Year 1697 (MDCXCVII) was a common year starting on Tuesday (link will display the full calendar) of the Gregorian calendar and a common year starting on Friday of the 10-day slower Julian calendar.
Nicolaus Bruhns (Nikolaus, Nicholas) (late 1665 – 29 March 1697) was a German organist, violinist, and composer. He was one of the most prominent organists and composers of his generation.
Bruhns was born in Schwabstedt, a small settlement near Husum. He came from a family of musicians and composers. His grandfather, Paul (died 1655), worked as lutenist in Lübeck. His three sons all chose musical careers; Bruhns' father, also named Paul (1640–c. 1689), became organist at Schwabstedt, possibly after studying with Franz Tunder. Nicolaus was apparently a child prodigy: according to Ernst Ludwig Gerber, he could play the organ and compose competent works for keyboard and voice already at an early age. He probably received his first music lessons from his father.
At age sixteen, Bruhns, together with his younger brother Georg, was sent to Lübeck to live with his uncle Peter, who would teach Bruhns the violin and the viola da gamba. The two brothers also studied the organ and composition, Georg under Bernhard Olffen, organist of St. Aegidien, and Nicolaus under Dieterich Buxtehude. The latter, one of the best composers of his time, was so impressed with Bruhns' talents and progress that he considered him his best pupil and eventually recommended him for Copenhagen. There Bruhns worked as organist and violinist. On 29 March 1689 he competed for the position of organist of the Stadtkirche in Husum and was unanimously accepted. In a few months he was offered a position at Kiel, but declined when the authorities at Husum increased his salary. Bruhns remained in Husum until his untimely death in 1697, at the age of 31. His only son, Johan Paul, chose a career in theology. Bruhns was succeeded in Husum by his brother Georg.
Henry Purcell ( /ˈpɜrsəl/; 10 September 1659 (?)– 21 November 1695), was an English composer. Although incorporating Italian and French stylistic elements into his compositions, Purcell's legacy was a uniquely English form of Baroque music. He is generally considered to be one of the greatest English composers; no other native-born English composer approached his fame until Edward Elgar.
Purcell was born in St Ann's Lane Old Pye Street, Westminster. Henry Purcell Senior, whose older brother Thomas Purcell (d. 1682) was also a musician, was a gentleman of the Chapel Royal and sang at the coronation of King Charles II of England. Henry the elder had three sons: Edward, Henry and Daniel. Daniel Purcell (d. 1717), the youngest of the brothers, was also a prolific composer who wrote the music for much of the final act of The Indian Queen after Henry Purcell's death. Henry Purcell's family lived just a few hundred yards west of Westminster Abbey from the year 1659 and onward.
After his father's death in 1664, Purcell was placed under the guardianship of his uncle who showed him great affection and kindness. Thomas was himself a gentleman of His Majesty's chapel, and arranged for Henry to be admitted as a chorister. Henry studied first under Captain Henry Cooke (d. 1672),Master of the Children, and afterwards under Pelham Humfrey (d. 1674), Cooke's successor. Henry was a chorister in the Chapel Royal until his voice broke in 1673, when he became assistant to the organ-builder John Hingston, who held the post of keeper of wind instruments to the King.
André Campra (Aix-en-Provence, (baptized) 4 December 1660 – 29 June 1744 in Versailles) was a French composer and conductor.
Campra was one of the leading French opera composers in the period between Jean-Baptiste Lully and Jean-Philippe Rameau. He wrote several tragédies en musique, but his chief claim to fame is as the creator of a new genre, opéra-ballet. He also wrote three books of cantatas as well as religious music, including a requiem.
Campra was the son of Jean-François Campra, a surgeon and violinist from Graglia, in Italy, and of Louise Fabry, from Aix-en-Provence. Campra's father was his first music teacher. Campra became a choirboy at Saint-Sauveur in Aix in 1674, and commenced ecclesiastical studies four years later. He was reprimanded by his superiors in 1681 for having taken part in theatrical performances without permission, but was nevertheless made a chaplain on 27 May that year.
From 1694 to 1700, he was maître de musique (music director) at the cathedral of Notre-Dame de Paris, after having served in a similar capacity in Arles and Toulouse. Campra controversially brought violins into the making of sacred music at Notre-Dame de Paris which at the time was seen as very avant-garde due to their reputation as 'street instruments'.