Danny Mashinini is best known for his album “Georgina” released in 1989. Today’s post features a rare white label promo by the South African singer with two exciting sides of boogie/disco. Not sure if these tracks were ever released or commercially available.
Each week during the month of March Soul Safari presents a selection of exquisite South African boogie/disco rarities. Here is the much sought after 12″ from 1985
Tata -Afro Breakdance
Tata -Afro Breakdance/It’s A Mess -Hot Stuff Records 1985 South Africa
Each week during the month of March Soul Safari presents a selection of exquisite South African boogie/disco rarities.
This week starts with a few tracks by Eric D from his album “Slow Down” originally released in 1988.
Eric D Slowdown/Nothing For Nothing -Sounds of Soweto SOS 2 -South Africa 1988
Backing Vocals – Mandisa Dianga, Marilyn Nokwe, Sipho Nkumalo, Thandi Seoka, Wake Mahlobo
Composed By – B. Bophela, T. Sothole
Guitar – Themba Mtshali
Keyboards – Barney Bophela
Producer – B. Bophela, T. Sothole
Saxophone – Mandla Masuku
see also Lost & Found pt 1 -Wanda Arletti -Love Power!!
Lost & Found is a series that showcases long lost music from the 60s by South African white artists. Maybe these songs and sounds were lost for years but not forgotten. Today I want to present a record by Peanut Butter Conspiracy aka PBC, a group that worked with The Flames and singer Una Valli. Not to be confused with the American band of 1966 with the same name. A combination of soul and uptempo excitement, just plain talent combined with ambition and gutsy professionalism. No hype, no hustle.
see also The Flames -Soulfire!! South Africa’s soul super group
peanut butter conspiracy
The group Peanut Butter Conspiracy was formed in 1968. The original line up included: Una Valli (vocals), John Lindeman (guitar),Brian Mulder (bass), Ron Naturam (keyboards), Mike Fox (drums), Peter Lynch (sax/mouth-organ/guitar) and Mike Koch (drums). Subsequent band members included Ton Schiff (keyboards), George Hill (drums), Herbert Simon (guitar), Moose Forer (bass), Frank Hill (drums), Stuart Preston (drums), Mick Spooner (keyboard/sax), Eddie Payne (trumpet) and Freddie Schesser (trumpet). “Understanding”reached #2 on Springbok’s Top 20 in May 1971 and spent 17 weeks on the charts. It went to #1 on the Rhodesian charts for three weeks in May 1971. Other hits include: “Hold On To What You’ve Got” (#4 Aug ’71) and “Amen” (#2 Dec ’71).
Their cover of the song “Part Of Someone (Church)” originally by Steven Stills remains a true gem that is waiting to shine again.
PBC continued on to at least 1973 releasing a few records on the Columbia record label in South Africa. Alan Brackett of the American band said that he no doubt believes that they used their name especially because both bands were signed with Columbia. There is also a barbershop quartet with the same name. There were many foreign bands that emulated American sounds with 60s psychedelia, progressive rock, and soul music. Apparently Columbia had no problem with this.
Peanut Butter Conspiracy…Chart Busters…Soulmates. Take six musicians: Patent Brian Mulder’s gravel-voice delivery. Add brass. Peter Lynch, Mike Spooner and Eddie Payne. Blend in Stuart Prestam’s drumming and Herbert Simon’s guitar riffs. Now you have it – the PBC sound. Here’s their debut album to confirm your suspicions. This is South Africa’s pop discovery of the 70s.
source; liner notes Peanut Butter Conspiracy (CBS ASF 1627-South Africa)
and
Grendelmonster8u112 videos
New Haven, Connecticut, USA • YouTube
Today’s post features all tracks from an early album by Nash ‘Wind Me Up’ released in 1981 in South Africa on his own label Nash
Tracklist
A1 Wind Me Up 5:12
A2 Love Me Now 4:00
A3 Let The Music Play 3:53
B1 Funky Feelin’ 6:22
B2 Blame It On Magic 3:48
B3 Ooh Baby 3:31
Neville Nash and his band The Miracles parted ways when the South African singer went solo. By 1985 he had a big hit,”One Of Those Night”,which was later included in the Concert In The Park double album.”What’s Your Name,What’s Your Number?” produced by Tom Mkhise on the CTV label Solid. In 1986 he followed up with the album “Why?” which featured the hit “Feel It” produced by Tom Mkhise, Solly Letwaba and Neville himself.
in addition to MP Flapp’s previous post on diggin’ in Japan here is his report on Osaka.
see also Diggin’ in Japan; vol 5 Tokyo Dec 2014 by MP Flapp
Next stop Osaka.
Osaka is just over three hours from Tokyo by shinkansen. Unlike Tokyo Shin-Osaka where the shinkansen arrives is about 20 minutes from downtown Osaka by metro. Namba is a recommended spot to find a hotel as two large groupings of records stores exist in this area. The first is roughly between Shinsaibashi and Yotsubashi metro stations. The second is south-west of the main Namba railway station. Between the two there are in excess of twenty record stores. A third area with about five stores exists just south of Nakazakicho metro station.
Complementing the stores, from 26th December for four days, the Hanshin Department Store at Umeda plays host to a record fair. Recommended for the fact many stores not based in Osaka are represented at the fair. The stores from Osaka who sell at the fair tend to use it as a means to offload excess stock at sensible prices. It is still worth visiting the stores in person as many of the more obtuse or rare records remain in store and not at the fair. The fair is a bit different to European fairs in the organised loosely by genre/theme across a number of tables. None of the sellers are present, but their stock is tagged up according. You basically build up a pile of records from across all the sellers. Go to the inspection area where you can check the records, returning any that are not up to scratch. Then proceed to the check-out areas where you pay for and get your finds bagged. A bit odd the first time you do it, but I have to say it is fairly efficient.
Possibly the biggest difference between Tokyo and Osaka for record shopping is that there is less need for public transport. You can for the most part walk between stores and as such Osaka is a fairly laid back shopping experience. The shops are as equally well stocked as Tokyo, but there are just slightly less of them.
Some recommendations? Bamboo Music is closest to Nakazakicho metro station and a little out of the way, but is always worth a visit for the Jazz, soul and funk based selection. One of those stores with something for every pocket and quite a few titles you only ever see on-line. At the other end of town near Namba station you’ll find Naka Records. The store is a good starting point for the area as it often has a map for the other stores in the vicinity, and is a great source of lounge, easy and Japanese 45s. A short walk from Naka you’ll find Wild One Records. A delight of a store for Folk and Progressive rock music fans. The store is sensibly priced and has something for every pocket. Heading up to Shinsaibashi there is a great little club based music port of call called Rare Groove Records. Again the shop stocks a great range of LPs, 12s and 45s. They also have flyer map for the other stores in that area, a number of which are in the same building. A short walk from here and close to Yotsubashi metro station you’ll find Maru Ka Batsu. The store has existed for some years and has a great stock of 80s focused punk, alternative and industrial music. It’s well stocked in other areas too, but the aforementioned genres are always a distinct highlight. I often make this the last top of the day as at the end of the street the store is on you’ll find craft beer bar Kamikaze. It’s always a pleasure to drink there at the end of the day.
As short as this piece is you’ve probably guessed that with not too much effort and a bit of time it’s possible to discover a fantastic range of stores with an equally eclectic stock of records at a range of prices that makes record collecting available to every type of buyer. It’s not all about finding super rare records for three figure sums of money, but discovering new music that excites you and at a price you can afford. Saying that, if luck’s on your side you might just find that grail along the way by chance…
Notes:
today brings an exciting post by guest editor MP Flapp who recently came back fully loaded from a trip to Japan and who is so generous to share his experiences on this blog. Regard it as an additional update to the published previous posts of diggin’ in Japan. First up is his report on Tokyo, next post will cover Osaka.
see also diggin’ in Japan vol 1; Tokyo record shops
see also diggin’ in Japan vol 2; Osaka finds
see also diggin’ in Japan, vol 3; One Box Record Fair Tokyo
see also diggin’ in Japan vol 4-El Sur Records Tokyo-interview with Takashi Harada (translation in Japanese)
Diggin’ for gold in Tokyo -December 2014
by guest editor MP Flapp
Sometimes the best trips to look for records happen more by chance than design. This is one of those. It’s December and the year is running out. I’ve still not taken a proper holiday. Where’s best place to go to score some vinyl, chill a little, eat well and tactically avoid the commercial excesses of the season? It might come as a surprise that Japan would be the answer.
It’s actually a good time to go. It’s out-with the regular tourist season, the flights tend to be a bit cheaper, the hotels tend not to be fully booked, the shinkansen trains not overly busy, the weather can have an autumnal air, the shops are open every day and many record stores have end of year sales combined with the fact they pull out their top stock for the lure of the salary man’s bonus.
I’ve been to Japan more than once to buy records, so have a collection of maps and notes put together over the years with some valuable local assistance as a starting point. Having someone locally to point you in the right direction helps a lot, like anywhere else shops open, close and move, so one year’s good spots don’t necessary hold true for the next.
Until a few years ago the best guide to finding stores was the “Record Map”, a Japanese text only book detailing the locations of record and CD stores in almost every city in the country. It was never fully comprehensive, but as a guide it was invaluable. It ceased to be published in 2013. However, a sign that interest in stores and buying used music may be picking up is that the book is back on the shelves as a new and updated edition as of December 2014. The publication date was a bit late for this expedition as I was already on the ground when the book hit the shops.
This trip I’ve decided to focus on two locations: Tokyo and Osaka. Fly in to Tokyo spend some days there, travel to Osaka for a few more days, then return to Tokyo for a couple of days, before flying home on New Year’s Eve.
In my opinion, even if you drive, the best way to get between and around these cities is with the aid of the JR Rail Pass. Once you have the pass (the voucher is bought in advance of travelling to Japan) you are free to travel on any JR train. There are some exceptions with travelling on the shinkansen. The pass isn’t valid for a small number of superfast trains. However, the majority of shinkansen you can travel on by just making a reservation prior to boarding.
One thing I did differently to previous trips was to take a cheap Wi-Fi enabled tablet device. Given the short notice of the trip all I had was a rough plan with nothing fixed. Unlike a number of other countries cafes and bars tend not to have free Wi-Fi. All the hotels I stayed in had free Wi-Fi. So with this in mind all I did was firm up a plan for the day the night before and make sure any maps and the like were in an off-line form for browsing on the hoof.
Tokyo
For the first few days in Tokyo I usually focus on three main areas: Shibuya (with a side trip to Shimokitazawa), Shinjuku and Ochanomizu (with a side trip on foot to Jinbouchou). It’s a fairly easy circle of stores on the metro and in each of the areas there are enough shops dominated by the spread of Disk Unions to make finding your feet and common titles fairly easy. Disk Union is the dominant used music chain in Tokyo. However, in the vicinity of the stores in Shinjuku and Ochanomizu there are some other great independent stores well worth checking. Sadly a few of the regular spots in the Jinbouchou area (Turntable for example) have closed.
Although at least in Turntable’s case the entity still exists. Admittedly off the high street. Enan (the former proprietor of Turntable), having shut the physical store still operates privately and through the pop-up one day record sale. I made it to one such record sale in Jinbouchou. The record sales are usually held in a bar or small hall for one day with a few sellers offering a limited set of stock from boxes. The sale is usually wrapped in a very social setting with both sellers and buyers soundtracking the event by playing records for each other whilst discussing music. More of a house party style event in a bar than a formal record fair. The sales seem to be a welcome new trend, with the stock available and those selling varying from event-to-event.
There have been some changes in the records available and the prices since my last trip. As of 1st April 2014 sales tax went up to 8%. It’s often possible to see the price less tax and with tax on the price sticker on the record. Very few stores add the tax on unexpectedly, so what you see on the sticker is the price. One type of record I collect is the Japanese vinyl editions of what might be classed as well known releases (David Bowie, Brian Eno, Scott Walker etc). These are the LP versions wrapped by an OBI strip round the cover with an insert or booklet specifically made for the edition. Complete, these records would appear to have become much harder to find over the years and a bit more expensive than they used to be. There are a few that have eluded me for more than one trip now. A complete copy of Fripp and Eno’s “Evening Star” in theory should be relatively straightforward to score. It isn’t. There are plenty of clean copies of great titles at super cheap prices, but complete top copies are becoming a challenge.
That said there is no shortage of records from about every conceivable geographical location and genre available in almost every store. There are some highly specialist stores that focus on a specific range of music, but in general most stores are across the board. It’s the main reason I come. It’s not just the availability and price of records (which is usually very competitive), but the fact you can zip round town on public transport and without really trying visit anywhere between ten and fifteen stores in any one day and do the same again the next without covering the same ground twice.
Some recommendations? It goes without saying any of the Disk Unions are worth visiting. The stock turns over frequently and there is always a good range of records for every pocket. Of the independent stores in Shibuya I would recommend a visit to both Sonota (aka Manual of Errors) and El Sur Records. The former is a haven for the most obtuse mondo style records you’ve ever seen whilst the later has a broad range of world music with a healthy selection of African recordings (more CDs and less vinyl these days). One stop on the Keio Line on the express train from Shibuya is Shimokitazawa. Two notable spots here are Flash Disc Ranch for the selection of US used records combined with the sensible pricing policy and Yellow Pop whist not big is always good for turning up 80s alternative titles in top condition. The best Disk Union for Jazz is at Ochanomizu. A short walk from there in Jinbouchou is Record Sya. The store has existed on three floors for many years and is a great source for Japanese releases across almost every genre.
After all the digging for records you probably want a music related break for a drink. Tokyo has a wealth of unique music related café/bars. It’s really just a matter of finding them that is often the problem. Very few of these are often at street level and hence noticeable is passing. One distinct highlight of this trip was a visit to Sound Cafe Dzumi in Kichijoji. An upper floor haven for improvised and free jazz stoked with music and literature from the proprietors (Izumi Hideki) own archive. In addition to the Free Music Archive making regular radio broadcasts from the café they host frequent live performances.
Notes:
