The Hammond organ is an electric organ invented by Laurens Hammond in 1934 and manufactured by the Hammond Organ Company. While the Hammond organ was originally sold to churches as a lower-cost alternative to the wind-driven pipe organ, in the 1960s and 1970s it became a standard keyboard instrument for jazz, blues, rock, church and gospel music.
The original Hammond organ used additive synthesis of waveforms from harmonic series made by mechanical tonewheels that rotate in front of electromagnetic pickups. The component waveform ratios are mixed by sliding drawbars mounted above the two keyboards. Although many different models of Hammond organs were produced, the Hammond B-3 organ is most well known. In the late 1960s and throughout the 1970s the distinctive sound of the B-3 organ (often played through a Leslie speaker) was widely used in blues, progressive rock bands and blues-rock groups. The last electromechanical Hammond organ came off the assembly line in the mid-1970s.
In 1897 Thaddeus Cahill patented an instrument called the Telharmonium (or Teleharmonium, also known as the Dynamaphone). Using tonewheels to generate musical sounds as electrical signals by additive synthesis, it was capable of producing any combination of notes and overtones, at any dynamic level. This technology was later used to design the Hammond organ.
Jonathan Douglas "Jon" Lord D.M. (born 9 June 1941) is an English composer, pianist and Hammond organ player known for his pioneering work in fusing rock and classical or baroque forms, especially with Deep Purple, besides Whitesnake, Paice, Ashton & Lord, The Artwoods and Flower Pot Men.
In 1968, Lord founded Deep Purple, where he was virtually the leader of the band until 1970. In addition, Lord wrote the organ riff on "Child in Time". He and drummer Ian Paice were the only constant band members during the band's existence from 1968 to 1976 and from when they reformed in 1984 until Lord's retirement from Deep Purple in 2002. On 11 November 2010, Lord was made an Honorary Fellow of Stevenson College, Edinburgh. On 15 July 2011, he was granted an honorary Doctor of Music degree by his home town's University of Leicester.
Jon Lord was born in Leicester on 9 June 1941 to his parents Miriam (1912–1995, née Hudson) and Reg. He studied classical piano from the age of five, and those influences are a recurring trademark in his work. His influences range from Bach (a constant connection in his music and his keyboard improvisation) to Medieval popular music and the English tradition of Edward Elgar.
Barbara Dennerlein (born 25 September 1964 in Munich, Germany), is a hard bop and post-bop Hammond B3 organist.
At age 11, Dennerlein began playing electronic organ. After starting organ lessons, she learned to play the two manual organ with a bass pedalboard. After one and a half years of lessons she continued to study without formal instruction. At age 15, she played in a jazz club for the first time. When leading her own bands, Dennerlein was often the youngest musician in the group, and she learned to cooperate with more experienced musicians. Her local reputation as the "Organ tornado from Munich" spread after her first TV appearances in 1982.
When her third LP Bebab was issued, Dennerlein established her own record label in 1985. She received two German Record Critics' awards for self-produced albums.. Later, she made three recordings for Enja Records and three for Verve Records. On these recordings she worked with Ray Anderson, Randy Brecker, Dennis Chambers, Roy Hargrove, Mitch Watkins, and Jeff 'Tain' Watts.
Manuel José Luís Bucuane (born 16 August 1973 in Lourenço Marques (now Maputo)), best known as Tico-Tico, is a Mozambican football striker who plays for Desportivo de Maputo in Mozambique.
Tico-Tico is his country's most capped player and record goal scorer. He is also the PSL’s leading scorer of all-time with 108 goals.
In June 2000, Tico-Tico was signed by the Tampa Bay Mutiny after playing for Jomo Cosmos.
Plot
World famous singer-songwriter Thomas Jacob is based in Los Angeles. He is a very successful man who has burned a lot of bridges. He lives and breathes music and very little else. When Thomas travels back to Denmark to record a new album with his regular producer, Molly Moe, his grown-up daughter, Julie, shows up with his 11 year-old grandson, Noa, whom Thomas has never met. Soon - and much against his will - Thomas is forced to take care of Noa. Against all odds the two of them slowly begin to connect through music. Then disaster strikes forcing Thomas to realize, that he now has to make a choice that will change his life forever.
Plot
World famous singer-songwriter Thomas Jacob is based in Los Angeles. He is a very successful man who has burned a lot of bridges. He lives and breathes music and very little else. When Thomas travels back to Denmark to record a new album with his regular producer, Molly Moe, his grown-up daughter, Julie, shows up with his 11 year-old grandson, Noa, whom Thomas has never met. Soon - and much against his will - Thomas is forced to take care of Noa. Against all odds the two of them slowly begin to connect through music. Then disaster strikes forcing Thomas to realize, that he now has to make a choice that will change his life forever.
Plot
Sugar Ray Five ~ Battle of the Bands Finalists/Winners 1984 - Sugar Ray Five were one of the six finalists and eventual winners of the 1984 Battle of the Bands Competition sponsored by TDK. The competition was held throughout the UK in which more than 1700 bands initially entered. Various Nationwide elimination heats were held in which Sugar Ray Five won each heat outright and were eventual outright winners at the Grand Final which was held at the world famous Hammersmith Odeon (now Hammersmith Apollo) in London in front of a capacity crowd and covered by the BBC. Sugar Ray Five completely annihilated the opposition on the night and ending up gaining 147 of the absolute maximum of 150 points available from the judges. Only ever performing original material the self-penned 7" single 'Lazy Hours' with 'March' on the flip side was released into the British charts the following year which received airplay on principal radio and TV but despite being rapidly tipped by the industry for great heights as a true force to be reckoned with in the mid-eighties music scene the group disbanded less than a year later.