Documentary films constitute a broad category of nonfictional motion pictures intended to document some aspect of reality, primarily for the purposes of instruction or maintaining a historical record. A 'documentary film' was originally shot on film stock — the only medium available — but now includes video and digital productions that can be either direct-to-video, made as a television program or released for screening in cinemas. "Documentary" has been described as a "filmmaking practice, a cinematic tradition, and mode of audience reception" that is continually evolving and is without clear boundaries.
In popular myth, the word 'documentary' was coined by Scottish documentarian John Grierson in his review of Robert Flaherty's film Moana (1926), published in the New York Sun on 8 February 1926, written by "The Moviegoer" (a pen name for Grierson).
Grierson's principles of documentary were that cinema's potential for observing life could be exploited in a new art form; that the "original" actor and "original" scene are better guides than their fiction counterparts to interpreting the modern world; and that materials "thus taken from the raw" can be more real than the acted article. In this regard, Grierson's definition of documentary as "creative treatment of actuality" has gained some acceptance, with this position at variance with Soviet film-maker Dziga Vertov's provocation to present "life as it is" (that is, life filmed surreptitiously) and "life caught unawares" (life provoked or surprised by the camera).
Albert Einstein ( /ˈælbərt ˈaɪnstaɪn/; German: [ˈalbɐt ˈaɪnʃtaɪn] (
listen); 14 March 1879 – 18 April 1955) was a German theoretical physicist who developed the theory of general relativity, effecting a revolution in physics. For this achievement, Einstein is often regarded as the father of modern physics. While best known for his mass–energy equivalence formula E = mc2 (which has been dubbed "the world's most famous equation"), he received the 1921 Nobel Prize in Physics "for his services to theoretical physics, and especially for his discovery of the law of the photoelectric effect". The latter was pivotal in establishing quantum theory within physics.
Near the beginning of his career, Einstein thought that Newtonian mechanics was no longer enough to reconcile the laws of classical mechanics with the laws of the electromagnetic field. This led to the development of his special theory of relativity. He realized, however, that the principle of relativity could also be extended to gravitational fields, and with his subsequent theory of gravitation in 1916, he published a paper on the general theory of relativity. He continued to deal with problems of statistical mechanics and quantum theory, which led to his explanations of particle theory and the motion of molecules. He also investigated the thermal properties of light which laid the foundation of the photon theory of light. In 1917, Einstein applied the general theory of relativity to model the structure of the universe as a whole.
Richard Leonard "The Iceman" Kuklinski (Polish: Kukliński; April 11, 1935 – March 5, 2006) was a Polish American contract killer. The 6'5" (196 cm), 300 pound (135 kg) Kuklinski worked for Newark's DeCavalcante crime family and New York City's Five Families. He claimed to have murdered over 250 men between 1948 and 1986. He claimed to have committed his first murder at the age of 13. Richard Kuklinski lived with his wife and three children in suburban Dumont, New Jersey before his arrest.
Kuklinski was born in a housing project in Jersey City, New Jersey, to a family of mixed Polish and Irish-American descent. His father, Stanley Kuklinski, was an alcoholic who frequently abused his wife and children. He had a brother, Joseph Kuklinski (1944–2003) who was convicted of raping and murdering a 12-year-old girl.
Kuklinski spent the remainder of his life fantasizing about murdering his father. When asked about his brother Joseph's crimes, he replied: "We come from the same father." His mother, Anna McNally Kuklinski, was also abusive to Richard, hitting him with broom handles and other household objects to stop him from stealing.
Peoples Temple was a religious organization founded in 1955 by Jim Jones that, by the mid-1970s, included over a dozen locations in California including its headquarters in San Francisco. It is best known for the events of November 18, 1978, in Guyana, in which 918 people died at the Peoples Temple Agricultural Project (informally, and now commonly, called "Jonestown") and nearby airstrip at Port Kaituma, and Georgetown in an organized mass suicide/killing.
The mass suicide and killings at Jonestown resulted in the greatest single loss of American civilian life in a non-natural non-accidental disaster prior to the events of September 11, 2001. Casualties at the airstrip included, among others, Congressman Leo Ryan.
Before forming a church, Jim Jones had become enamored by communism and frustrated by the harassment communists received in the U.S. This, among other things, provided a seminal inspiration for Jones; as he himself described in a biographical recording,
Although he feared a backlash for being a communist, Jones was surprised when a Methodist superintendent (whom he had not met through the American Communist Party) helped him into the church, despite his knowledge that Jones was a communist. In 1952, Jones became a student pastor in Sommerset Southside Methodist Church in Indianapolis, but left that church because it barred him from integrating African Americans into his congregation. In 1954, Jones began his own church in a rented space in Indianapolis, at first naming it the Community Unity Church.
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Directed by a person who stutters, 'Let Me Finish' share the personal experiences of Evan, Behnaz, and Joy; three life-long stutterers living in Austin, Texas. Through their compelling interviews, their group meetings at the National Stuttering Association Austin chapter, and expert testimony from leading UT Speech Language Pathologist Dr. Courtney Byrd, the documentary explores the physical and psychological effects of stuttering, dispels commonly held myths perpetuated by the media, and informs friends, family and others how they can help make communication a little easier for stutterers in their own lives.
Plot
Jay is the name of the two protagonists in the film. Jay Santiago is a gay TV producer documenting the family of a gay hate crime victim who happens to be his namesake, Jay Mercado. In the process of producing for his TV program, Jay Santiago intrudes into the private grief of the other Jay's family and he is drawn to the secret life and love of his subject. Warning: Do not believe everything you see as truth.
Keywords: ash-wednesday, brother, cabinet, cameraman, cards, cemetery, character-name-in-title, chicks, corpse, direction
Plot
Filmmaker David Diaan, an expatriate residing in Los Angeles , left his native Iran 24 years ago, unable to return due to the sudden and fierce changes that rocked Iran in 1979. However, motivated by a deep longing to visit his motherland and the recent easing up of tensions, he finally deemed it safe enough to pay a visit. Ready for a culture shock, yet haunted by fading memories of his childhood, Diaan filmed his journey with an adoring eye, eager to capture every moment. He cautiously traversed the streets without a crew or equipment, armed only with a hand-held camera small enough to hide from the authorities, hoping that somehow he would be able to smuggle his tapes out of the country without them being confiscated. Through candid and unrehearsed interviews on the streets, Diaan delves into the hearts and minds of a humble people surrounded on the one hand by the remnants of mythical Persia, and the encroaching realities of a modern world on the other. What strikes him most, however, is the beauty and promise of a bright new generation of Iranian youth that is sure to demand the freedom and the happinesss that the citizens of every land deserve.
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Now it seems I’m fading
All my dreams are not worth saving
I’ve done my share of waiting
And I’ve still got nowhere else to go
So I wait for you to
Take me all the way
Take me all the way
Seems you’re wanting me to stay
But my dreams would surely waste away
And I still have nowhere else to go
So I wait for you to
Take me all the way
Take me all the way
Push me under
Pull me further
Take me all the way
Take me all the way
Push me under
Pull me further
Take me all the way
Take me all the way
Now it seems you’re leaving
But we’ve only just begun
And you’ve still got nowhere else to go
So I wait for you to
Take me all the way
Take me all the way
Push me under
Pull me further
Take me all the way
Take me all the way
Push me under
Pull me further
Take me all the way
Take me all the way
And I’ve been waiting so long
And I’ve been waiting so long
And I’ve been waiting so long
So I wait for you to
Take me all the way
Push me under
Pull me further
Take me all the way
Take me all the way
Push me under
Pull me further
Take me all the way
Take me all the way
And I’ve been waiting so long
And I’ve been waiting so long
And I’ve been waiting so long
So I wait for you to
Take me all the way
I want you to close your eyes
And fall into a deep trance
And when I count to three
You'll wake up, and be mine
I like it...like it
I love it...love it
I know you...
Know you you
I love it when you take me down, down under your spell
My mind is suffocated
By your deep sigh
The scent of you has got me
So blind, why, why can't I be with you
Full time cause
You bring me under
Your lips, your eyes, your skin
Can't wait to be within
Your thoughts, your mind
Will meet in time babe
You're mine babe
So fine babe
But for now
I like it when you bring me under
Girl, I know you so well
I love it when we get down, down
Can't you tell
I know you know when I first met you baby
My heart fell
I love it when you take me down, down
Under your spell
Can I get an "O"
Can I get a "T"
Can I get an "O"
And a "W"
And an"N"
Bring it back
If you, could ever understand
What you put me through
Then I, I
I could forgive you
I can't forget you
The things that you do
Won't leave my mind soon
I came to you with a broken view of what
My life should be
You carried me subconsciously
I send my mind through your eyes
My thoughts are caught up in you
Ooo, Can't wait to wrap myself in you
I like it when you bring me under
Girl, I know you so well
I love it when we get down, down
Can't you tell
I know you know when I first met you baby
My heart fell
I love it when you take me down, down
Under your spell
1,2,3
When I look into your eyes
My mind just don't know what to do and
It's a crazy thing
Got me all in a trance
Wanna dance in the streets with you
You got it goin' on, flowin' on
Girl you never show me wrong
Make a fella wanna go buy the song
And give you all my publishing
I'm gonna go where you wanna go
Run wild, have fun like a carnival
Cause
I think I'm in love with you
And before I never knew that I was so
I can't recall
Not at all
The last time a girl made me fall
So deep that I had withdrawals
So don't stop cause
I like it when you bring me under
Girl, I know you so well
I love it when we get down, down
Can't you tell
I know you know when I first met you baby
My heart fell
I love it when you take me down, down
If you wanna know just what you mean to me
Just dream a little dream
And you’ll be my queen, girl you make me scream
Take me with you
Take me with you
I just want to know what’s up and where it’s at
Jus tell me where we’re going
Cause you know I’ll be coming in 5 seconds flat
If you wanna take me, take me where you wanna
Take me, take me anywhere will be alright
Just atke me baby, take me tonight
Take me with you, take me away
Take me with you, take me away, won’t you
Take me, take me with you
Anything you wanna do, I’ll do it with you
Won’t you take me, take me with you
Anything you wanna do, I’ll do it with you
Won’t you take me, take me, take me away
Anywhere you want to go is good with me
Just tell me when and where
When we’ll be leaving and that’s where I’ll be
If you wanna take me anythere’ll be so fine
Just talk me baby, you blow my mind
Take me with you, take me away
Take me with you, take me away, won’t you
Take me, take me with you
Anything you wanna do, I’ll do it with you
Won’t you take me, take me with you
Anything you wanna do, I’ll do it with you
Won’t you take me, take me, take me away
Take me
Won’t you take me, take me with you
Anything you wanna do, I’ll do it with you
Won’t you take me, take me with you
Anything you wanna do, I’ll do it with you
Take me high
Take me higher
Never let me down, let me down
Take me high
Take me higher
Never let me down, let me down
Take me high... Take me high...
You're the one that can make me cry
You give me such a natural high
Never did I feel like this
You're the one that can.................................
Take me out ................................. down
Make me queen, we're just clown
In your hands I put my fate
Take me to a higher state
Never stop to give me love
Never too much will never be enough
Emotion is just a sweet devotion
............................. on me, like a ................................
You spin my life round and round
You're the greatest thing I found
Come on boy make me fly
Back before you met me.
Life was out to get me
but i was too fast to jump too
high to hit the ground.
Now I'm at your mercy...
Common sense deserts me
Every time and everywhere you choose to come around.
You start to dig.
I start to build.
It's almost like some kind of wish against my
will.
You take me under
You take me under
You take me under and you pull me down again
You take me under
You take me under
And just when I start to breathe you pull me down
again.
Out of self assurance
How can I endure this
When you seem so
pleased affecting me all by yourself?
There's this restless kind of
feeling
I'm not waving girl I'm sinking
and its almost like this heavens on
the border line of hell.
You take me under
You take me under
You take me under and I don't know where I am
You take me under
You take me under
And just when I start to breath you pull me down again.
I keep drowning in your same old drama and it gets
boring... and you keep pulling... pulling me under.
I keep drowning in your same old drama and it gets boring but you keep pulling
You take me under
You take me under
You take me under and I don't know where I am
You take me under
You take me under
And just when I start to breath you pull me down again