Year 1958 (MCMLVIII) was a common year starting on Wednesday (link will display the full calendar) of the Gregorian calendar.
Joel Albert McCrea (November 5, 1905 – October 20, 1990) was an American actor whose career spanned 50 years and appearances in over 90 films.
McCrea was born in South Pasadena, California, the son of Thomas McCrea, who was an executive with the L.A. Gas & Electric Company. As a boy, he had a paper route, and delivered the Los Angeles Times to Cecil B. DeMille and other people in the film industry. He also had the opportunity to watch D. W. Griffith filming Intolerance, and was an extra in a serial starring Ruth Roland.
McCrea graduated from Hollywood High School and then Pomona College (class of 1928), where he had acted on stage and took courses in drama and public speaking, and appeared regularly at the Pasadena Playhouse, Even as a high school student, he was working as a stunt double and held horses for cowboy stars William S. Hart and Tom Mix. He worked as an extra, stunt man and bit player from 1927 to 1928, when he signed a contract with MGM, where he was cast in a major role in The Jazz Age (1929), and got his first leading role that same year, in The Silver Horde. He moved to RKO in 1930, where he established himself as a handsome leading man who was considered versatile enough to star in both dramas and comedies.
Forrest Tucker (February 12, 1919 – October 25, 1986) was an American actor in both movies and television from the 1940s to the 1980s. Tucker, who stood 190 cm (6'4") tall and weighed 93 kg (200 lb), appeared in nearly 100 action films in the 1940s and 1950s.
Forrest Meredith Tucker was born in Plainfield, Indiana, a son of Forrest A. Tucker and his wife Doris Heringlake. He began his performing career at age 14 at the 1933 Chicago World's Fair, pushing the big wicker tourist chairs by day and singing "Throw Money" at night. After his family moved to Washington, D.C., Tucker attracted the attention of Jimmy Lake, the owner of the Old Gaiety Burlesque Theater, by winning its Saturday night amateur contest on consecutive weeks. After his second win, Tucker was hired full time as master of ceremonies at the theatre. However, his initial employment there was short-lived; it was soon discovered that Tucker was underage. Tucker graduated from Washington-Lee High School, Arlington, Virginia, near Washington, D.C. in 1938.
Richard Todd OBE (11 June 1919 – 3 December 2009) was an Irish-born British stage and film actor and soldier.
Richard Todd was born as Richard Andrew Palethorpe-Todd in Dublin, Ireland. His father, Andrew William Palethorpe Todd, was an Irish physician and an international Irish rugby player who gained three caps for his country. Richard spent a few of his childhood years in India, where his father, a British officer, served as an army physician.
Later his family moved to West Devon and Todd attended Shrewsbury School. Upon leaving school, Todd trained for a potential military career at Sandhurst before inaugurating his acting training at the Italia Conti Academy.
This change in career led to estrangement from his mother. When he learned, aged 19, she had committed suicide, he admitted in later life that he had not grieved long for her.
He first appeared professionally as an actor at the Open Air Theatre, Regent's Park in 1936 in a production of Twelfth Night. He played in regional theatres and then co-founded the Dundee Repertory Theatre in 1939.
Betsy Drake (born September 11, 1923) is an American actress, psychotherapist and writer. She was the third wife of actor Cary Grant.
Drake, the eldest child of two American expatriates, was born in Paris, France. Although her grandfather, Tracy Drake, had built the Drake Hotel in Chicago Illinois, the Drakes lost their money in the 1929 stock-market crash when Drake was five years old. As a result, she was forced to return to the U.S. on the ship the SS Île de France with her parents, brothers and a nanny. She grew up in Chicago; Westport, Connecticut; Washington, D.C.; Virginia, North Carolina; and New York City, New York.
She went to twelve different schools, both private and public, before concentrating on theatre and acting at a junior college in Rock Creek Park, Maryland, near Washington, D.C.
She began looking for work as an actress in New York City, supporting herself by working as a Conover model. She met the playwright Horton Foote, who offered her a job as an understudy in his play Only the Heart, which enabled her to join the Actors' Equity Association and thus become a professional actress.
And shepherds we shall be,
for thee my lord for thee.
Power hath descended forth from thy hand,
that our feet may swiftly carry out thy command.
So we shall flow river forth to thee,
and teeming with souls shall it ever be.
In nomine patris,
et filli,
et spiritus sancti.
You've sunk lower than I've ever seen,
and even though you deserved this
I tried to catch your fall
I've grown so tired of your childish threats
Know that I'll never run from anything
And I'll burn the building if I knew you'd die
And I'll pray you're a failure
And that you won't make it out alive
[x2]
Here's where we prove all your fairytales wrong
This all stops tonight
Swim in your sea of smoke
Until your lungs lose the fight
It's over
This all stops tonight
Or prove me wrong
What have you become trough your jealousy?
You've threatened my life, my friends and family
This is your last wrong turn in your life
and this dead end leads to a blood bath
your blood bath
And I'll burn the building if I knew you'd die
And I'll pray you're a failure
And that you won't make it out alive
[x2]
Here's where we prove all your fairytales wrong
This all stops tonight
Swim in your sea of smoke
Until your lungs lose the fight
It's over
This all stops tonight
Or prove me wrong
You'll never stop us with your one-man army
We would burn him alive
You'll never stop us with your one-man army
If you're such a man then bring the fight
[x2]
This is me calling you out
You want to talk like a man, then be a man
Stop talking like you're something (We're paging 1958)
You always have so much to say but it's never to our faces
I'm right here
(We're paging 1958)
We're all one and the same
We're moving on, and living our dreams (We're paging 1958)
We're all one and the same