Platinum ( /ˈplætɨnəm/ or /ˈplætənəm/) is a chemical element with the chemical symbol Pt and an atomic number of 78.
Its name is derived from the Spanish term platina, which is literally translated into "little silver". It is a dense, malleable, ductile, precious, gray-white transition metal.
Even though it has six naturally occurring isotopes, platinum is one of the rarest elements in the Earth's crust and has an average abundance of approximately 5 μg/kg. It is the least reactive metal. It occurs in some nickel and copper ores along with some native deposits, mostly in South Africa, which accounts for 80% of the world production.
As a member of the platinum group of elements, as well as of the group 10 of the periodic table of elements, platinum is generally non-reactive. It exhibits a remarkable resistance to corrosion, even at high temperatures, and as such is considered a noble metal. As a result, platinum is often found chemically uncombined as native platinum. Because it occurs naturally in the alluvial sands of various rivers, it was first used by pre-Columbian South American natives to produce artifacts. It was referenced in European writings as early as 16th century, but it was not until Antonio de Ulloa published a report on a new metal of Colombian origin in 1748 that it became investigated by scientists.
Miranda Leigh Shelton (née Lambert) (born November 10, 1983) is an American country music artist who gained fame as a finalist on the 2003 season of Nashville Star, where she finished in third place and later signed to Epic Records. Lambert made her debut with the release of "Me and Charlie Talking", the first single from her 2005 debut album Kerosene. This album, which was certified Platinum in the United States, also produced the singles "Bring Me Down", "Kerosene", and "New Strings". All four singles were Top 40 hits on the Billboard Hot Country Songs charts.
After Epic's Nashville division closed, Lambert was transferred to Columbia Records Nashville for her second album, Crazy Ex-Girlfriend, which was released in early 2007. Although the title track failed to make top 40, the next three singles ("Famous in a Small Town", "Gunpowder & Lead", and "More Like Her") were all Top 20 hits, with "Gunpowder & Lead" becoming her first Top 10 country hit in July 2008. Lambert's third album, Revolution, was released in September 2009. Five singles have been released from the album, including Lambert's two Number One hits "The House That Built Me," which spent four weeks at the top of the chart, and "Heart Like Mine". Lambert has also been honored by the Grammy Awards, the Academy of Country Music Awards, and the Country Music Association Awards.
Michael Gordon Oldfield (born 15 May 1953) is an English multi-instrumentalist musician and composer, working a style that blends progressive rock, folk, ethnic or world music, classical music, electronic music, New Age, and more recently, dance. His music is often elaborate and complex in nature. He is best known for his hit 1973 album Tubular Bells, which launched Virgin Records, and for his 1983 hit single "Moonlight Shadow". He is also well known for his hit rendition of the Christmas piece, "In Dulci Jubilo".
Oldfield's parents are Raymond Oldfield, a general practitioner, and his wife Maureen Liston, a nurse. His sister Sally and brother Terry are successful musicians in their own right and have appeared on several of his albums. Mike Oldfield was born in the Battle Hospital, Reading, Berkshire, and he attended St Joseph's Convent School, Highlands Junior School in Tilehurst, St Edward's Preparatory School, and Presentation College in Reading. When he was 13 he moved with his parents to Harold Wood in northeast London, where he attended Hornchurch Grammar School. He only stayed there long enough to take one GCE examination, in English, as he had already begun his music career.
Diana Ernestine Earle Ross (born March 26, 1944) is an American singer, record producer, and actress.
Diana Ross was lead singer of the Motown group The Supremes during the 1960s. After leaving the group in 1970, Ross began a solo career that has included successful ventures into film and Broadway. She received a Best Actress Academy Award nomination for her role as Billie Holiday in Lady Sings the Blues (1972), for which she won a Golden Globe award. She has won seven American Music Awards, was honored with a 2012 Lifetime Achievement Grammy Award, and won a Tony Award for her one-woman show, An Evening with Diana Ross, in 1977.
In 1976, Billboard magazine named her the "Female Entertainer of the Century." In 1993, the Guinness Book of World Records declared Diana Ross the most successful female music artist in history due to her success in the United States and United Kingdom for having more hits than any female artist in the charts with a career total of 18 number one records in the United States. Diana Ross has sold more than 100 million records worldwide.
Yuka Iguchi (井口 裕香, Iguchi Yuka?, born July 11, 1988) is a Japanese voice actress from Tokyo, Japan. She is affiliated with Office Osawa.
Bold denotes leading roles.
Bout time, they opened up the do' for Z-Ro
Cause I've been dropping hits, since ten years ago
Trying to do it legal, and not slang yayo
If I can't get it legal, to the corner I go
I never took pride, in slanging cocaine
Never could get a job, but needed some mo' change
C.d.'s wasn't selling, because I had no name
Nothing but a t-shirt, no piece no chain
Too many times, I was ready to give up
Run up in a bank, and say this is a stick-up
Put my pain on records, and record sales picked up
The tears I done shed, led me to the big bucks
2000 and 4, I ain't broke no mo'
Cause God is my life jacket, when I sink solo
I went to a hundred thousand, from a whole fo'
So all you haters hate me, as I make a little mo'
[Hook]
I'm going platinum this time, (this time-this time)
I think you fellas, better respect my mind (mind-mind)
I'm here to collect my pennies, my nickels and my dimes (my dimes-my dimes)
And ain't nobody gonna block out my shine (shine-shine)
[Z-Ro]
They got me living in a '56, Mass L
My locker full of commsary, and my fan mail
My city saying Z-Ro, what you gon do when you get out of jail
I can't do no mo' pyrexes, no mo' scales
Trying to make a million dollas, off my melody
Couldn't see it coming, so I caught a state-jail felony
F-1 bunk twelve, there resides the stars
Special thanks to love, cause "I Hate U Bitch" climbed me to the top of the charts
Being free, is like being on lock
Niggaz still kick it with ya, but try to get some of what ya got
I ain't never seen, so many feminine men
Swear to God they holding in the world, but ain't nobody seeing dividends
That ain't the life of me, I had to get it
Might not be rich in the present, but I'ma be rich in a minute
Cause I got three Cuzos sitting up high, rolling 24's
Screaming A.B.N. get in the do', waiting for Ro
[Hook]
[Z-Ro]
Jealousy and envy, play a major role
Everytime a playa, try to get his pockets swoll
Somebody said I did this, and said I did that
Even told homicide, I pushed the homie's wig back
They don't wanna see, a nigga make it out of poverty
When will they realize, God is running with me ain't no stopping me
Probably never will, so keep on trying
You can clip my wings, but I see happiness in the sky so I'ma keep on flying
Until I find, a rested place
So many battle scars, blood on my chest and face
Whether I'm working or rapping 24/7, me and Satan be scrapping
He want my soul, but I ain't gon let it happen
Even if I lose my life, trying to chase my dream
Whoever do me, gon have hell when they face my team
I got them same three Cuzos holding me down, if I ain't coming back
You can't escape what makes you tragic you know
Vicious cause you want to be
Leaving time possessed to please you
What might have been was never the way you envisioned things
So difficult to stop pretending what's this to you anyway
Turn down the voluptuous
Keeping close to me again
Hold back your virtues
You're fearless in motion
You found your way
So why keep asking me
Nothing common suits you
You live again in solitary
Look away for now beautiful alone
Now who decides to settle down
Maybe nobody really cares
What's this to you anyway
Something dirty's got you dear
Makes me want to be with you
Something painful's with you dear
Makes me want to be with you
You're better off saying nothing
Wish for a happy ending
You're better off saying nothing
I’m a dreamer, a hidden power
My world
Is built with dreams, love, and worry
But what I can’t even imagine is hiding there
Facing toward the sky like the trees
I’m looking straight at you
I wanna discover it, I wanna fulfill it
Just by believing
There’s nothing that can’t be overcome
As if singing, like a miracle
“Thoughts” are going to change everything
Surely, surely, enough to surprise you
I’m a dreamer, a hidden power
The world yet to be seen
Even if something’s waiting there
Even if it’s different from my ideals, I won’t be
afraid of it
The birds ride on the wind and journey
From today into tomorrow
I wanna tell it, I wanna shout it
The me who is only one existence in this world
As if praying, like the stars
A light so little but someday it’ll
Want to become stronger, stronger
A limitless potential is here, in my hands
It’s gonna be your world
I wanna discover it, I wanna fulfill it
Just by believing
There’s nothing that can’t be overcome
As if singing, like a miracle
“Thoughts” are going to change everything
If you say it out load you can make it happen [x7 softly]
If you say it out load you can make it happen [x5]
In love love ...
[Love love] I'm looking at documents
[Love love] I'm telling the truth
[x2]
If you say it out load you can make it happen [x5]
In love
[Love love] I'm looking at documents
[Love love] I'm telling the truth
[x2]
Hey come on, wanna get paid?
Today I finally found what I say
If what I want is true
So watch what you wish for
Find out how you send it
Find what you fish for and duly and send it
[Love love] I'm telling the truth
Get your shoes on, get your suitcase, your stereo and all your CDs
No more talking, just start walking, 'cause all that's left for you to do is leave
Tell your lawyer it's all over, forget what he's got up his sleeve
No more signing, no more whining, 'cause all that's left for you to do is leave
[Chorus]
All that's left for you to do is leave
You said goodbye a long, long time ago
There's the door, there's your car, here's the keys
And all that's left for you to do is leave
Leave the dog here, he don't like you and we'll go walking anytime we please
Leave the cat here, leave my hat here, 'cause all that's left for you to do is leave
I'll keep the diamond on my finger and you'll keep the bitter memories
Leave the dishes, no more kisses, 'cause all that's left for you to do is leave
[Chorus]
All that's left for you to do is leave
You said goodbye a long, long time ago
There's the door, there's your car, here's the keys
And all that's left for you to do is leave
[Chorus]
All that's left for you to do is leave
You said goodbye a long, long time ago
There's the door, there's your car, here's the keys
And all that's left for you to do is leave
There's the door, there's your car, here's the keys
And all that's left for you to do is leave
The aforementioned bad does not, in any shape, form, or manner now known, (or means yet to come) endorse, approve, or legitimise the idea of evolution. Nor do we imply that the number zero is to be treated preferentially above any other number, except perhaps the number three, but by no means the number thirteen, and six is right out, especially if preceded by two or more of like number, unless immediately followed by seven. If, at this point, you're still offended by the lyrical content of this song, this exactly the kind of pig-headed, philistine ignorance we have come to expect from those who would take offence, or even time to listen to, such a disclaimer like this, and tend to think you'd be better served by purchasing an album by Zamphir. Not that we think Zamphir is lacking in talent of the sort, or by an means inferior...although the visual aesthetics of his ailing infomercials make one wonder how such a product actually appeals to the masses at such an ungodly hour. Not that we believe that any one given hour is more godly or more spiritual than any other, although David did tend to pray to God in the early morn...but that is neither here nor there, considering that in such a modern, industrialised society, such as that we live in, could be compared to such a fashion as hours or time... (Blinkin' Henry, this does go on and on, doesn't it?) ...or time to that of the post stone-age society, like the ones of David and such live in. However, we do feel that David and Zamphir would have enjoyed each other's company, as said musicians in the art of flute-like instruments. Thank you. Good day.
Rivedo ancora il treno
Allontanarsi e tu
Che asciughi quella lacrima
Torneró
Come possibile
Un anno senza te
Adesso scrivi, aspettami
Il tempo passerá
Un anno non é un secolo
Torneró
Come difficile
Restare senza te
Sei
Sei la vita mia
Quanta nostalgia
Senza te
Torneró
Torneró
“Da quando sei partito é cominciata per me la solitudine”
“Intorno a me cé il ricordo dei giorni belli del nostro amore”
“La rosa che mi hai lasciato si é ormai seccata”
“Ed io la tengo in un libro che non finisco mai di leggere”
Ricominciarse insieme
Ti voglio tanto bene
Il tempo vola, aspettami
Torneró
Pensami sempre sai
Ed il tempo passerá
Sei
Sei la vita mia
Amore amore mio
Quanta nostalgia
Un anno non é un secolo
Senza te
Torneró
Torneró
Pensami sempre sai
Torneró
Torneró
Sei
Sei la vita mia
Quanta nostalgia
Senza te
Torneró
Torneró
May I say,
One fine day,
If you say you would,
We could run away.
Just say goodbye
With no cloud in the sky.
This time sunshine,
We're gonna fly
You can hear the whistle blow.
There's noone gonna know.
Take my hand and
We can softly go.
When the stars come out to shine,
You are gonna be mine.
Sure as a love that's just,
We are gonna be fine
Just take my hand
And try to understand.
We'll fly, honey pie,
Into wonderland.
And if you want me to,
I'll come back with you.
Sure as a love that's just,
I love you.
The clock tower blows
The darkest drone to let you know
It's time to feed this dream of mine
We pack up our shotguns
Like custom-made blood omens
That breaks and splats a maidens chaste
Run through the alleys
Speed down the side streets
And race yourself upstairs
Something waits for me at midnight,
Hunting me like prey wrapped up and hogtied
Sniggering, her fangs won't mask her delight
At turning me into the ghost of Oh!
The party's at the door
Moans and groans, decrepit whores
Are ripe to boogie on down tonight
You sweep them with your hands
Wielding the curse at my lower half
It bursts and my brains ride the hearse
Blindfold the leeching slugs
Napalm that suckers lungs
Get yourself outta here
Something waits for me at midnight,
Hunting me like prey wrapped up and hogtied
Sniggering, her fangs won't mask her delight
At turning me into the ghost of Oh!
Darling read me my last rites
My grave is sealing up tight
I'll treasure this final good-bye
Something waits for me at midnight,
Hunting me like prey wrapped up and hogtied
Sniggering, her fangs won't mask her delight
At turning me into the ghost of...
She waits for me at midnight,
Hunting me like prey wrapped up and hogtied
Sniggering, her fangs won't mask her delight
At turning me into the ghost of Oh!