Noorjehan or Noorjehan (Punjabi, Urdu: نور جہاں) was the adopted stage name for Allah Wasai (September 21, 1926 – December 23, 2000) who was a legendary singer and actress in British India and Pakistan. Her career spanned seven decades. She was renowned as one of the greatest and most influential singers of her time in South Asia and was given the honorific title of Malika-e-Tarannum (Urdu: ملکہ ترنم, English: the queen of melody).
Born in a Punjabi family of musicians, Wasai was pushed by her parents to follow in their musical footsteps and become a singer but she was more interested in acting in films and graced the earliest Pakistani films with her performances. She holds a remarkable record of 10,000 songs to her singing credits in various languages of India and Pakistan including Urdu, Hindi, Punjabi and Sindhi languages. Along with Ahmed Rushdi, she holds the highest record of film songs in the history of Pakistani cinema. She is also considered to be the first female Pakistani film director.
Mehdi Hassan Khan (Urdu: مہدی حسن خان ) is a Pakistani ghazal singer and a former playback singer for Lollywood. He is famously known as the 'King of ghazal' (Urdu: شہنشاہِ غزل). He has ruled the Pakistan film industry along with Ahmed Rushdi. He was honoured with Tamgha-e-Imtiaz, Pride of Performance and Hilal-e-Imtiaz by the Government of Pakistan, and Gorkha Dakshina Bahu by the Government of Nepal.
Mehdi Hassan was born on 18 July 1934 in a village called Luna in Rajasthan, India into a family of traditional musicians. He claims to be the 16th generation of hereditary musicians hailing from the Kalawant clan of musicians. Mehdi Hassan had his musical grooming from his father Ustad Azeem Khan and uncle Ustad Ismail Khan who were both traditional Dhrupad singers. Hassan started to perform at a young age and the first concert of dhrupad and kheyal with his elder brother is reported to have been held in Fazilka Bungla, near present DC House (1935) of Undivided Punjab. After the Partition of India, 20-year-old Hassan and his family migrated to Pakistan and suffered severe financial hardships.
Naseem Begum (1936–1971) was a popular, and well known Pakistani playback singer. She rose to prominence towards the end of the fifties, and by 1964 had managed to win the prestigious Nigar award on five separate occasions. Despite originally being billed as a 'second Noor Jehan', Naseem quickly managed to carve out her own successful niche in the music industry.
She had the calibre to sing semi classical compositions, which indeed is a difficult task.
Naseem Begum was born in the city of Amritsar, British India, in 1936. She acquired her musical training from the classical singer Mukhtar Begum, the elder sister of the renowned ghazal vocalist Farida Khanum. Her first film, as a playback singer, was Guddi Gudda in 1956. The composer Sheriyar was greatly impressed by her vocal range, and gave her the opportunity to perform in his film Begunah. Naseem immediately tasted success with her song Nainon mein jal bhar aayey, which became one of the most popular tracks of the fifties. She gained popularity after singing memorable duets with famous playback singer Ahmed Rushdi.
Adnan Sami Urdu: عدنان سمیع; (born 15 August 1973) is a British-born Pakistani Canadian singer, musician, pianist, actor and composer. He currently holds Canadian citizenship and works and lives in Mumbai, India. His style merges Asian and Western music styles and instrumentation and ranges from classical to jazz to modern pop-rock.[citation needed]
Born in 1973 to Naureen and Arshad Sami Khan, Sami was brought up and educated in London, United Kingdom. His father Arshad was a pilot with the Pakistan Air Force and a Pakistani diplomat. Sami attended Rugby School. He had played the piano since the age of five. Sami began taking lessons from Pandit Shivkumar Sharma when visiting India during his school vacations. Indian singing legend Asha Bhosle spotted talent in a ten-year-old Sami at an R D Burman concert in London, and encouraged him to take up music as a career.
As a teenager, Sami, when performing on the sitar at a programme in Stockholm, was noticed by Keyboard Magazine as being the fastest man on keyboard in Asia. Sami went on to learn Indian classical music from Mahraj Khatak, a Pakistani classical singing teacher and dancer. At the age of sixteen, Sami was approached to write a song for famine-hit Ethiopia for which he won a special award from UNICEF.
Anuradha Paudwal is a popular playback singer in Bollywood in India. She has sung songs in Hindi, Marathi, Oriya, and Nepali.
She studied at Xavier's College in Mumbai. She was married to the late Arun Paudwal, who worked with music director S. D. Burman as his assistant. Her singing career started in 1973 with the movie, Abhimaan, (starring Amitabh Bachchan and Jaya Bachchan) in which she sang a Shloka (a Sanskrit verse). In the same year she also made her Marathi film debut with "Yashoda" (music by Datta Davjekar). In 1974, she brought out a record of Non-film Marathi songs or "bhav geeten" which became very popular.
In 1976, she got her break as a playback singer in Hindi films with Kalicharan (starring Shatrughan Sinha and Reena Roy). Her first solo was in the movie, Aap Beati, (starring Hema Malini and Shashi Kapoor). Laxmikant-Pyarelal were the music-composer duo for that movie. She also occasionally sang songs for composers Rajesh Roshan (Des Pardes), Jaidev (Dooriyan, Laila Majnu), Kalyanji Anandji (Kalaakar, Vidhaata), and Usha Khanna (Souten, Sajan Bina Suhagan).
She traps a Velvet moth between her harmless hands.
Then builds an Atrium to perch on her night stand.
She lays to watch her fly.
Attracted towards the light.
She's all mine.
It's now another day in search for anything.
She'll take advantage of any human being.
She loves to watch me fly, attracted toward the light.
She's not mine.
If she'd only leave the light on.
Breathes under my Velvet wings, if she only left the light on.
She brings all that she used to be, if she only left the light on.
I swear it's hard to tell if I'm the only one.
I found a photograph next to the Atrium.
It's faded black and white.
He's holding her so tight.
She's not mine.
If she only left the light on.
She breathes under my Velvet Wings.
If she only left the light on.
She brings all that she used to be.
If only she left the light on.
All the powder on your wings make me feel i'm everything.
And every single evening I love you with the way I sing.
I sing.