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Some concerts build gradually, tentatively, until they reach an encore full of rousing classics. Others open at full blast and somehow find ways to open the throttle from there. As TV On The Radio began closing out NPR Music's SXSW showcase, held at Stubb's BBQ in Austin, it was clear that no time would be wasted on slow-footing or throat-clearing. From the opening song — "Young Liars," a 2003 favorite that's aged wonderfully — the band unleashed a storm that barely let up in intensity.It helps that, five terrific albums into a long and fruitful career, TVOTR has only further sharpened a soulful, genre-smashing rock sound that's both wonderfully inventive and from-the-gut accessible. Last fall's Seeds sanded down some of the band's experimental edges, but its songs are wall-to-wall crowd-pleasers, made to be cranked out to the heavens above downtown Austin. But even selections from earlier in the group's discography were dispensed with electric ferocity befitting a night of thrilling performances. (Not many bands could follow Stromae, but damned if TVOTR didn't rise to the challenge.)TV On The Radio hasn't had an easy time in recent years; its members had questioned whether to even stay together following the death of bassist Gerard Smith in 2011. But as Seeds and this performance demonstrate, crucibles are there to help bring about renewed purpose and vitality. This is the sound of a band restored and revived — never more powerful, never more alive. -- STEPHEN THOMPSON SET LIST "Could You" "Love Dog" "Winter" CREDITS Producers: Saidah Blount, Mito Habe-Evans; Technical Director: Kevin Wait; Director: Mito Habe-Evans; Videographers: Lizzie Chen, Katie Hayes Luke, Morgan Walker, Carlos Waters, A.J. Wilhelm; Audio: Timothy Powell/Metro Mobile; Production Assistant: Nathan Gaar; Special Thanks: SXSW, Stubb's BBQ; Executive Producer: Anya Grundmann.
Spoiler alert: The Punch Brothers came to the Tiny Desk on Chris Thile's birthday. We made him a cake and gave him an NPR surprise! This wasn't the first time the brilliant mandolinist had brought a project to my desk — it was his fourth. The last time was with his longtime band Nickel Creek, but also with his new braces. So the cake we presented here was inscribed "Brace Yourself Chris Happy Birthday." He blew out the candles and then, along with this versatile and talented band, rocked our world. Punch Brothers mixes the worlds of bluegrass, pop and classical. It's a tough combination to imagine, an even harder one to make work, but this band of fiddler, Gabe Witcher, Noam Pikelny on banjo, guitarist Chris Eldridge and bassist Paul Kowert make the unimaginable contagious and fun. They push boundaries and make music like no one else. Set List • "My Oh My" 2:04 • "Boll Weevil" 6:23 • "Magnet" 10:36 • "Julep" 14:45 Credits Producers: Bob Boilen, Maggie Starbard; Audio Engineer: Kevin Wait; Videographers: Morgan McCloy, Nick Michael, Maggie Starbard; Assistant Producer: Carlos Waters; photo by Carlos Waters/NPR
It's hard to believe that it hasn't quite been a year since the first Sylvan Esso album came out. The odd yet perfect marriage of Nick Sanborn's electronics with Amelia Meath's voice feels like a familiar friend by now. And yet seeing these songs performed softly — and captured in the light of day — made them feel fresh and lovable in new ways. To keep things fresh and interesting, Sanborn brought a bunch of new gear to the Tiny Desk; it seemed a bit bewildering to him for a bit, but also inspiring. I think that's what makes this combination work so well: Meath and Sanborn inspire one another. You can see it in their eyes and in their smiles, and it comes out in their playing and dancing. It's enchanting music, performed wonderfully.-- BOB BOILEN Set List "Coffee" "H.S.K.T." "Come Down" Credits Producers: Bob Boilen, Maggie Starbard; Audio Engineer: Kevin Wait; Videographers: Colin Marshall, Maggie Starbard; Assistant Producer: Morgan McCloy; photo by Morgan McCloy/NPR
Andrew Hozier-Byrne's voice is so rich, so vital and so soulful, I'm certain I'll follow his music for a long time to come. The 24-year-old Irishman, who performs under the name Hozier, opens this set with the brilliant and instantly grabby song "Take Me to Church," about passion, sex and religion. Hozier's music is based in the blues, and you'll hear the singer-guitarist's love for Muddy Waters and John Lee Hooker during the second song he performs here. His band — piano, guitar, percussion — steps aside for the swampy "To Be Alone," in which the blues provide a starting place for his high, yearning vocals and deep questioning. Hozier has just two EPs out, and both have me yearning to hear more. --BOB BOILEN Set List "Take Me To Church" "To Be Alone" "Cherry Wine" Credits Producers: Bob Boilen, Denise DeBelius; Audio Engineer: Kevin Wait; Videographers: Denise DeBelius, Olivia Merrion; Production Assistant: Alex Schelldorf; photo by Alex Schelldorf/NPR
T-Pain's fingerprints are all over pop and R&B; and hip-hop. He wasn't the first musician to use Auto-Tune as an instrument — he noticed it on a Jennifer Lopez remix, and remembers "Deep" well — but it was, as he says, his style. For a while, in the mid-2000s, he lived at the top of the charts. He dominated that brief moment of our lives when ringtones were a thing. He was celebrated as an innovator, and he happily took his talents where he was invited, which was everywhere. But somewhere along the way, somebody got it twisted. "People felt like I was using it to sound good," says T-Pain, in an interview that will air on All Things Considered. "But I was just using it to sound different.” He just turned 30, but T-Pain has already done enough to drop a greatest hits album next week. We asked him if he'd grace the Tiny Desk without any embellishment or effects to show what's really made his career: his voice, and those songs.--FRANNIE KELLEY SET LIST "Buy U A Drank (Shawty Snappin')" "Up Down (Do This All Day)" "Drankin' Patna" CREDITS Producers: Frannie Kelley, Maggie Starbard; Editor: Maggie Starbard; Audio Engineer: Kevin Wait; Videographers: Colin Marshall, Maggie Starbard; Production Assistant: Susan Hale Thomas; photo by Maggie Starbard/NPR
I first saw Phox in an impromptu concert at a restaurant in Philadelphia. I thought the band was talented and charming, and I still do. Phox is six friends from Baraboo, Wis., who make pretty, catchy music. The group's not-so-secret weapon is Monica Martin, who sings with a smoky lilt in front of spare, tasteful instrumentation. You can hear that warm, accessible sound on Phox's 2014 debut, which was recorded at Wisconsin's April Base studio, built by Bon Iver's Justin Vernon and his brother. Touring has tightened this band since that off-the-cuff restaurant performance last year, as this marvelous performance at the Tiny Desk suggests. -- BOB BOILEN Set List "Kingfisher" 0:00 "1936" 3:47 "Slow Motion" 7:55 Credits Producers: Bob Boilen, Maggie Starbard; Audio Engineer: Kevin Wait; Videographers: Colin Marshall, Nick Michael, Maggie Starbard; Assistant Producer: Morgan McCloy; Photo by Morgan McCloy/NPR
Close your eyes and listen, and you might imagine someone who looks a bit like Otis Redding. Open them, and you're likely to see someone who looks more like your neighborhood bank teller. That man standing on my desk in the golden shoes is Paul Janeway. He was, in fact, a bank teller in Alabama not long ago — and this stupendous seven-piece band from Birmingham has only been doing this since 2012. But take a look at this Tiny Desk Concert and you'll see why St. Paul And The Broken Bones' music is so winning. It's got heart and soul and flair, with a well-worn sound buoyed by strong, fresh songwriting. -- BOB BOILEN Set List: "Half The City" "Call Me" "Broken Bones And Pocket Change" Credits: Producers: Bob Boilen, Maggie Starbard; Audio Engineer: Kevin Wait; Videographers: Becky Lettenberger, Colin Marshall, Maggie Starbard; Assistant Producer: James Clark; photo by James Clark/NPR
It says a lot that, with almost 7,000 entries to choose from, we selected Fantastic Negrito as the winner of our Tiny Desk Concert Contest. For his winning submission, he performed "Lost In A Crowd" in a freight elevator in Oakland. It was his passion, his voice and his backing band that landed him an invitation to perform behind my desk. We're proud of our choice. As we learned after choosing him as our winner, Fantastic Negrito — a.k.a. Xavier Dphrepaulezz, pronounced dee-FREP-ah-lez — has a remarkable backstory. One of 15 children, he grew up in a strict home, and later signed a contract with Interscope Records in the '90s. That deal fell apart, though, and soured him on music-making. Then, a near-fatal car crash put him in a coma, and eventually left him without the proper use of his hands; he struggled with physical therapy for years to get some movement from what he now calls "The Claw." These days, bolstered by a new outlook on life and music, he's reawakened and reemerged under the name Fantastic Negrito. You'll see that newly rediscovered purpose in his eyes and hear it in his voice, as he performs this Tiny Desk Concert with his fantastic band. -- BOB BOILEN Set List "Lost In A Crowd" 0:00 "Night Has Turned To Day" 6:30 "An Honest Man" 9:51 Credits Producers: Bob Boilen, Maggie Starbard; Audio Engineer: Kevin Wait; Videographers: Colin Marshall, Nick Michael, Maggie Starbard; Assistant Producer: Morgan McCloy; photo by Morgan McCloy/NPR
In the summer of 1971, I was a camp counselor at a sleep-away camp for a bunch of 5- to 7-year-olds. For those eight weeks, I walked home with about $50. I bought a guitar and began to learn the songs I'd come to love from the recently released Tea for the Tillerman by Cat Stevens. "Father and Son" touched me most — it's a song about growing old, and about beliefs and conviction. More than 40 years later, that songwriter is performing at my desk with his son standing right behind me. You can never imagine the turns life will take. Nor could he. In 1976, Cat Stevens almost drowned off the coast of Malibu. In his panic, he says, he shouted, "Oh, God! If you save me, I will work for you" — at which point he recalls a wave that came and carried him ashore. He converted to Islam, changed his name and left the pop world after one last album in 1978. He finally returned in 2006, and now we have a new record, Tell 'Em I'm Gone. From that album of great blues covers and originals, produced with Rick Rubin, Yusuf plays some powerful new music, as well as the 1967 classic "The First Cut Is the Deepest" — and then brought me to tears by dedicating a version of "Father and Son" to me. As I walked around the office after this Tiny Desk Concert, I heard one story after another of an artist who has touched so many. It's a joy to have him back. --BOB BOILEN Set List "I Was Raised In Babylon" (1:08) "The First Cut Is the Deepest" (4:32) "Doors" (7:45) "Father and Son" (10:38) Credits Producers: Bob Boilen, Maggie Starbard; Audio Engineer: Kevin Wait; Videographers: Colin Marshall, Maggie Starbard; Assistant Producer: Susan Hale Thomas; photo by Susan Hale Thomas/NPR
Nickel Creek was made to sing and play around a single microphone, so a Tiny Desk Concert seemed inevitable. All it took was a reunion tour — celebrating 25 years of Nickel Creek — to make it happen. All three of the band's remarkably talented core members have been to the Tiny Desk before. Chris Thile is a veteran, having played the Tiny Desk with friend and guitarist Michael Daves, then later in the same year with Yo-Yo Ma and others in a project known as Goat Rodeo. When The Decemberists performed a Tiny Desk Concert, Sara Watkins was there to play her fiddle and sing. Her brother, Sean Watkins, was also at the NPR offices earlier this year with the marvelous singer Tom Brosseau. The trio, backed here by bassist Mark Schatz, has no equal. Nickel Creek has been doing this on and off since its members were kids, and what blows me away is the comfort and ease with which they navigate their instruments. That skill, and the creative force behind it, is a joy and a thrill to witness. --BOB BOILEN Set List: "Destination" "Rest Of My Life" "21st Of May" "Elephant In The Corn" Credits: Producers: Bob Boilen, Denise DeBelius; Audio Engineer: Kevin Wait; Videographers: Denise DeBelius, Colin Marshall; Production Assistant: Maggie Starbard; photo by Sarah Tilotta/NPR
Tears and laughter in the span of about 15 minutes — that's what's so astonishing about these Macklemore & Ryan Lewis songs. The first time I heard "Same Love," it brought tears to the eyes of a roomful of people, myself included. The song is about equality, specifically gay rights, with an unambiguous message: "It's human rights for everybody / There is no difference." Then, in a flip of a backing-track beat, Macklemore (a.k.a. Ben Haggerty) sings about wearing a velour jumpsuit and some house slippers, "grandpa style." The contrast in these songs, "Same Love" and "Thrift Shop," makes the levity all that much memorable; as producer, Ryan Lewis is a master at the hook and clever with the melody. But this Tiny Desk Concert didn't end there: The live, sweet, soulful sounds of singer Ray Dalton belting, "Like the ceiling can't hold us" had Macklemore standing on my desk and shaking the dust off the ceiling tiles. Watching this video fills me with that inspirational feeling we shared watching it happen: I'm still cleaning dust around my desk, but it only makes me smile. --BOB BOILEN Set List "Same Love" "Thrift Shop" "Can't Hold Us" Credits Producer: Bob Boilen; Editor: Denise DeBelius; Audio Engineer: Kevin Wait; Videographers: Denise DeBelius, Christopher Parks, Lauren Rock; photo by Lauren Rock/NPR
Daughter first popped up on our radar when we heard the London band's song "Landfill" while preparing for SXSW early last year: Achingly pretty and melanchol...
The first thing you might notice about this video is the change in surroundings: NPR recently moved to a new building, and though we worked to make the Tiny Desk as visually similar as possible to the old space — a process we recently documented with the help of OK Go — the ceilings are higher, the square footage more generous and the surfaces lavishly unsullied. The visuals will surely evolve in the months and years to come, as more tchotchkes and coffee stains accumulate on, around and behind Bob Boilen's desk. In the days leading up to this hotly anticipated performance by The National — recorded at the obscenely early time (for touring bands anyway) of 10:30 in the morning — we'd gotten word that the group would strip its sound way down for the occasion, sticking to two acoustic guitars and a bit of hand percussion. What we got instead was a fully fleshed-out septet, complete with horns and piano; the band showed up at 9:30 to rehearse and sound-check. Though singer Matt Berninger had barely rested his voice from a show in the area the night before, The National dutifully performed gorgeous acoustic renditions of four tracks from its fine new album, Trouble Will Find Me. Its members even treated the hundreds of worshipful gawkers to Building 2.0's first-ever Tiny Desk encore, in response to a roar of applause that could be heard in the far reaches of the newsroom downstairs. Here's to many more. --STEPHEN THOMPSON Set List "This Is The Last Time" "I Need My Girl" "Pink Rabbits" "Sea Of Love" Credits Producer: Bob Boilen; Editor: Denise DeBelius; Audio Engineer: Kevin Wait; Videographers: Kainaz Amaria, Parker Blohm, Denise DeBelius,Gabriella Garcia-Pardo; photo by Hayley Bartels/NPR
Before Rubblebucket played its Tiny Desk Concert, its members asked if they could bring a confetti cannon. And, though I said no — dear coworkers, I really do care about you — the band still brought a fun mix of brass and brash to the Tiny Desk. At the front of this band is Kalmia Traver and Alex Toth; she sings clever words, straps a tambourine to her foot and plays the flute, while he plays trumpet, flute and more. I really like this band and its attitude — party-friendly but with a serious side, perhaps informed by Traver's recent battle with cancer — which comes through nicely on Rubblebucket's new album, Survival Sounds. So set aside a few minutes to take this little carousel ride, courtesy of a band like few others.-- BOB BOILEN Set List "Carousel Ride" 0:05 "On The Ground" 5:02 "Sound Of Erasing" 9:20 Credits Producers: Bob Boilen, Maggie Starbard; Audio Engineer: Kevin Wait; Videographers: Colin Marshall, Maggie Starbard, Susan Hale Thomas; Assistant Producer: Susannah Whittle; photo by Susan Hale Thomas/NPR
Sturgill Simpson doesn't fit today's common image of a country singer. When he arrived for his Tiny Desk Concert, the 36-year-old Kentucky native sauntered in sleepy-eyed, wearing jeans, a...
Tiny Desk Concerts often require creative and logistical transformations, from electric bands going acoustic to big bands squashing into a tiny space to many players gathering around a single microphone. But the setting is particularly challenging for vocalists, especially those accustomed to heavy production, effects or — in the case of recent guest T-Pain — generous dollops of Auto-Tune. T-Pain's effects-less set grabbed more attention at the time, given the extent to which digital alterations are expected of him, but this performance by Banks is, in its own way, an even greater high-wire act. Banks' terrific full-length debut, Goddess, is constructed out of layer upon layer of electronics, beats, samples and other means of submerging the singer's voice in swirling accoutrements. With assistance from keyboardist/guitarist John Anderson and percussionist Derek Taylor, she's not all alone behind the Tiny Desk, but her expressive voice is fully exposed here. Kicking off her three-song set with "Beggin For Thread," Banks sets the scene in vulnerable, breathily seething fashion before opening the throttle in her choruses. On record, she's placed at the center of lavish productions, each suitable for throbbing remixes and banks of swirling lights. At the Tiny Desk, though, she serves notice that she's a powerful singer in her own right — and that heavy production needn't be the product of necessity. --STEPHEN THOMPSON Set List: "Beggin For Thread" 0:01 "Alibi" 4:23 "Brain" 8:04 Credits: Producers: Bob Boilen, Maggie Starbard; Audio Engineer: Kevin Wait; Videographers: Becky Lettenberger, Maggie Starbard; Assistant Producer: James Clark; photo by James Clark/NPR
Sometime years from now I may be asked: What was your favorite day at NPR? I am likely to say it's the day Dan Deacon got the NPR staff worked up into a giant dance party! It's also the day Deacon and staff wheeled in an upright piano and connected it to his computer — a magical mix of old player piano and electronic avant-garde. Yes, Deacon makes electronic music and dance music, but it's not the thump thump thump stuff you'd go to a club for. It's a mix of Brian Eno, Philip Glass and your kids' birthday party (if you were the cool parents your kids wished they had). Dan came toting songs and that piano from his new record (which is quickly becoming my favorite of his), Gliss Riffer. The party really kicked into gear with the second song. And by the end you'll find me and my All Songs Considered co-host doing wild dance moves with 100 people. There'd never been a day at NPR quite like this! Set List "Feel the Lightning" 1:46 "Sheathed Wings" 9:00 "Learning to Relax" 16:32 Credits Producers: Bob Boilen, Maggie Starbard; Audio Engineer: Al Schatz; Videographers: Colin Marshall, Morgan McCloy, Nick Michael, Maggie Starbard; Assistant Producer: Michaela Gugliotta; photo by Colin Marshall/NPR
At 34, John Legend has sold millions of records, won nine Grammys, collaborated with many of the biggest stars in music (Jay-Z, Kanye West, Alicia Keys, The Roots, et al), and achieved the kind of statesmanlike musical-ambassador status usually afforded to artists twice his age. He is, in short, the sort of star who doesn't usually perform behind desks in offices. But once we'd wedged a piano back there, Legend sounded perfectly at home. His rich, soulful voice never suffered for a lack of processing and production as he performed three songs for NPR Music and a few hundred of our rapt coworkers, loved ones and hangers-on. Though he recently released a fine new album titled Love in the Future, from which "Made to Love" and "All of Me" were drawn for this set, Legend took special care to provide the backstory for "Move," which he'd recorded for the soundtrack to 12 Years a Slave. Legend executive-produced that soundtrack himself — don't be surprised if you wind up hearing him perform "Move" again on Oscar night — and recorded the album version with U.K. musician Fink. Here, though, it's stripped down considerably, with just Legend's piano and the acoustic guitar of guest Bobby Anderson providing accompaniment. Legend doesn't play settings this intimate very often, and it's not as if he has anything to prove at this point in his career. But, just in case he did, he retains a busker's lung capacity, the charisma of a born star and the easygoing grace of a performer fit for any stage — even a tiny one. --STEPHEN THOMPSON Set List "Made To Love" "Move" "All Of Me" Credits Producers: Bob Boilen, Denise DeBelius; Audio Engineer: Kevin Wait; Videographers: Denise DeBelius, Becky Harlan, Abbey Oldham, Meredith Rizzo
The 21-year-old spoke with Microphone Check in Austin, Texas, during SXSW a couple days before the release of his second major label album. He says he feels like I Don't Like S---, I Don't Go Outside is really his first album, though. "This is the first thing that I've said that I fully stand behind, like the good and the bad of it," he says. "I've never been this transparent with myself or with music. I've never been behind myself this much." http://www.npr.org/blogs/microphonecheck/ Credits Producers: Mito Habe-Evans, Frannie Kelley, Ali Shaheed Muhammed; Audio Engineer: Kevin Wait; Videographers: Mito Habe-Evans, Katie Hayes Luke, A.J. Wilhelm; Executive Producer: Anya Grundmann.
My admiration for Jackson Browne began with his first album in 1971. I was wowed by the fact that the singer-songwriter had worked with Nico of Velvet Underground fame — his girlfriend at the time — on her first album, Chelsea Girl. He wrote one of my favorite songs on that record, "These Days." More than 40 years on, my appreciation continues to grow. Browne still writes songs with conviction and craftsmanship and careful attention to detail. At the same time, there's a perceptible loosening of attitude: His Tiny Desk Concert performance isn't perfect, his heart showing through every crack in his voice. Browne can be seen out and about in other informal settings besides this one. At the Newport Folk Festival a few years ago, you could hear him play formally and informally with Tom Morello, Conor Oberst, Dawes and more. Back home on the West Coast, he might just sit in when Sara and Sean Watkins put on theirWatkins Family Hour variety show at Largo. This week, Jackson Browne turns 66 and releases his 14th album, Standing In The Breach. It's a record that fully captures his rare ability to mix activism with poetry: His stature allows him freedom — he's largely free of obligations — with the ability to play comfortably with musicians of his own choosing. Yet he continues to stretch, working alongside much younger players with different talents and interests, sharing his talents and finding inspiration. It's that passion for playing and exploring that brings Browne to things like the Tiny Desk Concert, an awkwardly intimate setting for such a popular performer. -- BOB BOILEN Set List: "Call It A Loan" "The Barricades Of Heaven" "Long Way Around" Credits: Producers: Bob Boilen, Denise DeBelius; Editor: Maggie Starbard; Audio Engineer: Suraya Mohamed; Videographers: Colin Marshall, Maggie Starbard, Susan Hale Thomas; Assistant Producer: Denise DeBelius; Photo by James Clark/NPR
The windowsills were lined with people standing, as every nook between every office desk filled to capacity with NPR employees and their assorted guests. Pixies, after getting misplaced for a time in our parking garage during a moment worthy of This Is Spinal Tap, showed up in time to encounter the largest crowd we've ever assembled for a Tiny Desk Concert. (Our new office space allows for more guests than the old one did, but it's still a mark of this band's significance for so many youthful grownups.) Black Francis played an acoustic guitar for this set, while drummer David Lovering set up a simple snare and a cymbal, tapping a tambourine with his foot where a bass drum might be. With his electric guitar, Joey Santiago was the only plugged-in member of the group. The newest member of the Pixies is Paz Lenchantin, a musician of many talents who played violin at the Tiny Desk, though she handles bass duties at larger concerts. You may miss Kim Deal on bass for all the good reasons one might miss Kim Deal, but Lenchantin rhythmically fits in well, and was a treat to hear (albeit quietly) on violin. Prior to the rolling of cameras, the band warmed up the crowd with "Where Is My Mind," but this three-song set features a 2014 tune called "Greens and Blues," a song yet to make it onto a Pixies release called "Silver Snail," and 1989's "Monkey Gone to Heaven," which melted hearts and seared minds with a new memory from a time long past. --BOB BOILEN Set List "Greens And Blues" "Silver Snail" "Monkey Gone To Heaven" Credits Producers: Bob Boilen, Denise DeBelius; Audio Engineer: Kevin Wait; Videographers: Denise DeBelius, Gabriella Garcia-Pardo, Olivia Merrion; photo by John Poole/NPR
It might be easy to dismiss a music project from actor John Reilly, but that would be a huge mistake: Reilly is a fine singer, especially when he gets a hold of old-time material, and his guitar work provides a perfect foundation for these church and porch tunes from America's past. Reilly's eclectic choice of collaborators speaks to his passion and dedication: Tom Brosseau and Becky Stark are no strangers to folk tradition. Brosseau's striking voice was first heard on NPR in 2006 — he performed a Tiny Desk Concert of his own last year — while Stark is a performer and a singer known to many as Lavender Diamond. Her voice fits in sweetly between Reilly's and Brosseau's in a way that recalls her work in the country trio The Living Sisters. Rounding out this home-brewed acoustic affair is Andru Bemis on banjo and fiddle, as well as Soul Coughing's Sebastian Steinberg, who plays upright bass with finesse and humor. So turn off the lights, blot out the distractions, light a candle or two, and let the glow — and the glow of your screen — transport you to country's past, when singers would all gather around a single mic. This is a band meant to play a Tiny Desk Concert. -- BOB BOILEN Set List "It's Never Too Late" 0:00 "Wayward Traveler" 3:40 "Rock Of Ages" 9:12 "Blues Stay Away From Me" 3:13 Credits Producers: Bob Boilen, Maggie Starbard; Audio Engineer: Kevin Wait; Videographers: Morgan McCloy, Nick Michael, Maggie Starbard; Assistant Producer: Colin Marshall; photo by Colin Marshall/NPR
People ask me all the time to name my favorite Tiny Desk Concert. It's my desk and I've seen almost all of the nearly 400 concerts up close. So you'd think t...
Edward Sharpe & The Magnetic Zeros can't exactly slip into an office building unnoticed: Clad in the same clothes they'd worn at a concert the night before, ...
How can music be happy and sad at the same time? Listen to Olafur Arnalds and you'll hear it. Depending on your mood, the tone changes, and a song that may h...
Each time I see James Blake and his band perform, I feel the extreme rush of hearing something for the very first time. The sound is sharp and visceral; it o...
Ever since a video of Future Islands' thrilling performance on The Late Show With David Letterman went viral in March, the band has become one of the year's ...
"It's the dreamiest of scenes," Sylvan Esso singer Amelia Meath sighed as she looked out over the sold-out crowd at Washington, D.C.'s 9:30 Club. Wearing six...
For those who can't wait to hear songs from Glen Hansard and Marketa Irglova's follow-up to Once (titled Strict Joy, out Oct. 27), the pair played six new so...
The third song in this Tiny Desk Concert, explains the jocose pianist Robert Glasper, first appeared on one of his trio's albums of acoustic, instrumental jazz. It was called "F.T.B." then, though it later acquired words and a singer and was retitled "Gonna Be Alright" on the record which won the 2013 Grammy for Best R&B; Album. That in itself provides a sense of the worlds to which Glasper has access; depending on your point of view, he either freely traverses or explodes those boundaries. Glasper has released two albums of what you might call neo-soul, or maybe organic R&B;, featuring a core band (The Robert Glasper Experiment) and guest stars like Erykah Badu, Lupe Fiasco and Norah Jones. Black Radio and last year's sequel, Black Radio 2, aren't heard much on "urban" radio, but the point is that they ought to be. Glasper builds his songs with old-school values: singers and MCs who don't need software to carry a melody, improvising within a band, hand-building beats and vamps with live instruments. That's what you see at the Tiny Desk. "Trust" features Marsha Ambrosius, formerly of the duo Floetry, and it's a good example of the Black Radio concept in raw, unpasteurized form. The middle tune is an ad hoc improvisation, and a good example of how Glasper and his Experiment have so dialed in their communication that they can plant seeds of noise and harvest blooms of music. By the time "F.T.B" (a.k.a. "Gonna Be Alright") rolls around, the mood is familiar and at ease. It's the sound of a band whose members speak many musical languages, but decide to converse in one that feels like its native tongue. --PATRICK JARENWATTANANON Set List "Trust" "NPR Tiny Desk Jam" "F.T.B. (Gonna Be Alright)" Personnel Robert Glasper, keyboards Derrick Hodge, bass Mark Colenburg, drums Marsha Ambrosius, voice Credits Producers: Bob Boilen, Denise DeBelius; Audio Engineer: Kevin Wait; Videographers: Denise DeBelius, Becky Harlan, Meredith Rizzo
00:25 - "Who" 04:33 - "Strange Overtones" 08:25 - "Marrow" 12:22 - "The One Who Broke Your Heart" 16:15 - "I Am An Ape" 19:25 - "The Forest Awakes" 25:00 - "I Should Watch TV" 28:20 - "Lightning" 32:50 - "Burning Down The House" Last year's collaboration between St. Vincent (Annie Clarke) and David Bryne was surprising on many levels. The album they wrote and recorded together, Love This Giant, is inspired and artful, if not as immediately accessible as some of the solo work each of them has made in the past. On stage, performed live at the Strathmore music hall in Bethesda, MD, the songs found their heart and soul. A band of brilliant brass players made the tunes swing a lot more than they do on the record. Love This Giant allowed both Byrne and Clark to make songs that were slightly out of their comfort zones; they dug into less familiar territory and found something fresh. When performed live, new songs such as "Who" and "I Am an Ape" sound powerful. But old favorites also surfaced from their solo catalogs, whether it was Talking Heads' "Burning Down the House" or the Byrne-Eno collaboration "Strange Overtones," or St. Vincent performing "Marrow" from her 2009 album Actor. All of these performances became less about nostalgia or their individual fame, and more about creation and building on something great, from a pair of strong creative souls born 30 years apart. As you watch the performance, keep an eye out for Kelly Pratt, formerly of the band Beirut, on lead horn, as well as fantastic synchronized dancing choreographed by Annie-B Parson. You can also see Byrne and Clark rehearse for the concert in this special video from our In Practice series.--BOB BOILEN TOURING BAND Annie Clark: Guitar/Vocals David Byrne: Guitar/Vocals Daniel Mintseris: Keyboards, Musical Director Brian Wolfe: Drums Kelly Pratt: Trumpet, Flugelhorn, French Horn, Flute Dave Nelson: Trombone Jon Natchez: Clarinet, Flute, Saxophone Bryan Murray: Clarinet, Flute, Saxophone Rachel Drehmann: French Horn Jason Disu: Trombone John Altieri: Sousaphone, Tuba Carter Yasutake: Trumpet, Flugelhorn CREDITS Producers: Mito Habe-Evans, Robin Hilton; Videographers: Denise DeBelius, Christopher Parks, Maggie Starbard, A.J. Wilhelm; Audio engineer: Pete Keppler; Special thanks to: The Music Center at Strathmore in North Bethesda, Md.; Executive producers: Anya Grundmann, Keith Jenkins
A lot of people come to the music of Volcano Choir - and see concerts like this one - because of the band's lead singer, Justin Vernon, an artist better-know...
"You know I wrote this for you, baby — you know that." "Oh, yeah, sure.” Pat Benatar and Neil Giraldo do mock-bickering as well as any long-married couple – which, of course, is exactly what they are. More notably, they've formed a commercial and creative juggernaut spanning more than three decades, with the Brooklyn-born Benatar singing and Giraldo working as her guitarist, producer and fellow songwriter. Benatar's recording career spans a dozen studio albums, seven of which have sold more than a million copies, and has yielded multiple Grammy Awards and some remarkably sturdy staples of the classic-rock canon. Though most widely associated with a string of chart-toppers in the late '70s through the '80s — "Love Is A Battlefield," "Heartbreaker," et al — Benatar and Giraldo still draw huge crowds, for reasons made abundantly clear here. Classically trained as a mezzo-soprano, Benatar still possesses a formidable instrument, and the pair's songs have lost none of their appeal in the intervening decades. And, of course, the duo performs with an agreeable mixture of lighthearted banter, chops and charm. At the Tiny Desk, Benatar and Giraldo ran through three of their classic songs: 1979's "We Live For Love," 1984's "We Belong" and, after a long and satisfying windup, 1981's "Promises In The Dark.” -- STEPHEN THOMPSON Set List "We Live For Love" "We Belong" "Promises In The Dark" Credits Producers: Bob Boilen, Maggie Starbard, Kevin Wait; Audio Engineer: Kevin Wait; Videographers: Colin Marshall, Maggie Starbard; Assistant Producer: Susan Hale Thomas; Photo by Susan Hale Thomas/NPR
The members of Real Estate are awfully young to pine for their lost youth, but nostalgia remains crucial to the New Jersey band's tender, impeccable sound. R...
The last time Sleater-Kinney played the 9:30 Club, a transformer threatened to blow in the midst of a summer heat wave. Or maybe the Washington, D.C., club just couldn't handle Corin Tucker's pipes. That was nine years ago, on a goodbye-for-now tour that caught the trio at the top of its game. The show was rescheduled and taped for NPR Music, and we had our closure, crossing fingers that it wouldn't be the last we'd hear from Corin Tucker, Carrie Brownstein and Janet Weiss. In the intervening years, all three put their energies into other projects, musical and not, sometimes even with each other. But Sleater-Kinney has an electric chemistry of its own. As Brownstein says, "I really think Sleater-Kinney is a singular band with no clear predecessor or successor, so I don't think we started out creating music that you could see the palette of colors that we were using, and maybe draw a lineage." On the first night of a two-night gig at the 9:30 Club, Sleater-Kinney went all-in with its set list. Tracks from the band's monster of a new album, No Cities To Love, felt natural alongside songs like "Oh!" and "Words And Guitar," obliterating the band's timeline by demonstrating a catalog that's always present, always on fire. -- LARS GOTRICH SET LIST Price Tag - 0:40 Start Together - 4:36 Fangless - 7:11 Oh! - 10:59 Surface Envy - 14:54 Get Up - 18:02 Ironclad - 21:45 No Anthems - 24:23 Youth Decay - 28:13 What's Mine Is Yours - 30:57 A New Wave - 36:03 No Cities To Love - 39:48 One Beat - 42:46 Words And Guitar - 45:54 Bury Our Friends - 48:34 Sympathy - 52:20 Entertain - 56:21 Jumpers - 1:01:46 ENCORE Gimme Love - 1:07:24 Little Babies - 1:10:04 Turn It On - 1:12:20 Modern Girl - 1:15:02 Dig Me Out - 1:17:50 FEATURING Corin Tucker, Carrie Brownstein, Janet Weiss, Katie Harkin CREDITS Producers: Mito Habe-Evans, Robin Hilton; Audio Engineer: Kevin Wait; Videographers: Colin Marshall, Morgan McCloy, Claire O'Neill, Maggie Starbard, Carlos Waters; Host: Bob Boilen; Director: Mito Habe-Evans; Assistant Editor: Carlos Waters; Special Thanks: 930 Club; Executive Producer: Anya Grundmann http://www.npr.org/event/music/388196234/live-tuesday-sleater-kinney-in-concert
Last week in New York City, on the fringe of Times Square, a band of busy artists gathered in a building brimming with songwriting history. The Brill Building's golden age, when songs like "Will You Love Me Tomorrow" and "Be My Baby" were written in its offices, are in the past, but The New Pornographers' pop music would fit into the mold of that era. You can easily imagine the group's members writing songs in small, secluded rooms to be played on tiny transistors and monophonic record players. Brill Bruisers is the name of the sixth album by The New Pornographers, shortened by singer/bandleader Carl Newman from the original title "Brilliant Bruisers." By trimming the album's title, Newman made the connection to the famous New York building filled with hit makers and music publishers from the 1940s to the '60s. So it felt undeniable to bring the band into the space that inspired the new album's name. For this one night, we transformed the abandoned retail space on the ground floor of the Brill Building into a music venue, and for a few hours, there was magic in the air. Carl Newman knows the long history of the space well. He has read the book Always Magic in the Air: The Bomp and Brilliance of the Brill Building Era, and his own band's songs have a sense of energy that's vibrant and vital and meant for repeat listens, as the girl group era's great singles were. The talent in this band is abundant; each member has his or her own musical project on the side (or in the case of synth player Blaine Thurier, a filmmaking project). Singer Neko Case has a very creative and popular canon of solo works and has played with many other musicians, including Jakob Dylan, Nick Cave and Andrew Bird. Songwriter Dan Bejar has put out many albums as Destroyer, including 2011's Kaputt, maybe his most loved. The list goes happily on. Seeing this group of musicians on one stage is always a joy, and seeing them on this makeshift stage in a venue as special as the Brill Building was unforgettable. They played songs from each of their six albums together, performing many of the songs from Brill Bruisers for the first time. To paraphrase the most famous of the Brill Building songwriters, the husband and wife team of Gerry Goffin and Carole King, we thank The New Pornographers for making this "a lasting treasure, not simply a moment's pleasure." --Bob Boilen SET LIST Moves - 1:46 Myriad Harbour 5:49 Dancehall Domine- 9:55 The Laws Have Changed - 13:43 War On The East Coast - 17:49 Twin Cinema - 21:50 Fantasy Fools - 25:44 Mass Romantic - 29:31 Spidyr - 33:37 Brill Bruisers - 36:27 Backstairs - 39:31 Testament To Youth In Verse - 44:32 Sweet Talk, Sweet Talk - 49:39 The Bleeding Heart Show - 53:27 CREDITS Producers: Mito Have-Evans, Bob Boilen; Event Manager: Saidah Blount; Videographers: Christopher Parks, Maia Stern, A.J. Wilhelm; Audio Engineers: Dan Seiders, Kevin Wait; Lighting Director: Marc Janowitz; Special Thanks: The Brill Building; Executive Producer: Anya Grundmann
All rights and credit go to National Public Radio.
2008-03-13 NPR Concert Bon Iver ft. Justin Vernon 00:01 Flume 03:10 Lump Sum 08:28 Skinny Love 13:50 The Wolves (Act I and II) 19:42 Creature Fear The pictur...
All rights and credit go to National Public Radio.
Angel Olsen came to the Tiny Desk on an odd autumn day, as an impending storm loomed outside our office windows. It all seemed just right for occasion: Watch...
One channel all podcast NPR TED Radio Hour Podcast The Money Paradox
Setlist for NPR Webcast (NYC Oct 5th, 2012) 1. Leather 2. Cloud On My Tongue 3. Fairy Song/Jamaica Inn (solo) 4. Purple People (solo) 5. Snow Cherries From F...
Within Black Hippy, the Los Angeles-based crew consisting of Kendrick Lamar, Jay Rock and Ab-Soul, ScHoolboy Q is the fun-loving middle child who taunts you with a straight face but can't always help cracking a smile. He's a wildcard who put out two highly-regarded independent albums and has become a reliable source for bracing guest spots. Sometimes he's incisive, sometimes he's callous. He's always charismatic and perceptive and forthright. His music is richly melodic. He's the guy who calls himself cold-blooded by saying, "My heart live where Santa stay," and put his daughter's face on his album cover. On Feb. 23, the Sunday before he released his major label debut, Oxymoron, he took the stage at New York City's Le Poisson Rouge to perform brand new songs from it as part of NPR Music's First Listen Live series. The set was loose-limbed, spontaneous and unpretentious, including a singalong for surprise guest Ab-Soul. And even though the crowd had only a day or two to hear Oxymoron before the show, songs from it hit hard and low. They were received with open arms by a raucous audience that gave as good as it got. --FRANNIE KELLEY SET LIST Banger (Moshpit) - 0:40 There He Go - 3:53 Nightmare on Figg Street - 7:20 Gangsta - 11:39 Druggys Wit Hoes Again Feat. Ab-Soul 16:10 Blind Threats - 20:20 Collard Greens -25:04 Hands on The Wheel -27:15 What They Want -29:40 Yay Yay- 35:06 Blessed - 37:43 Break The Bank - 42:50 Hoover Street - 46:15 Studio - 52:07 The Purge - 55:24 Man Of The Year - 1:02:20 CREDITS Producers: Mito Habe-Evans, Frannie Kelley; Videographers: Alex di Suvero, Olivia Merrion, Christopher Parks; Audio Engineers: Kevin Wait and Garth Macaleavey; Hosts: Ali Shaheed Muhammad and Frannie Kelley; Event Coordinator: Saidah Blount; Production Assistant: Olivia Merrion; Special Thanks: Le Poisson Rouge; Executive Producer: Anya Grundmann
A Muslim scholar gets death threats after saying veils are no longer required for women. CNN talks to NPR's Deborah Amos. A Muslim scholar gets death threats after saying veils are no longer required for women. CNN talks to NPR's Deborah Amos. A Muslim scholar gets death threats after saying veils are no longer. A Muslim scholar gets death threats after saying veils are no longer required for women. CNN talks to NPR's Deborah Amos. A Muslim scholar gets death threats after saying veils are no longer.
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Starting a campaign against Michael Electric Black http://dennismarxcartoons.com
3rd count
Original article from NPR For questions and copy right claims contact mail@sodere.com or ... Alemneh Wasse Zena Meet Chef Chane, Ethiopia’s Version Of The Infamous ‘Soup Nazi’ [NPR] Alemneh Wasse Zena Meet Chef Chane, Ethiopia’s Version Of The Infamous ‘Soup Nazi’ [NPR]
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Look at those C bends
Iddpmi NPR Alguien diga Amen - Captured Live on Ustream at http://www.ustream.tv/channel/i-d-d-p-m-i
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Tattoo Colour - เพลงของเรา (Our Song) - Violin Version Cover by NPR
NPR's On Point host Tom Ashbrook explores the literary and arts world. New: Douglas Brinkley, Atul Gawande, Claire Dederer. Week In The News: Bibi Wins, GOP Budget, Millionaire 'Killed Them All' Netanyahu's controversial victory. The GOP budget. Museum massacre in Tunisia. Our weekly news roundtable goes behind the headlines.
NPR's On Point host Tom Ashbrook explores the literary and arts world. New: Douglas Brinkley, Atul Gawande, Claire Dederer. What's Wrong With College Greek Life? Another spate of awful headlines from college fraternities this week. What is going on with 'Greek life?
NPR's On Point host Tom Ashbrook explores the literary and arts world. New: Douglas Brinkley, Atul Gawande, Claire Dederer. The Growing Allure – And Ease — Of Unbundling Cable TV The Internet "unbundles" cable TV. We'll look at big new deals and what they mean for cost, content and you.
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Disclaimer: We do not own this podcast. We purchased from the link below and cut out the excerpt in this video. The images were also lifted from google images. My apologies to anyone who's images we used, there were too many to give credit to every one. "In a way, it's the most classic cat-and-mouse game of all: A nimble graffiti writer dashes out into the night to leave his mark. Watching and waiting for him are the stronger—if less agile—NYPD Vandal Squad, whose sole mission is their arrest. Brian Thomas Gallagher reports." http://www.thisamericanlife.org/radio-archives/episode/309/cat-and-mouse
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Yusuf Islam (born Steven Demetre Georgiou, 21 July 1948), commonly known by his former stage name Cat Stevens, is an English singer-songwriter, multi-instrumentalist, educator, philanthropist, and prominent convert to Islam.
His early 1970s record albums Tea for the Tillerman and Teaser and the Firecat were both certified triple platinum in the United States by the RIAA. His 1972 album Catch Bull at Four sold half a million copies in the first two weeks of release alone and was Billboard's number-one LP for three consecutive weeks. He has also earned two ASCAP songwriting awards in consecutive years for "The First Cut Is the Deepest", which has been a hit single for four different artists.
Stevens converted to Islam in December 1977 and adopted the name Yusuf Islam the following year. In 1979, he auctioned all his guitars for charity and left his music career to devote himself to educational and philanthropic causes in the Muslim community. He has been given several awards for his work in promoting peace in the world, including the 2003 World Award, the 2004 Man for Peace Award, and the 2007 Mediterranean Prize for Peace. In 2006, he returned to pop music with his first album of new pop songs in 28 years, entitled An Other Cup. He now goes professionally by the single name Yusuf. His most recent album, Roadsinger, was released on 5 May 2009.
Dan Deacon (born August 28, 1981) is an American composer and electronic musician based out of Baltimore, Maryland. Since 2003, Deacon has released eight albums under several different labels. Deacon also has a renowned reputation for his live shows, where large scale audience participation and interaction is often a major element of the performance.
Dan was born and raised in the suburban Long Island, New York community of West Babylon. He graduated from Babylon High School in 1999 where he was a member of the local ska band Channel 59. He later attended the Conservatory of Music at State University of New York at Purchase in Purchase, New York where, in addition to performing his solo material, he played in many bands, including tuba for Langhorne Slim and guitar in the improvisational grindcore band Rated R, and had a small mixed chamber ensemble. He completed his graduate studies in electro-acoustic and computer music composition. He studied under composer and conductor Joel Thome and Dary John Mizelle.
I...sit on the stairs...got time on my hands
...have nowhere to go...feelin' good and I know...
Whatever you do don't make me come down...
Don't make me come down...
You will have trouble...
Why...do you hurt me...i'm such a nice guy
Put a knife in my heart...then turn it around
You laugh while I bleed...as I bleed to death...
If I bleed to death...you've got trouble...
(chorus)
Hit me again and I'll spit in your face...
Love me again and I'll cut you right back...
Smile at me and I'll Frown at you...
You will be in trouble....
I'm feeling alone...I pick up the phone...
when nobody's home...I need to go out
I'm runnin' the streets...no shirt on my back
no shirt on my back...lookin for trouble...
Hit me again and I'll spit in your face...
Love me again and I'll cut you right back...
Smile at me and I'll frown at you...
You will be in trouble...
I'm...coming to you...I wanna make love....
You're not in the mood...so I leave you alone...
I'll get magazines...go play with myself...
go play with myself...go play with trouble
I've got a disease...It's inside my head...
so I go to bed...to whom it concerns...
I haven't a clue...I haven't a clue...
well maybe it's you...givin' me trouble
(chorus twice)
Hit me again and I'll....etc...
Just smoked my last cigarette, Got no place to go...
Perhaps freedom is the answer, I knock but nobody's home...
Ten years ago always wondered where I'd be right now...
Well here I am all alone...still don't know and still can't see...
I see you there me here, me thinking of you but you not of me...
No use fightin' for...for what ain't there and never will be....will be...
(chorus)
So I'll fly into the night like a bird takes to the sky....
Like a dream within your mind...into the night I'll fly
I'll fly into the night like a bird takes to the sky....
Like a song that makes you cry....Honey into the night....into the night I'll Fly...
This world is so lonely just can't get a break, from my broken heart...
since you left and I've been free...It's been hard gettin' used to me...
...and everytime I pick up the phone well I just to afraid....
I wanna tell you everything...let you know I'm still here for you...
Crazy booze and crazy drugs just don't help me no more, they can't take your place...
I wanna see your face, one more time...before I fly....I fly....
(chorus)
Come on baby pick up the phone....don't leave me here all alone....
How bad could it really be...you here making love to me...
But I guess, you won't see me...so goodbye...goodbye....
(a solo)
I wanna fly into your arms.....make you love me be unharmed....
see the sunlight in your eyes baby...maybe someday you'll realize...
But I guess it never will be...so goodbye....goodbye.....
(chorus)
c 1995, 2000
Good Time
You know he's sleazy but he's ready to please you...
You he's no good...but you don't care...
how many times does he have to mistreat you?
to know you're going nowhere...
but you are ready...to get it on...
he knows you're ready...and then he's gone
...but it's hard...to watch you there passin' the time....
so long...'cause I know your just wastin' your time...
He just lookin' for a good time baby....
This much I know is true...
He just lookin' for a sweet fine lady....
...someone to do it to...
he just lookin' for a good time baby
he knows you are a fool....
he just lookin' for a sweet fine body...
but in the morning he'll be through with you....
All I wanted was to get close to ya...
Didn't mean you know harm...
Knew you were easy, but I liked your style, babe....
Honey and all you are...
But you weren't ready...For a real man....
You just wanted...To get slammed....
but it's hard...to watch you there wastin' your time...
so long...don't you know you're life is just passin' you by....
He just lookin' for a good time baby...
This much I know is true...
He just lookin' for a hot time baby...
Then what you gonna do?
He just lookin' for a good time baby....
You know I want you too....
He just lookin' for a good time baby
but in the morning...he'll be through with you...
and it's hard...to watch you there wastin' your time...
So long...don't you know that I want you to be all mine?
He just lookin' for a good time baby....
This much I know is true....
He just lookin' for a hot time baby....
...Then what you gonna do?
He just lookin' for a good time baby...
you know I want you too....
He just lookin' for a good time baby.....
but in the morning ..yeah!!!..in the morning....in the
morning.................
Lookin' for a good time baby....
Would you laugh if I told you?
Life it's really got me down...
Kind of corny but it's true... Could I talk awhile to you?
When I look into your eyes...
I see mountains we can climb...
And for all that it is worth...your smile digs me from the dirt....
This world is cold and messed-up...
We can't let that affect us...so...
Can I buy you breakfast?
Good conversation...coffee and cigarettes...
Would you let me cry out loud?
If I had something to confess...
Could you show me how to laugh?
Hold me in your warm caress....
We don't have to make love...
So much else to think of...so...
Can I buy you breakfast?
A donut and your voice beats all the rest...
This world is cold and messed-up...
We can't let that affect us...so...
Can I buy you breakfast?
Good conversation...coffee and cigarettes...
Since no one can protect us...
Nothing else I'm sure of...
Can I buy you breakfast?
I know that we are gonna be alright...
Would you laugh if I told you?
Life it's really got me down...
Kind of corny but it's true...
Could I talk awhile to you....
Boy In The Field
In the sun...and in the rain...
There sits a boy in the field...and he's feeling the pain....
...and in the light...of the moon...
I hear him calling to me and he whispers me a tune...he says....
CHORUS:
I don't wanna be here anymore... won't you please let me be....
There's nothing left for me here...won't you please set me free...
World's put me through so many changes that I can't find myself...
Try so hard to find it in me...and in everybody else....
Morning comes upon the field...and everything is still....
that boy I see him cry...his tears flow down as they will...
I try to touch him but my hand it won't reach....
I want to help him but he just...can't see me...he cried...
(chorus)
Night it falls again on the tall blades of grass....
that boy he's feelin' so bad he says...nothing ever lasts....
Morning comes once more and the boy has disappeared
Hope he went to a better place...better than here.....
I hear him singing..........
I'm flying high over the city...
I'm flying high...over my home....
Everything looks so small to me now....
I'm not afraid that I'm gonna fall....
If you see them...tell them that I'm free..
No one's gonna take it away from me....
and if they ask you...tell them that I'm fine...
maybe I'll meet them up here sometime....
Oh.......(etc....)
See
Do you believe what you see?
See and believe what's in me...
I walk around helplessly....
Wondering just what do you see...
I can't hide from your...watchful eyes....tell me...
What do you want me to be?
Do you believe what you see?
Feel the pain insideof me...
Please find out...who I am....
Maybe you don't give a damn...
If I lie...could you...see through my...
life it's so hard being me....
What you see..{believe what you see}
Believe what you see {believe what you see}
What you see {believe what you see}
Believe what you see{see}
Do you believe...what you see?
Can't you tell what's inside me?
Guess maybe one time or twice...
Find out just what's on y mind...
Can I cry?
Make it...hard to hide....
That all that I wanted was you.....
What you see...{believe what you see}
Believe what you see...{believe what you see}
What you see...{believe what you see}
Believe what you see...{see}
in me?
Believe what you see.....
Roll With Me
I laugh so loud that I look like a fool...
You make me frown but I still play it cool...
It puts me down when the hard time comes...
When it comes to love babe i'm second to none.....
I wanna make you feel so good....
a pretty lady like you really should...
get down on your knees and pray...
for a man like me to come your way
CHORUS:
So I jump start your heart...but love is blind...
I know what you know but he knows too....
You're too afraid to let me know...
Will it disappear or...will you roll with me....
roll with me....roll with me...roll with me....
Baby Baby why don't you compare....
Is he there and is he fair?
If there is something between you and me...
the right choice well it's in the air
Would you let me come inside?
know the secrets only you can hide...
After awhile, you will find...
You're in love and you can't deny....
(chorus/solo)
Well I jump start your heart... but love is blind...
I know what you know but he knows too...
You're too afraid to let me know...
Will it disappear or will it Grow....
Jump start your heart but love is blind....
love is blind...I know what you know but he knows too...
You're too afraid to let me know....
Will it disappear or will it grow, will it grow, will it grow?
Jump start you're heart but love is blind...
I know what you know but he knows too...
you're too afraid to let me know...
Will it disappear or will you roll with me....
Pissin' In The Parking Lot
It's been a shit day
So go away
Life is out of style....
It took a long time to lose my mind
Inside another's smile....
You let me breath beneath your dress...
What you don't say...you suggest
It was the start....of my emptiness...
It's been a shit night
Long drive...
I should have stayed in bed.....
She had a girls waist...
Kissed my face...
I almost banged my head....
She slammed my jeans against her hips....
Slipped me her soul through her lips....
She said...keep it with yours...if you wish.....
(chorus)
She's everything I've got....
Pissin' in the parking lot...
Right in our old spot....
Pissin' in the parking lot
....and maybe then I can leave this place behind.....
Then I woke and we smoked and she said "don't look so all alone"
"Love is way to bold"...now I'm left to hold shells from a broken
masquerade....
and pain....I know your name.....
and I don't know if I'll ever be the same.....
I know your name....
Then I dressed and I left....and I nearly drank myself to death...
on the side of the road....
I shiver from the cold New England rain....and pain....
Can one really ever piss it all away?
(solo)
(chorus)
Dirty Underwear
Can you keep a secret...can I trust you?
Or will I be hurt...shunned by you...
You seem like a friend...on who I can depend...
So many secrets to tell what I'm feeling...
I can't start the healing...if you turn away...
CHORUS:
My dirty underwear
Goes with the socks
Forget the past it's all been lost...
Time to do the wash
Bleach this world away
Lord won't you come wash it all away...
I'm gonna wash it all away...
Friends come and they go...but nobody knows....
A little concern...but it's never never shown....
You seem sincere but how can I tell if you are...
How can I love you if you turn away?
My dirty underwear
Goes with the socks
Forget the past it's all been lost...
Time to do the wash
Bleach this world away
Lord won't you come wash it all away...
I'm gonna wash it all away....
Can you feel my pain?
I will take my blame...
I dreamed we were running....running away....
With no clothes...With no clothes on our backs....
Dreamin'...yes...I feel your pain...
Yes...yes... I accept your blame...
I saw you standing there all alone...
Nobody's home....now you're not alone....
Will you listen if I want to tell you
I'm sorry for everything ...what I'm not sure of...
I'm cold and I'm callous from all of my trouble...
I know it will double...if you turn away.....
(chorus)
Everybody get down don't you turn around put your hands up and shut up this gun's a loaded one...
No one listened to me so now I'nm ready to be
someone ye'll remember for the rest of your life I tell ya...
(Chorus)
I can't take it...
I can't shake it...
I can't make this contradiction in life...
It make me crazy when i see it on the T.V...
It's in my head how can I survive....
...this contradiction in life...
I have a gun but I know you all have some why don't we just shoot each other make the evening screen...
Bias my mind and rape my gender make me so slender that I can't eat...
No child abuse kill the baby in the womb take all of the murderers and set them free...
Rob from the poor and give to the rich my life is a bitch now watch me bleed...I tell ya...
(chorus)
I wanna blow all the morning talk shows the pimps and the hoes you let them be...
see me fall down step over my body ain't nobody wants me so piss on me...
Use it abuse it I know you will accuse it after you're done just cut it off...
Give me some love make me trust someone take a hand full of shit and dump on me.....
I can't take it ...
I can't shake it
I can't make this contradiction in life...
It make me crazy when i see it on the T.V....
It's in my head how can I survive....
Oh her fool heart...its been yearnin'...
for a love to...come her way
But she don't see...that he's burnin'...
For another....in her place....
Still she wants him...oh so badly...
that she don't see...what's in her face...
Just another...fool he made her....
and he'll laugh when....her heart breaks...
Let me tell ya....
(chorus)
A parade of clowns and fools pass by me all night, all day
can't stop them from coming....
They make me sick as they laugh and sneer...
But they never, never, never....listen....
They just gonna laugh their lives away...
Knew a young boy....he was drinking.....
couldn't see lord.....he couldn't see straight...
Wouldn't listen...to what you'd tell him...
Took his car to....a watery grave....
Let me tell ya again...listen up
A parade of clowns and fools pass by me all night, all day...
can't stop them from coming....
They make me sick as they laugh and sneer...
But they never, never, never.....listen.....
They just gonna laugh their lives away....
(a solo)
(chorus)
Clowns and fools......(etc...)