CD, LP, Vinyl record album cover art
View larger image       Image note

Mateo y Trasante

CD (Item 503910) Sondor/Lion, 1976 — Condition: New Copy
$12.99 ...

CD

(€11.60 || £8.49 || ¥1540) (approx.)
4.50 10

An amazing little record from the Uruguay scene of the 70s – not as much as a hotbed of activity as some other South American nations, but still home to a few key geniuses – like the brilliant Eduardo Mateo! Mateo works here alongside musical partner Jorge Trasante – who mixes a lot of earthy percussion with Eduardo's dark vocals and guitar lines – in a style that's far from folksy, and has more of the complicated appeal of some of the organic work from Brazil during the post-Tropicalia years! And like some of the more heavenly Brazilian music of the period, there's a really transcendent feel to the whole thing – a vocal power that goes beyond the boundaries of language, and instrumentation that's simple and subtle, but in ways that are light years away from anything going on in the US or UK. Other players add in some key extra elements – a bit of electric bass here, some funky flute there – to inflect the tunes with some hipper, jazzy elements that are really wonderful. Titles include "Dulce Brillo", "Canto A Los Soles", "Palomas", "El Blues Para Mama", "Voz De Diamantes", and "Cancion Para El Tamborero".  © 1996-2015, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

As a rule, Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible. All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.

With our Used CDs, you can expect the disc to be free of all but the lightest of surface marks — clean, and not dirty at all. You can also expect the case to be clean (we often change the cases ourselves — putting fresh cases on Used CDs we handle) — and you can expect the booklet to be in good shape, unless noted otherwise. We will list any specific details/defects underneath the item — so look for notes on cutout marks in the case, stamps on the barcode, or details like that.


You might be interested in


CD, LP, Vinyl record album cover art
Obscure Oxide/Lion, 1978. New Copy
A really unusual set from the mid 70s underground – recorded by an obscure group in a tiny studio, but with a care and class that easily matches bigger records from the time! The guitar work is excellent – as tight as any heard on 70s AOR albums of the period, but much more relaxed, ... CD
CD, LP, Vinyl record album cover art
Les Fleurs De Pavot
Underground Masters, 1968. New Copy
Late 60s hippie psyche sounds from France – a group purportedly founded by pair of cats, one from San Francisco and one from London, who met at a Soft Machine show in Paris – and the record was produced by Jean Claude Vannier and Bernard Estardy! Titles include "Super Girl", ... CD
CD, LP, Vinyl record album cover art
Bell/Raven (Australia), Late 60s. New Copy 2CD
Seminal work from the Memphis scene of the 60s – all four albums by the legendary Box Tops, a group who were arguably as important to the city as the Stax Records scene at the time! The Box Tops sport a young Alex Chilton in tremendously fine form – and they get incredible production ... CD
CD, LP, Vinyl record album cover art
Reel To Real
Staubgold (Germany), Early 80s. New Copy
Rare sounds from the personal archives of Dennis Young – recorded at a time when he was working as the percussionist in Liquid Liquid, but doing some even weirder music on his own! Lots of these tracks mix together percussion and production styles that are steeped in plenty of echo – ... CD

Recently viewed ...

CD, LP, Vinyl record album cover art
Futures
Interscope, 2004. Near Mint- 2LP Gatefold
CD, LP, Vinyl record album cover art
Live – The 1971 Tour
Capitol, 1971. Used
CD, LP, Vinyl record album cover art
Virgin/Astralwerks (UK), 1977. Used
CD, LP, Vinyl record album cover art
Home Free
Columbia, 1972. Near Mint-
CD, LP, Vinyl record album cover art
Drag City/Yoga Records, 1989. Used
CD, LP, Vinyl record album cover art
36C
K, 1994. Used
CD, LP, Vinyl record album cover art
Columbia, 1979. Near Mint-
CD, LP, Vinyl record album cover art
Ashes & Matchsticks
Pye, 1976. Very Good
CD, LP, Vinyl record album cover art
Gateway To Dignity
Family Vineyard, 2003. Used
CD, LP, Vinyl record album cover art
Bete Noire
Reprise, 1987. Very Good+
CD, LP, Vinyl record album cover art
Simple Things
Capitol, 1977. Very Good+
CD, LP, Vinyl record album cover art
Ooh La La
Warner, 1973. Near Mint- Gatefold
 



? Top