In the Italian folklore, Befana is an old woman who delivers gifts to children throughout Italy on Epiphany Eve (the night of January 5) in a similar way to Saint Nicholas or Santa Claus.

The character may have originated in central Italy, then spread as a tradition to the rest of Italy.^{[citation needed]}

A popular belief is that her name derives from the Feast of Epiphany or in Italian, "La Festa dell'Epifania". Epifania (Epiphany in English) is a Latin word with Greek origins. Epiphany means either the Feast of the Epiphany (January 6) or “manifestation (of the divinity)."

There is evidence to suggest that Befana is descended from the Sabine/Roman goddess named Strina. In the book Vestiges of Ancient Manners and Customs, Discoverable in Modern Italy and Sicily by Rev. John J. Blunt (John Murray, 1823), the author says:

"This Befana appears to be heir at law of a certain heathen goddess called Strenia, who presided over the new-year's gifts, 'Strenae,' from which, indeed, she derived her name. Her presents were of the same description as those of the Befana—figs, dates, and honey. Moreover her solemnities were vigorously opposed by the early Christians on account of their noisy, riotous, and licentious character".

Gianni Morandi (born December 11, 1944) is an Italian pop singer and entertainer.

He made his debut in 1962 and quickly placed high at or won a number of Italian popular song festivals, including the Canzonissima festival in 1969. In 1970, he represented Italy at the Eurovision Song Contest with "Occhi di ragazza". His career went into a decline in the 1970s but underwent a revival in the 1980s. He won the Festival of Sanremo in 1987, placed second in 1995 and third in 2000.

It is estimated that Morandi has sold 49 million recordings.

His songs "In ginocchio da te", "Non son degno di te" and "Scende la pioggia" were certified as having each sold over one million copies, and were awarded gold discs. He has written a number of autobiographical books and appeared in 18 films. In TV he played Claude Jade's husband Davide in the 1984 TV series Voglia di volare.

Gianluigi Morandi was born in a little village called Monghidoro on the Tuscan-Emilian Apennines. His father Renato was active within the Italian Communist Party and Gianni used to help him sell the party newspapers. At an early age Morandi worked as a shoe-shiner, cobbler and as a candy vendor in the village's only cinema. His vocal abilities led him to a number of small gigs, some of which were during the Communist Party’s activities.

Massimo Troisi (19 February 1953 – 4 June 1994) was an Italian actor, film director, and poet. He is best known for his role as Mario Ruoppolo in the 1994 film Il Postino.

Troisi was born into a large family in San Giorgio a Cremano, a town near Naples. His father was a train engineer. Some of his family experiences were later told in his first movies. After high school, Troisi wrote some poems inspired by his favourite author, Pier Paolo Pasolini, and, in 1969, started to play in a small local theatre together with some childhood friends (including Lello Arena and Enzo Decaro). The early death of his mother condemned Troisi to a harsh period of activity, which is said to have had a role in the development of his increasingly serious heart problems which were brought on during his teenage years from bouts of rheumatic fever. (In 1976 he had to visit the United States for a heart valve operation, the expenses for which were paid with the help of his friends.)

Troisi started his artistic career as a cabaret showman in 1972, as a member of the comic trio called "I Saraceni" ("The Saracens") and, later, "La Smorfia" (from the name of the "book of the numbers" traditionally used in Naples for lottery and tombola, but also meaning "the face", as in "to make a face"). His mates were De Caro and Arena. They gained national fame on the radio and increased it consistently from 1977 onwards eventually becoming TV stars with the shows Non Stop, La sberla (1978) and Luna Park (1979). Troisi soon gained the status of leader of the trio. He was noted for his use of facial mimicry and of apparently confused speech—in these he drew inspiration from such famous figures of Neapolitan comedy as Totò, and Eduardo and Peppino De Filippo.