What The--?! was a Marvel Comics comic book series self-parodying the Marvel Universe, similar in vein to the 1960s series Not Brand Echh. It was billed as, "The Marvel mag of mirth and mayhem!" The series ran for 26 issues from August 1988 through Winter 1993, with issue #26 being a "Fall Special". It typically contained a series of short stories with comedic takes on Marvel heroes and villains, such as having Spider-Ham substitute for Spider-Man.
What The--?! spotlighted some of the top artists and writers at the time. Many, such as Stan Lee and John Byrne, contributed works that spoof some of their all-time greatest successes. For example, in issue #2, Byrne creates a tale pitting his work on the Fantastic Four franchise against his work with Superman. The issue goes so far as to have the Lex Luthor character complain about the changes Byrne made to the Superman legend after DC Comics' Crisis on Infinite Earths.
Though it carried the Marvel Comics label on the front left corner, What The--?! touted itself as being published by "Marble Comics". What The--?! parodied Marvel institutions such as the legendary Marvel Comics fan mail page, with staged articles called "The Marble Mailbag" and the "What The... Mail". The title also did not contain any "true" advertisements. Instead, What The--?! hosted a number of fake advertisements that made fun of classic comic book advertisements such as Charles Atlas, novelty by-mail companies, and the Hostess snack food ads of the 1970s and 1980s.
Selena Marie Gomez (born July 22, 1992) is an American actress and singer best known for portraying Alex Russo in the Emmy Award-winning Disney Channel television series Wizards of Waverly Place. She subsequently ventured into feature films and has starred in the television movies Another Cinderella Story, Wizards of Waverly Place: The Movie, and Princess Protection Program. She made her starring theatrical film debut in Ramona and Beezus.
Her career has expanded into the music industry; Gomez is the lead singer and founder of the pop band Selena Gomez & the Scene, which has released three RIAA Gold certified studio albums, Kiss & Tell, A Year Without Rain, and When the Sun Goes Down, spawned three RIAA Platinum certified singles, "Naturally", "Who Says" and "Love You Like a Love Song" and charted four No. 1 Billboard Hot Dance Club Songs. Gomez has also contributed to the soundtracks of Tinker Bell, Another Cinderella Story, Wizards of Waverly Place, and Shake It Up after signing a record deal with Hollywood Records.
Avril Ramona Lavigne (pronunciation: /ˈævrɨl ləˈviːn/; AV-ril lə-VEEN; born 27 September 1984) is a Canadian singer-songwriter. She was born in Belleville, Ontario, but spent most of her youth in the small town of Napanee. By the age of 15, she had appeared on stage with Shania Twain; by 16, she had signed a two-album recording contract with Arista Records worth more than $2 million. In 2002, when she was 17 years old, Lavigne broke onto the music scene with her debut album Let Go.
Let Go made Lavigne the youngest female soloist to reach No. 1 in the UK, and the album was certified four-times platinum by the Recording Industry Association of America. By 2009, over 16 million copies had been sold worldwide. Her breakthrough single, "Complicated", peaked at No. 1 in many countries around the world, as did the album Let Go. Her second album, Under My Skin, was released in 2004 and was her first album to peak at No. 1 on the U.S. Billboard 200, eventually selling more than 10 million copies worldwide. The Best Damn Thing, Lavigne’s third album, was released in 2007, becoming her third No. 1 album in the UK Albums Chart and featuring her first U.S. Billboard Hot 100 No. 1 single, "Girlfriend". Lavigne has scored six number-one singles worldwide, including "Complicated", "Sk8er Boi", "I'm with You", "My Happy Ending", "Nobody's Home", and "Girlfriend". With more than 30 million copies of her albums sold worldwide, Lavigne is one of the top-selling artists releasing albums in the U.S., with over 10.25 million copies certified by the RIAA. Her fourth studio album, Goodbye Lullaby, was released in March 2011. Goodbye Lullaby gave Lavigne her fourth top 10 album on the U.S. Billboard 200 and the UK Albums Chart and her third No. 1 album in both Japan and Australia. Three months after the release of Goodbye Lullaby, Lavigne began work on her fifth album, which will be released on Epic Records following her departure from RCA Records.
Jonathan Smith (born January 27, 1971), better known by his stage name Lil Jon, is an American rapper, music producer, entrepreneur, and international DJ who was a member of the group Lil Jon & The East Side Boyz. Lil Jon formed the group in 1997, and the group released several albums between then and 2004. He then went solo and released a new album in 2010 called Crunk Rock.
Lil' Jon was born and raised in Atlanta, Georgia. He graduated from Frederick Douglass High School.
After working as a DJ for Atlanta night clubs, he started working for So So Def Recordings between 1993 and 2000. The group signed to the Atlanta-based Mirror Image Records and were distributed by Ichiban Records. In 1997, Lil' Jon & the East Side Boyz debuted with Get Crunk, Who U Wit: Da Album. It included singles "Who U Wit?" and "Shawty Freak a Lil' Sumthin'", the latter of which came out in 1998. Both singles charted on the Billboard Hot R&B/Hip-Hop Songs chart at No. 70 and No. 62 respectively. In 2000 Jon took part in starting up his own label BME Recordings and signed a distribution agreement with Norcross, Georgia based Southern Music Distribution. There he released his break through album titled We Still Crunk. Among the tracks on that project was the hit single "I Like Dem Girlz", which reached No. 55 on the R&B chart and No. 3 on the Hot Rap Tracks chart.
Paris Whitney Hilton (born February 17, 1981) is an American businesswoman, potential future heiress, producer and socialite. She is a great-granddaughter of Conrad Hilton (founder of Hilton Hotels). Born in New York City and raised in both California and New York, Hilton began a modeling career as a teenager when she was with Donald Trump's modeling agency, T Management. Her hard-partying lifestyle and rumoured short-lived relationships with Leonardo DiCaprio and Oscar de la Hoya led her to earn a position as a daily fixture in entertainment news — gossip-section Page Six, of the New York Post often includes articles about Hilton. Being known as a socialite, Hilton was hailed by the media as "New York's leading It Girl" in 2001. She went on to make cameo appeareances in Zoolander (2001), Wonderland and The Cat in the Hat (both 2003).
Hilton gained significant notoriety for her participation in a sex tape, which was released in November 2003, shortly before the premiere of the television reality series The Simple Life alongside fellow socialite and childhood best friend Nicole Richie. The show was a massive hit for the FOX network, premiering with 13 million viewers, and brought Hilton and co-star Richie to an international recognition. She then released her 2004 tongue-in-cheek autobiography called Confessions of an Heiress: A Tongue-in-Chic Peek Behind the Pose, she landed a supporting role in the 2005 horror film House of Wax, and recorded the 2006 music album Paris. She starred in the reality show Paris Hilton's My New BFF which was filmed in 2008 and also resulted in a second season. The show proved to be a success and was branched out to 2009's Paris Hilton's British Best Friend and Paris Hilton’s Dubai BFF. Hilton was in 2008's Repo! The Genetic Opera, where her work gained critical acclaim.
White teeth, white teeth
Talent is rugged determination
Skill is a little more dull
Genius buggers straight conversation
Makes sure that it's ass is full
So good looking people don't write no poetry
They're too busy holding their hands
You don't go to beach for depth of thought
If your brain's leaking grains of sand
'Cos white teeth are uglier than yellow teeth
False gums never make plans
Little stones hold big stories underneath
But the big stones go to the dance
The big stones go to the dance
When model puts pen to paper
Paper tends to turn to stone
'Cause original thoughts so hard to squeeze
From a face so easy to clone
So good looking people don't write no poetry
They're too busy holding their hands
You don't go to beach for depth of thought
If your brain's leaking grains of sand
'Cos white teeth are uglier than yellow teeth
False gums never make plans
Little stones hold big stories underneath
But the big stones go to the dance
The big stones go to the dance
Whilst the dedicated cancelled the dates on their latest tour
'Cause genius had played that route ten times before
Hardwork made the excuse of being too hardcore
Yes don't fire shots from double barrel if you know you're single bore
'Cos white teeth are uglier than yellow teeth
False gums never make plans
Little stones hold big stories underneath
But the big stones go to the dance
The big stones go to the dance
The big stones go to the dance
White teeth, white teeth
Talent is rugged determination
Skill is a little more dull
Genius buggers straight conversation
Makes sure that it's ass is full
So good looking people don't write no poetry
They're too busy holding their hands
You don't go to beach for depth of thought
If your brain's leaking grains of sand
'Cos white teeth are uglier than yellow teeth
False gums never make plans
Little stones hold big stories underneath
But the big stones go to the dance
The big stones go to the dance
When model puts pen to paper
Paper tends to turn to stone
'Cause original thoughts so hard to squeeze
From a face so easy to clone
So good looking people don't write no poetry
They're too busy holding their hands
You don't go to beach for depth of thought
If your brain's leaking grains of sand
'Cos white teeth are uglier than yellow teeth
False gums never make plans
Little stones hold big stories underneath
But the big stones go to the dance
The big stones go to the dance
Whilst the dedicated cancelled the dates on their latest tour
'Cause genius had played that route ten times before
Hardwork made the excuse of being too hardcore
Yes don't fire shots from double barrel if you know you're single bore
'Cos white teeth are uglier than yellow teeth
False gums never make plans
Little stones hold big stories underneath
But the big stones go to the dance
The big stones go to the dance
The big stones go to the dance
The big stones go to the dance
Almost night, a crimson horizon
Painting thousand lakes red
As your army approach in the east
A hunter is switching his prey
All alone, a man with his gun
Wanders into the wild
Track you down, you can't hide
Once he's on to your trail
Into the night, a flash in the darkness
White Death is heading your way
The fear of his foes, a hero at home
Hundreds will fall by his gun
You're in the snipers sight
the first kill tonight
Time to die
You're in the bullets way
The White Death's prey
Say goodbye!
After the dawn, when morning is broken
Snow once white turn to red
Hundred soldiers, we have them on sight
A tale of a sniper is born
Snow in mouth, hiding his breath
He is steady at hand
Eye to eye, target in sight!
The moment to fire has come
Hundreds of kills, a man and his rifle
Embodied the Sisu of Finn's
Stay out of sight and cover your head
When he pulls the trigger you're dead!
You're in the snipers sight
the first kill tonight
Time to die
You're in the bullets way
The White Death's prey
Say goodbye!
[Solo]
You're in the snipers sight
the first kill tonight
Time to die
You're in the bullets way
The White Death's prey
Say goodbye!
(You're in the snipers sight)
SNIPERS SIGHT!
(You're his first kill tonight)
FIRST KILL TONIGHT!
(Say goodbye, say goodbye)
SAY GOODBYE!
(You will fall by his gun)
(You're in the snipers sight)
SNIPERS SIGHT!
(You're his first kill tonight)
FIRST KILL TONIGHT!
(Say goodbye, say goodbye)
SAY GOODBYE!
Undead!
Undead!
Undead!
Undead!
Undead!
(Undead!)
You better get up out the way,
Tomorrow will rise so lets fight today,
And no, I don't give a
Fuck what you think and say,
Cause we are gonna rock
This whole place anyway.
(Undead!)
(Undead!)
You better get up out the way,
Tomorrow will rise so lets fight today,
And no, I don't give a
Fuck what you think and say,
Cause we are gonna rock
This whole place anyway.
(Undead!)
Now I see that mother
Fucking writing on the wall
When you see, J-3-T, 30 Deep is down to brawl,
Fuck all haters I see,
Cause I hate that you breathe,
I see you duck, you little punk,
You little fucking disease,
I got H.U. tattooed on the front of my arm,
The Boulevard, brass knuckles
In the back of the car,
Cause we drunk drive Cadillac’s, we never go far,
And when you see us mother fucker’s,
Better know who we are.
I got one thing to say
To punk asses who hate,
Mother fucker’s who don't know,
You better watch what you say.
From these industry fucks,
To these faggot ass punks,
You don't know what it takes,
To get this mother fucking drunk.
I'm already loud maybe,
It’s a little too late,
Johnny’s taking heads off,
of all the faggots who hate,
Cause I am god mother fucker
And there's a price to pay,
Get out my gun, mother fucker
And it’s judgment day!
(Undead!)
You better get up out the way,
Tomorrow will rise so lets fight today,
And no, I don't give a
Fuck what you think and say,
Cause we are gonna rock
This whole place anyway.
(Undead!)
(Undead!)
You better get up out the way,
Tomorrow will rise so lets fight today,
And no, I don't give a
Fuck what you think and say,
Cause we are gonna rock
This whole place anyway.
(Undead!)
I'm getting used to this nuisance,
And all the fags who bad mouth this music,
How fucking stupid and foolish
Of you to think you can do this,
You cowards can't, you never will,
Don't even try to pursue it.
I took the chance, I payed the bill,
I nearly died for this music.
You make me wanna run around,
Pulling my guns out and shit,
Your tempting me to run my mouth,
And call you out on this bitch,
How ignorant you gotta be,
to believe any of this,
You need to slit your wrist,
Get pissed and go jump off a bridge,
What? You can't see the
Sarcasm in the verses I spit?
What? You think I just got lucky
And didn't work for this shit?
Bitch. I've been working at
This ever since I was a kid,
I played a million empty shows
To only family and friends.
What kind of person can
dis a band that deserves to get big?
I hate to be that person when
My verse comes out of the kid's lips.
That shits as worse as it gets.
This verse is over, I quit.
Signed Charlie Scene
On your girlfriend's tits.
(Undead!)
You better get up out the way,
Tomorrow will rise so lets fight today,
And no, I don't give a
Fuck what you think and say,
Cause we are gonna rock
This whole place anyway.
(Undead!)
(Undead!)
You better get up out the way,
Tomorrow will rise so lets fight today,
And no, I don't give a
Fuck what you think and say,
Cause we are gonna rock
This whole place anyway.
(Undead!)
White boys with tattoos,
We are pointing right at you,
We are breaking everything,
R-rowdy like a classroom, panic rules,
Cause we don't follow the rules,
And when you're running your mouth,
Our razor blades come out,
Because it’s nothing in my mouth
Except my dick and what I spit,
So my dick is in my hand when
I respond to faggots talking shit,
Speaking of fags,
Already rap with the drag,
We killed him and then we
Stuffed his body in the Cadillac.
Why you always pressing?
You know I'm never stressing,
With fucking DMS,
J-Johnny to my left,
Got Phantom and the rest,
Who are down there at the west,
A grew up by drive-by's and LA gangsta's,
So what the fuck do you
Know about being a gangsta?
What the fuck do you know
About being in danger?
You ain't doing this,
So you know your just talking shit.
Mad at all the boys because
Every song is a fucking hit.
(Undead!)
You better get up out the way,
Tomorrow will rise so lets fight today,
And no, I don't give a
Fuck what you think and say,
Cause we are gonna rock
This whole place anyway.
(Undead!)
(Undead!)
You better get up out the way,
Tomorrow will rise so lets fight today,
And no, I don't give a
Fuck what you think and say,
Cause we are gonna rock
This whole place anyway.
(Undead!)
Mother fucking time to ride,
(Ride) (Undead!)
See you duck when we drive by,
(By) (Undead!)
Mother fucking time to ride,
(Ride) (Undead!)
Watch you fucker's just die,
The stench of blood will permeate a thousand miles around
Know that the strongest one will be there within seconds
Gracefully horrifying, the fin cuts the water
Viciuos selachii is ready to devour
(Solo: Ron)
Tail pushing left and right, a living flesh disposal
An unfelt touch against its grain would shred a hand to ribbins
Megatons of crushing power exerted on three hundred points
Conveyor belt of teeth makes sure that all will feel...
(Chorus)
Time and tme again
He must prove his formidability
Preying on the unsuspecting ones
Only need to masticate
White Death
This has stood the test of centuries
Preying on the unsuspecting ones
Only need to masticate
White Death
(solo: Brett, solo: Ron)
His eyes roll back and upper jaw is thrust out and
Cutting skin so easily and thrashing side to side so that
Now the wound inflicted will finish started work so he's
Circling the bleeding prey until it is anemic
(Solo: Brett)
Foolish man lowers his steel shark cage and
Attempting to control what he cannot control
While a devil that creates its own hell waits below
Its surroundings become the feared domain...