Data ( /ˈdeɪtə/ DAY-tə, /ˈdætə/ DA-tə, or /ˈdɑːtə/ DAH-tə) are values of qualitative or quantitative variables, belonging to a set of items. Data in computing (or data processing) are often represented by a combination of items organized in rows and multiple variables organized in columns. Data are typically the results of measurements and can be visualised using graphs or images. Data as an abstract concept can be viewed as the lowest level of abstraction from which information and then knowledge are derived. Raw data, i.e., unprocessed data, refers to a collection of numbers, characters and is a relative term; data processing commonly occurs by stages, and the "processed data" from one stage may be considered the "raw data" of the next. Field data refers to raw data collected in an uncontrolled in situ environment. Experimental data refers to data generated within the context of a scientific investigation by observation and recording.
The word data is the plural of datum, neuter past participle of the Latin dare, "to give", hence "something given". In discussions of problems in geometry, mathematics, engineering, and so on, the terms givens and data are used interchangeably. Such usage is the origin of data as a concept in computer science or data processing: data are numbers, words, images, etc., accepted as they stand.
Chico Xavier, born Francisco de Paula Cândido (April 2, 1910 - June 30, 2002) was a popular medium in Brazil's spiritism movement who wrote 413 books, ostensibly using a process known as "psychography".
Xavier was born in the city of Pedro Leopoldo, State of Minas Gerais and is popularly known as "Chico Xavier" (Chico is the Portuguese nickname for Francisco). Heavily influenced by works of Allan Kardec, Xavier professed that his hand was guided by spirits. Xavier called his spiritual guide Emmanuel, who according to Xavier, lived in ancient Rome as Senator Publius Lentulus, was reincarnated in Spain as Father Damian, and later as a professor at the Sorbonne.
Xavier's work produced religious teachings, novels, and works of philosophy. His books sold an estimated 50 million copies, the profits of which were all channelled into charity work. In 1981 and 1982, he was nominated for the Nobel peace prize.
Xavier believed he was only a channel for the work of the spirits; that he was not able to produce any miracle, such as healing people, and he could not contact someone that was dead, unless that person was willing to be contacted. His appearances on TV talk shows in the late 1960s and early 1970s helped to establish Kardecist Spiritism as one of the religions professed in Brazil. Xavier's popularity remained unchanged in Brazil throughout his life. Despite health problems he kept working up to his death, on June 30, 2002 in Uberaba. In 2010, a movie biography entitled Chico Xavier was released in Brazil. Directed by Daniel Filho, the film dramatized Xavier's life.
Sadhana Sargam is an Indian playback singer. She is a recipient of the prestigious National Film Award and Filmfare Awards South.
Sargam has sung in many Indian languages for films, television serials and music albums. She is well known for her 1990s Hindi songs and recent South Indian songs. She holds a record for being the only North Indian to have won the National Award for a South Indian song. She is also a trained Hindustani classical singer. She has ventured into the southern Carnatic classical style with ease.
Sadhana Sargam is of Maharashtrian origin. She was trained in Indian classical music by her mother, Neelatai Ghanekar, at an early age, and then by Pandit Jasraj. Her mother introduced her to a composer by the name of Anil Mohile, which later resulted in her involvement with the children's choir. In 1982, she released her first single for the film Vidhaata.
Sadhana Sargam is popular in singing Hindi as well as Tamil songs. Her most critically acclaimed songs were in the film Water, composed by A. R. Rahman, in which she sang three songs: "Aayo Re Sakhi", "Piya Ho" and "Naina Neer". Her other notable songs in Hindi with the same composer include "Aahista Aahista" from Swades, "Chupke Se" and "Naina Milaike" from Saathiya, "Chanda Re" from Sapney, "O Palanhare" from Lagaan, "Jhulaa Bahon Ka" from Doli Saja Ke Rakhna, and "Banno Rani" from 1947: Earth. Her other notable rhapsodic hits in Hindi are "Neele Neele Ambar Par" from Kalakaar, "Jab Koi Baat Bigad Jaye" from Jurm, "Pehla Nasha" from Jo Jeeta Wohi Sikandar, "Na Kajre Ki Dhar" from Mohra, "Aashiqui Me" from Dil Ka Kya Kasoor, "Tere Dar Pe Sanam" from Phir Teri Kahani Yaad Aayee, "Jhinimini" from Maqbool and "Aao Na" from Kyun! Ho Gaya Na....
In a universe bound by chains, one man's disappearance upsets the balance of power.
Plot
Meet Roy Rayome. He perpetrated the most famous crime of all time: The 1989 mugging of Corey Haim. Meet Warrington Bartleby. He is a fourth-generation mugger with talent and style to spare. What happens when these two mugging luminaries attempt to mug one another simultaneously? Answer: hilarity ensues! These two legends join forces to compete in the first-ever Mugging Olympics, but they quickly realize that getting there isn't as easy as it seems. With the Sheriff of New York hot on their trail, they must fight an uphill battle against the law, time and ultimately themselves. Equal parts earnest drama and pure unadulterated romp, Muggers: The Movie is a story of unsung villains and reminds us that muggers are people too.
Keywords: character-says-"dick"-as-epithet, punctuation-in-title, reference-to-freud
"Get your hands out of my pants."
Roy Rayome: No. That's Corey Feldman.
The SHeriff: Nobody messes with Corey Haim and lives to tell about. I love License To Drive and I also love The Goonies.
The Chef: You're a bad man. You;re a very bad man. Lying and cheating and selling me a crappy fucking knife.
The SHeriff: Let's just say he, Corey Haim, and a poolstick. Let's just say he did things to Corey Haim that Corey Feldman only wishes he'd done to Corey Haim.
The SHeriff: Now he's subjugated to living in a shack in Toronto, working in a record store, living with his mother, playing keyboard, making horrible paintings.
The Chef: You said it would cut through a tin can, or a screw, or something metal. Liar.
The SHeriff: Corey did enough coke to kill Sigmund Freud's son.
George Gross XVII: Maybe it runs on... patience.
Warrington Bartleby: What are you supposed to do ? Stick him up after he throws everything down?
Warrington Bartleby: It's like the future of mugging. You didn't have to pull a gun on anyone, just collected the money.
Plot
In this follow-up to the popular 1997 documentary, Denise Crosby returns for another look at fans of the "Star Trek" franchise. This time there are interviews with fans from other countries, updates on fans featured in the first film, and performances by "Star Trek"-themed "filk" bands.
Keywords: apartment, celebrity, convention, costume, devotion, ebay, england, europe, fan, fandom
How much is too much?
Plot
Inspector Vijay lives with his elder brother, Assistant Commissioner of Police, Ashwini Kumar; and sister-in-law, Jyoti, in a upper middle-class community in India. Assigned an investigation, which leads Vijay to conclude that the crime was committed by K.K. Kelva's man, he risks his life to arrest him, and hold him in prison until such time a date is fixed for a court hearing. Vijay also interrogates his prisoner, often using excessive force. Shortly thereafter, Vijay is instructed to release the prisoner - and the person who instructs him thus is no other than his very own brother, Ashwini, who it seems on the pay-roll of Kelva and his gangsters. What can Vijay possibly do to bring an end to this illicit relationship?
Plot
In a post-apocolyptic Los Angeles, a wheelchair bound veteren volunteers for an experimental cybergenic program that wil allow him to walk again only to find that it turns him into a lethal killing machine pre-programmed to kill the last remaining member of the resestance - the woman he loves.
Keywords: balisong, compound-bow, independent-film, post-apocalypse, robot, wheelchair
Mankind doesn't stand a chance.
Part man, part machine, all killer.
Rev. Delaney: [Attempting to revive sleeping old man] Suffering demon! I told you not to sleep here. Wake up and remove your sinful body from my hotel!::Other Old Man: He... he... he's dead.::Rev. Delaney: Dead?::Other Old Man: Yeah.::Rev. Delaney: What do you mean dead? He hasn't paid his rent!
Plot
Marty McFly has only just gotten back from the past, when he is once again picked up by Dr. Emmett Brown and sent through time to the future. Marty's job in the future is to pose as his own son to prevent him from being thrown in prison. Unfortunately, things get worse when the future changes the present.
Keywords: 17-year-old, 1950s, 2010s, abandoned-library, absent-mindedness, actor-playing-female-role, actor-playing-multiple-roles, adult-actor-playing-teenage-boy, altering-history, alternate-history
Getting back was only the beginning.
Synchronize your watches. The future's coming back...
Roads? Where we're going, we don't need roads!
We're Back
Do You Remember... The Future?
It's About Time.
[last lines]::Young Doc: No! It can't be; I just sent you back to the future!::Marty McFly: No, I know; you *did* send me back to the future. But I'm back - I'm back *from* the future.::Young Doc: Great Scott!::[Doc faints]::Marty McFly: Doc! Doc! Doc! Oh, fantastic.
Biff Tannen: That's about as funny as a screen door on a battleship.::Marty McFly: [under his breath] It's "screen door on a submarine," you dork.
Lorraine Baines: Biff Tannen, I wouldn't be your girl even if - even if you had a million dollars.
Television announcer: Broadcasting beautiful views 24 hours a day: you're tuned to the Scenery Channel.
[Jennifers from two different times confront one another]::Young Jennifer: I'm old!::Old Jennifer: I'm young!
[Flying above Biff in 1955]::Marty McFly: There he is, Doc! Let's land on him, we'll cripple his car.::Doc: Marty, he's in a '46 Ford, we're in a DeLorean. He'd rip through us like we were tin foil.
Marty McFly: [Reading the newspaper from 2015] "Within two hours of his arrest, Martin McFly Jr. was tried, convicted and sentenced to fifteen years in the state penitentiary."? Within two hours?::Doc: The justice system works swiftly in the future now that they've abolished all lawyers.
Doc: The time-traveling is just too dangerous. Better that I devote myself to study the other great mystery of the universe: women!
Doc: Marty! What in the name of Sir Isaac H. Newton happened here?
Marty McFly: [arriving in 1955] Oh, this is heavy, Doc. I mean, it's like I was just here yesterday.::Doc: You were here yesterday, Marty.
Plot
Mikey Walsh and Brandon Walsh are brothers whose family is preparing to move because developers want to build a golf course in the place of their neighborhood -- unless enough money is raised to stop the construction of the golf course, and that's quite doubtful. But when Mikey stumbles upon a treasure map of the famed "One-Eyed" Willy's hidden fortune, Mikey, Brandon, and their friends Lawrence "Chunk" Cohen, Clark "Mouth" Devereaux, Andrea "Andy" Carmichael, Stefanie "Stef" Steinbrenner, and Richard "Data" Wang, calling themselves The Goonies, set out on a quest to find the treasure in hopes of saving their neighborhood. The treasure is in a cavern, but the entrance to the cavern is under the house of evil thief Mama Fratelli and her sons Jake Fratelli, Francis Fratelli, and the severely disfigured Lotney "Sloth" Fratelli. Sloth befriends the Goonies and decides to help them.
Keywords: 1980s, adventurer, affection, against-the-odds, arrest, asthma, attic, baby-ruth, bad-mother, beach
They call themselves "The Goonies." The secret caves. The old lighthouse. The lost map. The treacherous traps. The hidden treasure. And Sloth... Join the adventure.
The pirates map, The villainous crooks, The underground caverns, The booby traps, the skeletons, The monster, the lost treasure, and the magic that is... THE GOONIES
It's excitement all the way as Steven Spielberg and Richard Donner, the makers of 'Indiana Jones', 'Gremlins' and 'Superman', combine forces to create the Family Adventure of the year!
Chunk: Mikey, Mikey, this ain't the kind of place you want to go to the bathroom in.::Mama Fratelli: Why not?::Chunk: Because they might have daddy longlegs and um... dead things, Mikey. DEAD THINGS!
Mouth: Senior Jerk Alert!
Chunk: You guys, I'm hungry. I know when my stomach growls there's trouble.
Elgin Perkins: Hello guys. I'm Mr Perkins, Troy's father.::Richard 'Data' Wang: We know who Troy is. He's that cheap guy.::Brandon Walsh: My dad's not home, Mr. Perkins.::Elgin Perkins: Is your mommy here?::Brandon Walsh: [scarcastically] No, actually she's out at the market buying Pampers for all us kids.::Elgin Perkins: [feigning laughing] Papers, Bill. You can give these to your father to read through and sign. I'll be by to pick them up in the morning.::Brandon Walsh: Thank you.::Elgin Perkins: Thank *you*.
Rosalita: [in Spanish; subtitled] My God, I'm in a crazy house!
Sloth: Mama!::Mama Fratelli: Come to mama Slothy, come on hmm?::Sloth: Mama, you've been bad.::Mama Fratelli: Oh, Slothy. I may have been bad. I may have kept you chained up in that room but it was for your own good.::Sloth: Yeah!::Mama Fratelli: You remember that song I used to sing to you?::Sloth: Yeah!::Mama Fratelli: You were little back then?::[singing]::Mama Fratelli: Rock-a-bye baby on the tree top. When the wind blows the cradle will rock. When the bough breaks the cradle will fall...::Sloth: Break! Fall!::Mama Fratelli: No! I only dropped once.::Sloth: Ahh!::Mama Fratelli: Well, maybe twice. No Sloth! Put me down!
Jake Fratelli: You know Sloth, if you sit too close to the TV, you're going hurt your eyes.::Sloth: Eh!::Francis Fratelli: Jake leave him alone!
Jake Fratelli: Francis, the lock. The lock!::Francis Fratelli: Let go of the handle.::Jake Fratelli: I don't have the handle! Open the lock!::Mama Fratelli: Jake, up! Come on, move it!
Elgin Perkins: Alright Walsh. Today's the day so let's get this over with.::Irene Walsh: Irving?::Irving Walsh: I'm sorry Irene.::Troy Perkins: Come on Walsh we don't have all day. There's 50 more houses to tear down after yours.::Irving Walsh: Easy Brandon! Easy!
[Mikey calls for a bathroom break]::Mikey: Okay, this is the little boys' room, and that cave over there is the little girls' room.::[Brandon heads to a different cave]::Mikey: Brand, where're you going?::Brandon Walsh: This is the *men's* room.
Bill’s dance hall in Bilbao - Bilbao - Bilbao - the
greatest in the world
Bill’s dance hall in Bilbao - Bilbao - Bilbao - the
greatest in the world
I know you wouldn’t like it - it’s not your thing
here were love is only master under the moon
Joe! play that old-time music
That old Bilbao moon - I’ve said it often
that old Bilbao moon - he was used to Brazilian cigars
that old Bilbao moon - he never held me down
that old Bilbao moon - there! love was worth while
I’m not so sure you would have liked it there
but it was beautiful - it was so beautiful
the most beautiful - in the world
Bill’s dance hall in Bilbao - Bilbao - Bilbao - the
greatest in the world
Bill’s dance hall in Bilbao - Bilbao - Bilbao - the
greatest in the world
I know you wouldn’t like it - it’s not your thing
still they come here popping pistols - how about you?
hey! are you a hero? - no!
That old Bilbao moon - I’ve said it often
that old Bilbao moon - he was used to Brazilian cigars
that old Bilbao moon - he never held me down
that old Bilbao moon - there! love was worth while
I’m not so sure you would have liked it there
but it was beautiful - it was so beautiful
the most beautiful
I’m not so sure you would have liked it there
but it was beautiful - it was so beautiful
the most beautiful - in the world
Bilbao - Bilbao - Bill’s dance hall in Bilbao - Bilbao
You can see a vision of love
when you look up in the sky
(Skywriter on the run)
if've got a song
shinning on my soul
(Skywriter on the run)
Coming up to bring you the news
on a ??? disguisse
I've been searching so high
that I burned my wings
and i found
what was really in the sky
I can feel around a
And i know that you are
the one who can't find
and really understand
I came so far to give you fantasy
i hope you open up your mind
I bet you know, you sang for me
i came so far
(Skywriter on...)
Am I ready?
I'm not ready
Am I ready?
Save me
Wait I want you to
Know that I don't want to be your whore
I know that I'm supposed to
Feel good
But I don't want to wreck no more
I wouldn't want to wreck no more
Am I ready?
I'm not ready
Am I ready?
I'm not ready
Strangeling
In the eyes
Feel fine
Definitaly
I don't miss you
I don't miss you
Am I ready?
I'm not ready
Am I ready?
I'm not ready
Am I ready?
I'm not ready
Am I ready?
In so far as being ready
You love me you love me not - you’re neither too cold nor
too hot
you’ve got me stranded in twilight
You live on a catwalk - wrapped in your love talk
born in - raised in the limelight
Cool passion - cool passion -
cool passion - I need emotion
cool passion - cool passion -
cool passion - I need emotion
If love is about you - what can I hope to do
I need your naked emotion
you walk on the wrong side - but only for your pride
you make it hard for my devotion
Cool passion - cool passion -
cool passion - I need emotion
cool passion - cool passion -
cool passion - I need emotion
Love ... without emotion
love ... with your
Cool passion - cool passion -
cool passion - I need emotion
cool passion - cool passion -
Generations information paralyzed by movie lies
False alarm false alarm false alarm false alarm
No solution to the pollution, useless data bores the masses
False alarm false alarm false alarm false alarm
Obsolete ideas meet humans need for fantasy
False alarm false alarm false alarm false alarm
Information generations paralyzed by movie lies
No solution to the pollution, useless data bores the masses
Well, I’ve got no - bad intentions
It’s only you - and my desire
no, I’ve got no - bad intentions
it’s only you - lighting a fire
You’re living inside me - without a clue to where you’re
bound
you’re living inside me - oh!
you’re living inside me - without a hope to settle down
I don’t know you at all
Well, I’ve got no - inhibitions
over you - and making love
no, I’ve got no - inhibitions
it’s only you - I’m thinking of
You’re living inside me - without a clue to where you’re
bound
you’re living inside me - oh!
you’re living inside me - without a hope to settle down
I don’t know you at all
You’re living inside me - without a clue to where you’re
bound
you’re living inside me - oh!
you’re living inside me - without a hope to settle down
What are you going to do now - where are you going to go
you always had the answers - on your phone-in show
it’s never going to happen - or so you did say
for no one really wants it - but here we are today
with a fallout - it’s a fallout
You’d better run for shelter - and put yourself in a
fallout suit
you’d better get yourself used to - just living in a
fallout suit
a satellite clockwork information - is going to give you
the duration
of the fallout -
So what are we going to do now - now that it’s here
but listen to you talking - about the after care
living in boxes - covered in lead
in three feet of concrete - to keep us from the dead
it’s a fallout - it’s a fallout
You’d better run for shelter - and put yourself in a
fallout suit
you’d better get yourself used to - just living in a
fallout suit
a satellite clockwork information - is going to give you
the duration
Go in, out! Go in, out!
get me out of the jungle - (go in, out!)
can’t you see my heart - beats like a tom-tom
(medical encyclopaedia tells me I need to get ...)
get me out of the jungle - (go in, out!)
tell me - tell me how
Physical asylum - physical asylum...
Go in, out! go in, out!
(medical encyclopaedia tells me I need to get ...)
get me out of the jungle - (go in, out!)
I’m gonna look for a miracle - with my bedside telephone
Physical asylum - physical asylum...
(physical asylum needs - physical asylum needs...)
Physical asylum - physical asylum -
Baby, you're one in a million
I should've left you alone
sitting outside with your shoes off, waiting
for your girlfriends to come along
Why don't you come along with me
I've been waiting for a girl like you
sitting outside get your shoes on,
come on, let's go home and turn on the sound
Another time, see,
there's someone inside,
I don't think they'll be there for long, no
I've been waiting for a girl like you to
come along
(x2)
_____________ inside (??) (come on, get on the floor)
I'll wait for you all my life (been waiting for you)
take care of you so no matter what he says
I'm taking over
Beat in, take out
let's operate now
come home, get down
you're playing my record now
the jukebox is backed up
the band's on the make up
Takin' off but I'll think about your man
think about if I were at home instead
takin' off but I'll think about your man
Is he round, is he home, does he cook you breakfast?
think about if I were home instead
we could be in love with the beat
Baby, you're one in a million
I should've left you alone
sitting outside with your shoes off, waiting
for your girlfriends to come along
Why don't you come along with me
I've been waiting for a girl like you
sitting outside get your shoes on,
come on, let's go home and turn on the sound
Another time, see
there's someone inside,
I don't think they'll be there for long, no
I've been waiting for a girl like you to
come along
(x2)
I’ve been walking in the rain again
Too bad for the record we were never friends
I want you with your back up against the wall
I want you in the hallways at the shopping mall
(2x)
She said, “Baby, we could never be friends. I love you
until the end. I’ll never tell you again.”
We...
She’s been telling her lies again
Running around with other men
I’ve been wasting my life with this heart break baby,
been done out in this rapture of love
(2x)
Well if she brought time to the table, it was never
enough
I see the train, going home, that could never pull out
She gets high in the station on her way home from work
She gets high before we fuck because I’m never enough,
no no.
We could never be friends
(4x)
We could never be friends. I love you until the end
(4x)
She’s been telling her lies again
Running around with other men
I’ve been wasting my life with this heart break baby,
been done out in this rapture of love
Give me a form - give me a pen - how about a stamp and
an envelope
credit rating: A 1, O.K.!
Oh, plastic money - money plastique
plastic money - it’s oh so chic
plastic money...
Oh, plastic money - money plastique
plastic money - c’est magnifique
plastic money . . . (don’t believe in cash)
Just hop on a plane to Vegas - check out the Caesar's
only a card from Vegas - I travel on plastic all the
time
(don’t believe in cash)
keeping insight of Rio - just for a while
as long as you’re up for the bill - at the end of the
month
you’ve got thirty days to go crazy with style
Oh, plastic money - money plastique
plastic money - it’s oh so chic
plastic money . . . don’t believe in cash
Just hop on a plane to Vegas - check out the Caesar’s
crowd
only a card from Vegas - I travel on plastic all the
time
(don’t believe in cash)
keeping insight of Rio - just for a while
as long as you’re up for the bill - at the end of the
month
you’ve got thirty days to go crazy with style
Oh, plastic money - money plastique
plastic money - it’s oh so chic
Ein - zwei - drei - vier . . .
I was lost in a seedy crowd - in and out of the life in
the streets
with Romy Haag - with Romy Haag
Thunderous bodies wrapped in light -
to catch you out all naked inside
from Romy Haag - from Romy Haag
ein - zwei - drei - vier
just an island within an island - faces on the streets
that I will remember
of Romy Haag - of Romy Haag
ein - zwei - drei - vier
of Romy Haag - of Romy Haag - ein - zwei - drei - vier
Hero! - Hero!
I’ve got pseudo intellectual boredom - I’ve got square
eyes
Hail Mary's to the network for the action packed
reports on upraise
reading for the Nation - dead pan
like family - quite - like household faces
hero! - hero!
bringing you the world at home
like Peeping Toms of distant places
hero! - hero!
Silver tongued hero - reading the news
silver tongued hero - you give me the blues
though the world’s in a mess - there’s no sign of
distress - in your eyes
I wish I knew why
Always on the move with a full crew
cameras - lights - let’s have some action
hero! - hero!
in the middle of a battle with a microphone
with bullets - bombs - what’s your reaction
hero! - hero!
I’ve got the picture - all is lean and light and
portable
so to make it all quite possible - but not for too long
How many sets have you got? - I’ve got one - two one
for each floor
can you wait for Channel Four - Breakfast TV - news
with your corn flakes
for the big show that’s the news - top of the pole
highest rating of them all - everything’s there from
life to death
but sex is out - makes the censors lose their breath
violence's O.K.
Silver tongued hero - reading the news
silver tongued hero - you give me the blues
though the world’s in a mess - there’s no sign of
distress - in your eyes
All alone, out walking on the plain - no shelter from the
sun nor from the rain
oh, a-o, a-o, no bungalow
oh, a-o, a-o, no bungalow
Tanga, animals and trees - cities to go walking on your
knees
oh, a-o, a-o, no bungalow
oh, a-o, a-o, no bungalow
Africa, Africa, show me tanga
Africa, erotica, show me bungalow
Naked is honest and true - never for us, only for you
oh, a-o, a-o, no bungalow
oh, a-o, a-o, no bungalow
oh, a-o, a-o, no bungalow...
You, Africans in your fashion
play, play - are you action?