Alcyone (opera)

Alcyone is an opera by the French composer Marin Marais. It takes the form of a tragédie en musique in a prologue and five acts. The libretto, by Antoine Houdar de la Motte, is based on the Greek myth of Ceyx and Alcyone as recounted by Ovid in his Metamorphoses. The opera was first performed on 18 February 1706 by the Académie royale de musique at the Théâtre du Palais-Royal in Paris. The score is particularly famous for the storm scene (tempête) in Act Four. The Marche pour les Matelots, also part of this movement, became popular as a dance tune and is the basis of the Christmas carol Masters in this Hall.

Roles

Synopsis

Prologue

The mountain god Tmolus decides a musical competition between Pan and Apollo in favour of the latter. Apollo wishes for a return to the reign of peace over the world, symbolised by the Halcyons.

Act One

Ceyx, King of Trachis, and Alcyone, daughter of Aeolus, are due to be married. Peleus, the best friend of Ceyx, is also in love with Alcyone. The wedding ceremony is disrupted by the magic of Phorbas, whose ancestors once ruled Trachis and who is bent on revenge against Ceyx.

Opera

Opera /ˈɒprə/ (Italian: [ˈɔːpera]; English plural: operas; Italian plural: opere [ˈɔːpere]) is an art form in which singers and musicians perform a dramatic work combining text (libretto) and musical score, usually in a theatrical setting. In traditional opera, singers do two types of singing: recitative, a speech-inflected style and arias, a more melodic style. Opera incorporates many of the elements of spoken theatre, such as acting, scenery, and costumes and sometimes includes dance. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 1800s has been led by a conductor.

Opera is part of the Western classical music tradition. It started in Italy at the end of the 16th century (with Jacopo Peri's lost Dafne, produced in Florence in 1598) and soon spread through the rest of Europe: Schütz in Germany, Lully in France, and Purcell in England all helped to establish their national traditions in the 17th century. In the 18th century, Italian opera continued to dominate most of Europe (except France), attracting foreign composers such as Handel. Opera seria was the most prestigious form of Italian opera, until Gluck reacted against its artificiality with his "reform" operas in the 1760s. Today the most renowned figure of late 18th century opera is Mozart, who began with opera seria but is most famous for his Italian comic operas, especially The Marriage of Figaro (Le Nozze Di Figaro), Don Giovanni, and Così fan tutte, as well as The Magic Flute (Die Zauberflöte), a landmark in the German tradition.