger Chefdirigent und künstlerischer Leiter des Rundfunkchores Berlin ab 2015/16, hat anlässlich der Vorstellung der neuen Saison mit Holger Marks, Tenor, gesprochen.
Sein Antrittskonzert in dieser Position findet am 19. September in der Passionskirche im Rahmen des Musikfest Berlin statt. Weitere Infos erhalten Sie unter: http://www.rundfunkchor-berlin.de/content/e43/e224/?ACTION_OPASCALENDAR=displayEvent&eventId;=41472&eDom;=roc&oy;:int=2011&year;:int=2015&eDate;=2015.09.19&month;:int=09
wn.com/Interview Mit Gijs Leenaars · Rundfunkchor Berlin
Ab Juni ein Berliner:
Gijs Leenaars, künftiger Chefdirigent und künstlerischer Leiter des Rundfunkchores Berlin ab 2015/16, hat anlässlich der Vorstellung der neuen Saison mit Holger Marks, Tenor, gesprochen.
Sein Antrittskonzert in dieser Position findet am 19. September in der Passionskirche im Rahmen des Musikfest Berlin statt. Weitere Infos erhalten Sie unter: http://www.rundfunkchor-berlin.de/content/e43/e224/?ACTION_OPASCALENDAR=displayEvent&eventId;=41472&eDom;=roc&oy;:int=2011&year;:int=2015&eDate;=2015.09.19&month;:int=09
- published: 21 Apr 2015
- views: 2
Stanimir Todorov Interview
Stanimir Todorov Interview...
Stanimir Todorov Interview
wn.com/Stanimir Todorov Interview
Stanimir Todorov Interview
- published: 05 Jul 2013
- views: 20
Interview with Conductor Mr Quek - Programme for Strumming & Drumming / 访问驻团指挥郭勇德 - 《鼓筝风采》曲目介绍
Interview with Resident Conductor Quek Ling Kiong - Programme for Strumming & Drumming
访问驻团指挥郭勇德 - 《鼓筝风采》曲目介绍
16 & 17 Jan 2015 (Fri & Sat)
8pm
SCO Concert Hall...
Interview with Resident Conductor Quek Ling Kiong - Programme for Strumming & Drumming
访问驻团指挥郭勇德 - 《鼓筝风采》曲目介绍
16 & 17 Jan 2015 (Fri & Sat)
8pm
SCO Concert Hall
Conductor: Quek Ling Kiong
Guzheng/Vocal: Luo Xiao Ci
Percussion: Ngoh Kheng Seng, Xu Fan
Xiao (16 Jan): Yin Zhi Yang
Cello (17 Jan): Xu Zhong
2015年1月16及17日 (星期五及六)
8pm
新加坡华乐团音乐厅
指挥:郭勇德
古筝/演唱:罗小慈
打击乐:伍庆成、徐帆
箫(1月16日):尹志阳
大提琴(1月17日):徐忠
wn.com/Interview With Conductor Mr Quek Programme For Strumming Drumming 访问驻团指挥郭勇德 《鼓筝风采》曲目介绍
Interview with Resident Conductor Quek Ling Kiong - Programme for Strumming & Drumming
访问驻团指挥郭勇德 - 《鼓筝风采》曲目介绍
16 & 17 Jan 2015 (Fri & Sat)
8pm
SCO Concert Hall
Conductor: Quek Ling Kiong
Guzheng/Vocal: Luo Xiao Ci
Percussion: Ngoh Kheng Seng, Xu Fan
Xiao (16 Jan): Yin Zhi Yang
Cello (17 Jan): Xu Zhong
2015年1月16及17日 (星期五及六)
8pm
新加坡华乐团音乐厅
指挥:郭勇德
古筝/演唱:罗小慈
打击乐:伍庆成、徐帆
箫(1月16日):尹志阳
大提琴(1月17日):徐忠
- published: 08 Jan 2015
- views: 88
Interview mit Paavo Järvi zu seinem Abschiedskonzert (4)
Heute Abend gibt Paavo Järvi sein Abschiedskonzert als Chefdirigent des hr-Sinfonieorchesters. Im Interview spricht er nicht nur über die letzten sieben Jahr......
Heute Abend gibt Paavo Järvi sein Abschiedskonzert als Chefdirigent des hr-Sinfonieorchesters. Im Interview spricht er nicht nur über die letzten sieben Jahr...
wn.com/Interview Mit Paavo Järvi Zu Seinem Abschiedskonzert (4)
Heute Abend gibt Paavo Järvi sein Abschiedskonzert als Chefdirigent des hr-Sinfonieorchesters. Im Interview spricht er nicht nur über die letzten sieben Jahr...
- published: 13 Jun 2013
- views: 79
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author: ARTEde
PreViews - Sebastian Knauer Interview
Sebastian Knauer has appeared in prominent concert halls on four continents. The Grammy-nominated German pianist joins the Vienna Concert-Verein Orchestra, g......
Sebastian Knauer has appeared in prominent concert halls on four continents. The Grammy-nominated German pianist joins the Vienna Concert-Verein Orchestra, g...
wn.com/Previews Sebastian Knauer Interview
Sebastian Knauer has appeared in prominent concert halls on four continents. The Grammy-nominated German pianist joins the Vienna Concert-Verein Orchestra, g...
The Yiddish Renaissance
Oct. 2001 Harley Schlanger, Taking inspiration from Dante, & Cervantes, a few Jews , Mendele Mocher Sforim, I L Peretz, & Sholem Aleichem, decided to transform ...
Oct. 2001 Harley Schlanger, Taking inspiration from Dante, & Cervantes, a few Jews , Mendele Mocher Sforim, I L Peretz, & Sholem Aleichem, decided to transform some kitchen jargon, Yiddish, into a literate form of language in order to transform the backwards and degraded culture of the Shtetl (ghetto). Earlier developments around great intellects such as Maimonides and Moses Mendelsohnn are gone through. Articles on the subject are at the Schiller Institute website. http://www.schillerinstitute.org/fid_02-06/032_yiddish.html
The statement from Mr. LaRouche that is read by Harley at the end of the presentation is the Fidelio article "Music, Judaism, and Hitler" http://www.schillerinstitute.org/fid_97-01/fid_993_LaR_edit.html
An article on Moses Mendelssohn is at http://www.schillerinstitute.org/fid_97-01/992_mend_spm.html
Since any discussion of Jews brings up the old prejudices by the usual nudzh that would make a good character in a Sholem Aleichem story, I would prefer that the comments get shut down, but for the chance at poking fun, I'll keep it open. Be warned nudnicks! :)
wn.com/The Yiddish Renaissance
Oct. 2001 Harley Schlanger, Taking inspiration from Dante, & Cervantes, a few Jews , Mendele Mocher Sforim, I L Peretz, & Sholem Aleichem, decided to transform some kitchen jargon, Yiddish, into a literate form of language in order to transform the backwards and degraded culture of the Shtetl (ghetto). Earlier developments around great intellects such as Maimonides and Moses Mendelsohnn are gone through. Articles on the subject are at the Schiller Institute website. http://www.schillerinstitute.org/fid_02-06/032_yiddish.html
The statement from Mr. LaRouche that is read by Harley at the end of the presentation is the Fidelio article "Music, Judaism, and Hitler" http://www.schillerinstitute.org/fid_97-01/fid_993_LaR_edit.html
An article on Moses Mendelssohn is at http://www.schillerinstitute.org/fid_97-01/992_mend_spm.html
Since any discussion of Jews brings up the old prejudices by the usual nudzh that would make a good character in a Sholem Aleichem story, I would prefer that the comments get shut down, but for the chance at poking fun, I'll keep it open. Be warned nudnicks! :)
- published: 21 Nov 2014
- views: 31
Ben Kamins Interview 1
A conversation with bassoonist Benjamin Kamins, an Academy faculty artist and alumnus....
A conversation with bassoonist Benjamin Kamins, an Academy faculty artist and alumnus.
wn.com/Ben Kamins Interview 1
A conversation with bassoonist Benjamin Kamins, an Academy faculty artist and alumnus.
- published: 19 Aug 2014
- views: 2
2013 IMK Audition Interview, Stefan Kropfitsch, Cellist
An interview of Stefan Kropfitsch, Cellist, regarding on oncoming 2013 IMK International Audition in August, 2013 www.schwingungen.at....
An interview of Stefan Kropfitsch, Cellist, regarding on oncoming 2013 IMK International Audition in August, 2013 www.schwingungen.at.
wn.com/2013 Imk Audition Interview, Stefan Kropfitsch, Cellist
An interview of Stefan Kropfitsch, Cellist, regarding on oncoming 2013 IMK International Audition in August, 2013 www.schwingungen.at.
Interview with Violinist Julia Fischer in Slovak TV
broadcast and published on April 15th, 2013.
Host Peter Craven presents German musician Julia Fischer. More music with her for free listening and download: a...
broadcast and published on April 15th, 2013.
Host Peter Craven presents German musician Julia Fischer. More music with her for free listening and download: and for purchase: .
Julia Fischer, born in Munich, Germany, is of German-Slovakian parentage. Fischer began her studies before her fourth birthday, when she received her first .
with Kristjan Järvi and Rundfunk-Sinfonieorchester Berlin. More music with Julia Fischer here and there (free for .
wn.com/Interview With Violinist Julia Fischer In Slovak Tv
broadcast and published on April 15th, 2013.
Host Peter Craven presents German musician Julia Fischer. More music with her for free listening and download: and for purchase: .
Julia Fischer, born in Munich, Germany, is of German-Slovakian parentage. Fischer began her studies before her fourth birthday, when she received her first .
with Kristjan Järvi and Rundfunk-Sinfonieorchester Berlin. More music with Julia Fischer here and there (free for .
- published: 07 Jul 2015
- views: 16
Pasha Sabouri Interviews Professor Brian Lewis
University of Texas at Austin, professor of violin, Brian Lewis, sits down with Pasha Sabouri to talk auditions, practice, and studio acceptance....
University of Texas at Austin, professor of violin, Brian Lewis, sits down with Pasha Sabouri to talk auditions, practice, and studio acceptance.
wn.com/Pasha Sabouri Interviews Professor Brian Lewis
University of Texas at Austin, professor of violin, Brian Lewis, sits down with Pasha Sabouri to talk auditions, practice, and studio acceptance.
- published: 19 Oct 2010
- views: 777
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author: CDPhinatic
Introducing our cello teacher: Philharmonic musician, Gloria Lum
https://www.indiegogo.com/projects/music-lifeboat/x/9354404
We are thrilled to have Gloria not only as a teacher, but also as a wonderful contributor to our ad...
https://www.indiegogo.com/projects/music-lifeboat/x/9354404
We are thrilled to have Gloria not only as a teacher, but also as a wonderful contributor to our advisory board. A frequent participant of the Philharmonic’s Green Umbrella series and its Chamber Music Series, Ms. Lum has been involved in tributes to Elliott Carter, György Ligeti, Witold Lutoslawski, and most recently appeared in a solo work by David Lang. On the chamber music series, she has appeared with Andre Previn, Emanuel Ax, Lars Vogt, and Joshua Bell.
wn.com/Introducing Our Cello Teacher Philharmonic Musician, Gloria Lum
https://www.indiegogo.com/projects/music-lifeboat/x/9354404
We are thrilled to have Gloria not only as a teacher, but also as a wonderful contributor to our advisory board. A frequent participant of the Philharmonic’s Green Umbrella series and its Chamber Music Series, Ms. Lum has been involved in tributes to Elliott Carter, György Ligeti, Witold Lutoslawski, and most recently appeared in a solo work by David Lang. On the chamber music series, she has appeared with Andre Previn, Emanuel Ax, Lars Vogt, and Joshua Bell.
- published: 14 Dec 2014
- views: 30
Das MMZ Potsdam in laufenden Bildern
Imagefilm über Entstehung, Aufbau und Arbeitsweise des Moses Mendelssohn Zentrums für europäisch-jüdische Studien in Potsdam, gedreht von Kristina Tschesch i......
Imagefilm über Entstehung, Aufbau und Arbeitsweise des Moses Mendelssohn Zentrums für europäisch-jüdische Studien in Potsdam, gedreht von Kristina Tschesch i...
wn.com/Das Mmz Potsdam In Laufenden Bildern
Imagefilm über Entstehung, Aufbau und Arbeitsweise des Moses Mendelssohn Zentrums für europäisch-jüdische Studien in Potsdam, gedreht von Kristina Tschesch i...
Malta International Music Festival - Interview with Yuri Didenko
Interview of Yuri Didenko - Internationally acclaimed Russian pianist and professor of Moscow State Conservatory...
Interview of Yuri Didenko - Internationally acclaimed Russian pianist and professor of Moscow State Conservatory
wn.com/Malta International Music Festival Interview With Yuri Didenko
Interview of Yuri Didenko - Internationally acclaimed Russian pianist and professor of Moscow State Conservatory
- published: 31 Oct 2013
- views: 8
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The Best of Mendelssohn - Midsummer Nights Dream - 5 HOURS of Classical Music for Studying
Jakob Ludwig Felix Mendelssohn Bartholdy 3 February 1809 – 4 November 1847), born and widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic period.
A grandson of the philosopher Moses Mendelssohn, Felix Mendelssohn was born into a prominent Jewish family. Although initially he was brought up without religion, he was later baptised as a Ref
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Romanza sin palabras Op. 30 nº 3 F. Mendelssohn
Felix Mendelssohn (Hamburgo, 3 de febrero de 1809 – Leipzig, 4 de noviembre de 1847), cuyo nombre completo era Jakob Ludwig Felix Mendelssohn Bartholdy, fue un compositor, director de orquesta y pianista de música romántica alemán.
Music Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for non-profit purposes such as criticism, comment, news repor
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Mendelssohn - Op. 20 - Octet in E flat major - IV - Presto - Hausmusik London
Monica Huggett (Violin), Pavlo Beznosiuk (Violin), Paull Boucher (Violin), Roger Chase (Viola), Jolianne Von Einem (Violin), Simon Whistler (Viola), Anthony Pleeth (Cello), Sebastian Comberti (Cello)
Period: Romantic
Written: 1825; Germany
Felix Mendelssohn (3 February 1809 – 4 November 1847) was a German composer, pianist, organist and conductor of the early Romantic period.
A grandson of th
-
Midsummer Night's Dream by Mendelssohn
- Midsummer Night's Dream -
At two separate times, Felix Mendelssohn composed music for William Shakespeare's play, A Midsummer Night's Dream. First in 1826, near the start of his career, he wrote a concert overture (Op. 21). Later, in 1842, only a few years before his death, he wrote incidental music (Op. 61) for a production of the play, into which he incorporated the existing Overture. The in
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Felix Mendelssohn - Cuarteto de cuerdas N º 6
Felix Mendelssohn (Hamburgo, 3 de febrero de 1809 – Leipzig, 4 de noviembre de 1847), cuyo nombre completo era Jakob Ludwig Felix Mendelssohn Bartholdy, fue un compositor, director de orquesta y pianista de música romántica alemán.
Era nieto del filósofo Moses Mendelssohn y nació en el seno de una destacada familia judía que más tarde se convirtió al protestantismo, adoptando el apellido Mendelss
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Felix Mendelssohn - String Quartet No. 6
Felix Mendelssohn (Hamburg, February 3, 1809 - Leipzig, November 4, 1847), whose full name was Jakob Ludwig Felix Mendelssohn Bartholdy, was a composer, conductor and pianist of German romantic music.
He was the grandson of the philosopher Moses Mendelssohn was born into a prominent Jewish family who later converted to Protestantism, adopting the surname Mendelssohn-Bartholdy. In his childhood wa
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Felix Mendelssohn - 6. Streichquartett
Felix Mendelssohn (Hamburg, 3. Februar 1809 - Leipzig, 4. November 1847), dessen voller Name war Jakob Ludwig Felix Mendelssohn Bartholdy, war ein Komponist, Dirigent und Pianist der deutschen romantischen Musik.
Er war der Enkel des Philosophen Moses Mendelssohn wurde in eine prominente jüdische Familie, die später zum Protestantismus, die Annahme des Nachnamens Mendelssohn-Bartholdy geboren. In
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Felix Mendelssohn - Música Clásica - Cuarteto de cuerdas N º 6, IV Fuga
Felix Mendelssohn (Hamburgo, 3 de febrero de 1809 – Leipzig, 4 de noviembre de 1847), cuyo nombre completo era Jakob Ludwig Felix Mendelssohn Bartholdy, fue un compositor, director de orquesta y pianista de música romántica alemán.
Era nieto del filósofo Moses Mendelssohn y nació en el seno de una destacada familia judía que más tarde se convirtió al protestantismo, adoptando el apellido Mendelss
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Felix Mendelssohn - Música Clásica - Cuarteto de cuerdas N º 6, II Allegro assai
Felix Mendelssohn (Hamburgo, 3 de febrero de 1809 – Leipzig, 4 de noviembre de 1847), cuyo nombre completo era Jakob Ludwig Felix Mendelssohn Bartholdy, fue un compositor, director de orquesta y pianista de música romántica alemán.
Era nieto del filósofo Moses Mendelssohn y nació en el seno de una destacada familia judía que más tarde se convirtió al protestantismo, adoptando el apellido Mendelss
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Felix Mendelssohn - Música Clásica - Cuarteto de cuerdas N º 6, I Allegro vivace assai
Felix Mendelssohn (Hamburgo, 3 de febrero de 1809 – Leipzig, 4 de noviembre de 1847), cuyo nombre completo era Jakob Ludwig Felix Mendelssohn Bartholdy, fue un compositor, director de orquesta y pianista de música romántica alemán.
Era nieto del filósofo Moses Mendelssohn y nació en el seno de una destacada familia judía que más tarde se convirtió al protestantismo, adoptando el apellido Mendelss
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Felix Mendelssohn - Música Clásica - Cuarteto de cuerdas N º 6, III Adagio
Felix Mendelssohn (Hamburgo, 3 de febrero de 1809 – Leipzig, 4 de noviembre de 1847), cuyo nombre completo era Jakob Ludwig Felix Mendelssohn Bartholdy, fue un compositor, director de orquesta y pianista de música romántica alemán.
Era nieto del filósofo Moses Mendelssohn y nació en el seno de una destacada familia judía que más tarde se convirtió al protestantismo, adoptando el apellido Mendelss
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Felix Mendhelson: Violin Concerto Op.64, Adante, 2nd mouvement
Jakob Ludwig Felix Mendelssohn Bartholdy (3 February 1809 – 4 November 1847), born and widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic period.
A grandson of the philosopher Moses Mendelssohn, Felix Mendelssohn was born into a prominent Jewish family. Although initially he was raised without religion, he was later baptised as a R
-
Felix Mendhelson: Violin Concerto Op.64, Allegro Molto Appassionato, 1st Mouvement
Jakob Ludwig Felix Mendelssohn Bartholdy (3 February 1809 – 4 November 1847), born and widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic period.
A grandson of the philosopher Moses Mendelssohn, Felix Mendelssohn was born into a prominent Jewish family. Although initially he was raised without religion, he was later baptised as a R
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Yael Sela-Teichler, "Music and Aesthetics...in Mendelssohn's Critique of Enlightenment"
The aesthetic category of the sublime has received increasing attention in scholarship on eighteenth-century German music aesthetics. Yet little consideration has been given to the stipulation of this category in terms of its emancipatory potential and its role in opening up the boundaries of German aesthetics within a broader context of Enlightenment culture and Jewish Haskalah. This paper is con
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Dr. Günther Jikeli -- "European Muslim Antisemitism"
Title: "European Muslim Antisemitism" Speaker: Dr. Gunther Jikeli, Justin M. Druck Family Visiting Scholar, Institute for the Study of Contemporary Antisemit...
The Best of Mendelssohn - Midsummer Nights Dream - 5 HOURS of Classical Music for Studying
Jakob Ludwig Felix Mendelssohn Bartholdy 3 February 1809 – 4 November 1847), born and widely known as Felix Mendelssohn, was a German composer, pianist, organis...
Jakob Ludwig Felix Mendelssohn Bartholdy 3 February 1809 – 4 November 1847), born and widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic period.
A grandson of the philosopher Moses Mendelssohn, Felix Mendelssohn was born into a prominent Jewish family. Although initially he was brought up without religion, he was later baptised as a Reformed Christian. Mendelssohn was recognised early as a musical prodigy, but his parents were cautious and did not seek to capitalise on his talent.
Mendelssohn enjoyed early success in Germany, where he also revived interest in the music of Johann Sebastian Bach, and in his travels throughout Europe. He was particularly well received in Britain as a composer, conductor and soloist, and his ten visits there – during which many of his major works were premiered – form an important part of his adult career. His essentially conservative musical tastes, however, set him apart from many of his more adventurous musical contemporaries such as Franz Liszt, Richard Wagner and Hector Berlioz. The Leipzig Conservatoire (now the University of Music and Theatre Leipzig), which he founded, became a bastion of this anti-radical outlook.
Mendelssohn wrote symphonies, concerti, oratorios, piano music and chamber music. His best-known works include his Overture and incidental music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, the overture The Hebrides, his mature Violin Concerto, and his String Octet. His Songs Without Words are his most famous solo piano compositions. After a long period of relative denigration due to changing musical tastes and anti-Semitism in the late 19th and early 20th centuries, his creative originality has now been recognised and re-evaluated. He is now among the most popular composers of the Romantic era.
wn.com/The Best Of Mendelssohn Midsummer Nights Dream 5 Hours Of Classical Music For Studying
Jakob Ludwig Felix Mendelssohn Bartholdy 3 February 1809 – 4 November 1847), born and widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic period.
A grandson of the philosopher Moses Mendelssohn, Felix Mendelssohn was born into a prominent Jewish family. Although initially he was brought up without religion, he was later baptised as a Reformed Christian. Mendelssohn was recognised early as a musical prodigy, but his parents were cautious and did not seek to capitalise on his talent.
Mendelssohn enjoyed early success in Germany, where he also revived interest in the music of Johann Sebastian Bach, and in his travels throughout Europe. He was particularly well received in Britain as a composer, conductor and soloist, and his ten visits there – during which many of his major works were premiered – form an important part of his adult career. His essentially conservative musical tastes, however, set him apart from many of his more adventurous musical contemporaries such as Franz Liszt, Richard Wagner and Hector Berlioz. The Leipzig Conservatoire (now the University of Music and Theatre Leipzig), which he founded, became a bastion of this anti-radical outlook.
Mendelssohn wrote symphonies, concerti, oratorios, piano music and chamber music. His best-known works include his Overture and incidental music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, the overture The Hebrides, his mature Violin Concerto, and his String Octet. His Songs Without Words are his most famous solo piano compositions. After a long period of relative denigration due to changing musical tastes and anti-Semitism in the late 19th and early 20th centuries, his creative originality has now been recognised and re-evaluated. He is now among the most popular composers of the Romantic era.
- published: 29 Nov 2015
- views: 1
Romanza sin palabras Op. 30 nº 3 F. Mendelssohn
Felix Mendelssohn (Hamburgo, 3 de febrero de 1809 – Leipzig, 4 de noviembre de 1847), cuyo nombre completo era Jakob Ludwig Felix Mendelssohn Bartholdy, fue un ...
Felix Mendelssohn (Hamburgo, 3 de febrero de 1809 – Leipzig, 4 de noviembre de 1847), cuyo nombre completo era Jakob Ludwig Felix Mendelssohn Bartholdy, fue un compositor, director de orquesta y pianista de música romántica alemán.
Music Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for non-profit purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
Era nieto del filósofo Moses Mendelssohn y nació en el seno de una destacada familia judía que más tarde se convirtió al protestantismo, adoptando el apellido Mendelssohn-Bartholdy. En su infancia fue considerado un prodigio musical, pero sus padres no trataron de sacar partido de sus habilidades. De hecho, su padre declinó la oportunidad de que Felix siguiera una carrera musical hasta que quedó claro que tenía la firme intención de dedicarse seriamente a ella.
wn.com/Romanza Sin Palabras Op. 30 Nº 3 F. Mendelssohn
Felix Mendelssohn (Hamburgo, 3 de febrero de 1809 – Leipzig, 4 de noviembre de 1847), cuyo nombre completo era Jakob Ludwig Felix Mendelssohn Bartholdy, fue un compositor, director de orquesta y pianista de música romántica alemán.
Music Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for non-profit purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
Era nieto del filósofo Moses Mendelssohn y nació en el seno de una destacada familia judía que más tarde se convirtió al protestantismo, adoptando el apellido Mendelssohn-Bartholdy. En su infancia fue considerado un prodigio musical, pero sus padres no trataron de sacar partido de sus habilidades. De hecho, su padre declinó la oportunidad de que Felix siguiera una carrera musical hasta que quedó claro que tenía la firme intención de dedicarse seriamente a ella.
- published: 07 Nov 2015
- views: 61
Mendelssohn - Op. 20 - Octet in E flat major - IV - Presto - Hausmusik London
Monica Huggett (Violin), Pavlo Beznosiuk (Violin), Paull Boucher (Violin), Roger Chase (Viola), Jolianne Von Einem (Violin), Simon Whistler (Viola), Anthony Ple...
Monica Huggett (Violin), Pavlo Beznosiuk (Violin), Paull Boucher (Violin), Roger Chase (Viola), Jolianne Von Einem (Violin), Simon Whistler (Viola), Anthony Pleeth (Cello), Sebastian Comberti (Cello)
Period: Romantic
Written: 1825; Germany
Felix Mendelssohn (3 February 1809 – 4 November 1847) was a German composer, pianist, organist and conductor of the early Romantic period.
A grandson of the philosopher Moses Mendelssohn, Felix Mendelssohn was born into a prominent Jewish family. Although initially he was raised without religion, he was later baptised as a Reformed Christian. Mendelssohn was recognised early as a musical prodigy, but his parents were cautious and did not seek to capitalise on his talent.
Mendelssohn enjoyed early success in Germany, where he also revived interest in the music of Johann Sebastian Bach, and in his travels throughout Europe. He was particularly well received in Britain as a composer, conductor and soloist, and his ten visits there – during which many of his major works were premiered – form an important part of his adult career. His essentially conservative musical tastes, however, set him apart from many of his more adventurous musical contemporaries such as Franz Liszt, Richard Wagner and Hector Berlioz. The Leipzig Conservatoire (now the University of Music and Theatre Leipzig), which he founded, became a bastion of this anti-radical outlook.
Mendelssohn wrote symphonies, concerti, oratorios, piano music and chamber music. His best-known works include his Overture and incidental music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, the overture The Hebrides, his mature Violin Concerto, and his String Octet. His Songs Without Words are his most famous solo piano compositions. After a long period of relative denigration due to changing musical tastes and anti-Semitism in the late 19th and early 20th centuries, his creative originality has now been recognised and re-evaluated. He is now among the most popular composers of the Romantic era.
wn.com/Mendelssohn Op. 20 Octet In E Flat Major Iv Presto Hausmusik London
Monica Huggett (Violin), Pavlo Beznosiuk (Violin), Paull Boucher (Violin), Roger Chase (Viola), Jolianne Von Einem (Violin), Simon Whistler (Viola), Anthony Pleeth (Cello), Sebastian Comberti (Cello)
Period: Romantic
Written: 1825; Germany
Felix Mendelssohn (3 February 1809 – 4 November 1847) was a German composer, pianist, organist and conductor of the early Romantic period.
A grandson of the philosopher Moses Mendelssohn, Felix Mendelssohn was born into a prominent Jewish family. Although initially he was raised without religion, he was later baptised as a Reformed Christian. Mendelssohn was recognised early as a musical prodigy, but his parents were cautious and did not seek to capitalise on his talent.
Mendelssohn enjoyed early success in Germany, where he also revived interest in the music of Johann Sebastian Bach, and in his travels throughout Europe. He was particularly well received in Britain as a composer, conductor and soloist, and his ten visits there – during which many of his major works were premiered – form an important part of his adult career. His essentially conservative musical tastes, however, set him apart from many of his more adventurous musical contemporaries such as Franz Liszt, Richard Wagner and Hector Berlioz. The Leipzig Conservatoire (now the University of Music and Theatre Leipzig), which he founded, became a bastion of this anti-radical outlook.
Mendelssohn wrote symphonies, concerti, oratorios, piano music and chamber music. His best-known works include his Overture and incidental music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, the overture The Hebrides, his mature Violin Concerto, and his String Octet. His Songs Without Words are his most famous solo piano compositions. After a long period of relative denigration due to changing musical tastes and anti-Semitism in the late 19th and early 20th centuries, his creative originality has now been recognised and re-evaluated. He is now among the most popular composers of the Romantic era.
- published: 22 Sep 2015
- views: 1
Midsummer Night's Dream by Mendelssohn
- Midsummer Night's Dream -
At two separate times, Felix Mendelssohn composed music for William Shakespeare's play, A Midsummer Night's Dream. First in 1826, ...
- Midsummer Night's Dream -
At two separate times, Felix Mendelssohn composed music for William Shakespeare's play, A Midsummer Night's Dream. First in 1826, near the start of his career, he wrote a concert overture (Op. 21). Later, in 1842, only a few years before his death, he wrote incidental music (Op. 61) for a production of the play, into which he incorporated the existing Overture. The incidental music includes the world-famous Wedding March. The German title reads Ein Sommernachtstraum.
- Felix Mendelssohn -
Jakob Ludwig Felix Mendelssohn Bartholdy (German: [ˈjaːkɔp ˈluːtvɪç ˈfeːlɪks ˈmɛndl̩szoːn baʁˈtɔldi]; 3 February 1809 – 4 November 1847), born and widely known as Felix Mendelssohn,[n 1] was a German composer, pianist, organist and conductor of the early Romantic period.
A grandson of the philosopher Moses Mendelssohn, Felix Mendelssohn was born into a prominent Jewish family. Although initially he was raised without religion, he was later baptised as a Reformed Christian. Mendelssohn was recognised early as a musical prodigy, but his parents were cautious and did not seek to capitalise on his talent.
Mendelssohn enjoyed early success in Germany, where he also revived interest in the music of Johann Sebastian Bach, and in his travels throughout Europe. He was particularly well received in Britain as a composer, conductor and soloist, and his ten visits there – during which many of his major works were premiered – form an important part of his adult career. His essentially conservative musical tastes, however, set him apart from many of his more adventurous musical contemporaries such as Franz Liszt, Richard Wagner and Hector Berlioz. The Leipzig Conservatoire (now the University of Music and Theatre Leipzig), which he founded, became a bastion of this anti-radical outlook.
Mendelssohn wrote symphonies, concerti, oratorios, piano music and chamber music. His best-known works include his Overture and incidental music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, the overture The Hebrides, his mature Violin Concerto, and his String Octet. His Songs Without Words are his most famous solo piano compositions. After a long period of relative denigration due to changing musical tastes and anti-Semitism in the late 19th and early 20th centuries, his creative originality has now been recognised and re-evaluated. He is now among the most popular composers of the Romantic era.
wn.com/Midsummer Night's Dream By Mendelssohn
- Midsummer Night's Dream -
At two separate times, Felix Mendelssohn composed music for William Shakespeare's play, A Midsummer Night's Dream. First in 1826, near the start of his career, he wrote a concert overture (Op. 21). Later, in 1842, only a few years before his death, he wrote incidental music (Op. 61) for a production of the play, into which he incorporated the existing Overture. The incidental music includes the world-famous Wedding March. The German title reads Ein Sommernachtstraum.
- Felix Mendelssohn -
Jakob Ludwig Felix Mendelssohn Bartholdy (German: [ˈjaːkɔp ˈluːtvɪç ˈfeːlɪks ˈmɛndl̩szoːn baʁˈtɔldi]; 3 February 1809 – 4 November 1847), born and widely known as Felix Mendelssohn,[n 1] was a German composer, pianist, organist and conductor of the early Romantic period.
A grandson of the philosopher Moses Mendelssohn, Felix Mendelssohn was born into a prominent Jewish family. Although initially he was raised without religion, he was later baptised as a Reformed Christian. Mendelssohn was recognised early as a musical prodigy, but his parents were cautious and did not seek to capitalise on his talent.
Mendelssohn enjoyed early success in Germany, where he also revived interest in the music of Johann Sebastian Bach, and in his travels throughout Europe. He was particularly well received in Britain as a composer, conductor and soloist, and his ten visits there – during which many of his major works were premiered – form an important part of his adult career. His essentially conservative musical tastes, however, set him apart from many of his more adventurous musical contemporaries such as Franz Liszt, Richard Wagner and Hector Berlioz. The Leipzig Conservatoire (now the University of Music and Theatre Leipzig), which he founded, became a bastion of this anti-radical outlook.
Mendelssohn wrote symphonies, concerti, oratorios, piano music and chamber music. His best-known works include his Overture and incidental music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, the overture The Hebrides, his mature Violin Concerto, and his String Octet. His Songs Without Words are his most famous solo piano compositions. After a long period of relative denigration due to changing musical tastes and anti-Semitism in the late 19th and early 20th centuries, his creative originality has now been recognised and re-evaluated. He is now among the most popular composers of the Romantic era.
- published: 09 Jul 2015
- views: 4
Felix Mendelssohn - Cuarteto de cuerdas N º 6
Felix Mendelssohn (Hamburgo, 3 de febrero de 1809 – Leipzig, 4 de noviembre de 1847), cuyo nombre completo era Jakob Ludwig Felix Mendelssohn Bartholdy, fue un ...
Felix Mendelssohn (Hamburgo, 3 de febrero de 1809 – Leipzig, 4 de noviembre de 1847), cuyo nombre completo era Jakob Ludwig Felix Mendelssohn Bartholdy, fue un compositor, director de orquesta y pianista de música romántica alemán.
Era nieto del filósofo Moses Mendelssohn y nació en el seno de una destacada familia judía que más tarde se convirtió al protestantismo, adoptando el apellido Mendelssohn-Bartholdy. En su infancia fue considerado un prodigio musical, pero sus padres no trataron de sacar partido de sus habilidades. De hecho, su padre declinó la oportunidad de que Felix siguiera una carrera musical hasta que quedó claro que tenía la firme intención de dedicarse seriamente a ella.1
Al temprano éxito en Alemania, le siguió un viaje a través de toda Europa; Mendelssohn fue recibido particularmente bien en Inglaterra como compositor, director y solista, y sus diez visitas allí, durante las que estrenó la mayoría de sus obras, formaron una parte importante de su carrera adulta. Fundó el Conservatorio de Leipzig, un bastión de su lucha contra las perspectivas musicales radicales de algunos de sus contemporáneos.
Las obras de Mendelssohn incluyen sinfonías, conciertos, oratorios, oberturas, música para piano y música de cámara. También tuvo un importante papel en el resurgimiento del interés en la obra de Johann Sebastian Bach. Sus gustos musicales esencialmente conservadores lo separaron de muchos de sus contemporáneos más aventurados, como Franz Liszt, Richard Wagner o Hector Berlioz. Después de un largo periodo de denigración debido al cambio de los gustos musicales y el antisemitismo a finales del siglo XIX y comienzos del XX, su originalidad creativa tiene un buen reconocimiento,2 ha sido evaluada de nuevo y se ha convertido en uno de los compositores más populares del periodo romántico.
wn.com/Felix Mendelssohn Cuarteto De Cuerdas N º 6
Felix Mendelssohn (Hamburgo, 3 de febrero de 1809 – Leipzig, 4 de noviembre de 1847), cuyo nombre completo era Jakob Ludwig Felix Mendelssohn Bartholdy, fue un compositor, director de orquesta y pianista de música romántica alemán.
Era nieto del filósofo Moses Mendelssohn y nació en el seno de una destacada familia judía que más tarde se convirtió al protestantismo, adoptando el apellido Mendelssohn-Bartholdy. En su infancia fue considerado un prodigio musical, pero sus padres no trataron de sacar partido de sus habilidades. De hecho, su padre declinó la oportunidad de que Felix siguiera una carrera musical hasta que quedó claro que tenía la firme intención de dedicarse seriamente a ella.1
Al temprano éxito en Alemania, le siguió un viaje a través de toda Europa; Mendelssohn fue recibido particularmente bien en Inglaterra como compositor, director y solista, y sus diez visitas allí, durante las que estrenó la mayoría de sus obras, formaron una parte importante de su carrera adulta. Fundó el Conservatorio de Leipzig, un bastión de su lucha contra las perspectivas musicales radicales de algunos de sus contemporáneos.
Las obras de Mendelssohn incluyen sinfonías, conciertos, oratorios, oberturas, música para piano y música de cámara. También tuvo un importante papel en el resurgimiento del interés en la obra de Johann Sebastian Bach. Sus gustos musicales esencialmente conservadores lo separaron de muchos de sus contemporáneos más aventurados, como Franz Liszt, Richard Wagner o Hector Berlioz. Después de un largo periodo de denigración debido al cambio de los gustos musicales y el antisemitismo a finales del siglo XIX y comienzos del XX, su originalidad creativa tiene un buen reconocimiento,2 ha sido evaluada de nuevo y se ha convertido en uno de los compositores más populares del periodo romántico.
- published: 24 Mar 2015
- views: 0
Felix Mendelssohn - String Quartet No. 6
Felix Mendelssohn (Hamburg, February 3, 1809 - Leipzig, November 4, 1847), whose full name was Jakob Ludwig Felix Mendelssohn Bartholdy, was a composer, conduct...
Felix Mendelssohn (Hamburg, February 3, 1809 - Leipzig, November 4, 1847), whose full name was Jakob Ludwig Felix Mendelssohn Bartholdy, was a composer, conductor and pianist of German romantic music.
He was the grandson of the philosopher Moses Mendelssohn was born into a prominent Jewish family who later converted to Protestantism, adopting the surname Mendelssohn-Bartholdy. In his childhood was considered a musical prodigy, but his parents did not try to take advantage of their skills. In fact, his father declined the opportunity to Felix to follow a musical career until it became clear that he fully intended to seriously engage it.1
By early success in Germany was followed by travel throughout Europe; Mendelssohn was particularly well received in England as a composer, conductor and soloist, and his ten visits there, during which he released most of his works, formed an important part of his adult career. He founded the Leipzig Conservatory, a bastion of their struggle against radical musical perspectives of some of his contemporaries.
Mendelssohn's works include symphonies, concertos, oratorios, overtures, music for piano and chamber music. He also had a role in the resurgence of interest in the work of Johann Sebastian Bach. His essentially conservative musical tastes separated it from many of his more adventurous contemporaries such as Franz Liszt, Richard Wagner and Hector Berlioz. After a long period of denigration due to changing musical tastes and antisemitism in the late nineteenth and early twentieth centuries, his creative originality has good recognition, 2 has been reassessed and has become one of the composers Most Popular Romantic period.
wn.com/Felix Mendelssohn String Quartet No. 6
Felix Mendelssohn (Hamburg, February 3, 1809 - Leipzig, November 4, 1847), whose full name was Jakob Ludwig Felix Mendelssohn Bartholdy, was a composer, conductor and pianist of German romantic music.
He was the grandson of the philosopher Moses Mendelssohn was born into a prominent Jewish family who later converted to Protestantism, adopting the surname Mendelssohn-Bartholdy. In his childhood was considered a musical prodigy, but his parents did not try to take advantage of their skills. In fact, his father declined the opportunity to Felix to follow a musical career until it became clear that he fully intended to seriously engage it.1
By early success in Germany was followed by travel throughout Europe; Mendelssohn was particularly well received in England as a composer, conductor and soloist, and his ten visits there, during which he released most of his works, formed an important part of his adult career. He founded the Leipzig Conservatory, a bastion of their struggle against radical musical perspectives of some of his contemporaries.
Mendelssohn's works include symphonies, concertos, oratorios, overtures, music for piano and chamber music. He also had a role in the resurgence of interest in the work of Johann Sebastian Bach. His essentially conservative musical tastes separated it from many of his more adventurous contemporaries such as Franz Liszt, Richard Wagner and Hector Berlioz. After a long period of denigration due to changing musical tastes and antisemitism in the late nineteenth and early twentieth centuries, his creative originality has good recognition, 2 has been reassessed and has become one of the composers Most Popular Romantic period.
- published: 24 Mar 2015
- views: 0
Felix Mendelssohn - 6. Streichquartett
Felix Mendelssohn (Hamburg, 3. Februar 1809 - Leipzig, 4. November 1847), dessen voller Name war Jakob Ludwig Felix Mendelssohn Bartholdy, war ein Komponist, Di...
Felix Mendelssohn (Hamburg, 3. Februar 1809 - Leipzig, 4. November 1847), dessen voller Name war Jakob Ludwig Felix Mendelssohn Bartholdy, war ein Komponist, Dirigent und Pianist der deutschen romantischen Musik.
Er war der Enkel des Philosophen Moses Mendelssohn wurde in eine prominente jüdische Familie, die später zum Protestantismus, die Annahme des Nachnamens Mendelssohn-Bartholdy geboren. In seiner Kindheit galt als musikalisches Wunderkind, aber seine Eltern nicht versuchen, Vorteile aus ihrer Fähigkeiten zu nehmen. In der Tat, der Vater lehnte die Gelegenheit, Felix, eine musikalische Karriere zu folgen, bis klar wurde, dass er voll beabsichtigt, ernsthaft engagieren it.1
Mit dem frühen Erfolg in Deutschland wurde von Reise in ganz Europa folgten; Mendelssohn war besonders gut in England als Komponist, Dirigent und Solist, und seine zehn Besuche dort, während der er die meisten seiner Werke veröffentlicht, bildete einen wichtigen Teil seines Erwachsenen Karriere erhielt. Er gründete das Leipziger Konservatorium, eine Bastion der Kampf gegen radikale musikalische Perspektiven einiger seiner Zeitgenossen.
Mendelssohns Werken gehören Symphonien, Konzerte, Oratorien, Ouvertüren, Musik für Klavier und Kammermusik. Er hatte auch eine Rolle bei der Wiederbelebung des Interesses an der Arbeit von Johann Sebastian Bach. Seine wesentlichen konservativen Musikgeschmack trennte es von vielen seiner abenteuerlicheren Zeitgenossen wie Franz Liszt, Richard Wagner und Hector Berlioz. Nach einer langen Zeit der Verunglimpfung durch wechselnde Musikgeschmack und Antisemitismus im späten neunzehnten und frühen zwanzigsten Jahrhunderts, hat seine kreative Originalität gute Erkennungs, 2 wurden neu bewertet und hat sich zu einem der Komponisten Die beliebtesten Romantik.
wn.com/Felix Mendelssohn 6. Streichquartett
Felix Mendelssohn (Hamburg, 3. Februar 1809 - Leipzig, 4. November 1847), dessen voller Name war Jakob Ludwig Felix Mendelssohn Bartholdy, war ein Komponist, Dirigent und Pianist der deutschen romantischen Musik.
Er war der Enkel des Philosophen Moses Mendelssohn wurde in eine prominente jüdische Familie, die später zum Protestantismus, die Annahme des Nachnamens Mendelssohn-Bartholdy geboren. In seiner Kindheit galt als musikalisches Wunderkind, aber seine Eltern nicht versuchen, Vorteile aus ihrer Fähigkeiten zu nehmen. In der Tat, der Vater lehnte die Gelegenheit, Felix, eine musikalische Karriere zu folgen, bis klar wurde, dass er voll beabsichtigt, ernsthaft engagieren it.1
Mit dem frühen Erfolg in Deutschland wurde von Reise in ganz Europa folgten; Mendelssohn war besonders gut in England als Komponist, Dirigent und Solist, und seine zehn Besuche dort, während der er die meisten seiner Werke veröffentlicht, bildete einen wichtigen Teil seines Erwachsenen Karriere erhielt. Er gründete das Leipziger Konservatorium, eine Bastion der Kampf gegen radikale musikalische Perspektiven einiger seiner Zeitgenossen.
Mendelssohns Werken gehören Symphonien, Konzerte, Oratorien, Ouvertüren, Musik für Klavier und Kammermusik. Er hatte auch eine Rolle bei der Wiederbelebung des Interesses an der Arbeit von Johann Sebastian Bach. Seine wesentlichen konservativen Musikgeschmack trennte es von vielen seiner abenteuerlicheren Zeitgenossen wie Franz Liszt, Richard Wagner und Hector Berlioz. Nach einer langen Zeit der Verunglimpfung durch wechselnde Musikgeschmack und Antisemitismus im späten neunzehnten und frühen zwanzigsten Jahrhunderts, hat seine kreative Originalität gute Erkennungs, 2 wurden neu bewertet und hat sich zu einem der Komponisten Die beliebtesten Romantik.
- published: 24 Mar 2015
- views: 0
Felix Mendelssohn - Música Clásica - Cuarteto de cuerdas N º 6, IV Fuga
Felix Mendelssohn (Hamburgo, 3 de febrero de 1809 – Leipzig, 4 de noviembre de 1847), cuyo nombre completo era Jakob Ludwig Felix Mendelssohn Bartholdy, fue un ...
Felix Mendelssohn (Hamburgo, 3 de febrero de 1809 – Leipzig, 4 de noviembre de 1847), cuyo nombre completo era Jakob Ludwig Felix Mendelssohn Bartholdy, fue un compositor, director de orquesta y pianista de música romántica alemán.
Era nieto del filósofo Moses Mendelssohn y nació en el seno de una destacada familia judía que más tarde se convirtió al protestantismo, adoptando el apellido Mendelssohn-Bartholdy. En su infancia fue considerado un prodigio musical, pero sus padres no trataron de sacar partido de sus habilidades. De hecho, su padre declinó la oportunidad de que Felix siguiera una carrera musical hasta que quedó claro que tenía la firme intención de dedicarse seriamente a ella.1
Al temprano éxito en Alemania, le siguió un viaje a través de toda Europa; Mendelssohn fue recibido particularmente bien en Inglaterra como compositor, director y solista, y sus diez visitas allí, durante las que estrenó la mayoría de sus obras, formaron una parte importante de su carrera adulta. Fundó el Conservatorio de Leipzig, un bastión de su lucha contra las perspectivas musicales radicales de algunos de sus contemporáneos.
Las obras de Mendelssohn incluyen sinfonías, conciertos, oratorios, oberturas, música para piano y música de cámara. También tuvo un importante papel en el resurgimiento del interés en la obra de Johann Sebastian Bach. Sus gustos musicales esencialmente conservadores lo separaron de muchos de sus contemporáneos más aventurados, como Franz Liszt, Richard Wagner o Hector Berlioz. Después de un largo periodo de denigración debido al cambio de los gustos musicales y el antisemitismo a finales del siglo XIX y comienzos del XX, su originalidad creativa tiene un buen reconocimiento,2 ha sido evaluada de nuevo y se ha convertido en uno de los compositores más populares del periodo romántico.
wn.com/Felix Mendelssohn Música Clásica Cuarteto De Cuerdas N º 6, Iv Fuga
Felix Mendelssohn (Hamburgo, 3 de febrero de 1809 – Leipzig, 4 de noviembre de 1847), cuyo nombre completo era Jakob Ludwig Felix Mendelssohn Bartholdy, fue un compositor, director de orquesta y pianista de música romántica alemán.
Era nieto del filósofo Moses Mendelssohn y nació en el seno de una destacada familia judía que más tarde se convirtió al protestantismo, adoptando el apellido Mendelssohn-Bartholdy. En su infancia fue considerado un prodigio musical, pero sus padres no trataron de sacar partido de sus habilidades. De hecho, su padre declinó la oportunidad de que Felix siguiera una carrera musical hasta que quedó claro que tenía la firme intención de dedicarse seriamente a ella.1
Al temprano éxito en Alemania, le siguió un viaje a través de toda Europa; Mendelssohn fue recibido particularmente bien en Inglaterra como compositor, director y solista, y sus diez visitas allí, durante las que estrenó la mayoría de sus obras, formaron una parte importante de su carrera adulta. Fundó el Conservatorio de Leipzig, un bastión de su lucha contra las perspectivas musicales radicales de algunos de sus contemporáneos.
Las obras de Mendelssohn incluyen sinfonías, conciertos, oratorios, oberturas, música para piano y música de cámara. También tuvo un importante papel en el resurgimiento del interés en la obra de Johann Sebastian Bach. Sus gustos musicales esencialmente conservadores lo separaron de muchos de sus contemporáneos más aventurados, como Franz Liszt, Richard Wagner o Hector Berlioz. Después de un largo periodo de denigración debido al cambio de los gustos musicales y el antisemitismo a finales del siglo XIX y comienzos del XX, su originalidad creativa tiene un buen reconocimiento,2 ha sido evaluada de nuevo y se ha convertido en uno de los compositores más populares del periodo romántico.
- published: 24 Mar 2015
- views: 1
Felix Mendelssohn - Música Clásica - Cuarteto de cuerdas N º 6, II Allegro assai
Felix Mendelssohn (Hamburgo, 3 de febrero de 1809 – Leipzig, 4 de noviembre de 1847), cuyo nombre completo era Jakob Ludwig Felix Mendelssohn Bartholdy, fue un ...
Felix Mendelssohn (Hamburgo, 3 de febrero de 1809 – Leipzig, 4 de noviembre de 1847), cuyo nombre completo era Jakob Ludwig Felix Mendelssohn Bartholdy, fue un compositor, director de orquesta y pianista de música romántica alemán.
Era nieto del filósofo Moses Mendelssohn y nació en el seno de una destacada familia judía que más tarde se convirtió al protestantismo, adoptando el apellido Mendelssohn-Bartholdy. En su infancia fue considerado un prodigio musical, pero sus padres no trataron de sacar partido de sus habilidades. De hecho, su padre declinó la oportunidad de que Felix siguiera una carrera musical hasta que quedó claro que tenía la firme intención de dedicarse seriamente a ella.1
Al temprano éxito en Alemania, le siguió un viaje a través de toda Europa; Mendelssohn fue recibido particularmente bien en Inglaterra como compositor, director y solista, y sus diez visitas allí, durante las que estrenó la mayoría de sus obras, formaron una parte importante de su carrera adulta. Fundó el Conservatorio de Leipzig, un bastión de su lucha contra las perspectivas musicales radicales de algunos de sus contemporáneos.
Las obras de Mendelssohn incluyen sinfonías, conciertos, oratorios, oberturas, música para piano y música de cámara. También tuvo un importante papel en el resurgimiento del interés en la obra de Johann Sebastian Bach. Sus gustos musicales esencialmente conservadores lo separaron de muchos de sus contemporáneos más aventurados, como Franz Liszt, Richard Wagner o Hector Berlioz. Después de un largo periodo de denigración debido al cambio de los gustos musicales y el antisemitismo a finales del siglo XIX y comienzos del XX, su originalidad creativa tiene un buen reconocimiento,2 ha sido evaluada de nuevo y se ha convertido en uno de los compositores más populares del periodo romántico.
wn.com/Felix Mendelssohn Música Clásica Cuarteto De Cuerdas N º 6, Ii Allegro Assai
Felix Mendelssohn (Hamburgo, 3 de febrero de 1809 – Leipzig, 4 de noviembre de 1847), cuyo nombre completo era Jakob Ludwig Felix Mendelssohn Bartholdy, fue un compositor, director de orquesta y pianista de música romántica alemán.
Era nieto del filósofo Moses Mendelssohn y nació en el seno de una destacada familia judía que más tarde se convirtió al protestantismo, adoptando el apellido Mendelssohn-Bartholdy. En su infancia fue considerado un prodigio musical, pero sus padres no trataron de sacar partido de sus habilidades. De hecho, su padre declinó la oportunidad de que Felix siguiera una carrera musical hasta que quedó claro que tenía la firme intención de dedicarse seriamente a ella.1
Al temprano éxito en Alemania, le siguió un viaje a través de toda Europa; Mendelssohn fue recibido particularmente bien en Inglaterra como compositor, director y solista, y sus diez visitas allí, durante las que estrenó la mayoría de sus obras, formaron una parte importante de su carrera adulta. Fundó el Conservatorio de Leipzig, un bastión de su lucha contra las perspectivas musicales radicales de algunos de sus contemporáneos.
Las obras de Mendelssohn incluyen sinfonías, conciertos, oratorios, oberturas, música para piano y música de cámara. También tuvo un importante papel en el resurgimiento del interés en la obra de Johann Sebastian Bach. Sus gustos musicales esencialmente conservadores lo separaron de muchos de sus contemporáneos más aventurados, como Franz Liszt, Richard Wagner o Hector Berlioz. Después de un largo periodo de denigración debido al cambio de los gustos musicales y el antisemitismo a finales del siglo XIX y comienzos del XX, su originalidad creativa tiene un buen reconocimiento,2 ha sido evaluada de nuevo y se ha convertido en uno de los compositores más populares del periodo romántico.
- published: 24 Mar 2015
- views: 0
Felix Mendelssohn - Música Clásica - Cuarteto de cuerdas N º 6, I Allegro vivace assai
Felix Mendelssohn (Hamburgo, 3 de febrero de 1809 – Leipzig, 4 de noviembre de 1847), cuyo nombre completo era Jakob Ludwig Felix Mendelssohn Bartholdy, fue un ...
Felix Mendelssohn (Hamburgo, 3 de febrero de 1809 – Leipzig, 4 de noviembre de 1847), cuyo nombre completo era Jakob Ludwig Felix Mendelssohn Bartholdy, fue un compositor, director de orquesta y pianista de música romántica alemán.
Era nieto del filósofo Moses Mendelssohn y nació en el seno de una destacada familia judía que más tarde se convirtió al protestantismo, adoptando el apellido Mendelssohn-Bartholdy. En su infancia fue considerado un prodigio musical, pero sus padres no trataron de sacar partido de sus habilidades. De hecho, su padre declinó la oportunidad de que Felix siguiera una carrera musical hasta que quedó claro que tenía la firme intención de dedicarse seriamente a ella.1
Al temprano éxito en Alemania, le siguió un viaje a través de toda Europa; Mendelssohn fue recibido particularmente bien en Inglaterra como compositor, director y solista, y sus diez visitas allí, durante las que estrenó la mayoría de sus obras, formaron una parte importante de su carrera adulta. Fundó el Conservatorio de Leipzig, un bastión de su lucha contra las perspectivas musicales radicales de algunos de sus contemporáneos.
Las obras de Mendelssohn incluyen sinfonías, conciertos, oratorios, oberturas, música para piano y música de cámara. También tuvo un importante papel en el resurgimiento del interés en la obra de Johann Sebastian Bach. Sus gustos musicales esencialmente conservadores lo separaron de muchos de sus contemporáneos más aventurados, como Franz Liszt, Richard Wagner o Hector Berlioz. Después de un largo periodo de denigración debido al cambio de los gustos musicales y el antisemitismo a finales del siglo XIX y comienzos del XX, su originalidad creativa tiene un buen reconocimiento,2 ha sido evaluada de nuevo y se ha convertido en uno de los compositores más populares del periodo romántico.
wn.com/Felix Mendelssohn Música Clásica Cuarteto De Cuerdas N º 6, I Allegro Vivace Assai
Felix Mendelssohn (Hamburgo, 3 de febrero de 1809 – Leipzig, 4 de noviembre de 1847), cuyo nombre completo era Jakob Ludwig Felix Mendelssohn Bartholdy, fue un compositor, director de orquesta y pianista de música romántica alemán.
Era nieto del filósofo Moses Mendelssohn y nació en el seno de una destacada familia judía que más tarde se convirtió al protestantismo, adoptando el apellido Mendelssohn-Bartholdy. En su infancia fue considerado un prodigio musical, pero sus padres no trataron de sacar partido de sus habilidades. De hecho, su padre declinó la oportunidad de que Felix siguiera una carrera musical hasta que quedó claro que tenía la firme intención de dedicarse seriamente a ella.1
Al temprano éxito en Alemania, le siguió un viaje a través de toda Europa; Mendelssohn fue recibido particularmente bien en Inglaterra como compositor, director y solista, y sus diez visitas allí, durante las que estrenó la mayoría de sus obras, formaron una parte importante de su carrera adulta. Fundó el Conservatorio de Leipzig, un bastión de su lucha contra las perspectivas musicales radicales de algunos de sus contemporáneos.
Las obras de Mendelssohn incluyen sinfonías, conciertos, oratorios, oberturas, música para piano y música de cámara. También tuvo un importante papel en el resurgimiento del interés en la obra de Johann Sebastian Bach. Sus gustos musicales esencialmente conservadores lo separaron de muchos de sus contemporáneos más aventurados, como Franz Liszt, Richard Wagner o Hector Berlioz. Después de un largo periodo de denigración debido al cambio de los gustos musicales y el antisemitismo a finales del siglo XIX y comienzos del XX, su originalidad creativa tiene un buen reconocimiento,2 ha sido evaluada de nuevo y se ha convertido en uno de los compositores más populares del periodo romántico.
- published: 24 Mar 2015
- views: 0
Felix Mendelssohn - Música Clásica - Cuarteto de cuerdas N º 6, III Adagio
Felix Mendelssohn (Hamburgo, 3 de febrero de 1809 – Leipzig, 4 de noviembre de 1847), cuyo nombre completo era Jakob Ludwig Felix Mendelssohn Bartholdy, fue un ...
Felix Mendelssohn (Hamburgo, 3 de febrero de 1809 – Leipzig, 4 de noviembre de 1847), cuyo nombre completo era Jakob Ludwig Felix Mendelssohn Bartholdy, fue un compositor, director de orquesta y pianista de música romántica alemán.
Era nieto del filósofo Moses Mendelssohn y nació en el seno de una destacada familia judía que más tarde se convirtió al protestantismo, adoptando el apellido Mendelssohn-Bartholdy. En su infancia fue considerado un prodigio musical, pero sus padres no trataron de sacar partido de sus habilidades. De hecho, su padre declinó la oportunidad de que Felix siguiera una carrera musical hasta que quedó claro que tenía la firme intención de dedicarse seriamente a ella.1
Al temprano éxito en Alemania, le siguió un viaje a través de toda Europa; Mendelssohn fue recibido particularmente bien en Inglaterra como compositor, director y solista, y sus diez visitas allí, durante las que estrenó la mayoría de sus obras, formaron una parte importante de su carrera adulta. Fundó el Conservatorio de Leipzig, un bastión de su lucha contra las perspectivas musicales radicales de algunos de sus contemporáneos.
Las obras de Mendelssohn incluyen sinfonías, conciertos, oratorios, oberturas, música para piano y música de cámara. También tuvo un importante papel en el resurgimiento del interés en la obra de Johann Sebastian Bach. Sus gustos musicales esencialmente conservadores lo separaron de muchos de sus contemporáneos más aventurados, como Franz Liszt, Richard Wagner o Hector Berlioz. Después de un largo periodo de denigración debido al cambio de los gustos musicales y el antisemitismo a finales del siglo XIX y comienzos del XX, su originalidad creativa tiene un buen reconocimiento,2 ha sido evaluada de nuevo y se ha convertido en uno de los compositores más populares del periodo romántico.
wn.com/Felix Mendelssohn Música Clásica Cuarteto De Cuerdas N º 6, Iii Adagio
Felix Mendelssohn (Hamburgo, 3 de febrero de 1809 – Leipzig, 4 de noviembre de 1847), cuyo nombre completo era Jakob Ludwig Felix Mendelssohn Bartholdy, fue un compositor, director de orquesta y pianista de música romántica alemán.
Era nieto del filósofo Moses Mendelssohn y nació en el seno de una destacada familia judía que más tarde se convirtió al protestantismo, adoptando el apellido Mendelssohn-Bartholdy. En su infancia fue considerado un prodigio musical, pero sus padres no trataron de sacar partido de sus habilidades. De hecho, su padre declinó la oportunidad de que Felix siguiera una carrera musical hasta que quedó claro que tenía la firme intención de dedicarse seriamente a ella.1
Al temprano éxito en Alemania, le siguió un viaje a través de toda Europa; Mendelssohn fue recibido particularmente bien en Inglaterra como compositor, director y solista, y sus diez visitas allí, durante las que estrenó la mayoría de sus obras, formaron una parte importante de su carrera adulta. Fundó el Conservatorio de Leipzig, un bastión de su lucha contra las perspectivas musicales radicales de algunos de sus contemporáneos.
Las obras de Mendelssohn incluyen sinfonías, conciertos, oratorios, oberturas, música para piano y música de cámara. También tuvo un importante papel en el resurgimiento del interés en la obra de Johann Sebastian Bach. Sus gustos musicales esencialmente conservadores lo separaron de muchos de sus contemporáneos más aventurados, como Franz Liszt, Richard Wagner o Hector Berlioz. Después de un largo periodo de denigración debido al cambio de los gustos musicales y el antisemitismo a finales del siglo XIX y comienzos del XX, su originalidad creativa tiene un buen reconocimiento,2 ha sido evaluada de nuevo y se ha convertido en uno de los compositores más populares del periodo romántico.
- published: 24 Mar 2015
- views: 0
Felix Mendhelson: Violin Concerto Op.64, Adante, 2nd mouvement
Jakob Ludwig Felix Mendelssohn Bartholdy (3 February 1809 – 4 November 1847), born and widely known as Felix Mendelssohn, was a German composer, pianist, organ...
Jakob Ludwig Felix Mendelssohn Bartholdy (3 February 1809 – 4 November 1847), born and widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic period.
A grandson of the philosopher Moses Mendelssohn, Felix Mendelssohn was born into a prominent Jewish family. Although initially he was raised without religion, he was later baptised as a Reformed Christian. Mendelssohn was recognised early as a musical prodigy, but his parents were cautious and did not seek to capitalise on his talent.
Mendelssohn enjoyed early success in Germany, where he also revived interest in the music of Johann Sebastian Bach, and in his travels throughout Europe. He was particularly well received in Britain as a composer, conductor and soloist, and his ten visits there – during which many of his major works were premiered – form an important part of his adult career. His essentially conservative musical tastes, however, set him apart from many of his more adventurous musical contemporaries such as Franz Liszt, Richard Wagner and Hector Berlioz. The Leipzig Conservatoire (now the University of Music and Theatre Leipzig), which he founded, became a bastion of this anti-radical outlook.
Mendelssohn wrote symphonies, concerti, oratorios, piano music and chamber music. His best-known works include his Overture and incidental music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, the overture The Hebrides, his mature Violin Concerto, and his String Octet. His Songs Without Words are his most famous solo piano compositions. After a long period of relative denigration due to changing musical tastes and anti-Semitism in the late 19th and early 20th centuries, his creative originality has now been recognised and re-evaluated. He is now among the most popular composers of the Romantic era.
wn.com/Felix Mendhelson Violin Concerto Op.64, Adante, 2Nd Mouvement
Jakob Ludwig Felix Mendelssohn Bartholdy (3 February 1809 – 4 November 1847), born and widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic period.
A grandson of the philosopher Moses Mendelssohn, Felix Mendelssohn was born into a prominent Jewish family. Although initially he was raised without religion, he was later baptised as a Reformed Christian. Mendelssohn was recognised early as a musical prodigy, but his parents were cautious and did not seek to capitalise on his talent.
Mendelssohn enjoyed early success in Germany, where he also revived interest in the music of Johann Sebastian Bach, and in his travels throughout Europe. He was particularly well received in Britain as a composer, conductor and soloist, and his ten visits there – during which many of his major works were premiered – form an important part of his adult career. His essentially conservative musical tastes, however, set him apart from many of his more adventurous musical contemporaries such as Franz Liszt, Richard Wagner and Hector Berlioz. The Leipzig Conservatoire (now the University of Music and Theatre Leipzig), which he founded, became a bastion of this anti-radical outlook.
Mendelssohn wrote symphonies, concerti, oratorios, piano music and chamber music. His best-known works include his Overture and incidental music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, the overture The Hebrides, his mature Violin Concerto, and his String Octet. His Songs Without Words are his most famous solo piano compositions. After a long period of relative denigration due to changing musical tastes and anti-Semitism in the late 19th and early 20th centuries, his creative originality has now been recognised and re-evaluated. He is now among the most popular composers of the Romantic era.
- published: 11 Mar 2015
- views: 0
Felix Mendhelson: Violin Concerto Op.64, Allegro Molto Appassionato, 1st Mouvement
Jakob Ludwig Felix Mendelssohn Bartholdy (3 February 1809 – 4 November 1847), born and widely known as Felix Mendelssohn, was a German composer, pianist, organ...
Jakob Ludwig Felix Mendelssohn Bartholdy (3 February 1809 – 4 November 1847), born and widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic period.
A grandson of the philosopher Moses Mendelssohn, Felix Mendelssohn was born into a prominent Jewish family. Although initially he was raised without religion, he was later baptised as a Reformed Christian. Mendelssohn was recognised early as a musical prodigy, but his parents were cautious and did not seek to capitalise on his talent.
Mendelssohn enjoyed early success in Germany, where he also revived interest in the music of Johann Sebastian Bach, and in his travels throughout Europe. He was particularly well received in Britain as a composer, conductor and soloist, and his ten visits there – during which many of his major works were premiered – form an important part of his adult career. His essentially conservative musical tastes, however, set him apart from many of his more adventurous musical contemporaries such as Franz Liszt, Richard Wagner and Hector Berlioz. The Leipzig Conservatoire (now the University of Music and Theatre Leipzig), which he founded, became a bastion of this anti-radical outlook.
Mendelssohn wrote symphonies, concerti, oratorios, piano music and chamber music. His best-known works include his Overture and incidental music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, the overture The Hebrides, his mature Violin Concerto, and his String Octet. His Songs Without Words are his most famous solo piano compositions. After a long period of relative denigration due to changing musical tastes and anti-Semitism in the late 19th and early 20th centuries, his creative originality has now been recognised and re-evaluated. He is now among the most popular composers of the Romantic era.
wn.com/Felix Mendhelson Violin Concerto Op.64, Allegro Molto Appassionato, 1St Mouvement
Jakob Ludwig Felix Mendelssohn Bartholdy (3 February 1809 – 4 November 1847), born and widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic period.
A grandson of the philosopher Moses Mendelssohn, Felix Mendelssohn was born into a prominent Jewish family. Although initially he was raised without religion, he was later baptised as a Reformed Christian. Mendelssohn was recognised early as a musical prodigy, but his parents were cautious and did not seek to capitalise on his talent.
Mendelssohn enjoyed early success in Germany, where he also revived interest in the music of Johann Sebastian Bach, and in his travels throughout Europe. He was particularly well received in Britain as a composer, conductor and soloist, and his ten visits there – during which many of his major works were premiered – form an important part of his adult career. His essentially conservative musical tastes, however, set him apart from many of his more adventurous musical contemporaries such as Franz Liszt, Richard Wagner and Hector Berlioz. The Leipzig Conservatoire (now the University of Music and Theatre Leipzig), which he founded, became a bastion of this anti-radical outlook.
Mendelssohn wrote symphonies, concerti, oratorios, piano music and chamber music. His best-known works include his Overture and incidental music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, the overture The Hebrides, his mature Violin Concerto, and his String Octet. His Songs Without Words are his most famous solo piano compositions. After a long period of relative denigration due to changing musical tastes and anti-Semitism in the late 19th and early 20th centuries, his creative originality has now been recognised and re-evaluated. He is now among the most popular composers of the Romantic era.
- published: 11 Mar 2015
- views: 0
Yael Sela-Teichler, "Music and Aesthetics...in Mendelssohn's Critique of Enlightenment"
The aesthetic category of the sublime has received increasing attention in scholarship on eighteenth-century German music aesthetics. Yet little consideration h...
The aesthetic category of the sublime has received increasing attention in scholarship on eighteenth-century German music aesthetics. Yet little consideration has been given to the stipulation of this category in terms of its emancipatory potential and its role in opening up the boundaries of German aesthetics within a broader context of Enlightenment culture and Jewish Haskalah. This paper is concerned with Jewish participation in the negotiation and formulation of German musical and aesthetic discourse in the latter half of the eighteenth century by examining the category of the sublime in music in the writings of Moses Mendelssohn. In light of the deep entrenchment of European musical culture in the theology and practices of Christianity on the one hand, and the lack of a music-philosophical tradition in Judaism on the other, Mendelssohn’s philosophical engagement with music from the mid-1750s onward deserves particular attention against the backdrop of German and Jewish Enlightenment. Through a contrapuntal reading of Mendelssohn’s aesthetic writings and Bible commentary in relation to contemporary theories of music, the paper explicates Mendelssohn’s conceptualization of music as a divine art form that ultimately reflects his ideas about revelation, redemption, and Judaism’s enlightenment, both ancient and modern. By drawing attention to the margins of eighteenth-century German aesthetic thought, I offer a more complex historiographical view of the cultural and ultimately political significance of music to such enlightened Jewish circles as that of Sara Levy and the Itzig family in Berlin.
wn.com/Yael Sela Teichler, Music And Aesthetics...In Mendelssohn's Critique Of Enlightenment
The aesthetic category of the sublime has received increasing attention in scholarship on eighteenth-century German music aesthetics. Yet little consideration has been given to the stipulation of this category in terms of its emancipatory potential and its role in opening up the boundaries of German aesthetics within a broader context of Enlightenment culture and Jewish Haskalah. This paper is concerned with Jewish participation in the negotiation and formulation of German musical and aesthetic discourse in the latter half of the eighteenth century by examining the category of the sublime in music in the writings of Moses Mendelssohn. In light of the deep entrenchment of European musical culture in the theology and practices of Christianity on the one hand, and the lack of a music-philosophical tradition in Judaism on the other, Mendelssohn’s philosophical engagement with music from the mid-1750s onward deserves particular attention against the backdrop of German and Jewish Enlightenment. Through a contrapuntal reading of Mendelssohn’s aesthetic writings and Bible commentary in relation to contemporary theories of music, the paper explicates Mendelssohn’s conceptualization of music as a divine art form that ultimately reflects his ideas about revelation, redemption, and Judaism’s enlightenment, both ancient and modern. By drawing attention to the margins of eighteenth-century German aesthetic thought, I offer a more complex historiographical view of the cultural and ultimately political significance of music to such enlightened Jewish circles as that of Sara Levy and the Itzig family in Berlin.
- published: 13 Nov 2014
- views: 3
Dr. Günther Jikeli -- "European Muslim Antisemitism"
Title: "European Muslim Antisemitism" Speaker: Dr. Gunther Jikeli, Justin M. Druck Family Visiting Scholar, Institute for the Study of Contemporary Antisemit......
Title: "European Muslim Antisemitism" Speaker: Dr. Gunther Jikeli, Justin M. Druck Family Visiting Scholar, Institute for the Study of Contemporary Antisemit...
wn.com/Dr. Günther Jikeli European Muslim Antisemitism
Title: "European Muslim Antisemitism" Speaker: Dr. Gunther Jikeli, Justin M. Druck Family Visiting Scholar, Institute for the Study of Contemporary Antisemit...
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The Vilna Gaon and the Making of Modern Judaism
Thursday, November 7, 2013 | 7pm YIVO Institute for Jewish Research Book Talk Eliyahu Stern, Yale University Jeremy Dauber, Columbia University (Moderator) T...
-
Mendelssohn Violin Concerto E minor OP 64
The Violin Concerto in E minor, Op. 64 is a work for orchestra and solo violin by Felix Mendelssohn. He completed the concerto in 1844. It was written for Leipzig concertmaster Ferdinand David. The sonata rondo finale is written in E major. The concerto is a pillar of the classical repertoire.
1. Allegro molto Apposionato
2. Andante
3. Allegretto non-troppo - Allegro moltovivace
Chung Kyung Wha :
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Kant: Kritik der reinen Vernunft 1787 (Vorrede B VII) – Dieter Hattrup liest
Das positive Anliegen wird erst in der Vorrede von 1787 deutlich. Deshalb ist die erste Reaktion verständlich, wenn etwa Moses Mendelssohn (1729 – 1786) Kant einen Alleszermalmer genannt hat, der die Beweise für Gott, Seele und Unsterblichkeit vernichtet habe. Denn durch die Einführung des Dings an sich werden diese drei wichtigsten Gegenstände unerkennbar, jedenfalls wenn sie apriorisch in theor
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Zeitzeugen: Roman Frister im Gespräch
Roman Frister, geb. 1928 in Polen, ist Überlebender des Holocaust. In Israel lebt er als Journalist und Autor von Theaterstücken und Romanen. Seine Autobiogr...
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MENDELSSOHN - (FULL) Symphony No.4 in A Major, Op.90 "Italian" - HQ Classical Music complete
MENDELSSOHN - (FULL) Symphony No.4 in A Major, Op.90 "Italian" - High Quality Sound Classical Music complete HD (music in public domain) HQ By Czech National...
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Gunther Jikeli - "European Muslim Antisemitism"
Title: "European Muslim Antisemitism" Speaker: Dr. Gunther Jikeli, Justin M. Druck Family Visiting Scholar, Institute for the Study of Contemporary Antisemit...
-
MENDELSSOHN - (FULL) Symphony No.3 in A Minor, Op.56 "Scottish" - HQ Classical Music Complete HD
By Czech National Symphony Orchestra
Music in public domain
The Symphony No. 3 in A minor, Op. 56, known as the Scottish, is a symphony by Felix Mendelssohn, composed between 1829 and 1842. http://en.wikipedia.org/wiki/Symphony_No._3_%28Mendelssohn%29
Jakob Ludwig Felix Mendelssohn Bartholdy (German: [ˈjaːkɔp ˈluːtvɪç ˈfeːlɪks ˈmɛndl̩szoːn baʁˈtɔldi]; 3 February 1809 -- 4 November 1847), born and
The Vilna Gaon and the Making of Modern Judaism
Thursday, November 7, 2013 | 7pm YIVO Institute for Jewish Research Book Talk Eliyahu Stern, Yale University Jeremy Dauber, Columbia University (Moderator) T......
Thursday, November 7, 2013 | 7pm YIVO Institute for Jewish Research Book Talk Eliyahu Stern, Yale University Jeremy Dauber, Columbia University (Moderator) T...
wn.com/The Vilna Gaon And The Making Of Modern Judaism
Thursday, November 7, 2013 | 7pm YIVO Institute for Jewish Research Book Talk Eliyahu Stern, Yale University Jeremy Dauber, Columbia University (Moderator) T...
Mendelssohn Violin Concerto E minor OP 64
The Violin Concerto in E minor, Op. 64 is a work for orchestra and solo violin by Felix Mendelssohn. He completed the concerto in 1844. It was written for Leipz...
The Violin Concerto in E minor, Op. 64 is a work for orchestra and solo violin by Felix Mendelssohn. He completed the concerto in 1844. It was written for Leipzig concertmaster Ferdinand David. The sonata rondo finale is written in E major. The concerto is a pillar of the classical repertoire.
1. Allegro molto Apposionato
2. Andante
3. Allegretto non-troppo - Allegro moltovivace
Chung Kyung Wha : violin
L'Orchestra Symphonique de Montreal
Charles Dutoit : Conductor
Jakob Ludwig Felix Mendelssohn Bartholdy (German:3 February 1809 -- 4 November 1847), born, and generally known in English-speaking countries, as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic period.
A grandson of the philosopher Moses Mendelssohn, Felix Mendelssohn was born into a prominent Jewish family, although initially he was raised without religion and was later baptised as a Reformed Christian. Mendelssohn was recognised early as a musical prodigy, but his parents were cautious and did not seek to capitalise on his talent.
Early success in Germany, where he also revived interest in the music of Johann Sebastian Bach, was followed by travel throughout Europe. Mendelssohn was particularly well received in Britain as a composer, conductor and soloist, and his ten visits there -- during which many of his major works were premiered -- form an important part of his adult career. His essentially conservative musical tastes, however, set him apart from many of his more adventurous musical contemporaries such as Franz Liszt, Richard Wagner and Hector Berlioz. The Leipzig Conservatoire (now the University of Music and Theatre Leipzig), which he founded, became a bastion of this anti-radical outlook.
Mendelssohn wrote symphonies, concerti, oratorios, piano music and chamber music. His best-known works include his Overture and incidental music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, the overture The Hebrides, his Violin Concerto, and his String Octet. After a long period of relative denigration due to changing musical tastes and anti-Semitism in the late 19th and early 20th centuries, his creative originality has now been recognised and re-evaluated. He is now among the most popular composers of the Romantic era.
wn.com/Mendelssohn Violin Concerto E Minor Op 64
The Violin Concerto in E minor, Op. 64 is a work for orchestra and solo violin by Felix Mendelssohn. He completed the concerto in 1844. It was written for Leipzig concertmaster Ferdinand David. The sonata rondo finale is written in E major. The concerto is a pillar of the classical repertoire.
1. Allegro molto Apposionato
2. Andante
3. Allegretto non-troppo - Allegro moltovivace
Chung Kyung Wha : violin
L'Orchestra Symphonique de Montreal
Charles Dutoit : Conductor
Jakob Ludwig Felix Mendelssohn Bartholdy (German:3 February 1809 -- 4 November 1847), born, and generally known in English-speaking countries, as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic period.
A grandson of the philosopher Moses Mendelssohn, Felix Mendelssohn was born into a prominent Jewish family, although initially he was raised without religion and was later baptised as a Reformed Christian. Mendelssohn was recognised early as a musical prodigy, but his parents were cautious and did not seek to capitalise on his talent.
Early success in Germany, where he also revived interest in the music of Johann Sebastian Bach, was followed by travel throughout Europe. Mendelssohn was particularly well received in Britain as a composer, conductor and soloist, and his ten visits there -- during which many of his major works were premiered -- form an important part of his adult career. His essentially conservative musical tastes, however, set him apart from many of his more adventurous musical contemporaries such as Franz Liszt, Richard Wagner and Hector Berlioz. The Leipzig Conservatoire (now the University of Music and Theatre Leipzig), which he founded, became a bastion of this anti-radical outlook.
Mendelssohn wrote symphonies, concerti, oratorios, piano music and chamber music. His best-known works include his Overture and incidental music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, the overture The Hebrides, his Violin Concerto, and his String Octet. After a long period of relative denigration due to changing musical tastes and anti-Semitism in the late 19th and early 20th centuries, his creative originality has now been recognised and re-evaluated. He is now among the most popular composers of the Romantic era.
- published: 21 Apr 2013
- views: 1437
Kant: Kritik der reinen Vernunft 1787 (Vorrede B VII) – Dieter Hattrup liest
Das positive Anliegen wird erst in der Vorrede von 1787 deutlich. Deshalb ist die erste Reaktion verständlich, wenn etwa Moses Mendelssohn (1729 – 1786) Kant e...
Das positive Anliegen wird erst in der Vorrede von 1787 deutlich. Deshalb ist die erste Reaktion verständlich, wenn etwa Moses Mendelssohn (1729 – 1786) Kant einen Alleszermalmer genannt hat, der die Beweise für Gott, Seele und Unsterblichkeit vernichtet habe. Denn durch die Einführung des Dings an sich werden diese drei wichtigsten Gegenstände unerkennbar, jedenfalls wenn sie apriorisch in theoretischer Weise bewiesen werden sollen. Doch gerade diese Lieblingsgrößen der Aufklärung will Kant wieder gewinnen und durch seine kritische Philosophie auf einen sicheren Boden stellen. Wörtlich: ‚Ich kann also Gott, Freiheit und Unsterblichkeit zum Behuf des nothwendigen praktischen Gebrauchs meiner Vernunft nicht einmal annehmen, wenn ich nicht der speculativen Vernunft zugleich ihre Anmaßung überschwenglicher Einsichten benehme.‘ (B XXX) Man muß nur einmal zu zählen anfangen, um das positive Anliegen Kants einer gereinigten Metaphysik zu bemerken. In der Vorrede der 2. Auflage von 1787 kommt das Wort ‚Freiheit‘ 13 Mal vor, in der Vorrede der 1. Auflage von 1781 nicht ein einziges Mal. Die starken Sätze der 2. Auflage zeigen das positive Anliegen Kants sehr deutlich an, aber 1787 war Mendelssohn schon gestorben. ‚Ich mußte also das Wissen aufheben, um zum Glauben Platz zu bekommen.‘ (B XXX) Das Wissen, gegen das sich Kant wendet, ist das vermeintliche Wissen der Metaphysik und der Physik. Denn die Metaphysik hatte scheinbare Beweise für die Existenz von Gott, Freiheit und Unsterblichkeit gebracht, und die Physik scheinbare Gegenbeweise. Indem Kant die Erscheinungen von den Dingen an sich abtrennt, weist er die Physik Newtons an, ihre kausal determinierenden Gesetz allein auf die Erscheinungen zu beschränken, die Dinge an sich aber von der Physik unberührt zu lassen, weshalb er sagen kann: ‚So kann ich mir doch die Freiheit denken, d.i. die Vorstellung davon enthält wenigstens keinen Widerspruch in sich‘. (B XXVIII). Auch wenn ein Beweis der Freiheit unmöglich ist! Was ein Vorzug mehr ist. Denn eine bewiesene Freiheit wäre keine Freiheit, wie auch ein bewiesener Gott kein lebendiger Gott wäre. Man sieht also, worauf die ganze kritische Philosophie hinausläuft: ‚Denn sind Erscheinungen Dinge an sich selbst, so ist Freiheit nicht zu retten.‘ (B 564) Die Gottesfrage ist eben die Freiheitsfrage.
Ein kluger Mann hat einmal bemerkt, wenn Kant die Quantentheorie des 20. Jahrhunderts gekannt hätte, wäre er nicht gezwungen gewesen, das Ding an sich einzuführen. Das ist richtig. Denn mit Zufall und Notwendigkeit läßt sich die Freiheit weit näher an der Erfahrung denken, als Kant sie zu seiner Zeit zu denken vermocht hat. Wir sehen heute weiter als Kant, aber nicht weil wir größer wären, sondern weil wir als Zwerge auf seinen Riesen-Schultern stehen.
wn.com/Kant Kritik Der Reinen Vernunft 1787 (Vorrede B Vii) – Dieter Hattrup Liest
Das positive Anliegen wird erst in der Vorrede von 1787 deutlich. Deshalb ist die erste Reaktion verständlich, wenn etwa Moses Mendelssohn (1729 – 1786) Kant einen Alleszermalmer genannt hat, der die Beweise für Gott, Seele und Unsterblichkeit vernichtet habe. Denn durch die Einführung des Dings an sich werden diese drei wichtigsten Gegenstände unerkennbar, jedenfalls wenn sie apriorisch in theoretischer Weise bewiesen werden sollen. Doch gerade diese Lieblingsgrößen der Aufklärung will Kant wieder gewinnen und durch seine kritische Philosophie auf einen sicheren Boden stellen. Wörtlich: ‚Ich kann also Gott, Freiheit und Unsterblichkeit zum Behuf des nothwendigen praktischen Gebrauchs meiner Vernunft nicht einmal annehmen, wenn ich nicht der speculativen Vernunft zugleich ihre Anmaßung überschwenglicher Einsichten benehme.‘ (B XXX) Man muß nur einmal zu zählen anfangen, um das positive Anliegen Kants einer gereinigten Metaphysik zu bemerken. In der Vorrede der 2. Auflage von 1787 kommt das Wort ‚Freiheit‘ 13 Mal vor, in der Vorrede der 1. Auflage von 1781 nicht ein einziges Mal. Die starken Sätze der 2. Auflage zeigen das positive Anliegen Kants sehr deutlich an, aber 1787 war Mendelssohn schon gestorben. ‚Ich mußte also das Wissen aufheben, um zum Glauben Platz zu bekommen.‘ (B XXX) Das Wissen, gegen das sich Kant wendet, ist das vermeintliche Wissen der Metaphysik und der Physik. Denn die Metaphysik hatte scheinbare Beweise für die Existenz von Gott, Freiheit und Unsterblichkeit gebracht, und die Physik scheinbare Gegenbeweise. Indem Kant die Erscheinungen von den Dingen an sich abtrennt, weist er die Physik Newtons an, ihre kausal determinierenden Gesetz allein auf die Erscheinungen zu beschränken, die Dinge an sich aber von der Physik unberührt zu lassen, weshalb er sagen kann: ‚So kann ich mir doch die Freiheit denken, d.i. die Vorstellung davon enthält wenigstens keinen Widerspruch in sich‘. (B XXVIII). Auch wenn ein Beweis der Freiheit unmöglich ist! Was ein Vorzug mehr ist. Denn eine bewiesene Freiheit wäre keine Freiheit, wie auch ein bewiesener Gott kein lebendiger Gott wäre. Man sieht also, worauf die ganze kritische Philosophie hinausläuft: ‚Denn sind Erscheinungen Dinge an sich selbst, so ist Freiheit nicht zu retten.‘ (B 564) Die Gottesfrage ist eben die Freiheitsfrage.
Ein kluger Mann hat einmal bemerkt, wenn Kant die Quantentheorie des 20. Jahrhunderts gekannt hätte, wäre er nicht gezwungen gewesen, das Ding an sich einzuführen. Das ist richtig. Denn mit Zufall und Notwendigkeit läßt sich die Freiheit weit näher an der Erfahrung denken, als Kant sie zu seiner Zeit zu denken vermocht hat. Wir sehen heute weiter als Kant, aber nicht weil wir größer wären, sondern weil wir als Zwerge auf seinen Riesen-Schultern stehen.
- published: 09 Oct 2015
- views: 1
Zeitzeugen: Roman Frister im Gespräch
Roman Frister, geb. 1928 in Polen, ist Überlebender des Holocaust. In Israel lebt er als Journalist und Autor von Theaterstücken und Romanen. Seine Autobiogr......
Roman Frister, geb. 1928 in Polen, ist Überlebender des Holocaust. In Israel lebt er als Journalist und Autor von Theaterstücken und Romanen. Seine Autobiogr...
wn.com/Zeitzeugen Roman Frister Im Gespräch
Roman Frister, geb. 1928 in Polen, ist Überlebender des Holocaust. In Israel lebt er als Journalist und Autor von Theaterstücken und Romanen. Seine Autobiogr...
MENDELSSOHN - (FULL) Symphony No.4 in A Major, Op.90 "Italian" - HQ Classical Music complete
MENDELSSOHN - (FULL) Symphony No.4 in A Major, Op.90 "Italian" - High Quality Sound Classical Music complete HD (music in public domain) HQ By Czech National......
MENDELSSOHN - (FULL) Symphony No.4 in A Major, Op.90 "Italian" - High Quality Sound Classical Music complete HD (music in public domain) HQ By Czech National...
wn.com/Mendelssohn (Full) Symphony No.4 In A Major, Op.90 Italian Hq Classical Music Complete
MENDELSSOHN - (FULL) Symphony No.4 in A Major, Op.90 "Italian" - High Quality Sound Classical Music complete HD (music in public domain) HQ By Czech National...
Gunther Jikeli - "European Muslim Antisemitism"
Title: "European Muslim Antisemitism" Speaker: Dr. Gunther Jikeli, Justin M. Druck Family Visiting Scholar, Institute for the Study of Contemporary Antisemit......
Title: "European Muslim Antisemitism" Speaker: Dr. Gunther Jikeli, Justin M. Druck Family Visiting Scholar, Institute for the Study of Contemporary Antisemit...
wn.com/Gunther Jikeli European Muslim Antisemitism
Title: "European Muslim Antisemitism" Speaker: Dr. Gunther Jikeli, Justin M. Druck Family Visiting Scholar, Institute for the Study of Contemporary Antisemit...
MENDELSSOHN - (FULL) Symphony No.3 in A Minor, Op.56 "Scottish" - HQ Classical Music Complete HD
By Czech National Symphony Orchestra
Music in public domain
The Symphony No. 3 in A minor, Op. 56, known as the Scottish, is a symphony by Felix Mendelssohn, co...
By Czech National Symphony Orchestra
Music in public domain
The Symphony No. 3 in A minor, Op. 56, known as the Scottish, is a symphony by Felix Mendelssohn, composed between 1829 and 1842. http://en.wikipedia.org/wiki/Symphony_No._3_%28Mendelssohn%29
Jakob Ludwig Felix Mendelssohn Bartholdy (German: [ˈjaːkɔp ˈluːtvɪç ˈfeːlɪks ˈmɛndl̩szoːn baʁˈtɔldi]; 3 February 1809 -- 4 November 1847), born and widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic period.
A grandson of the philosopher Moses Mendelssohn, Felix Mendelssohn was born into a prominent Jewish family, although initially he was raised without religion and was later baptised as a Reformed Christian. Mendelssohn was recognised early as a musical prodigy, but his parents were cautious and did not seek to capitalise on his talent.
Mendelssohn enjoyed early success in Germany, where he also revived interest in the music of Johann Sebastian Bach, and in his travels throughout Europe. He was particularly well received in Britain as a composer, conductor and soloist, and his ten visits there -- during which many of his major works were premiered -- form an important part of his adult career. His essentially conservative musical tastes, however, set him apart from many of his more adventurous musical contemporaries such as Franz Liszt, Richard Wagner and Hector Berlioz. The Leipzig Conservatoire (now the University of Music and Theatre Leipzig), which he founded, became a bastion of this anti-radical outlook. http://en.wikipedia.org/wiki/Felix_Mendelssohn
musique classique, klassische Musik, 古典音乐, 고전 음악, música clásica, शास्रीय संगीत, musik klasik, musica classica, クラシック音楽, klassieke muziek, klassisk musikk, música clássica, muzică clasică, классическая музыка, класична музика, klassisk musik, klasická hudba, เพลงคลาสสิค, klasik müzik, класична музика, nhạc cổ điển, موسيقى كلاسيكية
wn.com/Mendelssohn (Full) Symphony No.3 In A Minor, Op.56 Scottish Hq Classical Music Complete Hd
By Czech National Symphony Orchestra
Music in public domain
The Symphony No. 3 in A minor, Op. 56, known as the Scottish, is a symphony by Felix Mendelssohn, composed between 1829 and 1842. http://en.wikipedia.org/wiki/Symphony_No._3_%28Mendelssohn%29
Jakob Ludwig Felix Mendelssohn Bartholdy (German: [ˈjaːkɔp ˈluːtvɪç ˈfeːlɪks ˈmɛndl̩szoːn baʁˈtɔldi]; 3 February 1809 -- 4 November 1847), born and widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic period.
A grandson of the philosopher Moses Mendelssohn, Felix Mendelssohn was born into a prominent Jewish family, although initially he was raised without religion and was later baptised as a Reformed Christian. Mendelssohn was recognised early as a musical prodigy, but his parents were cautious and did not seek to capitalise on his talent.
Mendelssohn enjoyed early success in Germany, where he also revived interest in the music of Johann Sebastian Bach, and in his travels throughout Europe. He was particularly well received in Britain as a composer, conductor and soloist, and his ten visits there -- during which many of his major works were premiered -- form an important part of his adult career. His essentially conservative musical tastes, however, set him apart from many of his more adventurous musical contemporaries such as Franz Liszt, Richard Wagner and Hector Berlioz. The Leipzig Conservatoire (now the University of Music and Theatre Leipzig), which he founded, became a bastion of this anti-radical outlook. http://en.wikipedia.org/wiki/Felix_Mendelssohn
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- published: 07 Sep 2014
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