- published: 27 Apr 2015
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A color space is a specific organization of colors. In combination with physical device profiling, it allows for reproducible representations of color, in both analog and digital representations. A color space may be arbitrary, with particular colors assigned to a set of physical color swatches and corresponding assigned names or numbers such as with the Pantone system, or structured mathematically, as with Adobe RGB or sRGB. A color model is an abstract mathematical model describing the way colors can be represented as tuples of numbers (e.g. triples in RGB or quadruples in CMYK); however, a color model with no associated mapping function to an absolute color space is a more or less arbitrary color system with no connection to any globally understood system of color interpretation. Adding a specific mapping function between a color model and a reference color space establishes within the reference color space a definite "footprint", known as a gamut, and for a given color model this defines a color space. For example, Adobe RGB and sRGB are two different absolute color spaces, both based on the RGB color model. When defining a color space, the usual reference standard is the CIELAB or CIEXYZ color spaces, which were specifically designed to encompass all colors the average human can see.
The CIE 1931 color spaces are the first defined quantitative links between physical pure colors (i.e. wavelengths) in the electromagnetic visible spectrum, and physiological perceived colors in human color vision. The mathematical relationships that define these color spaces are essential tools for color management. They allow one to translate different physical responses to visible radiation in color inks, illuminated displays, and recording devices such as digital cameras into a universal human color vision response. CIE 1931 RGB color space and CIE 1931 XYZ color space were created by the International Commission on Illumination (CIE) in 1931. The CIE XYZ color space was derived from a series of experiments done in the late 1920s by William David Wright and John Guild. Their experimental results were combined into the specification of the CIE RGB color space, from which the CIE XYZ color space was derived.
The human eye with normal vision has three kinds of cone cells, which sense light, with spectral sensitivity peaks in short (S, 420–440 nm), middle (M, 530–540 nm), and long (L, 560–580 nm) wavelengths. These cone cells underlie human color perception under medium- and high-brightness conditions (in very dim light, color vision diminishes, and the low-brightness, monochromatic "night-vision" receptors, called rod cells, take over). Thus, three parameters, corresponding to levels of stimulus of the three types of cone cells, can in principle describe any color sensation. Weighting a total light power spectrum by the individual spectral sensitivities of the three types of cone cells gives three effective stimulus values; these three values make up a tristimulus specification of the objective color of the light spectrum. The three parameters, noted S, M, and L, can be indicated using a 3-dimension space, called LMS color space, which is one of many color spaces which have been devised to help quantify human color vision.
The World Ocean, world ocean, or global ocean (colloquially the sea or the ocean), is the interconnected system of Earth's oceanic (or marine) waters, and comprises the bulk of the hydrosphere, covering almost 71% of Earth's surface, with a total volume of 1.332 billion cubic kilometers (351 quintillion US gallons).
The unity and continuity of the World Ocean, with relatively free interchange among its parts, is of fundamental importance to oceanography. It is divided into a number of principal oceanic areas that are delimited by the continents and various oceanographic features: these divisions are the Atlantic Ocean, Arctic Ocean (sometimes considered a sea of the Atlantic), Indian Ocean, Pacific Ocean, and Southern Ocean (often reckoned instead as just the southern portions of the Atlantic, Indian, and Pacific Oceans). In turn, oceanic waters are interspersed by many smaller seas, gulfs, and bays.
A global ocean has existed in one form or another on Earth for eons, and the notion dates back to classical antiquity (in the form of Oceanus). The contemporary concept of the World Ocean was coined in the early 20th century by the Russian oceanographer Yuly Shokalsky to refer to what is basically a solitary, continuous ocean that covers and encircles most of Earth.
CIE may refer to:
The International Commission on Illumination (usually abbreviated CIE for its French name, Commission internationale de l'éclairage) is the international authority on light, illumination, colour, and colour spaces. It was established in 1913 as a successor to the Commission Internationale de Photométrie and is today based in Vienna, Austria. The President from 2015 is Yoshihiro Ohno from the US.
The CIE has eight divisions, each of which establishes technical committees to carry out its program under the supervision of the division's director:
Monthly averages (climatologies) of natural colors of surface seawater in the World Ocean as perceived by the human eye. SeaWiFS monthly climatologies (1997 – 2010) of remote-sensing reflectance spectra were first converted to normalized water-leaving radiance spectra. These were converted to CIE 1964 XYZ color coordinates using the color-matching functions for a 10-degree observer. A Bradford chromatic adaptation from illuminant D55 to illuminant D65 was applied to account for sky illumination. The resulting XYZ triplets were normalized to a constant brightness (luminance) by setting Y = 0.5 lm m-2 sr-1 and were then converted to RGB in the sRGB color space for display on a computer monitor. RGB values outside the gamut were dealt with by subtracting the most negative value from all ...
ASAP 2014 V1 has enhanced chromaticity analysis for calculating CIE 1960 u v and 1976 u’ v’ color appearance models and Correlated Color Temperature (CCT). New CIE commands include CIELAB, CIELUV, and CIEUVW for calculation of CIE 1976 L*a*b*, L*u*v* and CIE 1964 U*V*W* uniform color spaces and color difference maps.
ASAP 2014 V1 has enhanced chromaticity analysis for calculating CIE 1960 u v and 1976 u’ v’ color appearance models and Correlated Color Temperature (CCT). New CIE commands include CIELAB, CIELUV, and CIEUVW for calculation of CIE 1976 L*a*b*, L*u*v* and CIE 1964 U*V*W* uniform color spaces and color difference maps.
The CIE 1931 color spaces are the first defined quantitative links between a) physical pure colors (i.e wavelengths) in the electromagnetic Visible spectrum and b) physiological perceived colors in human Color Vision. The mathematical relationships that define these color spaces are essential tools for color management. They allow one to translate different physical responses to visible radiation in color inks, illuminated displays, and recording devices such as digital cameras into a universal human color vision response. CIE 1931 RGB color space and CIE 1931 XYZ color space were created by the International Commission on Illumination (CIE) in 1931. The CIE XYZ color space was derived from a series of experiments done in the late 1920s by William David Wright and John Guild. Their experim...
Visit us to find out more at www.breault.com Use the new CIE feature in ASAP 2013 to calculate tristimulus (X,Y,Z) values using either the 1931 (2-degree) or 1964 (10-degree) Standard Observer Model, and calculate chromaticity (x,y) values using the 1931 Color Appearance Model. These values are stored in a distribution file format that may be read and manipulated using standard ASAP Display commands.
1. Description: 1.1 Make measurement of colour and colour difference reflected by materials. 1.2 Make measurement of ISO brightness (Blue Whiteness R457) and degree of whiteness for Fluorescent whitener. 1.3 Make measurement of CIE whiteness (Ganz whiteness W10 and Color cast value Tw10) Make measurement of whiteness of building materials and non-metallic minerals. 1.4 Make measurement of Hunter system Lab and Hunter (Lab) whiteness reflectance factor. 1.5 Make measurement of yellowness. 1.6 Make measurement of opacity, transparency, light scattering coefficient and light absorbing coefficient. 1.7 Make measurement of ink absorption. 2. Applications: Paper, Board, Pulps, Chemical fiber, Textile, Plastic, Ceramic, Enamel, Fecula, Salt, White cerement, Porcelain clay , washing powder and ...
APEX 2014 V1 has additional chromaticity analysis available including CIE 1960 uv and 1976 u’v’ color appearance models and correlated color temperature (CCT). New CIE uniform color spaces have been added including 1976 La*b* and Lu*v* and the 1964 U*V*W* space for calculating color difference maps.
Monthly averages (climatologies) of the luminance (brightness) of surface seawater in the World Ocean as perceived by the human eye. SeaWiFS monthly climatologies (1997 – 2010) of remote-sensing reflectance spectra were first converted to normalized water-leaving radiance spectra. These spectra were converted to luminance (brightness) as perceived by the high light-adapted human eye using the CIE 1964 photopic luminosity function for a 10-degree observer (which is one of the three respective color-matching functions). The decimal logarithm of luminance (in units of lm m-2 sr-1) is plotted, i.e. the false color scale is logarithmic. For the corresponding color, see the accompanying video. https://www.youtube.com/watch?v=nyxNihr-86w ----------------------- Data sets used: Ocean remote s...
In colorimetry, metamerism is the matching of the apparent color of objects without matching their spectral power distribution. Colors that match this way are called metamers. A spectral power distribution describes the proportion of total light given off by a color sample at each visible wavelength; it defines the complete information about the light coming from the sample. However, the human eye contains only three color receptors, which means that all colors are reduced to three sensory quantities, called the tristimulus values. Metamerism occurs because each type of cone responds to the cumulative energy from a broad range of wavelengths, so that different combinations of light across all wavelengths can produce an equivalent receptor response and the same tristimulus values or color s...
The color rendering index (CRI), sometimes called color rendition index, is a quantitative measure of the ability of a light source to reveal the colors of various objects faithfully in comparison with an ideal or natural light source. Light sources with a high CRI are desirable in color-critical applications such as photography and cinematography. It is defined by the International Commission on Illumination (CIE, in French) as follows: Color rendering: Effect of an illuminant on the color appearance of objects by conscious or subconscious comparison with their color appearance under a reference illuminant This video is targeted to blind users. Attribution: Article text available under CC-BY-SA Creative Commons image source in video