Big beat is a term employed since the mid-1990s by the British music press to describe much of the music by artists such as The Prodigy, Cut La Roc, Fatboy Slim, The Chemical Brothers, The Crystal Method, and Propellerheads typically driven by heavy breakbeats and synthesizer-generated loops and patterns in common with established forms of electronic dance music such as techno and acid house.

Big beat tends to feature distorted, compressed breakbeats at moderate tempos (usually between 120 to 140 beats per minute), acid house-style synthesizer lines, and heavy loops from 60s and 70s funk, jazz, rock, and pop songs. They are often punctuated with punk-style vocals and driven by intense, distorted basslines with conventional pop and techno song structures. Big beat tracks have a sound that includes crescendos, builds, drops, dramatic sound effects, such as explosions or sirens, and extended drum rolls. As with several other dance genres at the time, the use of effects such as cut-off, phasing, and flanging was commonplace.

William Haislip "Billy" Squier (born May 12, 1950) is an American rock musician. Squier had a string of arena rock hits in the 1980s. He is best known for the song "The Stroke" on his 1981 album release Don't Say No. Other hits include "In the Dark", "Rock Me Tonite", "Lonely Is the Night", "My Kinda Lover", "Everybody Wants You", "All Night Long" and "Emotions in Motion".

Squier was born in Wellesley, Massachusetts. He is a 1968 graduate of Wellesley High School. While growing up, he began playing piano and guitar, but did not become serious with music until discovering Eric Clapton. When Squier was nine, his grandfather taught him how to play the piano. He took lessons from his grandfather for two years. After he stopped taking piano lessons, he became interested in guitar and bought one from a neighbor for $95. Squier took guitar lessons for a couple of months until he decided to teach himself.^{[citation needed]} He later attended Berklee College of Music.

Billy Squier's first public performance was at a Boston nightclub in Kenmore Square called the Psychedelic Supermarket in 1968 which is where he saw Eric Clapton and the band Cream perform. Squier originally performed with the band Magic Terry & The Universe, which also included Klaus Flouride, who went on to play with the Dead Kennedys. In the early 1970s, he joined The Sidewinders, and played with members including Mike Reed, Alex Phillips, Henry Stern, and Bryan Chase. Squier left the group to form the band Piper, which released two albums in the mid '70s, Piper and Can't Wait, but left soon after. Bruce Kulick of KISS fame played with him during this period also. Upon reviewing the debut Piper, Circus Magazine touted it as the greatest debut album ever produced by an American rock band. Piper was managed by the same management company as KISS, and opened for KISS during their 1977 tour, including the second and third nights of a three-night, sold-out run at New York's Madison Square Garden.

Lamont Coleman (May 30, 1974 – February 15, 1999), better known by his stage name Big L, was an American rapper. Coleman was born and raised in Harlem, New York, where he started his rap career with Three the Hard Way. He founded the group Children of the Corn and was a member of the Diggin' in the Crates Crew before pursuing a solo career. His first professional appearance came on Lord Finesse's "Yes You May (Remix)". He released his debut album, Lifestylez ov da Poor & Dangerous in 1995, and significantly contributed to the underground hip hop scene. He created his own independent label, Flamboyant Entertainment, in 1998 where he released one of his best known singles "Ebonics" (1998).

On February 15, 1999, Coleman was killed by an unknown assailant in a drive-by shooting in his hometown of Harlem. Suspects, including the main suspect Gerald Woodley, were brought in for questioning, but no one was found guilty. His second studio album, The Big Picture was put together by Coleman's manager, Rich King. It was released the following year and certified gold by the Recording Industry Association of America (RIAA).

Big Mouth (Lakota: Itȟáŋka) (born 1822–died October 29, 1869) was an Oglala-born chieftain of the Brulé Lakota, highly regarded by the Brulé for his bravery and aggressive military leadership. He was one of the chiefs who signed the second Treaty of Fort Laramie in 1868 and remained a bitter opponent of further American settlement, ridiculing Spotted Tail and other Sioux chieftains upon their return from a mission to Washington, DC. He was sixth son of Old Chief Smoke (1774–1864) and twin brother of Blue Horse.

One of the principal chiefs at the Whetstone Agency, located along the Missouri River, where most of the Brulé and Oglala bands had gathered, Big Mouth gained increasing support for his stance among members of the tribe. He criticized what he described as Spotted Tail's reversal of Sioux policy, saying Spotted Tail had been entertained by American politicians and given a personal tour through the major cities of the east coast. Faced with increasing opposition to his leadership, Spotted Tail visited Big Mouth at his lodge, where, upon approaching the entrance, Big Mouth was seized by two warriors and held down while Spotted Tail shot and killed him.

Antoine Dominique "Fats" Domino Jr. (born February 26, 1928) is an American R&B and rock and roll pianist and singer-songwriter. He was born and raised in New Orleans, Louisiana. Domino was French Creole and Creole was his first language. Domino was delivered at home by his midwife grandmother who was born into enslavement in 1857. Like most families in the Lower Ninth Ward, Domino's family were new arrivals from the sugar and cotton plantations. His father was a well known violinist, and Domino was inspired to play himself. He eventually learned from his Uncle, jazz guitarist Harrison Verrett. Fats released five Gold (million selling) records before 1955. Domino also had 35 Top 40 American Hits and has a music style based on traditional R&B ensembles or Bass, Piano, Electric Guitar, Drums, and Saxophone.

Domino first attracted national attention with "The Fat Man" in 1949 on Imperial Records. This song is an early rock and roll record, featuring a rolling piano and Domino doing "wah-wah" vocalizing over a strong back beat. "The Fat Man" sold one million copies by 1953. Fats Domino released a series of hit songs with producer and co-writer Dave Bartholomew, saxophonists Herbert Hardesty and Alvin "Red" Tyler and drummer Earl Palmer. Other notable and long-standing musicians in Domino's band were saxophonists Reggie Houston, Lee Allen, and Fred Kemp, Domino's trusted bandleader. Domino finally crossed into the pop mainstream with "Ain't That A Shame" (1955), which hit the Top Ten, though Pat Boone characteristically hit #1 with a milder cover of the song that received wider radio airplay in a racially-segregated era. Domino eventually had 37 Top 40 singles.