West End theatre is a popular term for mainstream professional theatre staged in the large theatres of London's 'Theatreland', the West End. Along with New York's Broadway theatre, West End theatre is usually considered to represent the highest level of commercial theatre in the English-speaking world. Seeing a West End show is a common tourist activity in London.
Total attendances first surpassed 12 million in 2002 and 13 million in 2007, setting a new record for the West End. Since the late 1990s there has been an increase in the number of famous screen actors on the London stage.
The Theatre in London flourished after the English Reformation. The first permanent public playhouse, known simply as The Theatre, was constructed in 1576 in Shoreditch by James Burbage. It was soon joined by The Curtain. Both are known to have been used by William Shakespeare's company. In 1599, the timber from The Theatre was moved to Southwark, where it was used in building the Globe Theatre in a new theatre district formed, beyond the controls of the City corporation. These theatres were closed in 1642 during the interregnum.
Louis Armstrong (August 4, 1901 – July 6, 1971), nicknamed Satchmo or Pops, was an American jazz trumpeter and singer from New Orleans, Louisiana.
Coming to prominence in the 1920s as an "inventive" cornet and trumpet player, Armstrong was a foundational influence in jazz, shifting the music's focus from collective improvisation to solo performance. With his instantly recognizable deep and distinctive gravelly voice, Armstrong was also an influential singer, demonstrating great dexterity as an improviser, bending the lyrics and melody of a song for expressive purposes. He was also greatly skilled at scat singing (vocalizing using sounds and syllables instead of actual lyrics).
Renowned for his charismatic stage presence and voice almost as much as for his trumpet-playing, Armstrong's influence extends well beyond jazz music, and by the end of his career in the 1960s, he was widely regarded as a profound influence on popular music in general. Armstrong was one of the first truly popular African-American entertainers to "cross over," whose skin-color was secondary to his music in an America that was severely racially divided. It allowed him socially acceptable access to the upper echelons of American society that were highly restricted for a black man. While he rarely publicly politicized his race, often to the dismay of fellow African-Americans, he was privately a strong supporter of the Civil Rights movement in America.[citation needed]
Dino Lenny (born Dino Anthony Lanni) is an Italian DJ, singer, record producer and record label owner (Frenetica), known on the global dance scene for 20 years.
Growing up playing in the biggest European clubs - Axis, Space, Amnesia, Goa, The Egg, Ministry of Sound – he gained success thanks to remixes and collaborations with Inxs, Planet Funk, Underworld, The Housemartins, Scissors Sisters and many others.
After being among the “Essential New Tunes" of Pete Tong on BBC Radio 1, Lenny started singing in 2005. The British press defined his style a mixture between the Talking Heads and Ian Dury. Later on Lenny was invited by Hardage to take part to his project which included Jocelyn Brown and Maxi Priest, Level 42 and Peter Gabriel.
In 2007, Lenny released the single "Feels Like Home", together with Meck taking care of the production (with Simon Duffy) and the vocals. The track entered the Top 40 of the UK Singles Chart and was A-listed on BBC Radio One. The song was on the soundtrack for Wembley Stadium's opening event, on the occasion of the FA Cup final between Manchester United and Chelsea.
Ice dawn crystallized
Drifting snow I'm hypnotized
Restless lights shadows hide
Climate changed worldwide
All the signs we're so blind
It's like a thorn left in my mind
Sleeping visions come to life
Let our future survive
Ice Wind will blind my eyes forever
Look look the ice wind will blow
Ice wind so cold this world will never understand
The nature strikes back without grace
I cannot run I cannot hide
An odyssey without a guide
The frozen core is searching flames
To escape the devils game
Silent sea lost in ice
The bleeding sun is wrapped up tight
Ice will break the borders down
But I can't runaway
I cannot stay Is it time to pray
Ice wind will blind my eyes forever
Look look the ice wind will blow
Ice wind so cold this world will never understand
The nature strikes back without grace
Ice ice ice
Feel the ice wind ice wind
Feel the ice wind ice wind
Ice wind
Ice wind will blow forever
Look look the ice wind will blow
Ice wind so cold this world will never understand
The nature strikes back without grace
Tell you about the place
I've lived all my life
I'll tell you all the truth about
The struggle and stife
All the toffs say it's a bit of a dive
It's the only place left
Where anyone is alive
East end
Take a walk around bethnal green
Or meet the mile end mob
Well they're mean
Gt a 69 bus to canning town
It's never ever gonna get us down
East end
We can't help it if we're
Working class yobs
We can't help it if we hate the snobs
So you can stick to your seaside,
Your beaches and sand
I fell in love Saturday night
Your face, unbearably clear in mind
The way you were crept under my skin
And all your compliments they fit in
Night bakeries
Ghost-favorites
Pop lingeries
Dont you wish it was that easy, huh?
My flatteries on high batteries
And you next to me is
Pure synergy
Dont you wish it was that easy?
But easy it aint No, easy it aint
Now its Monday and Ive begun
To question if my ways are wrong
Cause something changed on Saturday
The world held its breath as you look my way
I bump into you
Like fate wants me to
So whats there to do
If Im made for you?
Dont you wish it was that easy, huh?
My lucky number is on you door
Ive been here before
10 years ago or more
Dont you wish it was that easy?
Just a note for the time is short, dear
Hard is the work and long the day
But my fond heart will be with you, Mary
Although you are many, many miles away
Kiss the children for me, Mary
Do not let them pine or grieve
Tell them I come working for them
How our home I had to leave
Building dams in the fields and the factories
Moving concrete by the load
Tell them I will be with you, Mary
When I am finished working on the road
Just a note for the time is short, dear
Hard is the work and long the day
But my fond heart will be with you, Mary
Although you are many, many miles away