Ivan can refer to:
Damián Gutiérrez Hernández is a Mexican professional wrestler currently performing for Consejo Mundial de Lucha Libre under the ring name Damián el Terrible or simply El Terrible. He is the current CMLL World Heavyweight Champion.
Gutiérrez began wrestling in his native Monterrey and elsewhere for smaller independent promotions under a mask as El Engendro del Mal (The Bad Boy). In 2002, he debuted in Consejo Mundial de Lucha Libre without a mask as Damián El Terrible but later the "Damián" part of his name was dropped, possibly to alleviate any confusion with Damián 666. He was part of Shocker's first "University of 1000% Guapos," a group of undercarders competing for a spot in Shocker's Los Guapos group. El Terrible was chosen to be the third of the trio with Shocker and Máscara Mágica and the group feuded with Los Talibanes (Emilio Charles, Jr., Bestia Salvaje and Scorpio, Jr.), who were previously known as "Los Guapos". The two groups faced off in a cage match in August 2003 where Terrible and Bestia Salvaje were the last two left in the cage. Terrible pinned Salvaje, meaning Salvaje would have his head shaved. Over the winter, Los Guapos started feuding with Los Capos leading to Terrible teaming with Perro Aguayo, Jr. against Cien Caras and Máscara Año 2000 on CMLL's big March show in 2004 in a double hair vs hair match. Terrible and Aguayo won but Terrible started breaking off from Los Guapos.
Ivan Guimarães Lins (born June 16, 1945) is a Latin Grammy-winning Brazilian musician. He has been an active performer and songwriter of Brazilian popular music (MPB) and jazz for over 30 years. His first hit,“Madalena,” was recorded by Elis Regina in 1970. Beyond his own performance of his compositions, Simone is his most notable and respected interpreter. His 1989 hit song "Love Dance" is one of the most re-recorded songs in musical history.
Testifying to Lins's importance as a composer is the frequency with which tribute albums and new covers of his compositions appear. His jazz classics have been recorded by many notable international artists including Sarah Vaughan, Ella Fitzgerald, Barbra Streisand, Quincy Jones, George Benson, the Manhattan Transfer, Diane Schuur, Carmen McRae, Nancy Wilson, Eliane Elias, Patti Austin, Sting, Toots Thielemans, Take 6, Lee Ritenour, David Benoit, Carlos do Carmo, Mark Murphy, Dave Grusin, Sérgio Mendes, Michael Bublé, and countless others.
Ivan Lins was born in Rio de Janeiro. He spent several years in Boston, Massachusetts, while his father, a naval engineer, continued his graduate studies at M.I.T., studied at the Military College in Rio. He later received a degree in industrial chemical engineering from the Federal University of Rio de Janeiro. He considered a career in volleyball before discovering his considerable musical talent. Ivan Lins currently resides in Rio de Janeiro, Brazil.
Ivan Tásler (born July 16, 1979 in Prešov, Slovakia) is a Slovak singer, guitarist, composer and producer.
His career is closely connected with the band IMT Smile. The history of IMT Smile started in 1992 when it was founded by brothers Ivan and Miro Táslers whose initial letters have given the name to the band. Later, the band has changed the name several times (Epitath, Ruka) and finally, in 1995, it was renamed to IMT Smile again. In that time, nine musicians were a part of the group.
In 1997, the first album was released. "Klik-klak" had a great success in Slovak charts, the song "Nepoznám" became a number one in a very short time.
In 1998, the new album, "Valec", came out and IMT Smile became a band of the year. Other albums (Nech sa páči, IMT Smile, Exotica, Diamant) were successful as well. The newest album (2006) is called Niečo s nami je.
Over last few years, several reputable musicians have been members of the group; Oskar Rózsa, Katarína Knechtová, Marcel Buntaj, Martin Valihora. Ivan Tásler has cooperated also with other well-known Slovak artists, such as Jana Kirschner, Marián Čekovský, Richard Müller, Zuzana Smatanová etc.
Plot
Katie is trying to make it in the cutthroat world of modeling. When she innocently accepts an offer to have new photos taken for her portfolio, the experience quickly turns into an unthinkable nightmare of rape, torture, and kidnapping. When a twist of fate finally frees her from her captors - beaten, battered, bruised, and broken, she will have to tap into the darkest places of the human psyche to not only survive her ordeal, but to ultimately find the strength to exact her brutal revenge.
Keywords: barefoot-on-street, barefoot-woman, bound-and-gagged, female-frontal-nudity, female-nudity, female-tied-up, gag, gagged, gagged-woman, girl-tied-up
Katie: [to Georgy] No one can hear you down here. Scream all you want.
Plot
Penny-less and job-less, Sandy gets by on her looks and attitude, and by borrowing from her high-powered sister. At her best friend's funeral, she meets a handsome con artist, Keith, and as soon as she gets her stolen goods back from him, she plans on being on her own again. But when her sister gets into a load of legal and financial trouble, Sandy accepts a too-good-to-be-true job offer from Keith, and then tries to support her argumentative family.
Keywords: alcohol, apartment, best-friend, broke, con-artist, con-job, drinking-binge, false-name, funeral, gay-friend
Plot
New York-based jewel thief, Lando, leads a fast life: Fast cars, fast women, and a fast-track to no-where in life. When his confidant, Ike, tells him about a Gold Coronation Egg that needs to be lifted from the ruthless Russian mobster, Koskov. Lando is skeptical but accepts. Spotted during his attempted heist, Lando goes back to Staten Island where he grew up to hide and relocate his high school sweetheart, Diana. Despite Diana's unwillingness to reconnect with him due to the feeling that she'll disrupt the loving relationship with her daughter, Sandy, Lando struggles to re-kindle the past with his old flame while the Russian mob breathes down his neck. What will become of Lando and Diana, and what will Koskov do to Lando for stealing from him?
Keywords: african-american, black-romance, family-relationships, heist, love, mother-daughter-relationship, secret, theft, thief, thief-hero
A Jewel thief will find his real jewel in life.
Plot
Confessions of a Pit fighter is a character driven action film about regret, consequences and the triumph of the human spirit. Eddie Castillo is a quiet man. He has survived seven years of incarceration in the state pen and wants nothing more than to live out his life in relative tranquility. He moves in with you younger brother David who as a kid, idolized him. Castillo soon learns that the "tranquility" he was seeking is shattered by David getting involved in illegal underground fights, the same type of fights that coincidentally led Castillo to Prison. As much as Castillo tries to get David to go straight, he has to make his own way. David eventually gets killed in an underground fight and this sets Castillo on a collision course with destiny. Having no other choice, Castillo goes back into the underground fight game to find his brother's killer. Castillo sets out for revenge and in the process forsakes it for redemption. "From the day I was born I had to fight to survive. I fought everyone and everything that came in front of me. On the streets, confessions are made in Blood. They say that when you confess your sins, only then can you be redeemed. This is my redemption. This is my confession." (Eddie Castillo 2005)
Keywords: martial-arts, mixed-martial-arts, underground-fighting
Plot
Mack, a rock star, has a tape that some politicians want. Various people, including the police, try to get the tape back. Wendy attempts to juggle her relationship with Mack, caring for her younger sister, singing jazz at a bar and tending her clothing shop.
Keywords: corruption, gangster, independent-film, jazz-club, lounge-singer, mob, murder, musician, neo-noir, police
Plot
Philosophical parable "Eastern Corridor" was created during the decline of the "thaw", when Soviet artists were, though metered and censored, but still "a breath of freedom." As the film industry (as, indeed, and other production) in 1960s is entirely owned by the state, the question of commercial profit from the rental of films, although on the agenda, but was not completely dominant. There was a so-called state orders on important topics of state ideology, such as a revolutionary, military, historical, biographical, etc. It is logical that within the framework of military subjects were allowed not only action-picture type of spy ware detective but also films that were not originally designed for a mass audience, but significant for the annual "plan." Thus, there is no doubt that the "Eastern Corridor" was in the thematic focus of the studio "Belarus-film" based on usual partisan drum section telling about the heroism of Soviet people during the occupation. Eventually, the film was not the way it was waiting to see the boss, and was greeted with hostility not only to party officials, but quite liberal critics. So it is only surprising that after spending two years on the shelf, the film "Eastern Corridor" still left in the so-called "limited release" in 1968 ... This film could be the hit for any Western Festival of the late 1960s (as much a triumph as "The Cranes Are Flying" and "Ivan's Childhood."), but, alas ... After the "Eastern Corridor" creative life of Valentin Vinogradov obviously did not work. Outstanding directorial talent is not given to open, and he was forced to go to the "ordinary cinema"...
Como un electrón
Sin respiración, Baila
Que la pista quema
Corazón de flash
Mete marcha atrás y baila,
Tienes que bailar.
La Musica
Te quiere envenenar
La atmosfera es total
Y el cuerpo va
Dejándose llevar
La Bomba va a estallar
Turututu...
Tienes que bailar
Turututu...
Baila
Super solución
Anti depresión, baila
Salta la tormenta
Pon un disco mas
Y otro disco mas y baila
Tienes que bailar
La Musica
Te quiere envenenar
La atmosfera es total
Y el cuerpo va
Dejándose llevar
La Bomba va a estellar
Turututu...
Tienes que bailar
Turututu...
Baila
La Musica
Te quiere envenenar
La atmosfera es total
Y el cuerpo va
Dejándose llevar
La Bomba va a estellar
Turututu...
Tienes que bailar
Turututu...
(Luis Gómez Escolar/Pedro Vidal RT.1)
Tú para mí, eres la estrella
Un corazón a todo color
Nuestra vida como una dulce mentira
Cuentos tiernos
Inventos que inventas tú.
Vuela
Con tu Fotonovela
Vuela
Mujer Fotonovela.
Tú para mí, sólo una historia
Un medio amor sin solución
Una música y una cena con velas
Siempre tú
Fotonovela sólo tú.
Vuela
Con tu Fotonovela
Vuela
Mujer Fotonovela.
Tú para mí, eres la estrella
Yo para ti, no sé quién soy.
Vuela
Con tu Fotonovela
Vuela
Mujer Fotonovela
Vuela
Con tu Fotonovela
Vuela
Como un electrón
Sin respiración, Baila
Que la pista quema
Corazón de flash
Mete marcha atrás y baila,
Tienes que bailar.
La Musica
Te quiere envenenar
La atmosfera es total
Y el cuerpo va
Dejándose llevar
La Bomba va a estallar
Turututu...
Tienes que bailar
Turututu...
Baila
Super solución
Anti depresión, baila
Salta la tormenta
Pon un disco mas
Y otro disco mas y baila
Tienes que bailar
La Musica
Te quiere envenenar
La atmosfera es total
Y el cuerpo va
Dejándose llevar
La Bomba va a estellar
Turututu...
Tienes que bailar
Turututu...
Baila
La Musica
Te quiere envenenar
La atmosfera es total
Y el cuerpo va
Dejándose llevar
La Bomba va a estellar
Turututu...
Tienes que bailar
Turututu...
Baila
(Roque Narvaja)
El reloj sonó y nos despertó con el sol en la ventana.
Como puedo, me deshago de la almohada.
Llega el diario de hoy, publicado ayer con noticias de mañana
No podré desayunar con estas ganas.
Aún está caliente nuestra cama y al pasar
Despiertas a la casa y al amor.
Te agradezco por todos tus secretos a mi aliento
Por todos tus deseos en silencio, por hacerme un hombre de verdad.
Te agradezco por todos esos años frente al miedo
Por todas tus palabras de consuelo, por todo lo que aún me vas a dar.
Guerra en la ciudad al buscar al pan, a intentar abrir las puertas
Como puedo, me defiendo las respuestas.
Llego a casa y tú llegarás después con el niño del colegio.
Tras la puerta, te recibo con un beso, la comida espera en la cocina.
(José Luis Perales)
Te quiero tal y como eres, con todos tus defectos
Con todas esas dudas sobre mÃ.
Te quiero como nadie te ha querido.
Te quiero como el niño que hay en mÃ.
Te quiero tanto, que sólo entre tus brazos soy capaz de sentir amor.
Y hay sólo una razón.
Te quiero, y es todo lo que puedo comprender. Te quiero tanto.
Te busco en la penumbra triste y gris de mi habitación.
Y sueño con tener tu corazón.
Yo sé que soy una moneda, que va de mano en mano
Sin un lugar seguro donde estar.
Pero es que mi locura es otra cosa.
Es extender mis alas y volar.
Te quiero tanto, que lucho por llenar mi soledad pensando en ti.
Te sueño junto a mÃ. Te quiero. Y espero que me ayudes a vivir.
Te quiero tanto, que cada dÃa paso sin querer hablando de ti.
Te quiero porque quiero ser feliz.
Te quiero tanto, que sólo entre tus brazos soy capaz de sentir amor.
Y hay sólo una razón.
Te quiero y es todo lo que puedo comprender. Te quiero tanto.
Te busco en la penumbra triste y gris de mi habitación.
Y sueño con tener tu corazón.
Te quiero, y es todo lo que puedo comprender.
Te quiero tanto, que cada dÃa paso sin querer hablando de ti.
(Bernd Meinunger/Ralph Siegel) adaptation espagnole Luis Gómez Escolar
Me bebo la penúltima cerveza sin respirar.
Me lanzo calle abajo y voy buscándote, sin buscar.
No aguanto en casa solo, sin nada que hacer.
Hablándole al espejo, tomando café, sin ideas y sin interés.
Sin, sin, sin amor me siento libre, pero algo me falta porque
Sin, sin, sin amor, se hacen las noches eternas
Y el cuerpo pide alguien a su lado, bienaventurado
Pero aquà me tiene sin amor.
Sin, sin, sin amor me siento libre, pero algo me falta porque
Sin, sin, sin amor, se hacen las noches eternas
Y el cuerpo pide alguien a su lado, bienaventurado
Pero aquà me tiene sin amor.
Me traigo a casa chicas delirantes, pero da igual.
Despierto entre sus brazos y me aburro. Me siento mal.
Son besos que se borran por puro placer.
Palabras como el humo, hacer por hacer.
Sólo son suspiros de mujer.
Sin, sin, sin amor me siento libre, pero algo me falta porque
Sin, sin, sin amor, se hacen las noches eternas
Y el cuerpo pide alguien a su lado, bienaventurado
Pero aquà me tiene sin amor.
No aguanto en casa solo sin nada que hacer
hablándole al espejo, tomando café, sin ideas y sin interés.
Sin, sin, sin amor me siento libre, pero algo me falta porque
Sin, sin, sin amor, se hacen las noches eternas
Y el cuerpo pide alguien a su lado, bienaventurado
Pero aquà me tiene sin amor.
Sin, sin, sin amor me siento libre, pero algo me falta porque
Sin, sin, sin amor, se hacen las noches eternas
Y el cuerpo pide alguien a su lado, bienaventurado
(José Luis Perales)
Acabo de soñarte una vez más, tendida junto a mÃ
jugando con mi piel acariciándome, mirándome, diciéndome, te quiero
Y yo edificaba sin parar castillos de papel
pensando solo en ti acariciándote, besándote, gritándote, te quiero
Y desperté y vi que en mi ventana lentamente amanecÃa el dÃa
Te imaginé y quise construir aquel momento cuando fuiste mÃa
Y te amé y el blanco de mi almohada profané pensando solo en ti
Acabo de soñarte una vez más, pensando en volver de nuevo junto a mÃ
Y recorrer mi piel, un dÃa más diciéndome, te quiero
Y desperté y vi que en mi ventana lentamente amanecÃa el dÃa
Te imaginé y quise construir aquel momento cuando fuiste mÃa
Y te amé y el blanco de mi almohada profané pensando solo en ti
Y desperté y vi que en mi ventana lentamente amanecÃa el dÃa
Te imaginé y quise construir aquel momento cuando fuiste mÃa
(Didier Barbelivien) adaptation espagnole Luis Gómez Escolar
Es la piel tostada bajo el sol
El paso dulce en el salón, es la palabra en un rincón.
Es el blanco vuelo de un avión
La flor que nace sin querer, la mano presa al corazón.
Es la voz que enciende cada luz
Cuando la luz no quiere estar iluminando mi razón.
Es el cuento que no tiene fin
Ese capÃtulo que yo no me he atrevido a concluir.
Es todas las cosas que tú ves, es la cabeza y es los pies.
Es un animal, un mineral, es el principio y el final.
Es simplemente esa mujer que es imposible de olvidar.
Es una figura de satén
Que no hace ruido al caminar, que va flotando en vez de andar.
Es la golondrina y el halcón
El precipicio y el volcán, la sinrazón y la razón.
Es todas las cosas que tú ves, es la cabeza y es los pies.
Es un animal, un mineral, es el principio y el final.
Es simplemente esa mujer que es imposible de olvidar.
Es todas las cosas que no soy.
Es la carretera que no va, es el quiero darte y no te doy.
Esa maldad que no es maldad
Esa mujer que no es mujer, esa verdad que es la verdad.
Es todas las cosas que tú ves, es la cabeza y es los pies.
Es un animal, un mineral, es el principio y el final.
Minns du Moskva, hur fantastisk du var
Vi gladdes åt att du var vår
Vi tänkte väl då, han är knappt 32
Han håller ju än många år
Men döden kom, som en feg linjeman
När du sov, såg han sin chans
När du stod där redo och väldig i mål
Låg han och tryckte någonstans
Ivan vår kärlek du vann, vi grät när du plötsligt försvann
Ivan vår kärlek du vann, vi grät när du plötsligt försvann
Du saknade strålande man
Vad kunde vi gjort, allt gick ju så fort
Om vi vetat vad vi vet nu
Då skulle vi stått som en, som en frisparksmur opp
Och skyddat vår nummer 27
Minnet av dig det vårdar vi ömt
Men än är det svårt att förstå
Hur kan ett hjärta, så stort och så varmt
Tillåtas sluta att slå
Ivan vår kärlek du vann, vi grät när du plötsligt försvann
Ivan vår kärlek du vann, vi grät när du plötsligt försvann
Du saknade strålande man
Ivan vår kärlek du vann, vi grät när du plötsligt försvann
Ivan vår kärlek du vann, vi grät när du plötsligt försvann
Du saknade strålande man
Du saknade strålande man