China (i/ˈtʃaɪnə/; Chinese: 中国; pinyin: Zhōngguó; see also Names of China), officially the People's Republic of China (PRC), is the world's most-populous country, with a population of over 1.3 billion. Covering approximately 9.6 million square kilometres, the East Asian state is the world's second-largest country by land area, and the third- or fourth-largest in total area, depending on the definition of total area.
The People's Republic of China is a single-party state governed by the Communist Party of China. It exercises jurisdiction over 22 provinces, five autonomous regions, four directly controlled municipalities (Beijing, Tianjin, Shanghai, and Chongqing), and two mostly self-governing special administrative regions (Hong Kong and Macau). Its capital city is Beijing. The PRC also claims Taiwan—which is controlled by the Republic of China (ROC), a separate political entity—as its 23rd province, a claim controversial due to the complex political status of Taiwan and the unresolved Chinese Civil War. The PRC government denies the legitimacy of the ROC.
Charlie Chan is a fictional Chinese-American detective created by Earl Derr Biggers. Loosely based on Honolulu detective Chang Apana, Biggers conceived of the benevolent and heroic Chan as an alternative to Yellow Peril stereotypes, such as villains like Fu Manchu. Chan is a detective for the Honolulu police, though many stories feature Chan traveling the world as he investigates mysteries and solves crimes.
Chan first appeared in Biggers' novels, but went on to be featured in a number of media. Over four dozen films featuring Charlie Chan have been made, beginning in 1926. The character was at first portrayed by Asian actors, and the films met with little success. In 1931, the Fox Film Corporation cast Swedish actor Warner Oland as Chan in Charlie Chan Carries On; the film was a success, and Fox went on to produce 15 more Chan films with Oland in the title role. After Oland's death, American actor Sidney Toler was cast as Chan; Toler made 22 Chan films, first for Fox and then for Monogram Studios. After Toler's death, six more films were made, starring Roland Winters.
Sidney Hooper Toler (April 28, 1874 – February 12, 1947) was an American actor, playwright, and theatre director. Of primarily Scottish ancestry, he was the second non-Asian actor to play the role of Charlie Chan.
Born in Warrensburg, Missouri, Toler showed a very early interest in the theater, acting in an amateur production of Tom Sawyer at the age of seven. Following his graduation from college, he became a professional actor in Kansas City, and then worked for a touring company during the late 1890s. For three decades, he acted on the stage in New York City, working with such future stars as Edward G. Robinson, John Barrymore, Katharine Hepburn, and Humphrey Bogart. In 1921, he co-wrote and directed Golden Days, a comedy starring Helen Hayes. Throughout the 1920s, Toler had an active role in co-writing or directing several other plays including The Exile (1923), Bye, Bye, Barbara (1924), and Ritzy (1930, co-written with Viva Tattersall).
In 1929, Toler worked in his first Hollywood film, playing an Englishman in Madame X. For nearly ten years, he worked in roles that supported well-known stars in films such as Blonde Venus (1932), starring Marlene Dietrich, The Phantom President (1932), with George M. Cohan, and Trigger (1934), featuring Clark Gable.
The Emperor of China (Chinese: 皇帝; pinyin: Huángdì, pronounced [xu̯ɑ̌ŋ tî]) refers to any sovereign of Imperial China reigning between the founding of Qin Dynasty of China, united by the King of Qin in 221 BCE, and the fall of Yuan Shikai's Empire of China in 1916. When referred to as the Son of Heaven (Chinese: 天子; pinyin: tiānzǐ, pronounced [ti̯ɛ́n tsɨ̀]), a title that predates the Qin unification, the Emperor was recognized as the ruler of "All under heaven" (i.e., the world). In practice not every Emperor held supreme power, though this was most often the case.[citation needed]
Emperors from the same family are generally classified in historical periods known as Dynasties. Most of China's imperial rulers have commonly been considered members of the Han ethnicity, although recent scholarship tends to be wary of applying current ethnic categories to historical situations. During the Yuan and Qing dynasties China was ruled by ethnic Mongols and Manchus respectively after being conquered by them. The orthodox historical view over the years sees these as non-native dynasties that were sinicized over time, though some more recent scholars argue that the interaction between politics and ethnicity was far more complex. Nevertheless, in both cases these rulers had claimed the Mandate of Heaven to assume the role of traditional emperors in order to rule over China proper.
Bruce Lee (born Lee Jun-fan; 27 November 1940 – 20 July 1973) was a Chinese AmericanHong Kong actor,martial arts instructor, philosopher, film director, film producer, screenwriter, and founder of the Jeet Kune Do martial arts movement. He is widely considered by many commentators, critics, media and other martial artists to be the most influential martial artist and pop culture icon of the 20th Century. He is often credited with changing the way Asians were presented in American films.
Lee was born in San Francisco to parents of Hong Kong heritage but was raised in Hong Kong until his late teens. Lee returned to the United States at the age of 18 to claim his U.S. citizenship and receive his higher education. It was during this time that he began teaching martial arts, which soon led to film and television roles.
His Hong Kong and Hollywood-produced films elevated the traditional Hong Kong martial arts film to a new level of popularity and acclaim, and sparked a major surge of interest in Chinese martial arts in the West in the 1970s. The direction and tone of his films changed and influenced martial arts and martial arts films in Hong Kong and the rest of the world, as well. He is noted for his roles in five feature-length films: Lo Wei's The Big Boss (1971) and Fist of Fury (1972); Way of the Dragon (1972), directed and written by Lee; Warner Brothers' Enter the Dragon (1973) and The Game of Death (1978), both directed by Robert Clouse.
Plot
Francois Merlin is an espionnage-book writer. He likes to mix every-day character he can met in his book. In his book, he is Bob Saint Clar, his neighbour Christine appears as Tatiana and his editor Georges Charon as Colonel Karpoff.
Keywords: action-hero, action-heroine, bad-guy, beach, black-humor, blood, compacted-car, cult-film, cult-movie-cast, exploding-head
Bob Saint-Clair: Ah, betrayed!
Bob Saint-Clair: [answering the phone] Yes.No.OK
Tatiana: You are a great seducer!::Tatiana: I don't know about it.
several days a month you made
the mile to my house,
and had me do a stroll with you.
far below a furry moon
our purposes crossed
the weird divide
between our kinds
the silver leaves of ailing trees
took flights as we passed so long ago
but a short time i know.
it pleases me this memory
has swollen up with age.
even time can do
good things to you.
Several days a month you made
The mile to my house,
And had me do a stroll with you.
Far below a furry moon
Our purposes crossed
The weird divide
Between our kinds
The silver leaves of ailing trees
Took flights as we passed so long ago
But a short time i know.
It pleases me this memory
Has swollen up with age.
Even time can do
Good things to you.
One fat, tumbling time we graced the Gold Share
Spent like dimes, saved in the hat on an old man's head
Trapped like rats, cornered by the flood
We built a raft and we floated
Save for the tricks And the endless lies
They could be liked for their motives
They could be liked for their motives but....
I'd rather be crushed,
Or crushed the life out of someone
Than be caught fitting in with
The "League of the Collapsing Grin"
Baby it's hard when you can see
That they don't even know, that they don't know
Trapped like rats, cornered by the flood
We built a raft and we floated
Save for the tricks And the endless lies
They could be liked for their motives
They could be liked for their motives but...
she shone up bright like a knife
wearing tennis shorts made of stripes
hand in hand to the grass and we got it right
got it nice, nice, nice
just a glimpse of an ankle and I
react like it€™s 1805
and I€™d swim to the poles just to find the right satellite
it€™ll take all of my strength to give up
but you all know I tried
so forget about it, girl
my head€™s like a kite
when such a creature I sight
to town!
where you€™re feet leave no prints on the ground
have I left my home just to whine in this microphone?
it gets worse every time that we talk
can€™t afford to be just one in a flock
but that€™s your lot
when you€™re after such a well-made lock
who was classically trained to give up
and my friends know I tried
so forget about it, girl
even I don€™t know why
I can€™t just stay the course
keep my hands on the wheel
our detractors were right
my head€™s like a kite
'cause all my thoughts run astray
and I€™m a walking clich
when such a creature I sight
You slide out at night to show yourself
you mean to hang yourself on the wall
with the hems you call your friends.
You've memorized a thousand lines and
kissed a thousand guys but none packed
more than wood.
And still you wake up, the taste of the
night before has grown somehow. You
take off your makeup, you're free from
their eyes and all they laugh about.
Sailboats that never float and lids of lead
that hold your ego down. What's it take
to bend the lens? Well as you can see I
really know but I can't amend the trend
towards the rocks wielding the knives
beneath your breast and all the the waves
that never break within our sight. So come on
treat me right.
If you could keep him you'd dub him
"The rock what aced 'em two to one"
but the powder from your empty boxes
was ground from your whole empty youth.
And so you woke up, the taste of the
night before has grown somehow. You
take off your makeup, and you're free
from their eyes and all they laugh about.
Go without,
'Til the need seeps in,
You're low anymore,
Collect your novel petals for the stem,
And glow,
Glow,
Melt and flow,
Eviscerate your fragile frame,
And spill it out in the ragged floor,
A thousand different versions of yourself,
And if the old guard still offend,
They got nothing left on which you depend,
So enlist every ounce,
Of your bright blood,
And off with their heads,
Jump from a book,
You're not obliged to swallow anything you despise,
See, those unrepenting buzzards want your life,
And they got no right,
As sure as you have eyes,
They got no right,
Just put yourself in my new shoes,
And see that I do what I do,
Because the old guard still offend,
We got nothing left on which we depend,
So we waste every ounce,
Of your bright blood,
And off with their heads,
Jump from a book,
And you're not obliged,
To swallow anything that you despise
An address to the golden door
I was strumming on a stone again
Pulling teeth from the pimps of gore when hatched
A tragic opera in my mind...
And it told of a new design
In which every soul is duty bound
To uphold all the statues of boredom therein lies
The fatal flaw of the red age
Because it was nothing like we'd ever dremt
Our lust for life had gone away with the rent we hated
And because it made no money nobody saved no one's life.
So we burned all our uniforms
And let nature take its course again
And the big ones just eat all the little ones
That sent us back to the drawing board.
In our darkest hours
We have all asked for some
Angel to come
Sprinkle his dust all around
But all our crying voices they can't turn it around
And you've had some crazy conversations of your own.
We've got rules and maps and guns in our backs
But we still can't just behave ourselves
Even if to save our own lives so, says I, WE ARE A BRUTAL KIND.
Cuz this is nothing like we'd ever dremt
Tell Sir Thomas More we've got another failed attempt
Cuz if it makes them money they might just give you life this time.
The dust from a four-day affair is now landing
All over the floor and your brown legs
The glod plated legs of my rival
Whose eyes had no reason to fall.
You led no celibate life no skirt while chemicals danced on your head.
You stole the keys to this ride and your fables are falling tonight.
Because of your struggle to make them.
Their taste for your past time is fading
Remember the girls in the middle are always the first to fall off.
You'll learn to live like a mouse,
Searching the cracks in the floor to remember
All the dregs in the crowd you barely recall
You led no celibate life no skirt while chemicals danced on your head.
You stole the keys to this ride and your fables are falling tonight.
Shut out, pimpled and angry.
I quietly tied all my guts into knots.
Gave up on trying to make them,
I figured it'd take them too long to look up and besides...
It was undeniably clear to me i don't know why
When every other part of life seemed locked behind shutters
I knew what worthless dregs we've always been.
Lucked out and found my favorite records
Lying in wait at the birmingham mall.
The songs that i heard,
The occasional book
Were the only fun i ever took.
And i got on with making myself.
The trick is just making yourself.
But when they're parking their cars on your chest
You've still got a view of the summer sky
To make it hurt twice when your restless body
Caves to its whims
And suddenly struggles to take flight...
Three thousand miles north east
I left all my friends at the morning bus stop shaking their heads.
"what kind of life you dream of? you're allergic to love."
Yes i know but i must say in my own defense
It's been undeniably dear to me, i don't know why
When every other part of life seemed locked behind shutters
I knew the worthless dregs we are,
The selfless, loving saints we are,
The melting, sliding dice we've always been.
"Howdy, lem," my grandfather said with his eyes closed
Wiping the eastbound dust from his sunburned brow
A life before doubt.
I smell the engine grease and mint the wind is blending
Under the moan of rotting elm in the silo floor.
Down a hill of pine tree quills we made our way
To the bottom and the ferns where thick moss grows
Beside a stream.
Under the rocks are snails and we can fills our pockets
And let them go one by one all day in a brand new place.
You were no ordinary drain on her defenses
And she was no ordinary girl
Oh, Inverted World
If every moment of our lives
Were cradled softly in the hands of some strange and gentle child
I'd not roll my eyes so.
Gold teeth and a curse for this town were all in my mouth.
Only, i don't know how they got out, dear.
Turn me back into the pet that i was when we met.
I was happier then with no mind-set.
And if you'd 'a took to me like
A gull takes to the wind.
Well, i'd 'a jumped from my tree
And i'd a danced like the king of the eyesores
And the rest of our lives would 'a fared well.
New slang when you notice the stripes, the dirt in your fries.
Hope it's right when you die, old and bony.
Dawn breaks like a bull through the hall,
Never should have called
But my head's to the wall and i'm lonely.
And if you'd 'a took to me like
A gull takes to the wind.
Well, i'd 'a jumped from my tree
And i'd a danced like the kind of the eyesores
And the rest of our lives would 'a fared well.
God speed all the bakers at dawn may they all cut their thumbs,
And bleed into their buns 'till they melt away.
I'm looking in on the good life i might be doomed never to find.
Without a trust or flaming fields am i too dumb to refine?
And if you'd 'a took to me like
Well i'd a danced like the queen of the eyesores
And the rest of our lives would 'a fared well.
Your silver tongue laughs at the clowns of our age
A slow production line of cheap-shots from both sides
Shot from the hip to my seventh rib
A spoiled tomato lies in all that you say
And I was the last of us to know
Sound the alarm for my sentimental ways
Have come in view and we've all got our own knives
Sold to the worst of the devils we know
Our mind and tight skin will be old
But this wasn't meant for us to know
Youth's open shutters
Give way to another
Taken by slight of hand...
And every American
Has the mouth of a pelican
Now can I share that pillow with you love?
They've got us in fits to find a way out
Of this exploded view of a life once so simple
First with the curse that my sentimental ways
Are drawing my innocence to a close
And these were not meant for me to know
One wound up punch of intuition
Lays flat my whole take on us.
You're the girl on the wing of a barnstormer
The tidal rabbit who came of age before her time.
We could have been so good-natured
If i'd relented when you insisted,
But we've been backed against
All nature's walls far too long.
You felt abandoned by me,
I recall the sunshine as you were melting
And though the comedy softens the fall
They still hear us with their ears to the wall.
I sold all my evil motives,
No icicles stuck in my hide.
I'm through with riddles, i know we're little
Just help me feel warm inside.
Before we take this ride and let it slide
Into the cracks where fall and winter collide.
I surrender all my gall in a song of modern love.
Remember you're the one who summoned me above any other kind.
We could have been so good-natured
If you'd relented when i insisted,
We take a week off, let the garden grow by itself
And let the gluttons fill themselves with all the worst of the gory ninties.
And though the comedy softens the fall, we stall fall short.
Before we take this ride and let it slide
Into the cracks where fall and winter collide.
I surrender all my gall in a song of modern love.
Remember you're the one who summoned me above any other kind.
Girl inform me all my senses warn me
Your clever eyes could easily disguise
Some backwards purpose
It's enough to make me nervous.
Do you harbor sighs, or spit in my eye
But your lips when we speak
Are the valleys and peaks of a mountain range on fire.
So let me walk these coals till you believe
I can cut the mustard well enough
Cause you know as soon as breathe we scrutinize
Unknown quotients, you must be using potions
How else could you tie my head to the sky
This new convection has left me wondering why
I can't concern myself with ordinary tripe.
Like what's this morning's paper got to say
And which brand of coffee to make
This is no umbrella to take into the wind
And before we begin is there nothing to kill this anxiety.
But your lips when we speak
Are the valleys and peaks of a mountain range on fire.
So let me walk these coals till you believe
I can cut the mustard well enough
Cause you know as soon as breathe we scrutinize
The paint away.
They want trash
They want you batting a lash
I'll eat styes from elephants' eyes
They're in touch
With their inner crutch
They wont stab but they'll grab
And that's just like the other
We get nerves
And we drown it in booze
We take lives from elephants' eyes
They're in bed
With their cutting lead
It wont stop if you shop
With the lovers of bloodshed
I went to school, and saw slides
Of where I'm meant to be
Where I'm meant to be
We read time
Like a kid eating limes
We're in town when bees are let out
We get laughs
Through an osmotic patch
We're attached to the past
'Cause our future's a bleak one
I went to school and saw slides
Of where I'm meant to be
I'm meant to be
This goose is cooked, these tongues are tied,
Around the block and airborne blind,
But looking on the brighter side,
There's far less to which I'd be obliged,
In the meadow where the black breeze blows,
Where underneath the waves, you were most alone,
Can you hear a subtle, aching tone?
Through the water, through the Earth, trimmed up bone,
Looking on the brighter side,
Looking on the brighter side,
Looking on the brighter side,
Looking on the brighter side
When you were young and wise
scratching your letters in the sand.
When your imagination led you all around by the hand.
La la la la
Did you ever wonder what crazy adventures there might be?
Unfolding in the currents under the waves at the bottom of the sea.
Well these odd buddies got a lot of vision, his bucked teeth and cock eyed smile
cant stop, they sing better bring nominations
So charge!
They said it's their design,
a wild goose chase for a crown
and move your eyes in line before they tear apart your town
if you want a winner save all of your kin in the ocean.
stay your ground, don’t be discouraged,
don't let em’ turn our brains into porridge.
your wrong but you got a lot of vision,
your buck teeth and star ward heart
cant stop, they sing better bring nominations
So charge!
But its a long, hard fight
the corner turns and its always another mile
keep working day and night.
They think they got your number,
but they'll soon discover!
I've done myself an impossible crime,
Had to paint myself a hole,
And fall inside,
If it's far enough in sight and rhyme,
I get to wear another dress,
And count in time,
Oh, won't you do me the favor, man,
Of a giving mind,
A polymorphing opinion here,
And your vague outline,
I'll find myself another burning gate,
A pretty face, a vague idea I can't relate,
And this is get what you get for pulling pins,
Out of the hole,
Inside the hole you're in,
It's like I'm pressed on the handle bars,
Of a blind man's bike,
No straws to grab, just the rushing wind,
On the rolling mind,
They want you to decide,
Eventually, it happens,
Some gather on one side,
With all their pearly snapping,
They close the basement door,
It sets our teeth to chatter,
You never saw it before,
But now that hardly matters,
You're old enough, boy,
Too many summers you've enjoyed,
So spin the wheel,
We'll set you up with some odd convictions,
Because you're finally golden, boy
You can fake it for a while,
Bite your tongue and smile,
Like every mother does an ugly child.
But the stars are leaking out,
Like spittle from a cloud,
Amassed resentment counting ounce and pound.
You're entertaining any doubt,
Because you had to know that I was fond of you,
Fond of Y-O-U,
Though I knew you masked your disdain.
I can see that change was just too hard for us,
Hard for us.
You always had to hold the reigns,
But where I'm headed, you just don't know the way.
So affections fade away,
And do adults just learn to play
The most ridiculous, repulsive games?
On the faith of ruddy sons,
And the double-barreled guns,
You better hurry,
Rabbit, run, run, run.
'Cause meeting you was fun,
And there's a lot of hungry howlers in this one cell.
We're taking it over,
Their brittle, thorny stems,
They break before they bend,
And neither one of us is one of them.
And the tails will never mend,
'Cause you had it in for me so long ago.
Boy, I still don't know,
I don't know why and I don't care,
You don't hide me anymore,
If you'd only seen yourself hating me.
Hating me,
When I've been so much more than fair.
But then you had to lay those feelings bare,
One thing I know still got you scared,
You're all that cold iron,
And never once aired of our dead.
You had to know that I was fond of you,
Fond of Y-O-U.
So I took your lips at the time,
And to change like that is just so hard to do,
Hard to do.
Don't let it whip-crack your life,
And bow out from the fight,
'Cause oh, how your sisters will write.
The worst part is over,
Now, get back on that horse and ride.
Of all the churning random hearts
Under the sun
Eventually fading into night,
These two are opening now
As we lie, I touch you
Under fuller light.
Girl, if you're a seascape
I'm a listing boat, for the thing carries every hope.
I invest in a single lie.
The choice is yours to be loved
Come away from an emptier boat.
'Cause when the dead moon
Rises again
We've no time to start a protocol
To have us in.
And when the dog slides
Underneath a train,
There's no cry, no use to searching for
What mutts remain.
Throw all consequence aside
The chill aspire, people set alight.
Of all the intersecting lines in the sand
I routed a labyrinth to your lap.
I never used a map sliding off the land
On an incidental tide,
And along the way you know, they try
They try.
And we got sea legs
And we're off tonight
Can I've that to which they've no right?
You belong to a simpler time
I'm a victim to the impact of these words,
And this rhyme.
'Cause when that dead moon
Rises again
We've no time to start a protocol
To have us in.
And when the dog slides,
Open the door, and where'd she go?
There's no time, no use to searching for
The mutts remains.
Throw consequence aside
And the chill aspire, people set alight.
Hurled to the center of the Earth again,
The place where it's hot, love,
You know, it hurts to breathe in,
And the watershed you balance on is begging it,
Well did he ever know,
Will he ever know?
The trees in the moonshine are a dark lattice,
So you catalog in the angle you notice,
In a vacuum you recharge to record this,
So you won't make it easy on me.
And I can't go into this no more,
It puts too many thorns on my mind,
And the necessary balloon lies a corpse on the floor,
We've pissed on far too many sprites,
And they're all standing up for their rights.
Born on a desert floor, you've the deepest thirst,
And you came to my sweet shore to indulge it,
With the wan and dreaming eyes of an orphan,
But there is not enough,
There is not enough.
Out of a gunnysack for red rabbits,
Into the crucible to be rendered an emulsion,
And we can't allow a chance they'd restore themselves,
So we can't make it easy on you.
Undaunted, you bathed in hollow cries,
The boils were swollen, sunburned eyes,
A reward for letting nothing under their skin,
So help me, I don't know, I might,
Just give the old dark side a try.
Don't cast your warring eyes on the shore,
Did we even the score?
I still owe you for the hole in the floor,
And the ghost in the hall,
Who decides who paddles over the falls?
Yeah, who makes the call,
Who makes the call?
Well, I know there's an eventual
Release from every scale of crime,
But the necessary balloon lies a corpse on the floor,
We've pissed on far too many good intentions held by clever sprites,
And they're all standing up for their rights.
This lass,
Some fifteen odd years,
Is widely known,
To have spat,
In her teacher's eye,
And will not take it back,
For now I see,
How after all the cracks,
So rightly, I kid you not.
The gutter may profess its love,
Then follow it with hesitation,
But there are just so many of
You out there for rent
A stronger girl would shake this off in flight,
And never give it more than a frowning hour,
But you have let your heart decide,
Loss has conquered you,
You've won one too many fights,
Wearing many hats every time,
But you wont win here tonight,
You've made it through the direst of straits alright,
Can you help it if plain love now seems less interesting?
You haven't changed an ounce in my eyes,
And I cannot lecture you,
And does anything I say seem relevant at all?
You've been at the helm since you were just five,
While I cannot claim to be more than a passenger,
But, you've won one too many fights,
Wearing all of your clothes at the same time,
Let the good times end tonight,
Oh girl, sail her, don't sink her,
This time,
Just a moment or two from now,
Not a mind will retain even a trace,
Of the thoughts that I struggled to tell
And how our stack of cards just fell,
So settle this once and for all,
The light no longer shows the cracks around my door,
And I have no lantern to light your way home tonight,
You are not some saint who's above,
Giving someone a stroll through the flowers,
You've got so much more to dream of,
Oh girl, sail her, don't sink her,
This time,
This time,
This time.
Time to put the earphones on:
No!
Born to multiply, born to gaze into night skies,
All you want's one more Saturday.
But look here, until then
They're gonna buy your nice time
So keep your wick in the air and your feet in the fetters
To the day.
You come in doing cartwheels
We all go out by ourselves
And your shape on the dance floor
Will have me thinking such filth and gauge my eyes.
You'd be damned to be one of us girl
Faced with a dodo's conundrum
Ah, I felt like I could just fly
But nothing'll happen every time I try.
A dual tone under wall
Selfish fool and hoped you'd save us all
Never dreamt of such sterile hands,
You keep them folded in your lap,
And raise them up to beg for scraps,
You know, he's holding you down,
With the tips of his fingers just the same,
You'll be pulled from the ocean,
But just a minute too late,
Or changed by a potion,
We'll find a handsome young mate,
For you to love.
You'll be damned to pining through the windowpanes,
You know you'll change your life for any ordinary Joe,
And though your night will go on,
Your nightmares only need a year or two to unfold.
Been in love since you were twenty-one,
You haven't laughed since January,
You try and make this up this is so much fun,
But we know it to be quite contrary.
Dare to be one of us, girl,
Facing the Andrum's conundrum,
Ah, I feel like I should just cry,
But nothing happens every time I take one on the chin,
You're humoring your cote,
You don't know how long I've been,
Watching the lantern dim,
Starved of oxygen,
So give me your hand,
And let's jump out the window.
One hand on this wily comet,
Take a drink just to give me some weight,
Some uber-man I'd make,
I'm barely a vapor
They shone a chlorine light on,
A host of individual sins,
Let's carve my aging face off,
Fetch us a knife,
Start with my eyes,
Down so the lines,
Form a grimacing smile,
Close your eyes to corral a virtue,
Is this fooling anyone else?
Never worked so long and hard,
To cement a failure,
We can blow on our thumbs and posture,
But the lonely is such delicate things,
The wind from a wasp could blow them,
Into the sea,
With stones on their feet,
Lost to the light and the loving we need,
Still to come,
The worst part and you know it,
There is a numbness,
In your heart and it's growing,
With burnt sage and a forest of bygones,
I click my heels,
Get the devils in line,
A list of things I could lay the blame on,
Might give me a way out,
But with each turn,
It's this front and center,
Like a dart stuck square in your eye,
Every post you can hitch your faith on,
Is a pie in the sky,
Chock full of lies,
A tool we devise,
To make sinking stones fly,
And still to come,
The worst part and you know it,
There is a numbness,
In your heart and it's growing.
She shone up bright like a knife
Wearing tennis shorts made of stripes
Hand in hand to the grass and we got it right
Got it nice, nice, nice
Just a glimpse of an ankle and I
React like it's 1805
And I'd swim to the poles just to find the right satellite
It'll take all of my strength to give up
But you all know I tried
So forget about it, girl
My head's like a kite
When such a creature I sight
To town!
Where you're feet leave no prints on the ground
Have I left my home just to whine in this microphone?
It gets worse every time that we talk
Can't afford to be just one in a flock
But that's your lot
When you're after such a well-made lock
Who was classically trained to give up
And my friends know I tried
So forget about it, girl
Even I don't know why
I can't just stay the course
Keep my hands on the wheel
Our detractors were right
My head's like a kite
All my thoughts run astray
And I'm a walking cliche
When such a creature I sight
Eyeless in the morning sun you were
Pale and mild, a modern girl
Taken with thought, still prone to care
Makin tea in your underwear
You went out in the yard to find
Something to eat and clear your mind
Something bad inside me went away
Quaking leaves and broken light
Shifting skin the coming night
The bearers of all good things arrive
Climb inside us, twist and cry
A kiss on your molten eyes
Myriad lives like blades of grass
Yet to be realized, bow as they pass
They are cold,
Still,
Waiting in the ether,
To form,
Feel,
Kill,
Propagate,
Only to die
[x2]
Dissolve
Magically,
Absurdly,
They'll end,
Leave,
Dissipate,
Coldly
And strangely
Return
I was just bony hands as cold as a winter pole
You held a warm stone out new flowing blood to hold
Oh what a contrast you were
To the brutes in the halls
My timid young fingers held a decent animal.
Over the ramparts you tossed
The scent of your skin and some foreign flowers
Tied to a brick
Sweet as a song
The years have been short but the days were long.
Cool of a temperate breeze from dark skies to wet grass
We fell in a field it seems now a thousand summers passed
When our kite lines first crossed
We tied them into knots
And to finally fly apart
We had to cut them off.
Since then it's been a book you read in reverse
So you understand less as the pages turn
Or a movie so crass
And awkardly cast
That even I could be the star.
I don't look back much as a rule
And all this way before murder was cool
But your memory is here and I'd like it to stay
Warm light on a winter day.
Over the ramparts you tossed
The scent of your skin and some foreign flowers
Tied to a brick
Sweet as a song
The years have been short but the days go slowly by
Two loose kites falling from the sky
Drawn to the ground and an end to flight.
Called to see if your back
Was still aligned and your sheets
Were growing grass all on the corners of your bed
But you've got too much to wear on your sleeves
It has too much to do with me
And secretly I want to bury in the yard
The grey remains of a friendship scarred
You told us of your new life there
You got someone comin' around
Gluing tinsel to your crown
He's got you talking pretty loud
You berate remember your ailing heart and your criminal eyes
You say you're still in love
If it's true what can be done
It's hard to leave all those moments behind
You tested your metal of doe's skin and petals
While kissing the lipless
Who bleed all the sweetness away
Untie me, I've said no vows
The train is getting way too loud
I gotta leave here my girl
Get on with my lonely life
Just leave the ring on the rail
For the wheels to nullify
Until this turn in my head
I let you stay and you paid no rent
I spent twelve long months on the lam
That's enough sitting on the fence
For the fear of breaking dams
I find a fatal flaw
In the logic of love
And go out of my head
You love a sinking stone
That'll never elope
So get used to the lonesome
Girl, you must atone some
Don't leave me no phone number there
It took me all of a year
To put the poison pill to your ear
But now I stand on honest ground, on honest ground
You want to fight for this love
But honey you cannot wrestle a dove
So baby it's clear
You want to jump and dance
But you sat on your hands
And lost your only chance
Go back to your hometown
Get your feet on the ground
And stop floating around
I find a fatal flaw
In the logic of love
And go out of my head
You love a sinking stone
That'll never elope
So get used to used to the lonesome
Girl, you must atone some
Don't leave me no phone number there
You may notice certain things before you die.
Mail them to me should they cause
Your algebra to fail.
Cole and macey lost their eyes
On the finer points
Roll them up in coffee cake and dine.
Doted on like seeds planted in rows
The untied shoelaces of you life
Nutured all year then presssed in a book
Or displayed in bad taste at the table
Problems arise and you fan the fire
While there's a wild pack of dogs loose in your house tonight.
Cut from bad cloth or soiled like socks
Add it up and basically people never change.
They just talk and make plans in the dark
Or make haste with ideas that can't help
But creep good people out
As you talk to me too much you're assuming
We don't always want what's right.
Did i strike the right set of chords? you're annoyed.
The goal is to ignite you then move on.
You feel ill at ease. you got no squeeze.
And the wise cracks won't make you more stable.
You've learned you lines to scale and to time.
Why must i remind you now i'm only less able.
Cut from bad cloth or soiled like socks
We're ordinary people we can't help but to change
As we walk and make plans in the dark
Or make haste with the boy who can't help
But creep good people out.
As you talk to me too much you're assuming
We don't always want what's right.
Two fallen saplings in an open field.
Snow padding gently on an empty bench.
An old woman's jewelry lying unadorned.
Colo nesting robins allied for the first time.
I know when you hear these sappy lines
You'll roll your eyes and say "nice try".
A cold and wet November dawn
And there are no barking sparrows
Just emptiness to dwell upon.
I fell into a winter slide
And ended up the kind of kid who goes down chutes too narrow
Just eking out my measly pies.
But I learned fast how to keep my head up 'cause I
Know there is this side of me that
Wants to grab the yoke from the pilot and just
Fly the whole mess into the sea.
Another slow train to the coast
Some brand new gory art from way on high
I sink and then I swim all night.
I watch the ice melt on the glass
While the eloquent young pilgrims pass
And leave behind their trail
Imploring us not to fail.
Of course I was raised to gather courage from those
Lofty tales so tried and true and
If you're able I'd suggest it 'cause this
Modern thought can get the best of you.
This rather simple epitaph can save your hide your falling mind
Fate isn't what we're up against there's no design no flaws to find
There's no design no flaws to find.
But I learned fast how to keep my head up 'cause I
Know I got this side of me that
Wants to grab the yoke from the pilot and just
Fly the whole mess into the sea.
After all these implements and text designed by intellects
So vexed to find evidently there's just so much that hides
And though the saints of us divine in ancient feeding lines
Their sentiment is just as hard to pluck from the vine
I'm trying hard not to pretend
Allow myself no mock defense
Step into the night
Since I don't have the time nor mind to figure out
The nursery rhymes that helped us out and make a sense of our lives
The cruel uneventful state of apathy releases me
I value them but I won't cry if the time was wiped out
I'm trying hard not to give in
Battened down to fair the wind
Rid my head of this pretense
Allow myself no mock defense
Step into the night...
Mercy's eyes are blue
When she places them in front of you
Nothing holds a roman candle to
The solemn warmth you feel inside
There's no measuring of it
As nothing else is love
I'll try hard not to give in
Battened down to fair the wind
Rid my head of this pretense
Allow myself no mock defense
Step into the night...
Mercy's eyes are blue
When she places them in front of you
Nothing really holds a candle to
The solemn warmth you feel inside of you
As someone sets light to the first fire of autumn
We settle down to cut ourselves apart.
Cough and twitch from the news on your face
And some foreign candle burning in your eyes
Held to the past too aware of the pending
Chill as the dawn breaks and finds us up for sale.
Enter the fog another low road descending
Away from the cold lust, you house and summertime.
Blind to the last cursed affair pistols and countless eyes
A trail of white blood betrays the reckless route your craft is running
Feed till the sun turns into wood dousing an ancient torch
Loiter the whole day through and lose yourself in lines dissecting love.
Your name on my cast and my notes on your stay
Offer me little but doting on a crime.
We've turned every stone and for all our inventions
In matters of love loss, we've no recourse at all.
Blind to the last cursed affair pistols and countless eyes
A trail of white blood betrays the reckless route your craft is running
Feed till the sun turns into wood dousing an ancient torch
Loiter the whole day through and lose yourself in lines dissecting love.
Frozen into coats,
White girls of the North,
Fire past one, fire the one,
The are the fabled lambs,
A Sunday ham,
The ancient snow.
And they can float above the grass,
In circles if they tried,
A latent power I know they hide,
To keep some hope alive,
That a girl like I could ever try,
Could ever try.
So we just skirt the hallway signs,
A phantom and a fly,
Follow the lines and wonder why
There's no connection.
And weakened falling eyes,
In cheap shots from the tribe,
And we're often in Marcus' porch again,
Another afternoon with the gold head tunes,
And pilfered booze.
We wandered through your mama's house,
And the milk from the window lights,
Family portrait circa ninety-five,
This is that foreign land,
With the sprayed on tans,
And it all feels fine,
Beat it circa slime,
So, when they tap our mundane heads,
To zombie-walk in our stead,
This town seems hardly worth our time,
And we'll no longer memorize or rhyme,
To fall along in our crime,
Stepping over what now towers to the sky,
With no connection.
After that confrontation
You left me wringing my cold hands
We shared some information
We might not recover from
And I watch your convictions
Melt like ice cubes in an ocean
You were so poorly cast as a malcontent
You've got them all on your side
That just makes more for doubt to slaughter
"I never knew he thought that!"
I heard you say falling out of the van
"Don't ask for his opinion
They ought to drown him in holy water"
Will you remember my reply
When your high horse dies?
We'd like to go the distance
But not a one of us is going to you
See no one is wise enough to turn the ancient boat around
These are the muddy waters I am swimming in
To make a living were I to drown in them
It should come as no surprise
You've got them all on your side
That just makes more for doubt to slaughter
"I never knew he thought that!"
I heard you say falling out of the van
"Don't ask for his opinion
They ought to drown him in holy water"
Will you remember my reply
one finger parallel to the sky?
Just last night I woke from some unconscionable dream
And had it nailed to my forehead again
To keep this boat afloat
There are things you can't afford to know
So I save all my breath for the sails.
But you'll find those lingering voices
Are just your ego's attempt to make it all clean and nice
And make a moron out of you
Walking a bridge with weakening cables
Huddled up in fear and hate because we know our fate
And it's a lot to put us through.
Most ideas turn to dust
As there are few in which we all can trust
Haven't you noticed I've been shedding all of mind?
So let's abandon that track
And leave our fathers fighting in a sack
Cause we are way too wise-assed for that.
You might find some fools at your doorstep
Hustling the latest changes to the book
That's the strangest in an attempt to multiply
Marionettes on weakening cables
Huddled up with fear and hate
Because they know their fate and it's a lot to put them through.
We've taken on a climb
And it's long enough to put the best of us on our backs
Walking up a slide
And there are those we know who'd have us five miles off the track.
But you'll find those lingering voices
Are just your ego's attempt to make it all clean and nice
And make a moron out of you
Crossing the brindge on weakening cables
Huddled up with fear and hate because we know our fate
And it's a lot to put us through
I think i'll go home and mull this over
Before i cram it down my throat
At long last it's crashed, it's colossal mass
Has broken up into bits in my moat.
Lift the mattress off the floor
Walk the cramps off
Go meander in the cold
Hail to your dark skin
Hiding the fact you're dead again
Undeneath the power lines seeking shade
Far above our heads are the icy heights that contain all reason
It's a luscious mix of words and tricks
That let us bet when you know we should fold
On rocks i dreamt of where we'd stepped
And the whole mess of roads we're now on.
Hold your glass up, hold it in
Never betray the way you've always known it is.
One day i'll be wondering how
I got so old just wondering how
I never got cold wearing nothing in the snow.
This is way beyond my remote concern
Of being condescending
All these squawking birds won't quit.
Building nothing, laying bricks.