Larvotto is a south western residential/tourist area, part of the traditional Quartier of Monte Carlo in the Principality of Monaco. It is also one of the 10 modern administrative Wards of Monaco.
This district is the largest Ward in Monaco in terms of population, and is the second largest in terms of land size (Fontvieille is first). Larvotto has a Population of 5,443 and is 0.34 km².
Monaco has ten state-operated schools, four private schools, and one university. There are no state schools and only one private school located in this district.
There are also very few government offices located in this district, except for Monaco's only convention center, and two regional police stations.
Larvotto lies on the south western side of the country, just east of Monte Carlo. Larvotto is generally considered part of Monte Carlo, even though it is its own administrative Ward. Its boards run directly along the neighboring French towns of Roquebrune-Cap-Martin and Beausoleil, as well as the Monégasque Wards of, Monte Carlo and La Rousse/Saint Roman.
Martin France (born 1964 in Rainham, Kent) is an English jazz drummer based in London. He has been the rhythmic backbone on more than 60 albums working with some of the world's finest musicians.
Martin began performing at the age of twelve backing singers in Working Men's clubs with Organ trios in and around Manchester. He studied under Geoff Riley, Kenny Clare, Joel Rothman, and Richard Smith, Principal Percussionist with The Hallé.
In 1983 he began his recording career performing on several records for ECM records. With his friend and music cohort Django Bates, he had been performing with Evan Parker and Kenny Wheeler, and through their friendships had been introduced to ECM. France went on to record several albums for the label, and toured with some of their bands throughout he 1980s and 1990s.
A turning point in his early career was his role within the 1980s big band, Loose Tubes, where he began long standing partnerships with many of its members. His association with Django Bates has led to many diverse projects away from the jazz environment they normally occupy with Human Chain and Delightful Precipice. These include film soundtracks, jazz theatre, cross cultural collaborations and recording projects involving orchestras such as The London Sinfonietta, BBC Welsh Symphony Orchestra and the ASKO Ensemble in Amsterdam.
My name is Larry and I'm thirty-two
I'm so unhappy, I don't know what to do
I am the son of a businessman
I was born to be a part of his plan
Brought up to carry the family crown
I do my best, but my lips are brown
Middle class, I just can't, just can't take it
Efficiency is the name of my crime
Kissing ass, I've gotta, gotta make it
Borrowed money, borrowed time
Live my life under a microscope
I have to work for the rest of my life
I've got a car and a house and an expensive wife
I only bought the car to brag about the price
But I can't afford it; only used it twice
Live my life under a microscope
Oh, I would do anything for success
My son is gay and my wife is on dope
Oh, all I do is becoming a mess
Haven't fulfilled my father's dream
And now he doesn't love me anymore
I think I need a primal scream
But I live next door to my mother-in-law
Live my life under a microscope
Oh, I would do anything for success
My son is gay and my wife is on dope
Oh, all I do is becoming a mess
Middle class, I just can't, just can't take it
Efficiency is the name of my crime
Plastic cash. I gotta, gotta fake it
Borrowed money, borrowed time
Live my life under a microscope
Oh, I would do anything for success
My son is gay and my wife is on dope
Oh, all I do is becoming a mess
You're working like a galleyslave
You got to have a microwave
To keep your living standard high
And your neighbours satisfy
And don't forget to cut your lawn
Otherwise you'll be hang by dawn
Middle class, middle class