Isadora Duncan (May 27, 1877 — September 14, 1927) was a dancer, considered by many to be the creator of modern dance. Born in the United States, she lived in Western Europe and the Soviet Union from the age of 22 until her death at age 50. In the United States she was popular only in New York, and only later in her life. She performed to acclaim throughout Europe.
Duncan's fondness for flowing scarves was the cause of her death in an automobile accident in Nice, France when she was passenger in an Amilcar, and her silk scarf, draped around her neck, became entangled around the open-spoked wheels and rear axle, breaking her neck.
Angela Isadora Duncan was born in San Francisco, California, as the youngest of four siblings. She had three older siblings, two brothers Augustin Duncan and Raymond Duncan, and Elizabeth Duncan who was her older sister, also a dancer.
Their parents were Joseph Charles Duncan (1819–1898), a banker, mining engineer and connoisseur of the arts, and Mary Isadora Gray (1849–1922). Soon after Isadora's birth, her father lost the bank and he was publicly disgraced and the family became extremely poor.
Tamara Rojo (born 17 May 1974) is a Spanish prima ballerina, and is currently a Principal Dancer with the Royal Ballet in London. In 2012 she will leave the Royal Ballet and become the Artistic Director of English National Ballet.
Rojo was born in Montreal, Canada, to Spanish parents who moved back to Spain when she was four months old. She started dancing at the age of 10 in Víctor Ullate Dance Centre in Madrid (1983–1991), and completed her training under David Howard and Renato Paroni. Rojo continued to work with the Ullate Company from 1991 to 1996. At the age of 20 she was offered a contract with the Scottish Ballet, by Galina Samsova. Of her arrival at Scottish Ballet Rojo has jokingly said "I spoke no English at this time but it did not matter; neither did they." She would dance with them until her move to the English National Ballet in June 1997. There she was promoted to Principal Dancer in January 1998. She officially joined Royal Ballet as a Principal Dancer at the start of the 2000/2001 season, although she danced Giselle with the Royal Ballet at the end of the previous season in July 2000, at short notice and as a replacement for Darcey Bussell, who was injured.
Vanessa Redgrave, CBE (born 30 January 1937) is an English actress of stage, screen and television, as well as a political activist.
She rose to prominence in 1961 playing Rosalind in As You Like It with the Royal Shakespeare Company and has since made more than 35 appearances on London's West End and Broadway, winning both the Tony and Olivier Awards. On screen, she has starred in more than 80 films; including Mary, Queen of Scots, Isadora, Julia, The Bostonians, Mission: Impossible and Atonement. Redgrave was proclaimed by Arthur Miller and Tennessee Williams as "the greatest living actress of our times," and she remains the only British actress ever to win the Oscar, Emmy, Tony, Cannes, Golden Globe, and the Screen Actors Guild awards. She was also the recipient of the 2010 BAFTA Fellowship "in recognition of an outstanding and exceptional contribution to film."
A member of the Redgrave family of actors, she is the daughter of the late Sir Michael Redgrave and Lady Redgrave (the actress Rachel Kempson), the sister of the late Lynn Redgrave and the late Corin Redgrave, the mother of Hollywood actresses Joely Richardson and the late Natasha Richardson, and the aunt of British actress Jemma Redgrave.
Plot
The true story of the life of the movies first femme-fatale, Theda Bara, who made over 40 films, only a handful of which survive. Born in America, her film producers insisted she was an exotic foreigner, born in Egypt. Her most famous film was "Cleopatra" (Fox, 1917).
Keywords: actress, femme-fatale, film-history, lost-film
The life and films of Theda Bara
Plot
After policeman Aleksandr Hlystov receives an old photo of poet Esenin's dead body just taken out of a loop he immediately begins an investigation, not an official one, but he tries to solve the mystery by himself. The more he learns about Esenin's life and death, the weirder the case gets...
Keywords: tv-mini-series
Plot
This unsentimental portrait of the complex and charismatic "Mother of Modern Dance" traces the life and artistic development of San Francisco-born Isadora Duncan (1877-1927). Duncan raised dance from mere vaudeville entertainment to a legitimate art form, laying the foundation for today's modern dance. The first American performing artist to gain worldwide acclaim, she dared to use her medium for political purposes: creating the first choreography to call people to arms, to express the plight of repressed workers, and to agitate for the freedom of women. Set against the social tapestry of turn-of-the-century America and Europe, Isadora Duncan: Movement From the Soul is a study of a revolutionary and iconoclast, a woman who dared to defy Victorian mores through both her art and the way she lived. Illuminating and gracefully crafted, the documentary interweaves the details of Isadora Duncan's tumultuous life with re-creations of twelve of her dances. Spanning the entire range of her career, these dances illuminate Duncan's personal and artistic development. Viewers witness the evolution of Duncan's early lyrical compositions into her later dramatic and politically motivated work. An essential film for dance students and scholars, Isadora Duncan: Movement From the Soul is also appropriate for American studies, cultural history, art history, and women's studies classes, and will be of interest to anyone who wants to know more about this singular woman and her art.
Plot
A biography of the dancer Isadora Duncan, the 1920s dancer who forever changed people's ideas of ballet. Her nude, semi-nude, and pro-Soviet dance projects as well as her attitudes on free love, debt, dress, and lifestyle shocked the public of her time.
Keywords: 12-year-old, 1920s, abandoned-by-father, accidental-death, accordion, adult-playing-with-child, adultery, american, amphitheatre, anti-communism
The Life and Many Loves of the Most Exciting Woman of Our Time
Isadora Duncan: A man's looks have nothing to do with his success as a lover.
Isadora Duncan: [learning Russian] Honestly, I don't want to talk about red pencils with Essenin. I want to talk to him about making love with me. Now, how do say in Russian, "I adore you. You have beautiful thighs"?
Isadora Duncan: I'm not after my fortune. I'm after my destiny.
Isadora Duncan: [about America] You were once wild here. Don't let them tame you.
Well, I have a friend
Knew Isadora Duncan
Yeah, she wore her scarves too long
Hit the gas a bit too strong
She lost her head
Still she saw the glory
Or so goes the story
Hope she was not wrong
She waits underneath electricity
What does she touch?
What does she see?
Isadora Duncan's so free
She is leaping
She is spinning with some urgency fantastic
Outspoken, she is choking as she veers into heavy traffic
Were you listening to the angels between the lines of
your symphony?
Dancing under cobalt-blue skies
Morning star
Free
You taught me well
Loved me even better
Prayed over my fields when they were cold and barren
Yeah, you held the truth from an austere trailor
Shoring up my failure
Once i dreamed i was dancing with isadora duncan
In a silver cafe,
It was a cafe that was not at all near here
She was planning to diversify
And she sang i should do the same
So i whistled to her how i loved her the best
But she sang "i can't believe you own this attitude",
But with some ballet moves,
I removed her shoes
And i painted my lips to hers
And still she sang "i can't believe you own this attitude"
She sang "i can't believe you own this, this attitude"
She needed her beauty sleep
Though i didn't want it to sound like that
Her mind was occupied,
Her hard coffee was cold by then as snow
And she sang "my smile is more than pearly white,
And my dreams are more than you",
She sang "my yellow eyes are more than mirrors,
And my scarf is more, more, more than blue."
And she sang "i can't believe you own this attitude"
Yes i sang "i can't believe you own this, this attitude"
She closed her new directions paperbook
And screamed "there is no shelter in the arts"
She'd been crying all day
But now her eyes they were brighter than the moon
And she sang "my smile is more than pearly white,
And my dreams are more than you",
She sang "my yellow eyes are more than mirrors,
And my scarf is more, more, more, more than blue."
And she sang "i can't believe you own this attitude"
"i can't believe it, i can't believe you own this attitude",
Oh Isadora how beautifully misunderstood
Is that what kept you moving moving
So ahead of you time but so far behind from where
You should be heading
Settle you heart settle you heart
Lead me with your little strong hands
I'll follow you to the of the world (you could be better than)
To end of the would where ever you wish If only you would let me
If only you would let me catch my breath (we could be better than this)
Rest your head and your weary eyes when we continue
We could be something so much more
What sort of view is my heart from a rearview mirror
What sort of view are you searching for
Oh Isadora
Surely you have just reason to run
What have you done
What is the cause
You could be so free
Reat your head and your weary eyes when we continue
We could be something so much more
What sort of view is my heart from a rearview mirror
What sort of view were you searching for
Oh Isadora rest your weary heart settle your soles
Know that where ever you are where ever you run
You're not alone
[Jes vas a l'amor]
Oh Isadora, oh Isadora
(You could be so free)
Oh Isadora
(You could be so free)
Oh Isadora
(You could be so free)
Cuando bailó,
Te dijeron hay vez
Ausente como el mensaje de Isadora.
Entre el amor
Una pasión vivió
Y a nadie
Se le encadenaba Isadora.
El arte que dominó,
Cual llama de su placer,
El mundo entero animado
La aclamó.
Isadora
Formó la liberación,
Isadora Duncan,
Leyenda que no murió.
Tuvo el encanto, la simpatía,
La valentía.
La bailarina de una pureza
Que no vencía.
En las piernas de Isadora,
Bailaban, muchas razones,
Impuso una nueva moda,
Con sus improvisaciones.
El ballet que fue su arte,
Nombre y fama le ganó,
Y el amor fue su estandarte,
El hombre fue su pasión.
Cuando bailó,
Le dijeron tal vez
Autentico fue el mensaje de Isadora.
En cada amor,
Una pasión vivió
Y a nadie se encadenaba Isadora.
El arte que dominó
Cual llama de su placer
El mundo entero animado
La aclamó.
Eh. La gran Isadora Ducan
Su arte al mundo brindó,
Su vida fue una tragedia
Pero su baile triunfo,
Isadora Duncan.
“Isadora formó la liberación,
Isadora Duncan
En gesta que no murió'
Isadora Duncan bailaba,
Sin reglas sin posición
Interpretaba sus salsas
Con dulce improvisación.
Isadora Duncan.
“Isadora formó la liberación,
Isadora Duncan,
en gesta que no murió'
Se liberaba al danzar
Se liberaba al amar,
Fue muy violenta su vida
Y violento fue el final
De Isadora Duncan
“Isadora formó la liberación,
Isadora Duncan,
en gesta que no murió'
Este homenaje sencillo
A lo que su arte fue,
Te lo brinda con cariño
Ese gran si te puré
Si te pure.
“Isadora formó la liberación,
Isadora Duncan,
en gesta que no murió'
(Instrumentación)
Eh, la gran Isadora Duncan
Bailó y bailó por doquier,
Con este temperamento
Hizo al mundo estremecer,
Isadora Duncan.
“Isadora formó la liberación,
Isadora Duncan,
en gesta que no murió'
Fue muy violenta su vida,
Y violento fue el final,
Isadora, Isadora Duncan
Yo te tengo que cantar.
“Isadora formó la liberación,
Isadora Duncan,
en gesta que no murió'
El mundo que la admiró,
El mundo que la aplaudió
Cuando supo de su muerte,
Por Isadora lloró, lloró y lloró.
“Isadora formó la liberación,
Isadora Duncan,
en gesta que no murió'
“Isadora formó la liberación,
Isadora Duncan,
en gesta que no murió'
“Isadora formó la liberación,
Isadora Duncan,
en gesta que no murió'