-
Urban Drive: Poznan City Centre, City Tour! Poland
Enjoy this casual sunday morning drive in Poznan, Wielkopolska.
Poznań ([ˈpɔznaɲ] ( listen); German: Posen, known also by other historical names) is a city on the Warta river in west-central Poland, in the region called Wielkopolska (Greater Poland). It is best known for its renaissance old town, destroyed during World War II and then rebuilt, and Ostrów Tumski cathedral. After the second partitio
-
Around Pila
SEE MY HISTORY SITE ON FACEBOOK :
https://www.facebook.com/pages/Alan-Heaths-History-Page/173472422695696
twitter : @ceepackaging
I do not travel into Piła, but instead take the ring road around the town.
Piła has a long history. Following the German colonist movement of the 13th century colonizers came to this densely wooded area of the Kingdom of Poland. Many of these early German-speaking se
-
L. Lewandowski - Consolation Op.44 No.1 (on an 1884 "Shoninger Grand Cymbella")
Louis Lewandowski (April 23, 1821 -- February 4, 1894) was a German composer of synagogal music. Born at Wreschen, province of Posen, Prussia (now Września i...
-
Cottino Harmonium: Consolation Op.44 No.1 - L. Lewandowski
Consolation Op.44 No1. composed for Harmonium by Louis Lewandowski (1821-1894) was a German composer of synagogal music. He was born at Wreschen, province of...
-
Elisabeth Schwarzkopf: Strauss, 'Zueignung'
Dame Elisabeth Schwarzkopf, DBE (9 December 1915 – 3 August 2006) was a German-born Austrian/British soprano opera singer and recitalist. She was among the most renowned classical singers of the 20th century, much admired for her performances of Mozart, Schubert, Strauss, and Wolf. Olga Maria Elisabeth Friederike Schwarzkopf was born in Jarotschin in the Province of Posen in Prussia (today Poland)
-
1936, Javelin, Men, Olympic Games, Berlin
1936, Javelin, Men, Olympic Games, Berlin Full name: Gerhard "Gerd" Stöck Gender: Male Height: 6'0" (184 cm) Weight: 201 lbs (91 kg) Born: July 28, 1910 in K...
-
Society of German Eastern Marches Society Top 28 Facts
Facts : 1 Among them were the Pan-German League, German Navy League, German Colonial Society, German Anti-Semitic Organization, and the Defence League
Facts : 2 Many landowners feared that their interests would not be properly represented by those organizations and decided to form their own society
Facts : 3 The opening meeting elected an assembly and a general committee composed of 227 members, a
-
Alte Ansichten der Stadt Bromberg
http://www.germanancestry.comuf.com Bromberg, today Bydgoszcz used to be a city in the German Reich, that was located very close to West Prussia, but belonge...
-
Elisabeth Schwarzkopf: Mozart - Le nozze di Figaro, 'Porgi, amor'
Dame Elisabeth Schwarzkopf, DBE (9 December 1915 – 3 August 2006) was a German-born Austrian/British soprano opera singer and recitalist. She was among the most renowned classical singers of the 20th century, much admired for her performances of Mozart, Schubert, Strauss, and Wolf. Olga Maria Elisabeth Friederike Schwarzkopf was born in Jarotschin in the Province of Posen in Prussia (today Poland)
-
Elisabeth Schwarzkopf: Franck, 'Panis Angelicus'
Dame Elisabeth Schwarzkopf, DBE (9 December 1915 – 3 August 2006) was a German-born Austrian/British soprano opera singer and recitalist. She was among the most renowned classical singers of the 20th century, much admired for her performances of Mozart, Schubert, Strauss, and Wolf. Olga Maria Elisabeth Friederike Schwarzkopf was born in Jarotschin in the Province of Posen in Prussia (today Poland)
-
Elisabeth Schwarzkopf: Wagner - Tannhäuser, 'Dich, teure Halle'
Dame Elisabeth Schwarzkopf, DBE (9 December 1915 – 3 August 2006) was a German-born Austrian/British soprano opera singer and recitalist. She was among the most renowned classical singers of the 20th century, much admired for her performances of Mozart, Schubert, Strauss, and Wolf. Olga Maria Elisabeth Friederike Schwarzkopf was born in Jarotschin in the Province of Posen in Prussia (today Poland)
-
Elisabeth Schwarzkopf: Lehar - Giuditta, 'Meine Lippen, sie Küssen so Heiss'
Dame Elisabeth Schwarzkopf, DBE (9 December 1915 – 3 August 2006) was a German-born Austrian/British soprano opera singer and recitalist. She was among the most renowned classical singers of the 20th century, much admired for her performances of Mozart, Schubert, Strauss, and Wolf. Olga Maria Elisabeth Friederike Schwarzkopf was born in Jarotschin in the Province of Posen in Prussia (today Poland)
-
Elisabeth Schwarzkopf: Strauss Ariadne auf Naxos, 'Es gibt ein Reich, wo alles rein ist'
Dame Elisabeth Schwarzkopf, DBE (9 December 1915 – 3 August 2006) was a German-born Austrian/British soprano opera singer and recitalist. She was among the most renowned classical singers of the 20th century, much admired for her performances of Mozart, Schubert, Strauss, and Wolf. Olga Maria Elisabeth Friederike Schwarzkopf was born in Jarotschin in the Province of Posen in Prussia (today Poland)
-
Elisabeth Schwarzkopf: Bach, 'Bist du bei mir' BWV 508
Dame Elisabeth Schwarzkopf, DBE (9 December 1915 – 3 August 2006) was a German-born Austrian/British soprano opera singer and recitalist. She was among the most renowned classical singers of the 20th century, much admired for her performances of Mozart, Schubert, Strauss, and Wolf. Olga Maria Elisabeth Friederike Schwarzkopf was born in Jarotschin in the Province of Posen in Prussia (today Poland)
-
Poland: PKP Passenger trains at Krotoszyn station (SU45 diesel and graffiti covered EN57 EMU)
Poland: PKP Passenger trains at Krotoszyn station. An SU45 diesel locomotive departs on the 1530 from Ostrow to Leszno with double-deck stock whilst a graffiti covered EN57 EMU awaits it's next departure. Recorded 20th May 2003.
-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+
Krotoszyn (German: Krotoschin) is a town in central Poland with 30,010 inhabitants as of 2005. It has been part of the Greater
-
Elisabeth Schwarzkopf: Wagner - Lohengrin, 'Elsa's Dream'
Dame Elisabeth Schwarzkopf, DBE (9 December 1915 – 3 August 2006) was a German-born Austrian/British soprano opera singer and recitalist. She was among the most renowned classical singers of the 20th century, much admired for her performances of Mozart, Schubert, Strauss, and Wolf. Olga Maria Elisabeth Friederike Schwarzkopf was born in Jarotschin in the Province of Posen in Prussia (today Poland)
-
Elisabeth Schwarzkopf: Martini, 'Plaisir d'amour'
Dame Elisabeth Schwarzkopf, DBE (9 December 1915 – 3 August 2006) was a German-born Austrian/British soprano opera singer and recitalist. She was among the most renowned classical singers of the 20th century, much admired for her performances of Mozart, Schubert, Strauss, and Wolf. Olga Maria Elisabeth Friederike Schwarzkopf was born in Jarotschin in the Province of Posen in Prussia (today Poland)
-
Elisabeth Schwarzkopf: Humperdinck - Hänsel und Gretel, 'Brüderchen, komm tanz mit mir'
Dame Elisabeth Schwarzkopf, DBE (9 December 1915 – 3 August 2006) was a German-born Austrian/British soprano opera singer and recitalist. She was among the most renowned classical singers of the 20th century, much admired for her performances of Mozart, Schubert, Strauss, and Wolf. Olga Maria Elisabeth Friederike Schwarzkopf was born in Jarotschin in the Province of Posen in Prussia (today Poland)
-
Elisabeth Schwarzkopf: Strauss - Der Rosenkavaler, 'Da geht er hin, der aufgeblas'ne schlechte Kerl'
Dame Elisabeth Schwarzkopf, DBE (9 December 1915 – 3 August 2006) was a German-born Austrian/British soprano opera singer and recitalist. She was among the most renowned classical singers of the 20th century, much admired for her performances of Mozart, Schubert, Strauss, and Wolf. Olga Maria Elisabeth Friederike Schwarzkopf was born in Jarotschin in the Province of Posen in Prussia (today Poland)
-
Elisabeth Schwarzkopf: Wolf, 'In dem Schatten meiner'
Dame Elisabeth Schwarzkopf, DBE (9 December 1915 – 3 August 2006) was a German-born Austrian/British soprano opera singer and recitalist. She was among the most renowned classical singers of the 20th century, much admired for her performances of Mozart, Schubert, Strauss, and Wolf. Olga Maria Elisabeth Friederike Schwarzkopf was born in Jarotschin in the Province of Posen in Prussia (today Poland)
-
Hermann Jadlowker et Claire Dux Aida scène finale Gramophone Mx 1184 & 1185 enregistrés en 1918
Hermann Jadlowker et Claire Dux Aida scène finale Gramophone Mx 1184 & 1185 enregistrés en 1918
Herman (Hermann) Jadlowker (17 July 1877, Riga - 13 May 1953, Tel Aviv) was a leading Latvian-born tenor of Russian (later Israeli) nationality who enjoyed an important international career during the first quarter of the 20th century.
His virtuoso recordings of arias from Idomeneo and Il barbiere
-
Alfred Hugenberg July 31, 1932 - Rundfunkansprache Zur Reichstagswahl
Alfred Ernst Christian Alexander Hugenberg (June19, 1865 – March 12, 1951) was an influential German businessman and politician. Hugenberg, a leading figure within nationalist politics in Germany for the first few decades of the twentieth century, became the country's leading media proprietor within the inter-war period. As leader of the German National People's Party Hugenberg was instrumental in
-
Alfred Hugenberg; July 28, 1932 - Radio Address On Forthcoming Elections
Alfred Ernst Christian Alexander Hugenberg (June19, 1865 – March 12, 1951) was an influential German businessman and politician. Hugenberg, a leading figure within nationalist politics in Germany for the first few decades of the twentieth century, became the country's leading media proprietor within the inter-war period. As leader of the German National People's Party Hugenberg was instrumental in
Urban Drive: Poznan City Centre, City Tour! Poland
Enjoy this casual sunday morning drive in Poznan, Wielkopolska.
Poznań ([ˈpɔznaɲ] ( listen); German: Posen, known also by other historical names) is a city on t...
Enjoy this casual sunday morning drive in Poznan, Wielkopolska.
Poznań ([ˈpɔznaɲ] ( listen); German: Posen, known also by other historical names) is a city on the Warta river in west-central Poland, in the region called Wielkopolska (Greater Poland). It is best known for its renaissance old town, destroyed during World War II and then rebuilt, and Ostrów Tumski cathedral. After the second partition of Poland Poznań was administrated by Prussia, and then, with the unification of Germany after the Franco-Prussian War of 1871, the province of Posen became part of the German Empire. Furthermore, the city of Posen was officially named an imperial residence city, leading to the construction of the Imperial Castle, the Imperial District, the Opera House, new city walls, railway station and many other sites which make a big part of its landmarks to this day. Today, Poznań is an important cultural and business centre and one of Poland's most populous regions with many regional customs such as Jarmark Świętojański, traditional Saint Martin's croissants and a local dialect.
Poznań is among the oldest cities in Poland and was one of the most important centers in the early Polish state in the tenth and eleventh centuries. The first center city was Ostrów Tumski, the natural island on the Warta river-very similar to the Île de la Cité in Paris. The first rulers were buried in Poznań's cathedral on the island. It also served as the capital for a short time in the 13th century, hence the official name: The capital city of Poznan.
Poznań is one of the biggest cities in Poland. The city population is about 550,000, while the continuous conurbation with Poznan County and several other communities (Oborniki, Skoki, Szamotuły and Śrem)[1][2] is inhabited by almost 1.1 million people. The Larger Poznań Metropolitan Area (PMA) is inhabited by 1.3-1.4 million people and extends to such satellite towns as Nowy Tomyśl, Gniezno and Wrzesnia,[3][4][5][6] making it the fourth largest metropolitan area in Poland. It is the historical capital of the Wielkopolska (Greater Poland) region and is currently the administrative capital of the province called Greater Poland Voivodeship. Poznań is today one of the largest Polish centers of trade, industry, sports, education, technology, tourism and culture. It is particularly important academic center, with about 130,000 students and the third biggest Polish university - Adam Mickiewicz University. It is also the residence of the oldest Polish diocese, now being one of the most populous archdioceses in the country.
wn.com/Urban Drive Poznan City Centre, City Tour Poland
Enjoy this casual sunday morning drive in Poznan, Wielkopolska.
Poznań ([ˈpɔznaɲ] ( listen); German: Posen, known also by other historical names) is a city on the Warta river in west-central Poland, in the region called Wielkopolska (Greater Poland). It is best known for its renaissance old town, destroyed during World War II and then rebuilt, and Ostrów Tumski cathedral. After the second partition of Poland Poznań was administrated by Prussia, and then, with the unification of Germany after the Franco-Prussian War of 1871, the province of Posen became part of the German Empire. Furthermore, the city of Posen was officially named an imperial residence city, leading to the construction of the Imperial Castle, the Imperial District, the Opera House, new city walls, railway station and many other sites which make a big part of its landmarks to this day. Today, Poznań is an important cultural and business centre and one of Poland's most populous regions with many regional customs such as Jarmark Świętojański, traditional Saint Martin's croissants and a local dialect.
Poznań is among the oldest cities in Poland and was one of the most important centers in the early Polish state in the tenth and eleventh centuries. The first center city was Ostrów Tumski, the natural island on the Warta river-very similar to the Île de la Cité in Paris. The first rulers were buried in Poznań's cathedral on the island. It also served as the capital for a short time in the 13th century, hence the official name: The capital city of Poznan.
Poznań is one of the biggest cities in Poland. The city population is about 550,000, while the continuous conurbation with Poznan County and several other communities (Oborniki, Skoki, Szamotuły and Śrem)[1][2] is inhabited by almost 1.1 million people. The Larger Poznań Metropolitan Area (PMA) is inhabited by 1.3-1.4 million people and extends to such satellite towns as Nowy Tomyśl, Gniezno and Wrzesnia,[3][4][5][6] making it the fourth largest metropolitan area in Poland. It is the historical capital of the Wielkopolska (Greater Poland) region and is currently the administrative capital of the province called Greater Poland Voivodeship. Poznań is today one of the largest Polish centers of trade, industry, sports, education, technology, tourism and culture. It is particularly important academic center, with about 130,000 students and the third biggest Polish university - Adam Mickiewicz University. It is also the residence of the oldest Polish diocese, now being one of the most populous archdioceses in the country.
- published: 06 Dec 2015
- views: 1
Around Pila
SEE MY HISTORY SITE ON FACEBOOK :
https://www.facebook.com/pages/Alan-Heaths-History-Page/173472422695696
twitter : @ceepackaging
I do not travel into Piła, bu...
SEE MY HISTORY SITE ON FACEBOOK :
https://www.facebook.com/pages/Alan-Heaths-History-Page/173472422695696
twitter : @ceepackaging
I do not travel into Piła, but instead take the ring road around the town.
Piła has a long history. Following the German colonist movement of the 13th century colonizers came to this densely wooded area of the Kingdom of Poland. Many of these early German-speaking settlers may well have reached the Krajna, the borderland between the rivers Notec, Drage and Gwda.
The area remained under Brandenburg's control until 1368 when the land of the Krajna became Polish. General immigration of German settlers diminished when Poland under Casimir IV Jagiellon (Kazimierz, 1447--92) defeated the Teutonic Order in 1466.
The area around the settlement of Piła, situated in the southern Pomeranian Lake District, was one of dense pine forests and lakes. Legend has it that two ancient routes once crossed here, namely an ancient Heerstrasse (military highway) from central German lands, leading across the River Oder, running parallel to the River Notec, the river that became later known by its German name Netze. That route led into an area of the Vistula, further east, claimed by some to have been the old amber route of the Romans. This ancient military highway is said to have intersected a road from the south of Poland that led to the Baltic Sea. Speculation exists that a narrow ford through the River Gwda or Küddow — as early German settlers called the river that was a tributary of the Notec — may have led the road to the east, prompting a primitive settlement on its banks.
With the signing of the definitive treaty to divide Poland between Prussia, Austria and Russia in 1772, the First Partition of Poland was accomplished. Piła became part of the Kingdom of Prussia and was officially renamed Schneidemühl. In 1793 it was recaptured for a short period by a Polish army led by Colonel Wyganowski.
Following Prussia's disastrous defeat at the hands of Napoleon at the battle of Jena, and after signing the Peace of Tilsit of 7 July 1807, Prussia lost nearly fifty percent of its recently acquired territory. Schneidemühl's new Polish-Prussian border ran very close to town and together with the largest part of Posen, Schneidemühl became part of Bonaparte's Grand Duchy of Warsaw. This semi-independent state was created out of parts of Prussia's Polish territories, headed by King Friedrich August of Saxony.
In 1815 the Congress of Vienna gave Schneidemühl to Prussia again. After the Prussian administrative reforms of 1916-18, the town belonged to Kolmar county inside the Province of Posen.
The city saw a significant influx of German settlers. In 1851 the city was connected to Berlin and Bromberg by the Prussian Eastern Railway.
By the end of the 19th century the city had become one of the most important railway centers of the region and one of the biggest towns in the Province of Posen. It was turned into a Prussian military garrison town.
During the first World War Schneidemuhl had a prisoner of war camp, initially taking mainly Russian prisoners but later including prisoners from most allied nations including Australia.
After the signing of the Treaty of Versailles, Schneidemühl was not included in the Polish Second Republic after World War I. The new Polish-German border ran five kilometers south of the city. On 21 July 1922 Schneidemühl became the centre for regional administration of the new province Grenzmark Posen-Westpreussen, comprising those three disconnected parts of the former Province of Posen and the western most parts of the Province of West Prussia, which were not ceded to Poland. There was an influx of the inhabitants of the areas annexed by Poland who opted not to become Poles and the town's population swelled temporarily to 37,518.
The city experienced a short period of growth followed by a period of decline in the early 1930s. High unemployment and the ineffectiveness of local administration led to rising support for the NSDAP. The administrative arrangement lasted only eleven years when the province, also known as Gau Kurmark, joined the province of Brandenburg as a governmental district. The city also served as headquarters to the 77th SS-Standarte of the Allgemeine-SS.
During World War II the city became part of the Pommernstellung line of fortifications. In 1945 the town was declared a Festung by Adolf Hitler. It was captured by the joint Polish and Red Army forces after two weeks of heavy fighting. 75% of the city was destroyed and almost 90% of the historic city centre was in ruins.
In 1945, the city again became part of Poland and the German population was expelled while Polish expelees from the east and refugees from areas of Central Poland were resettled in the city. The historical city centre was only partially restored.
wn.com/Around Pila
SEE MY HISTORY SITE ON FACEBOOK :
https://www.facebook.com/pages/Alan-Heaths-History-Page/173472422695696
twitter : @ceepackaging
I do not travel into Piła, but instead take the ring road around the town.
Piła has a long history. Following the German colonist movement of the 13th century colonizers came to this densely wooded area of the Kingdom of Poland. Many of these early German-speaking settlers may well have reached the Krajna, the borderland between the rivers Notec, Drage and Gwda.
The area remained under Brandenburg's control until 1368 when the land of the Krajna became Polish. General immigration of German settlers diminished when Poland under Casimir IV Jagiellon (Kazimierz, 1447--92) defeated the Teutonic Order in 1466.
The area around the settlement of Piła, situated in the southern Pomeranian Lake District, was one of dense pine forests and lakes. Legend has it that two ancient routes once crossed here, namely an ancient Heerstrasse (military highway) from central German lands, leading across the River Oder, running parallel to the River Notec, the river that became later known by its German name Netze. That route led into an area of the Vistula, further east, claimed by some to have been the old amber route of the Romans. This ancient military highway is said to have intersected a road from the south of Poland that led to the Baltic Sea. Speculation exists that a narrow ford through the River Gwda or Küddow — as early German settlers called the river that was a tributary of the Notec — may have led the road to the east, prompting a primitive settlement on its banks.
With the signing of the definitive treaty to divide Poland between Prussia, Austria and Russia in 1772, the First Partition of Poland was accomplished. Piła became part of the Kingdom of Prussia and was officially renamed Schneidemühl. In 1793 it was recaptured for a short period by a Polish army led by Colonel Wyganowski.
Following Prussia's disastrous defeat at the hands of Napoleon at the battle of Jena, and after signing the Peace of Tilsit of 7 July 1807, Prussia lost nearly fifty percent of its recently acquired territory. Schneidemühl's new Polish-Prussian border ran very close to town and together with the largest part of Posen, Schneidemühl became part of Bonaparte's Grand Duchy of Warsaw. This semi-independent state was created out of parts of Prussia's Polish territories, headed by King Friedrich August of Saxony.
In 1815 the Congress of Vienna gave Schneidemühl to Prussia again. After the Prussian administrative reforms of 1916-18, the town belonged to Kolmar county inside the Province of Posen.
The city saw a significant influx of German settlers. In 1851 the city was connected to Berlin and Bromberg by the Prussian Eastern Railway.
By the end of the 19th century the city had become one of the most important railway centers of the region and one of the biggest towns in the Province of Posen. It was turned into a Prussian military garrison town.
During the first World War Schneidemuhl had a prisoner of war camp, initially taking mainly Russian prisoners but later including prisoners from most allied nations including Australia.
After the signing of the Treaty of Versailles, Schneidemühl was not included in the Polish Second Republic after World War I. The new Polish-German border ran five kilometers south of the city. On 21 July 1922 Schneidemühl became the centre for regional administration of the new province Grenzmark Posen-Westpreussen, comprising those three disconnected parts of the former Province of Posen and the western most parts of the Province of West Prussia, which were not ceded to Poland. There was an influx of the inhabitants of the areas annexed by Poland who opted not to become Poles and the town's population swelled temporarily to 37,518.
The city experienced a short period of growth followed by a period of decline in the early 1930s. High unemployment and the ineffectiveness of local administration led to rising support for the NSDAP. The administrative arrangement lasted only eleven years when the province, also known as Gau Kurmark, joined the province of Brandenburg as a governmental district. The city also served as headquarters to the 77th SS-Standarte of the Allgemeine-SS.
During World War II the city became part of the Pommernstellung line of fortifications. In 1945 the town was declared a Festung by Adolf Hitler. It was captured by the joint Polish and Red Army forces after two weeks of heavy fighting. 75% of the city was destroyed and almost 90% of the historic city centre was in ruins.
In 1945, the city again became part of Poland and the German population was expelled while Polish expelees from the east and refugees from areas of Central Poland were resettled in the city. The historical city centre was only partially restored.
- published: 06 Aug 2011
- views: 1350
L. Lewandowski - Consolation Op.44 No.1 (on an 1884 "Shoninger Grand Cymbella")
Louis Lewandowski (April 23, 1821 -- February 4, 1894) was a German composer of synagogal music. Born at Wreschen, province of Posen, Prussia (now Września i......
Louis Lewandowski (April 23, 1821 -- February 4, 1894) was a German composer of synagogal music. Born at Wreschen, province of Posen, Prussia (now Września i...
wn.com/L. Lewandowski Consolation Op.44 No.1 (On An 1884 Shoninger Grand Cymbella )
Louis Lewandowski (April 23, 1821 -- February 4, 1894) was a German composer of synagogal music. Born at Wreschen, province of Posen, Prussia (now Września i...
Cottino Harmonium: Consolation Op.44 No.1 - L. Lewandowski
Consolation Op.44 No1. composed for Harmonium by Louis Lewandowski (1821-1894) was a German composer of synagogal music. He was born at Wreschen, province of......
Consolation Op.44 No1. composed for Harmonium by Louis Lewandowski (1821-1894) was a German composer of synagogal music. He was born at Wreschen, province of...
wn.com/Cottino Harmonium Consolation Op.44 No.1 L. Lewandowski
Consolation Op.44 No1. composed for Harmonium by Louis Lewandowski (1821-1894) was a German composer of synagogal music. He was born at Wreschen, province of...
- published: 27 Apr 2012
- views: 392
-
author: Chris S
Elisabeth Schwarzkopf: Strauss, 'Zueignung'
Dame Elisabeth Schwarzkopf, DBE (9 December 1915 – 3 August 2006) was a German-born Austrian/British soprano opera singer and recitalist. She was among the most...
Dame Elisabeth Schwarzkopf, DBE (9 December 1915 – 3 August 2006) was a German-born Austrian/British soprano opera singer and recitalist. She was among the most renowned classical singers of the 20th century, much admired for her performances of Mozart, Schubert, Strauss, and Wolf. Olga Maria Elisabeth Friederike Schwarzkopf was born in Jarotschin in the Province of Posen in Prussia (today Poland) to Friedrich Schwarzkopf and his wife, Elisabeth (née Fröhlich). Schwarzkopf showed an interest in music from an early age. She performed in her first opera in 1928, as Eurydice in a school production of Gluck's Orfeo ed Euridice in Magdeburg, Germany. In 1934, Schwarzkopf began her musical studies at the Berlin Hochschule für Musik. n 1933, shortly after the Nazis came to power, Elisabeth Schwarzkopf's father, a local school headmaster, was dismissed from his position by the new ruling authorities for having refused to allow a Nazi party meeting at his school. He was also banned from taking any new teaching post. Until Friedrich Schwarzkopf's dismissal, the probability was that the 17-year-old Elisabeth would have studied medicine after passing her Abitur; but now, as the daughter of a banned schoolteacher, she was not allowed to enter university and – fortunately for posterity – she commenced music studies at the Berlin Hochschule für Musik. In 1942, she was invited to sing with the Vienna State Opera, where her roles included Konstanze in Mozart's Die Entführung aus dem Serail, Musetta and later Mimì in Puccini's La bohème and Violetta in Verdi's La traviata. In 1945, Schwarzkopf was granted Austrian citizenship to enable her to sing in the Vienna State Opera (Wiener Staatsoper). In 1947 and 1948, Schwarzkopf appeared on tour with the Vienna State Opera at London's Royal Opera House at Covent Garden on 16 September 1947 as Donna Elvira in Mozart's Don Giovanni and at La Scala on 28 December 1948, as the Countess in Mozart's The Marriage of Figaro, which became one of her signature roles. In the 1960s, Schwarzkopf concentrated nearly exclusively on five operatic roles: Donna Elvira in Don Giovanni, Countess Almaviva in The Marriage of Figaro, Fiordiligi in Così fan tutte, Countess Madeleine in Strauss's Capriccio, and the Marschallin. She also was well received as Alice Ford in Verdi's Falstaff. However, on the EMI label she made several "champagne operetta" recordings like Franz Lehár's The Merry Widow and Johann Strauss II's The Gypsy Baron. After retiring, Schwarzkopf taught and gave master classes around the world, notably at the Juilliard School in New York City. After living in Switzerland for many years, she took up residence in Austria. She was made a doctor of music by the University of Cambridge in 1976, and became a Dame Commander of the Order of the British Empire (DBE) in 1992... http://en.wikipedia.org/wiki/Elisabeth_Schwarzkopf
Lyrics & English Translation
Yes, you sense how much I languish,
how your absence feeds my anguish.
Love can bring the keenest pangs.
Oh give thanks!
Once I posed as freedom's champion,
holding high my shining tankard,
and you blessed the toast I drank.
Oh give thanks!
Yes, you saved my soul from capture,
so that, raised to holy rapture,
fired with love in your arms I sank.
Oh give thanks!
A link to this wonderful artists personal website: http://www.allmusic.com/artist/elisabeth-schwarzkopf-mn0000679947/discography
Please Enjoy!
I send my kind and warm regards,
wn.com/Elisabeth Schwarzkopf Strauss, 'Zueignung'
Dame Elisabeth Schwarzkopf, DBE (9 December 1915 – 3 August 2006) was a German-born Austrian/British soprano opera singer and recitalist. She was among the most renowned classical singers of the 20th century, much admired for her performances of Mozart, Schubert, Strauss, and Wolf. Olga Maria Elisabeth Friederike Schwarzkopf was born in Jarotschin in the Province of Posen in Prussia (today Poland) to Friedrich Schwarzkopf and his wife, Elisabeth (née Fröhlich). Schwarzkopf showed an interest in music from an early age. She performed in her first opera in 1928, as Eurydice in a school production of Gluck's Orfeo ed Euridice in Magdeburg, Germany. In 1934, Schwarzkopf began her musical studies at the Berlin Hochschule für Musik. n 1933, shortly after the Nazis came to power, Elisabeth Schwarzkopf's father, a local school headmaster, was dismissed from his position by the new ruling authorities for having refused to allow a Nazi party meeting at his school. He was also banned from taking any new teaching post. Until Friedrich Schwarzkopf's dismissal, the probability was that the 17-year-old Elisabeth would have studied medicine after passing her Abitur; but now, as the daughter of a banned schoolteacher, she was not allowed to enter university and – fortunately for posterity – she commenced music studies at the Berlin Hochschule für Musik. In 1942, she was invited to sing with the Vienna State Opera, where her roles included Konstanze in Mozart's Die Entführung aus dem Serail, Musetta and later Mimì in Puccini's La bohème and Violetta in Verdi's La traviata. In 1945, Schwarzkopf was granted Austrian citizenship to enable her to sing in the Vienna State Opera (Wiener Staatsoper). In 1947 and 1948, Schwarzkopf appeared on tour with the Vienna State Opera at London's Royal Opera House at Covent Garden on 16 September 1947 as Donna Elvira in Mozart's Don Giovanni and at La Scala on 28 December 1948, as the Countess in Mozart's The Marriage of Figaro, which became one of her signature roles. In the 1960s, Schwarzkopf concentrated nearly exclusively on five operatic roles: Donna Elvira in Don Giovanni, Countess Almaviva in The Marriage of Figaro, Fiordiligi in Così fan tutte, Countess Madeleine in Strauss's Capriccio, and the Marschallin. She also was well received as Alice Ford in Verdi's Falstaff. However, on the EMI label she made several "champagne operetta" recordings like Franz Lehár's The Merry Widow and Johann Strauss II's The Gypsy Baron. After retiring, Schwarzkopf taught and gave master classes around the world, notably at the Juilliard School in New York City. After living in Switzerland for many years, she took up residence in Austria. She was made a doctor of music by the University of Cambridge in 1976, and became a Dame Commander of the Order of the British Empire (DBE) in 1992... http://en.wikipedia.org/wiki/Elisabeth_Schwarzkopf
Lyrics & English Translation
Yes, you sense how much I languish,
how your absence feeds my anguish.
Love can bring the keenest pangs.
Oh give thanks!
Once I posed as freedom's champion,
holding high my shining tankard,
and you blessed the toast I drank.
Oh give thanks!
Yes, you saved my soul from capture,
so that, raised to holy rapture,
fired with love in your arms I sank.
Oh give thanks!
A link to this wonderful artists personal website: http://www.allmusic.com/artist/elisabeth-schwarzkopf-mn0000679947/discography
Please Enjoy!
I send my kind and warm regards,
- published: 10 Oct 2014
- views: 6
1936, Javelin, Men, Olympic Games, Berlin
1936, Javelin, Men, Olympic Games, Berlin Full name: Gerhard "Gerd" Stöck Gender: Male Height: 6'0" (184 cm) Weight: 201 lbs (91 kg) Born: July 28, 1910 in K......
1936, Javelin, Men, Olympic Games, Berlin Full name: Gerhard "Gerd" Stöck Gender: Male Height: 6'0" (184 cm) Weight: 201 lbs (91 kg) Born: July 28, 1910 in K...
wn.com/1936, Javelin, Men, Olympic Games, Berlin
1936, Javelin, Men, Olympic Games, Berlin Full name: Gerhard "Gerd" Stöck Gender: Male Height: 6'0" (184 cm) Weight: 201 lbs (91 kg) Born: July 28, 1910 in K...
Society of German Eastern Marches Society Top 28 Facts
Facts : 1 Among them were the Pan-German League, German Navy League, German Colonial Society, German Anti-Semitic Organization, and the Defence League
Facts : 2...
Facts : 1 Among them were the Pan-German League, German Navy League, German Colonial Society, German Anti-Semitic Organization, and the Defence League
Facts : 2 Many landowners feared that their interests would not be properly represented by those organizations and decided to form their own society
Facts : 3 The opening meeting elected an assembly and a general committee composed of 227 members, among them 104 from the Province of Posen and Province of West Prussia, and additional 113 from other parts of German Empire
Facts : 4 The social base of the newly founded society was wide and included a large spectrum of people
Facts : 5 Some 60 %%% of the representatives of areas of Germany primarily inhabited by Poles were the Junkers, the landed aristocracy, mostly with ancient feudal roots
Facts : 6 The rest were all groups of middle class Germans, that is civil servants (30 %%% ), teachers (25 %%% ), merchants, craftsmen, Protestant priests, and clerks
Facts : 7 The official aims of the society was strengthening and rallying of Germandom in the Eastern Marches through the revival and consolidation of German national feeling and the economic strengthening of the German people in the area
Facts : 8 This was seen as justified due to alleged passivity of Germans in the eastern territories
Facts : 9 However, in reality the aims of the society were anti-Polish and aimed at ousting the Polish landowners and peasants from their land at all cost
Facts : 10 It was argued that the Poles were an insidious threat to German national and cultural integrity and domination in the east
Facts : 11 The propagandistic rationale behind formation of the H-K-T was presented as a national Polish-German struggle to assimilate one group into the other
Facts : 12 It was argued that either the Poles would be successfully Germanized, or the Germans living in the east would face the Polonization themselves
Facts : 13 This conflict was often portrayed as a constant biological struggle between the eastern barbarity and European culture
Facts : 14 To counter the alleged threat, the Society promoted the destruction of Polish national identity in the Polish lands held by Germany, and prevention of polonization of the Eastern Marches, that is the growing national sentiment amongst local Poles paired with migration of Poles from rural areas to the cities of the region
Facts : 15 In accordance with the views of Chancellor von Bismarck himself, the Society saw the language question as a key factor
wn.com/Society Of German Eastern Marches Society Top 28 Facts
Facts : 1 Among them were the Pan-German League, German Navy League, German Colonial Society, German Anti-Semitic Organization, and the Defence League
Facts : 2 Many landowners feared that their interests would not be properly represented by those organizations and decided to form their own society
Facts : 3 The opening meeting elected an assembly and a general committee composed of 227 members, among them 104 from the Province of Posen and Province of West Prussia, and additional 113 from other parts of German Empire
Facts : 4 The social base of the newly founded society was wide and included a large spectrum of people
Facts : 5 Some 60 %%% of the representatives of areas of Germany primarily inhabited by Poles were the Junkers, the landed aristocracy, mostly with ancient feudal roots
Facts : 6 The rest were all groups of middle class Germans, that is civil servants (30 %%% ), teachers (25 %%% ), merchants, craftsmen, Protestant priests, and clerks
Facts : 7 The official aims of the society was strengthening and rallying of Germandom in the Eastern Marches through the revival and consolidation of German national feeling and the economic strengthening of the German people in the area
Facts : 8 This was seen as justified due to alleged passivity of Germans in the eastern territories
Facts : 9 However, in reality the aims of the society were anti-Polish and aimed at ousting the Polish landowners and peasants from their land at all cost
Facts : 10 It was argued that the Poles were an insidious threat to German national and cultural integrity and domination in the east
Facts : 11 The propagandistic rationale behind formation of the H-K-T was presented as a national Polish-German struggle to assimilate one group into the other
Facts : 12 It was argued that either the Poles would be successfully Germanized, or the Germans living in the east would face the Polonization themselves
Facts : 13 This conflict was often portrayed as a constant biological struggle between the eastern barbarity and European culture
Facts : 14 To counter the alleged threat, the Society promoted the destruction of Polish national identity in the Polish lands held by Germany, and prevention of polonization of the Eastern Marches, that is the growing national sentiment amongst local Poles paired with migration of Poles from rural areas to the cities of the region
Facts : 15 In accordance with the views of Chancellor von Bismarck himself, the Society saw the language question as a key factor
- published: 13 Dec 2015
- views: 0
Alte Ansichten der Stadt Bromberg
http://www.germanancestry.comuf.com Bromberg, today Bydgoszcz used to be a city in the German Reich, that was located very close to West Prussia, but belonge......
http://www.germanancestry.comuf.com Bromberg, today Bydgoszcz used to be a city in the German Reich, that was located very close to West Prussia, but belonge...
wn.com/Alte Ansichten Der Stadt Bromberg
http://www.germanancestry.comuf.com Bromberg, today Bydgoszcz used to be a city in the German Reich, that was located very close to West Prussia, but belonge...
Elisabeth Schwarzkopf: Mozart - Le nozze di Figaro, 'Porgi, amor'
Dame Elisabeth Schwarzkopf, DBE (9 December 1915 – 3 August 2006) was a German-born Austrian/British soprano opera singer and recitalist. She was among the most...
Dame Elisabeth Schwarzkopf, DBE (9 December 1915 – 3 August 2006) was a German-born Austrian/British soprano opera singer and recitalist. She was among the most renowned classical singers of the 20th century, much admired for her performances of Mozart, Schubert, Strauss, and Wolf. Olga Maria Elisabeth Friederike Schwarzkopf was born in Jarotschin in the Province of Posen in Prussia (today Poland) to Friedrich Schwarzkopf and his wife, Elisabeth (née Fröhlich). Schwarzkopf showed an interest in music from an early age. She performed in her first opera in 1928, as Eurydice in a school production of Gluck's Orfeo ed Euridice in Magdeburg, Germany. In 1934, Schwarzkopf began her musical studies at the Berlin Hochschule für Musik. n 1933, shortly after the Nazis came to power, Elisabeth Schwarzkopf's father, a local school headmaster, was dismissed from his position by the new ruling authorities for having refused to allow a Nazi party meeting at his school. He was also banned from taking any new teaching post. Until Friedrich Schwarzkopf's dismissal, the probability was that the 17-year-old Elisabeth would have studied medicine after passing her Abitur; but now, as the daughter of a banned schoolteacher, she was not allowed to enter university and – fortunately for posterity – she commenced music studies at the Berlin Hochschule für Musik. In 1942, she was invited to sing with the Vienna State Opera, where her roles included Konstanze in Mozart's Die Entführung aus dem Serail, Musetta and later Mimì in Puccini's La bohème and Violetta in Verdi's La traviata. In 1945, Schwarzkopf was granted Austrian citizenship to enable her to sing in the Vienna State Opera (Wiener Staatsoper). In 1947 and 1948, Schwarzkopf appeared on tour with the Vienna State Opera at London's Royal Opera House at Covent Garden on 16 September 1947 as Donna Elvira in Mozart's Don Giovanni and at La Scala on 28 December 1948, as the Countess in Mozart's The Marriage of Figaro, which became one of her signature roles. In the 1960s, Schwarzkopf concentrated nearly exclusively on five operatic roles: Donna Elvira in Don Giovanni, Countess Almaviva in The Marriage of Figaro, Fiordiligi in Così fan tutte, Countess Madeleine in Strauss's Capriccio, and the Marschallin. She also was well received as Alice Ford in Verdi's Falstaff. However, on the EMI label she made several "champagne operetta" recordings like Franz Lehár's The Merry Widow and Johann Strauss II's The Gypsy Baron. After retiring, Schwarzkopf taught and gave master classes around the world, notably at the Juilliard School in New York City. After living in Switzerland for many years, she took up residence in Austria. She was made a doctor of music by the University of Cambridge in 1976, and became a Dame Commander of the Order of the British Empire (DBE) in 1992... http://en.wikipedia.org/wiki/Elisabeth_Schwarzkopf
Lyrics & English Translation
O Love, give me some remedy
For my sorrow, for my sighs!
Either give me back my darling
Or at least let me die.
A link to this wonderful artists personal website: http://www.allmusic.com/artist/elisabeth-schwarzkopf-mn0000679947/discography
Please Enjoy!
I send my kind and warm regards,
wn.com/Elisabeth Schwarzkopf Mozart Le Nozze Di Figaro, 'Porgi, Amor'
Dame Elisabeth Schwarzkopf, DBE (9 December 1915 – 3 August 2006) was a German-born Austrian/British soprano opera singer and recitalist. She was among the most renowned classical singers of the 20th century, much admired for her performances of Mozart, Schubert, Strauss, and Wolf. Olga Maria Elisabeth Friederike Schwarzkopf was born in Jarotschin in the Province of Posen in Prussia (today Poland) to Friedrich Schwarzkopf and his wife, Elisabeth (née Fröhlich). Schwarzkopf showed an interest in music from an early age. She performed in her first opera in 1928, as Eurydice in a school production of Gluck's Orfeo ed Euridice in Magdeburg, Germany. In 1934, Schwarzkopf began her musical studies at the Berlin Hochschule für Musik. n 1933, shortly after the Nazis came to power, Elisabeth Schwarzkopf's father, a local school headmaster, was dismissed from his position by the new ruling authorities for having refused to allow a Nazi party meeting at his school. He was also banned from taking any new teaching post. Until Friedrich Schwarzkopf's dismissal, the probability was that the 17-year-old Elisabeth would have studied medicine after passing her Abitur; but now, as the daughter of a banned schoolteacher, she was not allowed to enter university and – fortunately for posterity – she commenced music studies at the Berlin Hochschule für Musik. In 1942, she was invited to sing with the Vienna State Opera, where her roles included Konstanze in Mozart's Die Entführung aus dem Serail, Musetta and later Mimì in Puccini's La bohème and Violetta in Verdi's La traviata. In 1945, Schwarzkopf was granted Austrian citizenship to enable her to sing in the Vienna State Opera (Wiener Staatsoper). In 1947 and 1948, Schwarzkopf appeared on tour with the Vienna State Opera at London's Royal Opera House at Covent Garden on 16 September 1947 as Donna Elvira in Mozart's Don Giovanni and at La Scala on 28 December 1948, as the Countess in Mozart's The Marriage of Figaro, which became one of her signature roles. In the 1960s, Schwarzkopf concentrated nearly exclusively on five operatic roles: Donna Elvira in Don Giovanni, Countess Almaviva in The Marriage of Figaro, Fiordiligi in Così fan tutte, Countess Madeleine in Strauss's Capriccio, and the Marschallin. She also was well received as Alice Ford in Verdi's Falstaff. However, on the EMI label she made several "champagne operetta" recordings like Franz Lehár's The Merry Widow and Johann Strauss II's The Gypsy Baron. After retiring, Schwarzkopf taught and gave master classes around the world, notably at the Juilliard School in New York City. After living in Switzerland for many years, she took up residence in Austria. She was made a doctor of music by the University of Cambridge in 1976, and became a Dame Commander of the Order of the British Empire (DBE) in 1992... http://en.wikipedia.org/wiki/Elisabeth_Schwarzkopf
Lyrics & English Translation
O Love, give me some remedy
For my sorrow, for my sighs!
Either give me back my darling
Or at least let me die.
A link to this wonderful artists personal website: http://www.allmusic.com/artist/elisabeth-schwarzkopf-mn0000679947/discography
Please Enjoy!
I send my kind and warm regards,
- published: 09 Oct 2014
- views: 20
Elisabeth Schwarzkopf: Franck, 'Panis Angelicus'
Dame Elisabeth Schwarzkopf, DBE (9 December 1915 – 3 August 2006) was a German-born Austrian/British soprano opera singer and recitalist. She was among the most...
Dame Elisabeth Schwarzkopf, DBE (9 December 1915 – 3 August 2006) was a German-born Austrian/British soprano opera singer and recitalist. She was among the most renowned classical singers of the 20th century, much admired for her performances of Mozart, Schubert, Strauss, and Wolf. Olga Maria Elisabeth Friederike Schwarzkopf was born in Jarotschin in the Province of Posen in Prussia (today Poland) to Friedrich Schwarzkopf and his wife, Elisabeth (née Fröhlich). Schwarzkopf showed an interest in music from an early age. She performed in her first opera in 1928, as Eurydice in a school production of Gluck's Orfeo ed Euridice in Magdeburg, Germany. In 1934, Schwarzkopf began her musical studies at the Berlin Hochschule für Musik. n 1933, shortly after the Nazis came to power, Elisabeth Schwarzkopf's father, a local school headmaster, was dismissed from his position by the new ruling authorities for having refused to allow a Nazi party meeting at his school. He was also banned from taking any new teaching post. Until Friedrich Schwarzkopf's dismissal, the probability was that the 17-year-old Elisabeth would have studied medicine after passing her Abitur; but now, as the daughter of a banned schoolteacher, she was not allowed to enter university and – fortunately for posterity – she commenced music studies at the Berlin Hochschule für Musik. In 1942, she was invited to sing with the Vienna State Opera, where her roles included Konstanze in Mozart's Die Entführung aus dem Serail, Musetta and later Mimì in Puccini's La bohème and Violetta in Verdi's La traviata. In 1945, Schwarzkopf was granted Austrian citizenship to enable her to sing in the Vienna State Opera (Wiener Staatsoper). In 1947 and 1948, Schwarzkopf appeared on tour with the Vienna State Opera at London's Royal Opera House at Covent Garden on 16 September 1947 as Donna Elvira in Mozart's Don Giovanni and at La Scala on 28 December 1948, as the Countess in Mozart's The Marriage of Figaro, which became one of her signature roles. In the 1960s, Schwarzkopf concentrated nearly exclusively on five operatic roles: Donna Elvira in Don Giovanni, Countess Almaviva in The Marriage of Figaro, Fiordiligi in Così fan tutte, Countess Madeleine in Strauss's Capriccio, and the Marschallin. She also was well received as Alice Ford in Verdi's Falstaff. However, on the EMI label she made several "champagne operetta" recordings like Franz Lehár's The Merry Widow and Johann Strauss II's The Gypsy Baron. After retiring, Schwarzkopf taught and gave master classes around the world, notably at the Juilliard School in New York City. After living in Switzerland for many years, she took up residence in Austria. She was made a doctor of music by the University of Cambridge in 1976, and became a Dame Commander of the Order of the British Empire (DBE) in 1992... http://en.wikipedia.org/wiki/Elisabeth_Schwarzkopf
Lyrics & English Translation
The angel's bread becomes the bread of men
The heavenly bread ends all symbols
Oh, miraculous thing! The body of the Lord will nourish
The poor, poor, and humble servant
The poor, poor, and humble servant
A link to this wonderful artists personal website: http://www.allmusic.com/artist/elisabeth-schwarzkopf-mn0000679947/discography
Please Enjoy!
I send my kind and warm regards,
wn.com/Elisabeth Schwarzkopf Franck, 'Panis Angelicus'
Dame Elisabeth Schwarzkopf, DBE (9 December 1915 – 3 August 2006) was a German-born Austrian/British soprano opera singer and recitalist. She was among the most renowned classical singers of the 20th century, much admired for her performances of Mozart, Schubert, Strauss, and Wolf. Olga Maria Elisabeth Friederike Schwarzkopf was born in Jarotschin in the Province of Posen in Prussia (today Poland) to Friedrich Schwarzkopf and his wife, Elisabeth (née Fröhlich). Schwarzkopf showed an interest in music from an early age. She performed in her first opera in 1928, as Eurydice in a school production of Gluck's Orfeo ed Euridice in Magdeburg, Germany. In 1934, Schwarzkopf began her musical studies at the Berlin Hochschule für Musik. n 1933, shortly after the Nazis came to power, Elisabeth Schwarzkopf's father, a local school headmaster, was dismissed from his position by the new ruling authorities for having refused to allow a Nazi party meeting at his school. He was also banned from taking any new teaching post. Until Friedrich Schwarzkopf's dismissal, the probability was that the 17-year-old Elisabeth would have studied medicine after passing her Abitur; but now, as the daughter of a banned schoolteacher, she was not allowed to enter university and – fortunately for posterity – she commenced music studies at the Berlin Hochschule für Musik. In 1942, she was invited to sing with the Vienna State Opera, where her roles included Konstanze in Mozart's Die Entführung aus dem Serail, Musetta and later Mimì in Puccini's La bohème and Violetta in Verdi's La traviata. In 1945, Schwarzkopf was granted Austrian citizenship to enable her to sing in the Vienna State Opera (Wiener Staatsoper). In 1947 and 1948, Schwarzkopf appeared on tour with the Vienna State Opera at London's Royal Opera House at Covent Garden on 16 September 1947 as Donna Elvira in Mozart's Don Giovanni and at La Scala on 28 December 1948, as the Countess in Mozart's The Marriage of Figaro, which became one of her signature roles. In the 1960s, Schwarzkopf concentrated nearly exclusively on five operatic roles: Donna Elvira in Don Giovanni, Countess Almaviva in The Marriage of Figaro, Fiordiligi in Così fan tutte, Countess Madeleine in Strauss's Capriccio, and the Marschallin. She also was well received as Alice Ford in Verdi's Falstaff. However, on the EMI label she made several "champagne operetta" recordings like Franz Lehár's The Merry Widow and Johann Strauss II's The Gypsy Baron. After retiring, Schwarzkopf taught and gave master classes around the world, notably at the Juilliard School in New York City. After living in Switzerland for many years, she took up residence in Austria. She was made a doctor of music by the University of Cambridge in 1976, and became a Dame Commander of the Order of the British Empire (DBE) in 1992... http://en.wikipedia.org/wiki/Elisabeth_Schwarzkopf
Lyrics & English Translation
The angel's bread becomes the bread of men
The heavenly bread ends all symbols
Oh, miraculous thing! The body of the Lord will nourish
The poor, poor, and humble servant
The poor, poor, and humble servant
A link to this wonderful artists personal website: http://www.allmusic.com/artist/elisabeth-schwarzkopf-mn0000679947/discography
Please Enjoy!
I send my kind and warm regards,
- published: 09 Oct 2014
- views: 8
Elisabeth Schwarzkopf: Wagner - Tannhäuser, 'Dich, teure Halle'
Dame Elisabeth Schwarzkopf, DBE (9 December 1915 – 3 August 2006) was a German-born Austrian/British soprano opera singer and recitalist. She was among the most...
Dame Elisabeth Schwarzkopf, DBE (9 December 1915 – 3 August 2006) was a German-born Austrian/British soprano opera singer and recitalist. She was among the most renowned classical singers of the 20th century, much admired for her performances of Mozart, Schubert, Strauss, and Wolf. Olga Maria Elisabeth Friederike Schwarzkopf was born in Jarotschin in the Province of Posen in Prussia (today Poland) to Friedrich Schwarzkopf and his wife, Elisabeth (née Fröhlich). Schwarzkopf showed an interest in music from an early age. She performed in her first opera in 1928, as Eurydice in a school production of Gluck's Orfeo ed Euridice in Magdeburg, Germany. In 1934, Schwarzkopf began her musical studies at the Berlin Hochschule für Musik. n 1933, shortly after the Nazis came to power, Elisabeth Schwarzkopf's father, a local school headmaster, was dismissed from his position by the new ruling authorities for having refused to allow a Nazi party meeting at his school. He was also banned from taking any new teaching post. Until Friedrich Schwarzkopf's dismissal, the probability was that the 17-year-old Elisabeth would have studied medicine after passing her Abitur; but now, as the daughter of a banned schoolteacher, she was not allowed to enter university and – fortunately for posterity – she commenced music studies at the Berlin Hochschule für Musik. In 1942, she was invited to sing with the Vienna State Opera, where her roles included Konstanze in Mozart's Die Entführung aus dem Serail, Musetta and later Mimì in Puccini's La bohème and Violetta in Verdi's La traviata. In 1945, Schwarzkopf was granted Austrian citizenship to enable her to sing in the Vienna State Opera (Wiener Staatsoper). In 1947 and 1948, Schwarzkopf appeared on tour with the Vienna State Opera at London's Royal Opera House at Covent Garden on 16 September 1947 as Donna Elvira in Mozart's Don Giovanni and at La Scala on 28 December 1948, as the Countess in Mozart's The Marriage of Figaro, which became one of her signature roles. In the 1960s, Schwarzkopf concentrated nearly exclusively on five operatic roles: Donna Elvira in Don Giovanni, Countess Almaviva in The Marriage of Figaro, Fiordiligi in Così fan tutte, Countess Madeleine in Strauss's Capriccio, and the Marschallin. She also was well received as Alice Ford in Verdi's Falstaff. However, on the EMI label she made several "champagne operetta" recordings like Franz Lehár's The Merry Widow and Johann Strauss II's The Gypsy Baron. After retiring, Schwarzkopf taught and gave master classes around the world, notably at the Juilliard School in New York City. After living in Switzerland for many years, she took up residence in Austria. She was made a doctor of music by the University of Cambridge in 1976, and became a Dame Commander of the Order of the British Empire (DBE) in 1992... http://en.wikipedia.org/wiki/Elisabeth_Schwarzkopf
Lyrics & English Translation
Dear hall, I greet thee once again,
joyfully I greet thee, beloved place!
In thee his songs awake
and waken me from gloomy dreams.
When he departed from thee,
how desolate thou didst appear to me!
Peace forsook me,
joy took leave of thee.
How strongly now my heart is leaping;
to me now thou dost appear exalted and sublime.
He who thus revives both me and thee,
tarries afar no more.
I greet thee!
I greet thee!
Thou precious hall,
receive my greeting!
A link to this wonderful artists personal website: http://www.allmusic.com/artist/elisabeth-schwarzkopf-mn0000679947/discography
Please Enjoy!
I send my kind and warm regards,
wn.com/Elisabeth Schwarzkopf Wagner Tannhäuser, 'Dich, Teure Halle'
Dame Elisabeth Schwarzkopf, DBE (9 December 1915 – 3 August 2006) was a German-born Austrian/British soprano opera singer and recitalist. She was among the most renowned classical singers of the 20th century, much admired for her performances of Mozart, Schubert, Strauss, and Wolf. Olga Maria Elisabeth Friederike Schwarzkopf was born in Jarotschin in the Province of Posen in Prussia (today Poland) to Friedrich Schwarzkopf and his wife, Elisabeth (née Fröhlich). Schwarzkopf showed an interest in music from an early age. She performed in her first opera in 1928, as Eurydice in a school production of Gluck's Orfeo ed Euridice in Magdeburg, Germany. In 1934, Schwarzkopf began her musical studies at the Berlin Hochschule für Musik. n 1933, shortly after the Nazis came to power, Elisabeth Schwarzkopf's father, a local school headmaster, was dismissed from his position by the new ruling authorities for having refused to allow a Nazi party meeting at his school. He was also banned from taking any new teaching post. Until Friedrich Schwarzkopf's dismissal, the probability was that the 17-year-old Elisabeth would have studied medicine after passing her Abitur; but now, as the daughter of a banned schoolteacher, she was not allowed to enter university and – fortunately for posterity – she commenced music studies at the Berlin Hochschule für Musik. In 1942, she was invited to sing with the Vienna State Opera, where her roles included Konstanze in Mozart's Die Entführung aus dem Serail, Musetta and later Mimì in Puccini's La bohème and Violetta in Verdi's La traviata. In 1945, Schwarzkopf was granted Austrian citizenship to enable her to sing in the Vienna State Opera (Wiener Staatsoper). In 1947 and 1948, Schwarzkopf appeared on tour with the Vienna State Opera at London's Royal Opera House at Covent Garden on 16 September 1947 as Donna Elvira in Mozart's Don Giovanni and at La Scala on 28 December 1948, as the Countess in Mozart's The Marriage of Figaro, which became one of her signature roles. In the 1960s, Schwarzkopf concentrated nearly exclusively on five operatic roles: Donna Elvira in Don Giovanni, Countess Almaviva in The Marriage of Figaro, Fiordiligi in Così fan tutte, Countess Madeleine in Strauss's Capriccio, and the Marschallin. She also was well received as Alice Ford in Verdi's Falstaff. However, on the EMI label she made several "champagne operetta" recordings like Franz Lehár's The Merry Widow and Johann Strauss II's The Gypsy Baron. After retiring, Schwarzkopf taught and gave master classes around the world, notably at the Juilliard School in New York City. After living in Switzerland for many years, she took up residence in Austria. She was made a doctor of music by the University of Cambridge in 1976, and became a Dame Commander of the Order of the British Empire (DBE) in 1992... http://en.wikipedia.org/wiki/Elisabeth_Schwarzkopf
Lyrics & English Translation
Dear hall, I greet thee once again,
joyfully I greet thee, beloved place!
In thee his songs awake
and waken me from gloomy dreams.
When he departed from thee,
how desolate thou didst appear to me!
Peace forsook me,
joy took leave of thee.
How strongly now my heart is leaping;
to me now thou dost appear exalted and sublime.
He who thus revives both me and thee,
tarries afar no more.
I greet thee!
I greet thee!
Thou precious hall,
receive my greeting!
A link to this wonderful artists personal website: http://www.allmusic.com/artist/elisabeth-schwarzkopf-mn0000679947/discography
Please Enjoy!
I send my kind and warm regards,
- published: 12 Oct 2014
- views: 8
Elisabeth Schwarzkopf: Lehar - Giuditta, 'Meine Lippen, sie Küssen so Heiss'
Dame Elisabeth Schwarzkopf, DBE (9 December 1915 – 3 August 2006) was a German-born Austrian/British soprano opera singer and recitalist. She was among the most...
Dame Elisabeth Schwarzkopf, DBE (9 December 1915 – 3 August 2006) was a German-born Austrian/British soprano opera singer and recitalist. She was among the most renowned classical singers of the 20th century, much admired for her performances of Mozart, Schubert, Strauss, and Wolf. Olga Maria Elisabeth Friederike Schwarzkopf was born in Jarotschin in the Province of Posen in Prussia (today Poland) to Friedrich Schwarzkopf and his wife, Elisabeth (née Fröhlich). Schwarzkopf showed an interest in music from an early age. She performed in her first opera in 1928, as Eurydice in a school production of Gluck's Orfeo ed Euridice in Magdeburg, Germany. In 1934, Schwarzkopf began her musical studies at the Berlin Hochschule für Musik. n 1933, shortly after the Nazis came to power, Elisabeth Schwarzkopf's father, a local school headmaster, was dismissed from his position by the new ruling authorities for having refused to allow a Nazi party meeting at his school. He was also banned from taking any new teaching post. Until Friedrich Schwarzkopf's dismissal, the probability was that the 17-year-old Elisabeth would have studied medicine after passing her Abitur; but now, as the daughter of a banned schoolteacher, she was not allowed to enter university and – fortunately for posterity – she commenced music studies at the Berlin Hochschule für Musik. In 1942, she was invited to sing with the Vienna State Opera, where her roles included Konstanze in Mozart's Die Entführung aus dem Serail, Musetta and later Mimì in Puccini's La bohème and Violetta in Verdi's La traviata. In 1945, Schwarzkopf was granted Austrian citizenship to enable her to sing in the Vienna State Opera (Wiener Staatsoper). In 1947 and 1948, Schwarzkopf appeared on tour with the Vienna State Opera at London's Royal Opera House at Covent Garden on 16 September 1947 as Donna Elvira in Mozart's Don Giovanni and at La Scala on 28 December 1948, as the Countess in Mozart's The Marriage of Figaro, which became one of her signature roles. In the 1960s, Schwarzkopf concentrated nearly exclusively on five operatic roles: Donna Elvira in Don Giovanni, Countess Almaviva in The Marriage of Figaro, Fiordiligi in Così fan tutte, Countess Madeleine in Strauss's Capriccio, and the Marschallin. She also was well received as Alice Ford in Verdi's Falstaff. However, on the EMI label she made several "champagne operetta" recordings like Franz Lehár's The Merry Widow and Johann Strauss II's The Gypsy Baron. After retiring, Schwarzkopf taught and gave master classes around the world, notably at the Juilliard School in New York City. After living in Switzerland for many years, she took up residence in Austria. She was made a doctor of music by the University of Cambridge in 1976, and became a Dame Commander of the Order of the British Empire (DBE) in 1992... http://en.wikipedia.org/wiki/Elisabeth_Schwarzkopf
Lyrics & English Translation
I don't understand myself,
why they keep talking of love,
if they come near me,
if they look into my eyes and kiss my hand.
I don't understand myself,
Why they talk of magic,
you fight in vain, if you see me
If you pass me by.
But if the red light is on
In the middle of the night
And everybody listens to my song,
Then it is plain to see:
My lips, they give so fiery a kiss,
My limbs, they are supple and white,
It is written for me in the stars:
Thou shalt kiss! Thou shalt love!
My feet, they glide and float,
My eyes, they lure and glow,
And I dance as if entranced, 'cause I know!
My lips give so fiery a kiss!
In my veins
runs a dancer's blood,
Because my beautiful mother
Was the Queen of dance in the gilded Alcazar1.
She was so very beautifull,
I often saw her in my dreams,
If she beat the tamburine, to her beguiling dance
All eyes were glowing admiringly!
She reawakened in me,
mine is the same lot.
I dance like her at midnight
And from deep within I feel:
My lips, they give so fiery a kiss!
A link to this wonderful artists personal website: http://www.allmusic.com/artist/elisabeth-schwarzkopf-mn0000679947/discography
Please Enjoy!
I send my kind and warm regards,
wn.com/Elisabeth Schwarzkopf Lehar Giuditta, 'Meine Lippen, Sie Küssen So Heiss'
Dame Elisabeth Schwarzkopf, DBE (9 December 1915 – 3 August 2006) was a German-born Austrian/British soprano opera singer and recitalist. She was among the most renowned classical singers of the 20th century, much admired for her performances of Mozart, Schubert, Strauss, and Wolf. Olga Maria Elisabeth Friederike Schwarzkopf was born in Jarotschin in the Province of Posen in Prussia (today Poland) to Friedrich Schwarzkopf and his wife, Elisabeth (née Fröhlich). Schwarzkopf showed an interest in music from an early age. She performed in her first opera in 1928, as Eurydice in a school production of Gluck's Orfeo ed Euridice in Magdeburg, Germany. In 1934, Schwarzkopf began her musical studies at the Berlin Hochschule für Musik. n 1933, shortly after the Nazis came to power, Elisabeth Schwarzkopf's father, a local school headmaster, was dismissed from his position by the new ruling authorities for having refused to allow a Nazi party meeting at his school. He was also banned from taking any new teaching post. Until Friedrich Schwarzkopf's dismissal, the probability was that the 17-year-old Elisabeth would have studied medicine after passing her Abitur; but now, as the daughter of a banned schoolteacher, she was not allowed to enter university and – fortunately for posterity – she commenced music studies at the Berlin Hochschule für Musik. In 1942, she was invited to sing with the Vienna State Opera, where her roles included Konstanze in Mozart's Die Entführung aus dem Serail, Musetta and later Mimì in Puccini's La bohème and Violetta in Verdi's La traviata. In 1945, Schwarzkopf was granted Austrian citizenship to enable her to sing in the Vienna State Opera (Wiener Staatsoper). In 1947 and 1948, Schwarzkopf appeared on tour with the Vienna State Opera at London's Royal Opera House at Covent Garden on 16 September 1947 as Donna Elvira in Mozart's Don Giovanni and at La Scala on 28 December 1948, as the Countess in Mozart's The Marriage of Figaro, which became one of her signature roles. In the 1960s, Schwarzkopf concentrated nearly exclusively on five operatic roles: Donna Elvira in Don Giovanni, Countess Almaviva in The Marriage of Figaro, Fiordiligi in Così fan tutte, Countess Madeleine in Strauss's Capriccio, and the Marschallin. She also was well received as Alice Ford in Verdi's Falstaff. However, on the EMI label she made several "champagne operetta" recordings like Franz Lehár's The Merry Widow and Johann Strauss II's The Gypsy Baron. After retiring, Schwarzkopf taught and gave master classes around the world, notably at the Juilliard School in New York City. After living in Switzerland for many years, she took up residence in Austria. She was made a doctor of music by the University of Cambridge in 1976, and became a Dame Commander of the Order of the British Empire (DBE) in 1992... http://en.wikipedia.org/wiki/Elisabeth_Schwarzkopf
Lyrics & English Translation
I don't understand myself,
why they keep talking of love,
if they come near me,
if they look into my eyes and kiss my hand.
I don't understand myself,
Why they talk of magic,
you fight in vain, if you see me
If you pass me by.
But if the red light is on
In the middle of the night
And everybody listens to my song,
Then it is plain to see:
My lips, they give so fiery a kiss,
My limbs, they are supple and white,
It is written for me in the stars:
Thou shalt kiss! Thou shalt love!
My feet, they glide and float,
My eyes, they lure and glow,
And I dance as if entranced, 'cause I know!
My lips give so fiery a kiss!
In my veins
runs a dancer's blood,
Because my beautiful mother
Was the Queen of dance in the gilded Alcazar1.
She was so very beautifull,
I often saw her in my dreams,
If she beat the tamburine, to her beguiling dance
All eyes were glowing admiringly!
She reawakened in me,
mine is the same lot.
I dance like her at midnight
And from deep within I feel:
My lips, they give so fiery a kiss!
A link to this wonderful artists personal website: http://www.allmusic.com/artist/elisabeth-schwarzkopf-mn0000679947/discography
Please Enjoy!
I send my kind and warm regards,
- published: 09 Oct 2014
- views: 6
Elisabeth Schwarzkopf: Strauss Ariadne auf Naxos, 'Es gibt ein Reich, wo alles rein ist'
Dame Elisabeth Schwarzkopf, DBE (9 December 1915 – 3 August 2006) was a German-born Austrian/British soprano opera singer and recitalist. She was among the most...
Dame Elisabeth Schwarzkopf, DBE (9 December 1915 – 3 August 2006) was a German-born Austrian/British soprano opera singer and recitalist. She was among the most renowned classical singers of the 20th century, much admired for her performances of Mozart, Schubert, Strauss, and Wolf. Olga Maria Elisabeth Friederike Schwarzkopf was born in Jarotschin in the Province of Posen in Prussia (today Poland) to Friedrich Schwarzkopf and his wife, Elisabeth (née Fröhlich). Schwarzkopf showed an interest in music from an early age. She performed in her first opera in 1928, as Eurydice in a school production of Gluck's Orfeo ed Euridice in Magdeburg, Germany. In 1934, Schwarzkopf began her musical studies at the Berlin Hochschule für Musik. n 1933, shortly after the Nazis came to power, Elisabeth Schwarzkopf's father, a local school headmaster, was dismissed from his position by the new ruling authorities for having refused to allow a Nazi party meeting at his school. He was also banned from taking any new teaching post. Until Friedrich Schwarzkopf's dismissal, the probability was that the 17-year-old Elisabeth would have studied medicine after passing her Abitur; but now, as the daughter of a banned schoolteacher, she was not allowed to enter university and – fortunately for posterity – she commenced music studies at the Berlin Hochschule für Musik. In 1942, she was invited to sing with the Vienna State Opera, where her roles included Konstanze in Mozart's Die Entführung aus dem Serail, Musetta and later Mimì in Puccini's La bohème and Violetta in Verdi's La traviata. In 1945, Schwarzkopf was granted Austrian citizenship to enable her to sing in the Vienna State Opera (Wiener Staatsoper). In 1947 and 1948, Schwarzkopf appeared on tour with the Vienna State Opera at London's Royal Opera House at Covent Garden on 16 September 1947 as Donna Elvira in Mozart's Don Giovanni and at La Scala on 28 December 1948, as the Countess in Mozart's The Marriage of Figaro, which became one of her signature roles. In the 1960s, Schwarzkopf concentrated nearly exclusively on five operatic roles: Donna Elvira in Don Giovanni, Countess Almaviva in The Marriage of Figaro, Fiordiligi in Così fan tutte, Countess Madeleine in Strauss's Capriccio, and the Marschallin. She also was well received as Alice Ford in Verdi's Falstaff. However, on the EMI label she made several "champagne operetta" recordings like Franz Lehár's The Merry Widow and Johann Strauss II's The Gypsy Baron. After retiring, Schwarzkopf taught and gave master classes around the world, notably at the Juilliard School in New York City. After living in Switzerland for many years, she took up residence in Austria. She was made a doctor of music by the University of Cambridge in 1976, and became a Dame Commander of the Order of the British Empire (DBE) in 1992... http://en.wikipedia.org/wiki/Elisabeth_Schwarzkopf
Lyrics & English Translation
There is a realm
where all things are pure:
It also has a name:
Sheol
. Here nothing is pure!
This place, all came to all.
Soon, however, comes a messenger
Hermes, she called him.
With his staff
He ruled the souls:
souls are like birds,
but like dead leaves,
He pushes them down.
You are beautiful, silent God!
See! Ariadne waits!
Oh, all wild pain
The heart must be cleaned;
Then your face will nod to me
If you step outside my cave,
Darkness is on my eyes
Your hand be upon my heart.
In the beautiful ceremony dresses,
Which my mother gave me,
these limbs will remain,
the silent cave is my grave.
But my soul silently
Followeth her new master,
As a light sheet in the wind
Follows down, follows so much
. You will free me,
I give myself,
This oppressive life
You take it from me
. To you I shall lose myself completely
Ariadne will be with you.
A link to this wonderful artists personal website: http://www.allmusic.com/artist/elisabeth-schwarzkopf-mn0000679947/discography
Please Enjoy!
I send my kind and warm regards,
wn.com/Elisabeth Schwarzkopf Strauss Ariadne Auf Naxos, 'Es Gibt Ein Reich, Wo Alles Rein Ist'
Dame Elisabeth Schwarzkopf, DBE (9 December 1915 – 3 August 2006) was a German-born Austrian/British soprano opera singer and recitalist. She was among the most renowned classical singers of the 20th century, much admired for her performances of Mozart, Schubert, Strauss, and Wolf. Olga Maria Elisabeth Friederike Schwarzkopf was born in Jarotschin in the Province of Posen in Prussia (today Poland) to Friedrich Schwarzkopf and his wife, Elisabeth (née Fröhlich). Schwarzkopf showed an interest in music from an early age. She performed in her first opera in 1928, as Eurydice in a school production of Gluck's Orfeo ed Euridice in Magdeburg, Germany. In 1934, Schwarzkopf began her musical studies at the Berlin Hochschule für Musik. n 1933, shortly after the Nazis came to power, Elisabeth Schwarzkopf's father, a local school headmaster, was dismissed from his position by the new ruling authorities for having refused to allow a Nazi party meeting at his school. He was also banned from taking any new teaching post. Until Friedrich Schwarzkopf's dismissal, the probability was that the 17-year-old Elisabeth would have studied medicine after passing her Abitur; but now, as the daughter of a banned schoolteacher, she was not allowed to enter university and – fortunately for posterity – she commenced music studies at the Berlin Hochschule für Musik. In 1942, she was invited to sing with the Vienna State Opera, where her roles included Konstanze in Mozart's Die Entführung aus dem Serail, Musetta and later Mimì in Puccini's La bohème and Violetta in Verdi's La traviata. In 1945, Schwarzkopf was granted Austrian citizenship to enable her to sing in the Vienna State Opera (Wiener Staatsoper). In 1947 and 1948, Schwarzkopf appeared on tour with the Vienna State Opera at London's Royal Opera House at Covent Garden on 16 September 1947 as Donna Elvira in Mozart's Don Giovanni and at La Scala on 28 December 1948, as the Countess in Mozart's The Marriage of Figaro, which became one of her signature roles. In the 1960s, Schwarzkopf concentrated nearly exclusively on five operatic roles: Donna Elvira in Don Giovanni, Countess Almaviva in The Marriage of Figaro, Fiordiligi in Così fan tutte, Countess Madeleine in Strauss's Capriccio, and the Marschallin. She also was well received as Alice Ford in Verdi's Falstaff. However, on the EMI label she made several "champagne operetta" recordings like Franz Lehár's The Merry Widow and Johann Strauss II's The Gypsy Baron. After retiring, Schwarzkopf taught and gave master classes around the world, notably at the Juilliard School in New York City. After living in Switzerland for many years, she took up residence in Austria. She was made a doctor of music by the University of Cambridge in 1976, and became a Dame Commander of the Order of the British Empire (DBE) in 1992... http://en.wikipedia.org/wiki/Elisabeth_Schwarzkopf
Lyrics & English Translation
There is a realm
where all things are pure:
It also has a name:
Sheol
. Here nothing is pure!
This place, all came to all.
Soon, however, comes a messenger
Hermes, she called him.
With his staff
He ruled the souls:
souls are like birds,
but like dead leaves,
He pushes them down.
You are beautiful, silent God!
See! Ariadne waits!
Oh, all wild pain
The heart must be cleaned;
Then your face will nod to me
If you step outside my cave,
Darkness is on my eyes
Your hand be upon my heart.
In the beautiful ceremony dresses,
Which my mother gave me,
these limbs will remain,
the silent cave is my grave.
But my soul silently
Followeth her new master,
As a light sheet in the wind
Follows down, follows so much
. You will free me,
I give myself,
This oppressive life
You take it from me
. To you I shall lose myself completely
Ariadne will be with you.
A link to this wonderful artists personal website: http://www.allmusic.com/artist/elisabeth-schwarzkopf-mn0000679947/discography
Please Enjoy!
I send my kind and warm regards,
- published: 12 Oct 2014
- views: 4
Elisabeth Schwarzkopf: Bach, 'Bist du bei mir' BWV 508
Dame Elisabeth Schwarzkopf, DBE (9 December 1915 – 3 August 2006) was a German-born Austrian/British soprano opera singer and recitalist. She was among the most...
Dame Elisabeth Schwarzkopf, DBE (9 December 1915 – 3 August 2006) was a German-born Austrian/British soprano opera singer and recitalist. She was among the most renowned classical singers of the 20th century, much admired for her performances of Mozart, Schubert, Strauss, and Wolf. Olga Maria Elisabeth Friederike Schwarzkopf was born in Jarotschin in the Province of Posen in Prussia (today Poland) to Friedrich Schwarzkopf and his wife, Elisabeth (née Fröhlich). Schwarzkopf showed an interest in music from an early age. She performed in her first opera in 1928, as Eurydice in a school production of Gluck's Orfeo ed Euridice in Magdeburg, Germany. In 1934, Schwarzkopf began her musical studies at the Berlin Hochschule für Musik. n 1933, shortly after the Nazis came to power, Elisabeth Schwarzkopf's father, a local school headmaster, was dismissed from his position by the new ruling authorities for having refused to allow a Nazi party meeting at his school. He was also banned from taking any new teaching post. Until Friedrich Schwarzkopf's dismissal, the probability was that the 17-year-old Elisabeth would have studied medicine after passing her Abitur; but now, as the daughter of a banned schoolteacher, she was not allowed to enter university and – fortunately for posterity – she commenced music studies at the Berlin Hochschule für Musik. In 1942, she was invited to sing with the Vienna State Opera, where her roles included Konstanze in Mozart's Die Entführung aus dem Serail, Musetta and later Mimì in Puccini's La bohème and Violetta in Verdi's La traviata. In 1945, Schwarzkopf was granted Austrian citizenship to enable her to sing in the Vienna State Opera (Wiener Staatsoper). In 1947 and 1948, Schwarzkopf appeared on tour with the Vienna State Opera at London's Royal Opera House at Covent Garden on 16 September 1947 as Donna Elvira in Mozart's Don Giovanni and at La Scala on 28 December 1948, as the Countess in Mozart's The Marriage of Figaro, which became one of her signature roles. In the 1960s, Schwarzkopf concentrated nearly exclusively on five operatic roles: Donna Elvira in Don Giovanni, Countess Almaviva in The Marriage of Figaro, Fiordiligi in Così fan tutte, Countess Madeleine in Strauss's Capriccio, and the Marschallin. She also was well received as Alice Ford in Verdi's Falstaff. However, on the EMI label she made several "champagne operetta" recordings like Franz Lehár's The Merry Widow and Johann Strauss II's The Gypsy Baron. After retiring, Schwarzkopf taught and gave master classes around the world, notably at the Juilliard School in New York City. After living in Switzerland for many years, she took up residence in Austria. She was made a doctor of music by the University of Cambridge in 1976, and became a Dame Commander of the Order of the British Empire (DBE) in 1992... http://en.wikipedia.org/wiki/Elisabeth_Schwarzkopf
Lyrics & English Translation
When thou art near, I go with joy
To death and to my rest.
O how pleasant would my end be,
If your fair hands
Would close my faithful eyes.
A link to this wonderful artists personal website: http://www.allmusic.com/artist/elisabeth-schwarzkopf-mn0000679947/discography
Please Enjoy!
I send my kind and warm regards,
wn.com/Elisabeth Schwarzkopf Bach, 'Bist Du Bei Mir' Bwv 508
Dame Elisabeth Schwarzkopf, DBE (9 December 1915 – 3 August 2006) was a German-born Austrian/British soprano opera singer and recitalist. She was among the most renowned classical singers of the 20th century, much admired for her performances of Mozart, Schubert, Strauss, and Wolf. Olga Maria Elisabeth Friederike Schwarzkopf was born in Jarotschin in the Province of Posen in Prussia (today Poland) to Friedrich Schwarzkopf and his wife, Elisabeth (née Fröhlich). Schwarzkopf showed an interest in music from an early age. She performed in her first opera in 1928, as Eurydice in a school production of Gluck's Orfeo ed Euridice in Magdeburg, Germany. In 1934, Schwarzkopf began her musical studies at the Berlin Hochschule für Musik. n 1933, shortly after the Nazis came to power, Elisabeth Schwarzkopf's father, a local school headmaster, was dismissed from his position by the new ruling authorities for having refused to allow a Nazi party meeting at his school. He was also banned from taking any new teaching post. Until Friedrich Schwarzkopf's dismissal, the probability was that the 17-year-old Elisabeth would have studied medicine after passing her Abitur; but now, as the daughter of a banned schoolteacher, she was not allowed to enter university and – fortunately for posterity – she commenced music studies at the Berlin Hochschule für Musik. In 1942, she was invited to sing with the Vienna State Opera, where her roles included Konstanze in Mozart's Die Entführung aus dem Serail, Musetta and later Mimì in Puccini's La bohème and Violetta in Verdi's La traviata. In 1945, Schwarzkopf was granted Austrian citizenship to enable her to sing in the Vienna State Opera (Wiener Staatsoper). In 1947 and 1948, Schwarzkopf appeared on tour with the Vienna State Opera at London's Royal Opera House at Covent Garden on 16 September 1947 as Donna Elvira in Mozart's Don Giovanni and at La Scala on 28 December 1948, as the Countess in Mozart's The Marriage of Figaro, which became one of her signature roles. In the 1960s, Schwarzkopf concentrated nearly exclusively on five operatic roles: Donna Elvira in Don Giovanni, Countess Almaviva in The Marriage of Figaro, Fiordiligi in Così fan tutte, Countess Madeleine in Strauss's Capriccio, and the Marschallin. She also was well received as Alice Ford in Verdi's Falstaff. However, on the EMI label she made several "champagne operetta" recordings like Franz Lehár's The Merry Widow and Johann Strauss II's The Gypsy Baron. After retiring, Schwarzkopf taught and gave master classes around the world, notably at the Juilliard School in New York City. After living in Switzerland for many years, she took up residence in Austria. She was made a doctor of music by the University of Cambridge in 1976, and became a Dame Commander of the Order of the British Empire (DBE) in 1992... http://en.wikipedia.org/wiki/Elisabeth_Schwarzkopf
Lyrics & English Translation
When thou art near, I go with joy
To death and to my rest.
O how pleasant would my end be,
If your fair hands
Would close my faithful eyes.
A link to this wonderful artists personal website: http://www.allmusic.com/artist/elisabeth-schwarzkopf-mn0000679947/discography
Please Enjoy!
I send my kind and warm regards,
- published: 11 Oct 2014
- views: 13
Poland: PKP Passenger trains at Krotoszyn station (SU45 diesel and graffiti covered EN57 EMU)
Poland: PKP Passenger trains at Krotoszyn station. An SU45 diesel locomotive departs on the 1530 from Ostrow to Leszno with double-deck stock whilst a graffiti...
Poland: PKP Passenger trains at Krotoszyn station. An SU45 diesel locomotive departs on the 1530 from Ostrow to Leszno with double-deck stock whilst a graffiti covered EN57 EMU awaits it's next departure. Recorded 20th May 2003.
-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+
Krotoszyn (German: Krotoschin) is a town in central Poland with 30,010 inhabitants as of 2005. It has been part of the Greater Poland Voivodeship since 1999; it was within Kalisz Voivodeship from 1975 to 1998.
In the German era, this town was in the Prussian province of Posen. The dominant trade is in grain and seeds, and the headquarters of the Polish branch of Mahle GmbH is located there. The castle of Krotoszyn was the centre of a mediatized principality formed in 1819 out of the holdings of the Prussian crown and granted to the prince of Thurn und Taxis in compensation for his relinquishing control over the Prussian postal system.
-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+
More FrontCompVidsclips are regularly added to so don't forget to Like and Subscribe!
Click http://www.youtube.com/user/FrontCompVids/videos for more details :-)
wn.com/Poland Pkp Passenger Trains At Krotoszyn Station (Su45 Diesel And Graffiti Covered En57 Emu)
Poland: PKP Passenger trains at Krotoszyn station. An SU45 diesel locomotive departs on the 1530 from Ostrow to Leszno with double-deck stock whilst a graffiti covered EN57 EMU awaits it's next departure. Recorded 20th May 2003.
-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+
Krotoszyn (German: Krotoschin) is a town in central Poland with 30,010 inhabitants as of 2005. It has been part of the Greater Poland Voivodeship since 1999; it was within Kalisz Voivodeship from 1975 to 1998.
In the German era, this town was in the Prussian province of Posen. The dominant trade is in grain and seeds, and the headquarters of the Polish branch of Mahle GmbH is located there. The castle of Krotoszyn was the centre of a mediatized principality formed in 1819 out of the holdings of the Prussian crown and granted to the prince of Thurn und Taxis in compensation for his relinquishing control over the Prussian postal system.
-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+
More FrontCompVidsclips are regularly added to so don't forget to Like and Subscribe!
Click http://www.youtube.com/user/FrontCompVids/videos for more details :-)
- published: 17 Mar 2013
- views: 1273
Elisabeth Schwarzkopf: Wagner - Lohengrin, 'Elsa's Dream'
Dame Elisabeth Schwarzkopf, DBE (9 December 1915 – 3 August 2006) was a German-born Austrian/British soprano opera singer and recitalist. She was among the most...
Dame Elisabeth Schwarzkopf, DBE (9 December 1915 – 3 August 2006) was a German-born Austrian/British soprano opera singer and recitalist. She was among the most renowned classical singers of the 20th century, much admired for her performances of Mozart, Schubert, Strauss, and Wolf. Olga Maria Elisabeth Friederike Schwarzkopf was born in Jarotschin in the Province of Posen in Prussia (today Poland) to Friedrich Schwarzkopf and his wife, Elisabeth (née Fröhlich). Schwarzkopf showed an interest in music from an early age. She performed in her first opera in 1928, as Eurydice in a school production of Gluck's Orfeo ed Euridice in Magdeburg, Germany. In 1934, Schwarzkopf began her musical studies at the Berlin Hochschule für Musik. n 1933, shortly after the Nazis came to power, Elisabeth Schwarzkopf's father, a local school headmaster, was dismissed from his position by the new ruling authorities for having refused to allow a Nazi party meeting at his school. He was also banned from taking any new teaching post. Until Friedrich Schwarzkopf's dismissal, the probability was that the 17-year-old Elisabeth would have studied medicine after passing her Abitur; but now, as the daughter of a banned schoolteacher, she was not allowed to enter university and – fortunately for posterity – she commenced music studies at the Berlin Hochschule für Musik. In 1942, she was invited to sing with the Vienna State Opera, where her roles included Konstanze in Mozart's Die Entführung aus dem Serail, Musetta and later Mimì in Puccini's La bohème and Violetta in Verdi's La traviata. In 1945, Schwarzkopf was granted Austrian citizenship to enable her to sing in the Vienna State Opera (Wiener Staatsoper). In 1947 and 1948, Schwarzkopf appeared on tour with the Vienna State Opera at London's Royal Opera House at Covent Garden on 16 September 1947 as Donna Elvira in Mozart's Don Giovanni and at La Scala on 28 December 1948, as the Countess in Mozart's The Marriage of Figaro, which became one of her signature roles. In the 1960s, Schwarzkopf concentrated nearly exclusively on five operatic roles: Donna Elvira in Don Giovanni, Countess Almaviva in The Marriage of Figaro, Fiordiligi in Così fan tutte, Countess Madeleine in Strauss's Capriccio, and the Marschallin. She also was well received as Alice Ford in Verdi's Falstaff. However, on the EMI label she made several "champagne operetta" recordings like Franz Lehár's The Merry Widow and Johann Strauss II's The Gypsy Baron. After retiring, Schwarzkopf taught and gave master classes around the world, notably at the Juilliard School in New York City. After living in Switzerland for many years, she took up residence in Austria. She was made a doctor of music by the University of Cambridge in 1976, and became a Dame Commander of the Order of the British Empire (DBE) in 1992... http://en.wikipedia.org/wiki/Elisabeth_Schwarzkopf
Lyrics & English Translation
Lonely, in troubled days
I looked toward the heavens,
my most heartfelt grief
I poured out my longings.
And from my groans
there issued a plaintive sound
that grew into a mighteous roar
as it echoed through the skies:
I listened as it receded into the distance
until my ear could scarce hear it;
my eyes closed
and I fell into a deep sleep.
In splendid, shining armour
a knight approached,
a man of such pure virtue
as I had never seen before:
a golden horn at his side,
leaning on a sword -
thus he appeared to me
from nowhere, this warrior true;
with kindly gestures
he gave me comfort;
I will wait for the knight,
he shall be my champion!
A link to this wonderful artists personal website: http://www.allmusic.com/artist/elisabeth-schwarzkopf-mn0000679947/discography
Please Enjoy!
I send my kind and warm regards,
wn.com/Elisabeth Schwarzkopf Wagner Lohengrin, 'Elsa's Dream'
Dame Elisabeth Schwarzkopf, DBE (9 December 1915 – 3 August 2006) was a German-born Austrian/British soprano opera singer and recitalist. She was among the most renowned classical singers of the 20th century, much admired for her performances of Mozart, Schubert, Strauss, and Wolf. Olga Maria Elisabeth Friederike Schwarzkopf was born in Jarotschin in the Province of Posen in Prussia (today Poland) to Friedrich Schwarzkopf and his wife, Elisabeth (née Fröhlich). Schwarzkopf showed an interest in music from an early age. She performed in her first opera in 1928, as Eurydice in a school production of Gluck's Orfeo ed Euridice in Magdeburg, Germany. In 1934, Schwarzkopf began her musical studies at the Berlin Hochschule für Musik. n 1933, shortly after the Nazis came to power, Elisabeth Schwarzkopf's father, a local school headmaster, was dismissed from his position by the new ruling authorities for having refused to allow a Nazi party meeting at his school. He was also banned from taking any new teaching post. Until Friedrich Schwarzkopf's dismissal, the probability was that the 17-year-old Elisabeth would have studied medicine after passing her Abitur; but now, as the daughter of a banned schoolteacher, she was not allowed to enter university and – fortunately for posterity – she commenced music studies at the Berlin Hochschule für Musik. In 1942, she was invited to sing with the Vienna State Opera, where her roles included Konstanze in Mozart's Die Entführung aus dem Serail, Musetta and later Mimì in Puccini's La bohème and Violetta in Verdi's La traviata. In 1945, Schwarzkopf was granted Austrian citizenship to enable her to sing in the Vienna State Opera (Wiener Staatsoper). In 1947 and 1948, Schwarzkopf appeared on tour with the Vienna State Opera at London's Royal Opera House at Covent Garden on 16 September 1947 as Donna Elvira in Mozart's Don Giovanni and at La Scala on 28 December 1948, as the Countess in Mozart's The Marriage of Figaro, which became one of her signature roles. In the 1960s, Schwarzkopf concentrated nearly exclusively on five operatic roles: Donna Elvira in Don Giovanni, Countess Almaviva in The Marriage of Figaro, Fiordiligi in Così fan tutte, Countess Madeleine in Strauss's Capriccio, and the Marschallin. She also was well received as Alice Ford in Verdi's Falstaff. However, on the EMI label she made several "champagne operetta" recordings like Franz Lehár's The Merry Widow and Johann Strauss II's The Gypsy Baron. After retiring, Schwarzkopf taught and gave master classes around the world, notably at the Juilliard School in New York City. After living in Switzerland for many years, she took up residence in Austria. She was made a doctor of music by the University of Cambridge in 1976, and became a Dame Commander of the Order of the British Empire (DBE) in 1992... http://en.wikipedia.org/wiki/Elisabeth_Schwarzkopf
Lyrics & English Translation
Lonely, in troubled days
I looked toward the heavens,
my most heartfelt grief
I poured out my longings.
And from my groans
there issued a plaintive sound
that grew into a mighteous roar
as it echoed through the skies:
I listened as it receded into the distance
until my ear could scarce hear it;
my eyes closed
and I fell into a deep sleep.
In splendid, shining armour
a knight approached,
a man of such pure virtue
as I had never seen before:
a golden horn at his side,
leaning on a sword -
thus he appeared to me
from nowhere, this warrior true;
with kindly gestures
he gave me comfort;
I will wait for the knight,
he shall be my champion!
A link to this wonderful artists personal website: http://www.allmusic.com/artist/elisabeth-schwarzkopf-mn0000679947/discography
Please Enjoy!
I send my kind and warm regards,
- published: 12 Oct 2014
- views: 11
Elisabeth Schwarzkopf: Martini, 'Plaisir d'amour'
Dame Elisabeth Schwarzkopf, DBE (9 December 1915 – 3 August 2006) was a German-born Austrian/British soprano opera singer and recitalist. She was among the most...
Dame Elisabeth Schwarzkopf, DBE (9 December 1915 – 3 August 2006) was a German-born Austrian/British soprano opera singer and recitalist. She was among the most renowned classical singers of the 20th century, much admired for her performances of Mozart, Schubert, Strauss, and Wolf. Olga Maria Elisabeth Friederike Schwarzkopf was born in Jarotschin in the Province of Posen in Prussia (today Poland) to Friedrich Schwarzkopf and his wife, Elisabeth (née Fröhlich). Schwarzkopf showed an interest in music from an early age. She performed in her first opera in 1928, as Eurydice in a school production of Gluck's Orfeo ed Euridice in Magdeburg, Germany. In 1934, Schwarzkopf began her musical studies at the Berlin Hochschule für Musik. n 1933, shortly after the Nazis came to power, Elisabeth Schwarzkopf's father, a local school headmaster, was dismissed from his position by the new ruling authorities for having refused to allow a Nazi party meeting at his school. He was also banned from taking any new teaching post. Until Friedrich Schwarzkopf's dismissal, the probability was that the 17-year-old Elisabeth would have studied medicine after passing her Abitur; but now, as the daughter of a banned schoolteacher, she was not allowed to enter university and – fortunately for posterity – she commenced music studies at the Berlin Hochschule für Musik. In 1942, she was invited to sing with the Vienna State Opera, where her roles included Konstanze in Mozart's Die Entführung aus dem Serail, Musetta and later Mimì in Puccini's La bohème and Violetta in Verdi's La traviata. In 1945, Schwarzkopf was granted Austrian citizenship to enable her to sing in the Vienna State Opera (Wiener Staatsoper). In 1947 and 1948, Schwarzkopf appeared on tour with the Vienna State Opera at London's Royal Opera House at Covent Garden on 16 September 1947 as Donna Elvira in Mozart's Don Giovanni and at La Scala on 28 December 1948, as the Countess in Mozart's The Marriage of Figaro, which became one of her signature roles. In the 1960s, Schwarzkopf concentrated nearly exclusively on five operatic roles: Donna Elvira in Don Giovanni, Countess Almaviva in The Marriage of Figaro, Fiordiligi in Così fan tutte, Countess Madeleine in Strauss's Capriccio, and the Marschallin. She also was well received as Alice Ford in Verdi's Falstaff. However, on the EMI label she made several "champagne operetta" recordings like Franz Lehár's The Merry Widow and Johann Strauss II's The Gypsy Baron. After retiring, Schwarzkopf taught and gave master classes around the world, notably at the Juilliard School in New York City. After living in Switzerland for many years, she took up residence in Austria. She was made a doctor of music by the University of Cambridge in 1976, and became a Dame Commander of the Order of the British Empire (DBE) in 1992... http://en.wikipedia.org/wiki/Elisabeth_Schwarzkopf
Lyrics & English Translation
The pleasure of love lasts only a moment
The grief of love lasts a lifetime.
I gave up everything for ungrateful Sylvia,
She is leaving me for another lover.
The pleasure of love lasts only a moment,
The grief of love lasts a lifetime.
"As long as this water will run gently
Towards this brook which borders the meadow,
I will love you", Sylvia told me repeatedly.
The water still runs, but she has changed.
The pleasure of love lasts only a moment,
The grief of love lasts a lifetime.
A link to this wonderful artists personal website: http://www.allmusic.com/artist/elisabeth-schwarzkopf-mn0000679947/discography
Please Enjoy!
I send my kind and warm regards,
wn.com/Elisabeth Schwarzkopf Martini, 'Plaisir D'amour'
Dame Elisabeth Schwarzkopf, DBE (9 December 1915 – 3 August 2006) was a German-born Austrian/British soprano opera singer and recitalist. She was among the most renowned classical singers of the 20th century, much admired for her performances of Mozart, Schubert, Strauss, and Wolf. Olga Maria Elisabeth Friederike Schwarzkopf was born in Jarotschin in the Province of Posen in Prussia (today Poland) to Friedrich Schwarzkopf and his wife, Elisabeth (née Fröhlich). Schwarzkopf showed an interest in music from an early age. She performed in her first opera in 1928, as Eurydice in a school production of Gluck's Orfeo ed Euridice in Magdeburg, Germany. In 1934, Schwarzkopf began her musical studies at the Berlin Hochschule für Musik. n 1933, shortly after the Nazis came to power, Elisabeth Schwarzkopf's father, a local school headmaster, was dismissed from his position by the new ruling authorities for having refused to allow a Nazi party meeting at his school. He was also banned from taking any new teaching post. Until Friedrich Schwarzkopf's dismissal, the probability was that the 17-year-old Elisabeth would have studied medicine after passing her Abitur; but now, as the daughter of a banned schoolteacher, she was not allowed to enter university and – fortunately for posterity – she commenced music studies at the Berlin Hochschule für Musik. In 1942, she was invited to sing with the Vienna State Opera, where her roles included Konstanze in Mozart's Die Entführung aus dem Serail, Musetta and later Mimì in Puccini's La bohème and Violetta in Verdi's La traviata. In 1945, Schwarzkopf was granted Austrian citizenship to enable her to sing in the Vienna State Opera (Wiener Staatsoper). In 1947 and 1948, Schwarzkopf appeared on tour with the Vienna State Opera at London's Royal Opera House at Covent Garden on 16 September 1947 as Donna Elvira in Mozart's Don Giovanni and at La Scala on 28 December 1948, as the Countess in Mozart's The Marriage of Figaro, which became one of her signature roles. In the 1960s, Schwarzkopf concentrated nearly exclusively on five operatic roles: Donna Elvira in Don Giovanni, Countess Almaviva in The Marriage of Figaro, Fiordiligi in Così fan tutte, Countess Madeleine in Strauss's Capriccio, and the Marschallin. She also was well received as Alice Ford in Verdi's Falstaff. However, on the EMI label she made several "champagne operetta" recordings like Franz Lehár's The Merry Widow and Johann Strauss II's The Gypsy Baron. After retiring, Schwarzkopf taught and gave master classes around the world, notably at the Juilliard School in New York City. After living in Switzerland for many years, she took up residence in Austria. She was made a doctor of music by the University of Cambridge in 1976, and became a Dame Commander of the Order of the British Empire (DBE) in 1992... http://en.wikipedia.org/wiki/Elisabeth_Schwarzkopf
Lyrics & English Translation
The pleasure of love lasts only a moment
The grief of love lasts a lifetime.
I gave up everything for ungrateful Sylvia,
She is leaving me for another lover.
The pleasure of love lasts only a moment,
The grief of love lasts a lifetime.
"As long as this water will run gently
Towards this brook which borders the meadow,
I will love you", Sylvia told me repeatedly.
The water still runs, but she has changed.
The pleasure of love lasts only a moment,
The grief of love lasts a lifetime.
A link to this wonderful artists personal website: http://www.allmusic.com/artist/elisabeth-schwarzkopf-mn0000679947/discography
Please Enjoy!
I send my kind and warm regards,
- published: 09 Oct 2014
- views: 139
Elisabeth Schwarzkopf: Humperdinck - Hänsel und Gretel, 'Brüderchen, komm tanz mit mir'
Dame Elisabeth Schwarzkopf, DBE (9 December 1915 – 3 August 2006) was a German-born Austrian/British soprano opera singer and recitalist. She was among the most...
Dame Elisabeth Schwarzkopf, DBE (9 December 1915 – 3 August 2006) was a German-born Austrian/British soprano opera singer and recitalist. She was among the most renowned classical singers of the 20th century, much admired for her performances of Mozart, Schubert, Strauss, and Wolf. Olga Maria Elisabeth Friederike Schwarzkopf was born in Jarotschin in the Province of Posen in Prussia (today Poland) to Friedrich Schwarzkopf and his wife, Elisabeth (née Fröhlich). Schwarzkopf showed an interest in music from an early age. She performed in her first opera in 1928, as Eurydice in a school production of Gluck's Orfeo ed Euridice in Magdeburg, Germany. In 1934, Schwarzkopf began her musical studies at the Berlin Hochschule für Musik. n 1933, shortly after the Nazis came to power, Elisabeth Schwarzkopf's father, a local school headmaster, was dismissed from his position by the new ruling authorities for having refused to allow a Nazi party meeting at his school. He was also banned from taking any new teaching post. Until Friedrich Schwarzkopf's dismissal, the probability was that the 17-year-old Elisabeth would have studied medicine after passing her Abitur; but now, as the daughter of a banned schoolteacher, she was not allowed to enter university and – fortunately for posterity – she commenced music studies at the Berlin Hochschule für Musik. In 1942, she was invited to sing with the Vienna State Opera, where her roles included Konstanze in Mozart's Die Entführung aus dem Serail, Musetta and later Mimì in Puccini's La bohème and Violetta in Verdi's La traviata. In 1945, Schwarzkopf was granted Austrian citizenship to enable her to sing in the Vienna State Opera (Wiener Staatsoper). In 1947 and 1948, Schwarzkopf appeared on tour with the Vienna State Opera at London's Royal Opera House at Covent Garden on 16 September 1947 as Donna Elvira in Mozart's Don Giovanni and at La Scala on 28 December 1948, as the Countess in Mozart's The Marriage of Figaro, which became one of her signature roles. In the 1960s, Schwarzkopf concentrated nearly exclusively on five operatic roles: Donna Elvira in Don Giovanni, Countess Almaviva in The Marriage of Figaro, Fiordiligi in Così fan tutte, Countess Madeleine in Strauss's Capriccio, and the Marschallin. She also was well received as Alice Ford in Verdi's Falstaff. However, on the EMI label she made several "champagne operetta" recordings like Franz Lehár's The Merry Widow and Johann Strauss II's The Gypsy Baron. After retiring, Schwarzkopf taught and gave master classes around the world, notably at the Juilliard School in New York City. After living in Switzerland for many years, she took up residence in Austria. She was made a doctor of music by the University of Cambridge in 1976, and became a Dame Commander of the Order of the British Empire (DBE) in 1992... http://en.wikipedia.org/wiki/Elisabeth_Schwarzkopf
Lyrics & English Translation
Little brother, dance with me.
Take both my hands
Once this way, once that way
Round and round it's not hard.
With your hands, you clap, clap, clap,
With your feet, you tap, tap, tap
Once this way, once that way
Round and round it's not hard.
With your head, you nod, nod, nod
With your fingers, you click, click, click.
Once this way, once that way
Round and round it's not hard.
Oh, you did that really well
Oh, I wouldn't have guessed!
Once this way, once that way
Round and round it's not hard.
A link to this wonderful artists personal website: http://www.allmusic.com/artist/elisabeth-schwarzkopf-mn0000679947/discography
Please Enjoy!
I send my kind and warm regards,
wn.com/Elisabeth Schwarzkopf Humperdinck Hänsel Und Gretel, 'Brüderchen, Komm Tanz Mit Mir'
Dame Elisabeth Schwarzkopf, DBE (9 December 1915 – 3 August 2006) was a German-born Austrian/British soprano opera singer and recitalist. She was among the most renowned classical singers of the 20th century, much admired for her performances of Mozart, Schubert, Strauss, and Wolf. Olga Maria Elisabeth Friederike Schwarzkopf was born in Jarotschin in the Province of Posen in Prussia (today Poland) to Friedrich Schwarzkopf and his wife, Elisabeth (née Fröhlich). Schwarzkopf showed an interest in music from an early age. She performed in her first opera in 1928, as Eurydice in a school production of Gluck's Orfeo ed Euridice in Magdeburg, Germany. In 1934, Schwarzkopf began her musical studies at the Berlin Hochschule für Musik. n 1933, shortly after the Nazis came to power, Elisabeth Schwarzkopf's father, a local school headmaster, was dismissed from his position by the new ruling authorities for having refused to allow a Nazi party meeting at his school. He was also banned from taking any new teaching post. Until Friedrich Schwarzkopf's dismissal, the probability was that the 17-year-old Elisabeth would have studied medicine after passing her Abitur; but now, as the daughter of a banned schoolteacher, she was not allowed to enter university and – fortunately for posterity – she commenced music studies at the Berlin Hochschule für Musik. In 1942, she was invited to sing with the Vienna State Opera, where her roles included Konstanze in Mozart's Die Entführung aus dem Serail, Musetta and later Mimì in Puccini's La bohème and Violetta in Verdi's La traviata. In 1945, Schwarzkopf was granted Austrian citizenship to enable her to sing in the Vienna State Opera (Wiener Staatsoper). In 1947 and 1948, Schwarzkopf appeared on tour with the Vienna State Opera at London's Royal Opera House at Covent Garden on 16 September 1947 as Donna Elvira in Mozart's Don Giovanni and at La Scala on 28 December 1948, as the Countess in Mozart's The Marriage of Figaro, which became one of her signature roles. In the 1960s, Schwarzkopf concentrated nearly exclusively on five operatic roles: Donna Elvira in Don Giovanni, Countess Almaviva in The Marriage of Figaro, Fiordiligi in Così fan tutte, Countess Madeleine in Strauss's Capriccio, and the Marschallin. She also was well received as Alice Ford in Verdi's Falstaff. However, on the EMI label she made several "champagne operetta" recordings like Franz Lehár's The Merry Widow and Johann Strauss II's The Gypsy Baron. After retiring, Schwarzkopf taught and gave master classes around the world, notably at the Juilliard School in New York City. After living in Switzerland for many years, she took up residence in Austria. She was made a doctor of music by the University of Cambridge in 1976, and became a Dame Commander of the Order of the British Empire (DBE) in 1992... http://en.wikipedia.org/wiki/Elisabeth_Schwarzkopf
Lyrics & English Translation
Little brother, dance with me.
Take both my hands
Once this way, once that way
Round and round it's not hard.
With your hands, you clap, clap, clap,
With your feet, you tap, tap, tap
Once this way, once that way
Round and round it's not hard.
With your head, you nod, nod, nod
With your fingers, you click, click, click.
Once this way, once that way
Round and round it's not hard.
Oh, you did that really well
Oh, I wouldn't have guessed!
Once this way, once that way
Round and round it's not hard.
A link to this wonderful artists personal website: http://www.allmusic.com/artist/elisabeth-schwarzkopf-mn0000679947/discography
Please Enjoy!
I send my kind and warm regards,
- published: 09 Oct 2014
- views: 4
Elisabeth Schwarzkopf: Strauss - Der Rosenkavaler, 'Da geht er hin, der aufgeblas'ne schlechte Kerl'
Dame Elisabeth Schwarzkopf, DBE (9 December 1915 – 3 August 2006) was a German-born Austrian/British soprano opera singer and recitalist. She was among the most...
Dame Elisabeth Schwarzkopf, DBE (9 December 1915 – 3 August 2006) was a German-born Austrian/British soprano opera singer and recitalist. She was among the most renowned classical singers of the 20th century, much admired for her performances of Mozart, Schubert, Strauss, and Wolf. Olga Maria Elisabeth Friederike Schwarzkopf was born in Jarotschin in the Province of Posen in Prussia (today Poland) to Friedrich Schwarzkopf and his wife, Elisabeth (née Fröhlich). Schwarzkopf showed an interest in music from an early age. She performed in her first opera in 1928, as Eurydice in a school production of Gluck's Orfeo ed Euridice in Magdeburg, Germany. In 1934, Schwarzkopf began her musical studies at the Berlin Hochschule für Musik. n 1933, shortly after the Nazis came to power, Elisabeth Schwarzkopf's father, a local school headmaster, was dismissed from his position by the new ruling authorities for having refused to allow a Nazi party meeting at his school. He was also banned from taking any new teaching post. Until Friedrich Schwarzkopf's dismissal, the probability was that the 17-year-old Elisabeth would have studied medicine after passing her Abitur; but now, as the daughter of a banned schoolteacher, she was not allowed to enter university and – fortunately for posterity – she commenced music studies at the Berlin Hochschule für Musik. In 1942, she was invited to sing with the Vienna State Opera, where her roles included Konstanze in Mozart's Die Entführung aus dem Serail, Musetta and later Mimì in Puccini's La bohème and Violetta in Verdi's La traviata. In 1945, Schwarzkopf was granted Austrian citizenship to enable her to sing in the Vienna State Opera (Wiener Staatsoper). In 1947 and 1948, Schwarzkopf appeared on tour with the Vienna State Opera at London's Royal Opera House at Covent Garden on 16 September 1947 as Donna Elvira in Mozart's Don Giovanni and at La Scala on 28 December 1948, as the Countess in Mozart's The Marriage of Figaro, which became one of her signature roles. In the 1960s, Schwarzkopf concentrated nearly exclusively on five operatic roles: Donna Elvira in Don Giovanni, Countess Almaviva in The Marriage of Figaro, Fiordiligi in Così fan tutte, Countess Madeleine in Strauss's Capriccio, and the Marschallin. She also was well received as Alice Ford in Verdi's Falstaff. However, on the EMI label she made several "champagne operetta" recordings like Franz Lehár's The Merry Widow and Johann Strauss II's The Gypsy Baron. After retiring, Schwarzkopf taught and gave master classes around the world, notably at the Juilliard School in New York City. After living in Switzerland for many years, she took up residence in Austria. She was made a doctor of music by the University of Cambridge in 1976, and became a Dame Commander of the Order of the British Empire (DBE) in 1992... http://en.wikipedia.org/wiki/Elisabeth_Schwarzkopf
Lyrics & English Translation
But why trouble myself? The world will have its way.
Did I not know a girl, just like to this one,
Who straight from out her convent was marched off
Into the Holy Estate of Wedlock?
Where is she now!?!
(Sighs)
Go seek the snows of yesteryear!
But can it be - can it be - though I say it so,
That I was that young Tess of long ago
And that I shall be called, ere long, 'the old Princess',
'The old Field Marshal's lady'.
'Look you!' There goes the old Princess Theresia...
How can it come to pass?
How can the Powers decree it so?
For I am I, and never change.
(Happily.)
And if indeed it must be so,
Why then must I sit here, a lookers on.
And see it all and grieve? Were it not better we were blind?
These things are still a mystery
And we are here below to bear it all.
(Sighs.)
But how? but how?
(Very quietly.)
In that lies all the difference...
A link to this wonderful artists personal website: http://www.allmusic.com/artist/elisabeth-schwarzkopf-mn0000679947/discography
Please Enjoy!
I send my kind and warm regards,
wn.com/Elisabeth Schwarzkopf Strauss Der Rosenkavaler, 'Da Geht Er Hin, Der Aufgeblas'ne Schlechte Kerl'
Dame Elisabeth Schwarzkopf, DBE (9 December 1915 – 3 August 2006) was a German-born Austrian/British soprano opera singer and recitalist. She was among the most renowned classical singers of the 20th century, much admired for her performances of Mozart, Schubert, Strauss, and Wolf. Olga Maria Elisabeth Friederike Schwarzkopf was born in Jarotschin in the Province of Posen in Prussia (today Poland) to Friedrich Schwarzkopf and his wife, Elisabeth (née Fröhlich). Schwarzkopf showed an interest in music from an early age. She performed in her first opera in 1928, as Eurydice in a school production of Gluck's Orfeo ed Euridice in Magdeburg, Germany. In 1934, Schwarzkopf began her musical studies at the Berlin Hochschule für Musik. n 1933, shortly after the Nazis came to power, Elisabeth Schwarzkopf's father, a local school headmaster, was dismissed from his position by the new ruling authorities for having refused to allow a Nazi party meeting at his school. He was also banned from taking any new teaching post. Until Friedrich Schwarzkopf's dismissal, the probability was that the 17-year-old Elisabeth would have studied medicine after passing her Abitur; but now, as the daughter of a banned schoolteacher, she was not allowed to enter university and – fortunately for posterity – she commenced music studies at the Berlin Hochschule für Musik. In 1942, she was invited to sing with the Vienna State Opera, where her roles included Konstanze in Mozart's Die Entführung aus dem Serail, Musetta and later Mimì in Puccini's La bohème and Violetta in Verdi's La traviata. In 1945, Schwarzkopf was granted Austrian citizenship to enable her to sing in the Vienna State Opera (Wiener Staatsoper). In 1947 and 1948, Schwarzkopf appeared on tour with the Vienna State Opera at London's Royal Opera House at Covent Garden on 16 September 1947 as Donna Elvira in Mozart's Don Giovanni and at La Scala on 28 December 1948, as the Countess in Mozart's The Marriage of Figaro, which became one of her signature roles. In the 1960s, Schwarzkopf concentrated nearly exclusively on five operatic roles: Donna Elvira in Don Giovanni, Countess Almaviva in The Marriage of Figaro, Fiordiligi in Così fan tutte, Countess Madeleine in Strauss's Capriccio, and the Marschallin. She also was well received as Alice Ford in Verdi's Falstaff. However, on the EMI label she made several "champagne operetta" recordings like Franz Lehár's The Merry Widow and Johann Strauss II's The Gypsy Baron. After retiring, Schwarzkopf taught and gave master classes around the world, notably at the Juilliard School in New York City. After living in Switzerland for many years, she took up residence in Austria. She was made a doctor of music by the University of Cambridge in 1976, and became a Dame Commander of the Order of the British Empire (DBE) in 1992... http://en.wikipedia.org/wiki/Elisabeth_Schwarzkopf
Lyrics & English Translation
But why trouble myself? The world will have its way.
Did I not know a girl, just like to this one,
Who straight from out her convent was marched off
Into the Holy Estate of Wedlock?
Where is she now!?!
(Sighs)
Go seek the snows of yesteryear!
But can it be - can it be - though I say it so,
That I was that young Tess of long ago
And that I shall be called, ere long, 'the old Princess',
'The old Field Marshal's lady'.
'Look you!' There goes the old Princess Theresia...
How can it come to pass?
How can the Powers decree it so?
For I am I, and never change.
(Happily.)
And if indeed it must be so,
Why then must I sit here, a lookers on.
And see it all and grieve? Were it not better we were blind?
These things are still a mystery
And we are here below to bear it all.
(Sighs.)
But how? but how?
(Very quietly.)
In that lies all the difference...
A link to this wonderful artists personal website: http://www.allmusic.com/artist/elisabeth-schwarzkopf-mn0000679947/discography
Please Enjoy!
I send my kind and warm regards,
- published: 09 Oct 2014
- views: 6
Elisabeth Schwarzkopf: Wolf, 'In dem Schatten meiner'
Dame Elisabeth Schwarzkopf, DBE (9 December 1915 – 3 August 2006) was a German-born Austrian/British soprano opera singer and recitalist. She was among the most...
Dame Elisabeth Schwarzkopf, DBE (9 December 1915 – 3 August 2006) was a German-born Austrian/British soprano opera singer and recitalist. She was among the most renowned classical singers of the 20th century, much admired for her performances of Mozart, Schubert, Strauss, and Wolf. Olga Maria Elisabeth Friederike Schwarzkopf was born in Jarotschin in the Province of Posen in Prussia (today Poland) to Friedrich Schwarzkopf and his wife, Elisabeth (née Fröhlich). Schwarzkopf showed an interest in music from an early age. She performed in her first opera in 1928, as Eurydice in a school production of Gluck's Orfeo ed Euridice in Magdeburg, Germany. In 1934, Schwarzkopf began her musical studies at the Berlin Hochschule für Musik. n 1933, shortly after the Nazis came to power, Elisabeth Schwarzkopf's father, a local school headmaster, was dismissed from his position by the new ruling authorities for having refused to allow a Nazi party meeting at his school. He was also banned from taking any new teaching post. Until Friedrich Schwarzkopf's dismissal, the probability was that the 17-year-old Elisabeth would have studied medicine after passing her Abitur; but now, as the daughter of a banned schoolteacher, she was not allowed to enter university and – fortunately for posterity – she commenced music studies at the Berlin Hochschule für Musik. In 1942, she was invited to sing with the Vienna State Opera, where her roles included Konstanze in Mozart's Die Entführung aus dem Serail, Musetta and later Mimì in Puccini's La bohème and Violetta in Verdi's La traviata. In 1945, Schwarzkopf was granted Austrian citizenship to enable her to sing in the Vienna State Opera (Wiener Staatsoper). In 1947 and 1948, Schwarzkopf appeared on tour with the Vienna State Opera at London's Royal Opera House at Covent Garden on 16 September 1947 as Donna Elvira in Mozart's Don Giovanni and at La Scala on 28 December 1948, as the Countess in Mozart's The Marriage of Figaro, which became one of her signature roles. In the 1960s, Schwarzkopf concentrated nearly exclusively on five operatic roles: Donna Elvira in Don Giovanni, Countess Almaviva in The Marriage of Figaro, Fiordiligi in Così fan tutte, Countess Madeleine in Strauss's Capriccio, and the Marschallin. She also was well received as Alice Ford in Verdi's Falstaff. However, on the EMI label she made several "champagne operetta" recordings like Franz Lehár's The Merry Widow and Johann Strauss II's The Gypsy Baron. After retiring, Schwarzkopf taught and gave master classes around the world, notably at the Juilliard School in New York City. After living in Switzerland for many years, she took up residence in Austria. She was made a doctor of music by the University of Cambridge in 1976, and became a Dame Commander of the Order of the British Empire (DBE) in 1992... http://en.wikipedia.org/wiki/Elisabeth_Schwarzkopf
Lyrics & English Translation
In the shadow of my tresses
My beloved has fallen asleep.
Shall I awaken him now? Ah, no!
Carefully I comb my ruffled
Locks, early every day;
Yet for nothing is my trouble,
For the wind makes them dishevelled yet again.
The shadows of my tresses, the whispering of the wind,
Have lulled my darling to sleep.
Shall I awaken him now? Ah, no!
I must listen to him complain
That he pines for me so long,
That life is given and taken away from him
By this, my brown cheek,
And he calls me a snake;
Yet he fell asleep by me.
Shall I awaken him now? Ah, no!
A link to this wonderful artists personal website: http://www.allmusic.com/artist/elisabeth-schwarzkopf-mn0000679947/discography
Please Enjoy!
I send my kind and warm regards,
wn.com/Elisabeth Schwarzkopf Wolf, 'In Dem Schatten Meiner'
Dame Elisabeth Schwarzkopf, DBE (9 December 1915 – 3 August 2006) was a German-born Austrian/British soprano opera singer and recitalist. She was among the most renowned classical singers of the 20th century, much admired for her performances of Mozart, Schubert, Strauss, and Wolf. Olga Maria Elisabeth Friederike Schwarzkopf was born in Jarotschin in the Province of Posen in Prussia (today Poland) to Friedrich Schwarzkopf and his wife, Elisabeth (née Fröhlich). Schwarzkopf showed an interest in music from an early age. She performed in her first opera in 1928, as Eurydice in a school production of Gluck's Orfeo ed Euridice in Magdeburg, Germany. In 1934, Schwarzkopf began her musical studies at the Berlin Hochschule für Musik. n 1933, shortly after the Nazis came to power, Elisabeth Schwarzkopf's father, a local school headmaster, was dismissed from his position by the new ruling authorities for having refused to allow a Nazi party meeting at his school. He was also banned from taking any new teaching post. Until Friedrich Schwarzkopf's dismissal, the probability was that the 17-year-old Elisabeth would have studied medicine after passing her Abitur; but now, as the daughter of a banned schoolteacher, she was not allowed to enter university and – fortunately for posterity – she commenced music studies at the Berlin Hochschule für Musik. In 1942, she was invited to sing with the Vienna State Opera, where her roles included Konstanze in Mozart's Die Entführung aus dem Serail, Musetta and later Mimì in Puccini's La bohème and Violetta in Verdi's La traviata. In 1945, Schwarzkopf was granted Austrian citizenship to enable her to sing in the Vienna State Opera (Wiener Staatsoper). In 1947 and 1948, Schwarzkopf appeared on tour with the Vienna State Opera at London's Royal Opera House at Covent Garden on 16 September 1947 as Donna Elvira in Mozart's Don Giovanni and at La Scala on 28 December 1948, as the Countess in Mozart's The Marriage of Figaro, which became one of her signature roles. In the 1960s, Schwarzkopf concentrated nearly exclusively on five operatic roles: Donna Elvira in Don Giovanni, Countess Almaviva in The Marriage of Figaro, Fiordiligi in Così fan tutte, Countess Madeleine in Strauss's Capriccio, and the Marschallin. She also was well received as Alice Ford in Verdi's Falstaff. However, on the EMI label she made several "champagne operetta" recordings like Franz Lehár's The Merry Widow and Johann Strauss II's The Gypsy Baron. After retiring, Schwarzkopf taught and gave master classes around the world, notably at the Juilliard School in New York City. After living in Switzerland for many years, she took up residence in Austria. She was made a doctor of music by the University of Cambridge in 1976, and became a Dame Commander of the Order of the British Empire (DBE) in 1992... http://en.wikipedia.org/wiki/Elisabeth_Schwarzkopf
Lyrics & English Translation
In the shadow of my tresses
My beloved has fallen asleep.
Shall I awaken him now? Ah, no!
Carefully I comb my ruffled
Locks, early every day;
Yet for nothing is my trouble,
For the wind makes them dishevelled yet again.
The shadows of my tresses, the whispering of the wind,
Have lulled my darling to sleep.
Shall I awaken him now? Ah, no!
I must listen to him complain
That he pines for me so long,
That life is given and taken away from him
By this, my brown cheek,
And he calls me a snake;
Yet he fell asleep by me.
Shall I awaken him now? Ah, no!
A link to this wonderful artists personal website: http://www.allmusic.com/artist/elisabeth-schwarzkopf-mn0000679947/discography
Please Enjoy!
I send my kind and warm regards,
- published: 09 Oct 2014
- views: 15
Hermann Jadlowker et Claire Dux Aida scène finale Gramophone Mx 1184 & 1185 enregistrés en 1918
Hermann Jadlowker et Claire Dux Aida scène finale Gramophone Mx 1184 & 1185 enregistrés en 1918
Herman (Hermann) Jadlowker (17 July 1877, Riga - 13 May 195...
Hermann Jadlowker et Claire Dux Aida scène finale Gramophone Mx 1184 & 1185 enregistrés en 1918
Herman (Hermann) Jadlowker (17 July 1877, Riga - 13 May 1953, Tel Aviv) was a leading Latvian-born tenor of Russian (later Israeli) nationality who enjoyed an important international career during the first quarter of the 20th century.
His virtuoso recordings of arias from Idomeneo and Il barbiere di Siviglia, among others, are considered to this day to be classics of the gramophone.
In order to escape from a commercial career into which his father tried to force him, Jadlowker ran away from home as a lad of 15. He journeyed to Vienna, where he studied classical singing with Josef Gänsbacher. In 1899 (some sources say 1897), he made his operatic début at Cologne in Kreutzer's Nachtlager von Granada. He then secured engagements in Stettin and and then at Karlsruhe. Here the German Emperor William (Kaiser Wilhelm II) heard him and was so impressed that he offered the tenor a five-year contract at the Royal Opera in Berlin. Apart from Berlin, Jadlowker sang also in Stuttgart, Hamburg, Amsterdam, Vienna, Lemberg, Prague, Budapest and Boston during the course of his career.
In 1910-12, Jadlowker appeared at the New York Metropolitan Opera House, where he proved to be one of the company's most versatile artists although his performances were overshadowed by those of the great Enrico Caruso.
He returned to Europe prior to the outbreak of World War I and continued his operatic career in a number of German cities. During the 1920s, Jadlowker sang increasingly on the concert platform and, in 1929, he was chosen to be chief cantor at the Riga synagogue. Jadlowker subsequently became a voice teacher at the Riga Conservatory before emigrating to Palestine with his wife in 1938. He taught in Jerusalem and Tel Aviv, dying in the latter city at the age of 75.
Jadlowker possessed a dark-hued, lyric-dramatic tenor voice of extraordinary flexibility. His agile vocal technique enabled him to sing runs, trills and other coloratura embellishments with astonishing ease and accuracy (although the basic timbre of his voice was not sweet or seductive).
Source Wikipedia
Claire Dux (2 August 1885 – 8 October 1967), was an operatic and concert soprano with a successful career in continental Europe, England, and the United States.
Clara Auguste Dux was born in the village Witkowo in the county of Gnesen (today Gniezno); that area was part of the Kingdom of Prussia's Province of Posen from 1815 until 1920. Alan Blyth calls her Polish, other sources call her German, The New York Times called her Swiss in 1920. Both of her parents were musical, her mother was related to Clara Schumann. At the age of 12, Dux sang Gretel in a school production of Humperdinck's Hänsel und Gretel
She went to Bromberg (today Bydgoszcz) where she start to studied singing. Later she went to Berlin where she studied singing with Adolf Deppe and Maria Schwadtke, a student of Marianne Brandt, and to Milan where she studied with Teresa Arkel. Dux made her professional debut in 1906 at the Cologne Opera as Pamina in Mozart's The Magic Flute. Other roles in Cologne included Mimì in Puccini's La bohème, and she gained international reputation through European tours.
During a guest appearance at the Berlin State Opera in 1909, she sang Mimì opposite Enrico Caruso. From 1911 until 1918, she was a member of the Berlin State Opera. There, she sang Sophie in the first Berlin performance of Richard Strauss' Der Rosenkavalier, which impressed Thomas Beecham so much that he invited her to sing that role at the opera's first performance in London at the Royal Opera House in 1913.
Dux had made her London debut in 1911 with Thomas Beecham at His Majesty's Theatre. During the years from 1918 until 1921, Dux sang mostly in concert recitals and toured the Royal Swedish Opera in Stockholm. In 1921, she became a member of the Chicago Civic Opera where she debuted as Nedda in Leoncavallo's Pagliacci; she remained there for the rest of her career, although she returned to Europe occasionally as a guest artist
Source : Wikipedia
wn.com/Hermann Jadlowker Et Claire Dux Aida Scène Finale Gramophone Mx 1184 1185 Enregistrés En 1918
Hermann Jadlowker et Claire Dux Aida scène finale Gramophone Mx 1184 & 1185 enregistrés en 1918
Herman (Hermann) Jadlowker (17 July 1877, Riga - 13 May 1953, Tel Aviv) was a leading Latvian-born tenor of Russian (later Israeli) nationality who enjoyed an important international career during the first quarter of the 20th century.
His virtuoso recordings of arias from Idomeneo and Il barbiere di Siviglia, among others, are considered to this day to be classics of the gramophone.
In order to escape from a commercial career into which his father tried to force him, Jadlowker ran away from home as a lad of 15. He journeyed to Vienna, where he studied classical singing with Josef Gänsbacher. In 1899 (some sources say 1897), he made his operatic début at Cologne in Kreutzer's Nachtlager von Granada. He then secured engagements in Stettin and and then at Karlsruhe. Here the German Emperor William (Kaiser Wilhelm II) heard him and was so impressed that he offered the tenor a five-year contract at the Royal Opera in Berlin. Apart from Berlin, Jadlowker sang also in Stuttgart, Hamburg, Amsterdam, Vienna, Lemberg, Prague, Budapest and Boston during the course of his career.
In 1910-12, Jadlowker appeared at the New York Metropolitan Opera House, where he proved to be one of the company's most versatile artists although his performances were overshadowed by those of the great Enrico Caruso.
He returned to Europe prior to the outbreak of World War I and continued his operatic career in a number of German cities. During the 1920s, Jadlowker sang increasingly on the concert platform and, in 1929, he was chosen to be chief cantor at the Riga synagogue. Jadlowker subsequently became a voice teacher at the Riga Conservatory before emigrating to Palestine with his wife in 1938. He taught in Jerusalem and Tel Aviv, dying in the latter city at the age of 75.
Jadlowker possessed a dark-hued, lyric-dramatic tenor voice of extraordinary flexibility. His agile vocal technique enabled him to sing runs, trills and other coloratura embellishments with astonishing ease and accuracy (although the basic timbre of his voice was not sweet or seductive).
Source Wikipedia
Claire Dux (2 August 1885 – 8 October 1967), was an operatic and concert soprano with a successful career in continental Europe, England, and the United States.
Clara Auguste Dux was born in the village Witkowo in the county of Gnesen (today Gniezno); that area was part of the Kingdom of Prussia's Province of Posen from 1815 until 1920. Alan Blyth calls her Polish, other sources call her German, The New York Times called her Swiss in 1920. Both of her parents were musical, her mother was related to Clara Schumann. At the age of 12, Dux sang Gretel in a school production of Humperdinck's Hänsel und Gretel
She went to Bromberg (today Bydgoszcz) where she start to studied singing. Later she went to Berlin where she studied singing with Adolf Deppe and Maria Schwadtke, a student of Marianne Brandt, and to Milan where she studied with Teresa Arkel. Dux made her professional debut in 1906 at the Cologne Opera as Pamina in Mozart's The Magic Flute. Other roles in Cologne included Mimì in Puccini's La bohème, and she gained international reputation through European tours.
During a guest appearance at the Berlin State Opera in 1909, she sang Mimì opposite Enrico Caruso. From 1911 until 1918, she was a member of the Berlin State Opera. There, she sang Sophie in the first Berlin performance of Richard Strauss' Der Rosenkavalier, which impressed Thomas Beecham so much that he invited her to sing that role at the opera's first performance in London at the Royal Opera House in 1913.
Dux had made her London debut in 1911 with Thomas Beecham at His Majesty's Theatre. During the years from 1918 until 1921, Dux sang mostly in concert recitals and toured the Royal Swedish Opera in Stockholm. In 1921, she became a member of the Chicago Civic Opera where she debuted as Nedda in Leoncavallo's Pagliacci; she remained there for the rest of her career, although she returned to Europe occasionally as a guest artist
Source : Wikipedia
- published: 20 Nov 2015
- views: 9
Alfred Hugenberg July 31, 1932 - Rundfunkansprache Zur Reichstagswahl
Alfred Ernst Christian Alexander Hugenberg (June19, 1865 – March 12, 1951) was an influential German businessman and politician. Hugenberg, a leading figure wit...
Alfred Ernst Christian Alexander Hugenberg (June19, 1865 – March 12, 1951) was an influential German businessman and politician. Hugenberg, a leading figure within nationalist politics in Germany for the first few decades of the twentieth century, became the country's leading media proprietor within the inter-war period. As leader of the German National People's Party Hugenberg was instrumental in helping Adolf Hitler become Chancellor of Germany and served in his first cabinet in 1933. Hugenberg had hoped to control Hitler and use him as his "tool" but ultimately he had little to no influence in the Third Reich. Born in Hanover to Carl Hugenberg, a royal Hanoverian official who in 1867 entered the Prussian Landtag as a member of the National Liberal Party, he studied law in Göttingen, Heidelberg, and Berlin, as well as economics in Strassburg. In 1891, Hugenberg co-founded, along with Karl Peters, the ultra-nationalist General German League and in 1894 its successor movement the Pan-German League (Alldeutscher Verband). In 1900 Hugenberg married his second cousin, Gertrud Adickes (1868 - 1960). At the same time he was also involved in a scheme in the Province of Posen where the Prussian Settlement Commission bought up land from Poles in order to settle ethnic Germans there. Earlier in 1899 Hugenberg had called for "annihilation of Polish population".
Hugenberg initially took a role organising agricultural societies before entering the civil service in the Prussian Ministry of Finance in 1903. He left the public sector to pursue a career in business and in 1909 he was appointed chairman of the supervisory board of Krupp Steel and built up a close personal and political relationship with Gustav Krupp von Bohlen und Halbach. As well as administering Krupps finance (with considerable success) Hugenberg also set about developing personal business interests from 1916 onwards, including a controlling interest in the national newsmagazine Die Gartenlaube He remained at Krupp until 1918 when he set out to build his own business and during the Great Depression he was able to buy up dozens of local newspapers. These became the basis of his publishing firm Scherl House and, after he added controlling interests in Universum Film AG, Ala-Anzeiger AG, Vera Verlag and the Telegraphen Union, he had a near monopoly on the media which he used to agitate against the Weimar Republic amongst Germany's middle classes.
Hugenberg was one of a number of Pan Germans to become involved in the National Liberal Party in the run up to the First World War. During the war he switched his allegiance to the Fatherland Party and became one of its leading members, emphasising territorial expansion and anti-Semitism as his two main political issues. In 1919 Hugenberg joined the Deutschnationale Volkspartei or DNVP (German National People's Party), which he represented in the National Assembly (that produced the 1919 constitution of the Weimar Republic). He was elected to the Reichstag in the 1920 elections to the new body. The DNVP suffered heavy losses in the 1928 election, leading to the appointment of Hugenberg as sole chairman on 21 October that same year.
Hugenberg moved the party in a far more radical direction than it had taken under its previous leader, Kuno Graf von Westarp. He hoped to use radical nationalism to restore the party's fortunes, and eventually, to overthrow the Weimar constitution and install an authoritarian form of government. Up to this point right-wing politics outside of the far right was going through a process of reconciliation to the Weimar Republic but this ended under Hugenberg, who renewed earlier DNVP calls for its immediate destruction. Under his direction a new DNVP manifesto appeared in 1931, demonstrating the shift to the right. Amongst its demands were immediate restoration of the Hohenzollern monarchy, a reversal of the terms of the Treaty of Versailles, compulsory military conscription, repossession of the German colonial empire, a concerted effort to build up closer links with German people outside Germany (especially in Austria), a dilution of the role of the Reichstag to that of supervisory body to a newly established professional house of appointees reminiscent of Benito Mussolini's corporative state and reduction in the perceived over-representation of Jews in German public life.
--------------------------------------------------------------------------------
wn.com/Alfred Hugenberg July 31, 1932 Rundfunkansprache Zur Reichstagswahl
Alfred Ernst Christian Alexander Hugenberg (June19, 1865 – March 12, 1951) was an influential German businessman and politician. Hugenberg, a leading figure within nationalist politics in Germany for the first few decades of the twentieth century, became the country's leading media proprietor within the inter-war period. As leader of the German National People's Party Hugenberg was instrumental in helping Adolf Hitler become Chancellor of Germany and served in his first cabinet in 1933. Hugenberg had hoped to control Hitler and use him as his "tool" but ultimately he had little to no influence in the Third Reich. Born in Hanover to Carl Hugenberg, a royal Hanoverian official who in 1867 entered the Prussian Landtag as a member of the National Liberal Party, he studied law in Göttingen, Heidelberg, and Berlin, as well as economics in Strassburg. In 1891, Hugenberg co-founded, along with Karl Peters, the ultra-nationalist General German League and in 1894 its successor movement the Pan-German League (Alldeutscher Verband). In 1900 Hugenberg married his second cousin, Gertrud Adickes (1868 - 1960). At the same time he was also involved in a scheme in the Province of Posen where the Prussian Settlement Commission bought up land from Poles in order to settle ethnic Germans there. Earlier in 1899 Hugenberg had called for "annihilation of Polish population".
Hugenberg initially took a role organising agricultural societies before entering the civil service in the Prussian Ministry of Finance in 1903. He left the public sector to pursue a career in business and in 1909 he was appointed chairman of the supervisory board of Krupp Steel and built up a close personal and political relationship with Gustav Krupp von Bohlen und Halbach. As well as administering Krupps finance (with considerable success) Hugenberg also set about developing personal business interests from 1916 onwards, including a controlling interest in the national newsmagazine Die Gartenlaube He remained at Krupp until 1918 when he set out to build his own business and during the Great Depression he was able to buy up dozens of local newspapers. These became the basis of his publishing firm Scherl House and, after he added controlling interests in Universum Film AG, Ala-Anzeiger AG, Vera Verlag and the Telegraphen Union, he had a near monopoly on the media which he used to agitate against the Weimar Republic amongst Germany's middle classes.
Hugenberg was one of a number of Pan Germans to become involved in the National Liberal Party in the run up to the First World War. During the war he switched his allegiance to the Fatherland Party and became one of its leading members, emphasising territorial expansion and anti-Semitism as his two main political issues. In 1919 Hugenberg joined the Deutschnationale Volkspartei or DNVP (German National People's Party), which he represented in the National Assembly (that produced the 1919 constitution of the Weimar Republic). He was elected to the Reichstag in the 1920 elections to the new body. The DNVP suffered heavy losses in the 1928 election, leading to the appointment of Hugenberg as sole chairman on 21 October that same year.
Hugenberg moved the party in a far more radical direction than it had taken under its previous leader, Kuno Graf von Westarp. He hoped to use radical nationalism to restore the party's fortunes, and eventually, to overthrow the Weimar constitution and install an authoritarian form of government. Up to this point right-wing politics outside of the far right was going through a process of reconciliation to the Weimar Republic but this ended under Hugenberg, who renewed earlier DNVP calls for its immediate destruction. Under his direction a new DNVP manifesto appeared in 1931, demonstrating the shift to the right. Amongst its demands were immediate restoration of the Hohenzollern monarchy, a reversal of the terms of the Treaty of Versailles, compulsory military conscription, repossession of the German colonial empire, a concerted effort to build up closer links with German people outside Germany (especially in Austria), a dilution of the role of the Reichstag to that of supervisory body to a newly established professional house of appointees reminiscent of Benito Mussolini's corporative state and reduction in the perceived over-representation of Jews in German public life.
--------------------------------------------------------------------------------
- published: 27 Dec 2014
- views: 0
Alfred Hugenberg; July 28, 1932 - Radio Address On Forthcoming Elections
Alfred Ernst Christian Alexander Hugenberg (June19, 1865 – March 12, 1951) was an influential German businessman and politician. Hugenberg, a leading figure wit...
Alfred Ernst Christian Alexander Hugenberg (June19, 1865 – March 12, 1951) was an influential German businessman and politician. Hugenberg, a leading figure within nationalist politics in Germany for the first few decades of the twentieth century, became the country's leading media proprietor within the inter-war period. As leader of the German National People's Party Hugenberg was instrumental in helping Adolf Hitler become Chancellor of Germany and served in his first cabinet in 1933. Hugenberg had hoped to control Hitler and use him as his "tool" but ultimately he had little to no influence in the Third Reich. Born in Hanover to Carl Hugenberg, a royal Hanoverian official who in 1867 entered the Prussian Landtag as a member of the National Liberal Party, he studied law in Göttingen, Heidelberg, and Berlin, as well as economics in Strassburg. In 1891, Hugenberg co-founded, along with Karl Peters, the ultra-nationalist General German League and in 1894 its successor movement the Pan-German League (Alldeutscher Verband). In 1900 Hugenberg married his second cousin, Gertrud Adickes (1868 - 1960). At the same time he was also involved in a scheme in the Province of Posen where the Prussian Settlement Commission bought up land from Poles in order to settle ethnic Germans there. Earlier in 1899 Hugenberg had called for "annihilation of Polish population".
Hugenberg initially took a role organising agricultural societies before entering the civil service in the Prussian Ministry of Finance in 1903. He left the public sector to pursue a career in business and in 1909 he was appointed chairman of the supervisory board of Krupp Steel and built up a close personal and political relationship with Gustav Krupp von Bohlen und Halbach. As well as administering Krupps finance (with considerable success) Hugenberg also set about developing personal business interests from 1916 onwards, including a controlling interest in the national newsmagazine Die Gartenlaube He remained at Krupp until 1918 when he set out to build his own business and during the Great Depression he was able to buy up dozens of local newspapers. These became the basis of his publishing firm Scherl House and, after he added controlling interests in Universum Film AG, Ala-Anzeiger AG, Vera Verlag and the Telegraphen Union, he had a near monopoly on the media which he used to agitate against the Weimar Republic amongst Germany's middle classes.
Hugenberg was one of a number of Pan Germans to become involved in the National Liberal Party in the run up to the First World War. During the war he switched his allegiance to the Fatherland Party and became one of its leading members, emphasising territorial expansion and anti-Semitism as his two main political issues. In 1919 Hugenberg joined the Deutschnationale Volkspartei or DNVP (German National People's Party), which he represented in the National Assembly (that produced the 1919 constitution of the Weimar Republic). He was elected to the Reichstag in the 1920 elections to the new body. The DNVP suffered heavy losses in the 1928 election, leading to the appointment of Hugenberg as sole chairman on 21 October that same year.
Hugenberg moved the party in a far more radical direction than it had taken under its previous leader, Kuno Graf von Westarp. He hoped to use radical nationalism to restore the party's fortunes, and eventually, to overthrow the Weimar constitution and install an authoritarian form of government. Up to this point right-wing politics outside of the far right was going through a process of reconciliation to the Weimar Republic but this ended under Hugenberg, who renewed earlier DNVP calls for its immediate destruction. Under his direction a new DNVP manifesto appeared in 1931, demonstrating the shift to the right. Amongst its demands were immediate restoration of the Hohenzollern monarchy, a reversal of the terms of the Treaty of Versailles, compulsory military conscription, repossession of the German colonial empire, a concerted effort to build up closer links with German people outside Germany (especially in Austria), a dilution of the role of the Reichstag to that of supervisory body to a newly established professional house of appointees reminiscent of Benito Mussolini's corporative state and reduction in the perceived over-representation of Jews in German public life.
--------------------------------------------------------------------------------
wn.com/Alfred Hugenberg July 28, 1932 Radio Address On Forthcoming Elections
Alfred Ernst Christian Alexander Hugenberg (June19, 1865 – March 12, 1951) was an influential German businessman and politician. Hugenberg, a leading figure within nationalist politics in Germany for the first few decades of the twentieth century, became the country's leading media proprietor within the inter-war period. As leader of the German National People's Party Hugenberg was instrumental in helping Adolf Hitler become Chancellor of Germany and served in his first cabinet in 1933. Hugenberg had hoped to control Hitler and use him as his "tool" but ultimately he had little to no influence in the Third Reich. Born in Hanover to Carl Hugenberg, a royal Hanoverian official who in 1867 entered the Prussian Landtag as a member of the National Liberal Party, he studied law in Göttingen, Heidelberg, and Berlin, as well as economics in Strassburg. In 1891, Hugenberg co-founded, along with Karl Peters, the ultra-nationalist General German League and in 1894 its successor movement the Pan-German League (Alldeutscher Verband). In 1900 Hugenberg married his second cousin, Gertrud Adickes (1868 - 1960). At the same time he was also involved in a scheme in the Province of Posen where the Prussian Settlement Commission bought up land from Poles in order to settle ethnic Germans there. Earlier in 1899 Hugenberg had called for "annihilation of Polish population".
Hugenberg initially took a role organising agricultural societies before entering the civil service in the Prussian Ministry of Finance in 1903. He left the public sector to pursue a career in business and in 1909 he was appointed chairman of the supervisory board of Krupp Steel and built up a close personal and political relationship with Gustav Krupp von Bohlen und Halbach. As well as administering Krupps finance (with considerable success) Hugenberg also set about developing personal business interests from 1916 onwards, including a controlling interest in the national newsmagazine Die Gartenlaube He remained at Krupp until 1918 when he set out to build his own business and during the Great Depression he was able to buy up dozens of local newspapers. These became the basis of his publishing firm Scherl House and, after he added controlling interests in Universum Film AG, Ala-Anzeiger AG, Vera Verlag and the Telegraphen Union, he had a near monopoly on the media which he used to agitate against the Weimar Republic amongst Germany's middle classes.
Hugenberg was one of a number of Pan Germans to become involved in the National Liberal Party in the run up to the First World War. During the war he switched his allegiance to the Fatherland Party and became one of its leading members, emphasising territorial expansion and anti-Semitism as his two main political issues. In 1919 Hugenberg joined the Deutschnationale Volkspartei or DNVP (German National People's Party), which he represented in the National Assembly (that produced the 1919 constitution of the Weimar Republic). He was elected to the Reichstag in the 1920 elections to the new body. The DNVP suffered heavy losses in the 1928 election, leading to the appointment of Hugenberg as sole chairman on 21 October that same year.
Hugenberg moved the party in a far more radical direction than it had taken under its previous leader, Kuno Graf von Westarp. He hoped to use radical nationalism to restore the party's fortunes, and eventually, to overthrow the Weimar constitution and install an authoritarian form of government. Up to this point right-wing politics outside of the far right was going through a process of reconciliation to the Weimar Republic but this ended under Hugenberg, who renewed earlier DNVP calls for its immediate destruction. Under his direction a new DNVP manifesto appeared in 1931, demonstrating the shift to the right. Amongst its demands were immediate restoration of the Hohenzollern monarchy, a reversal of the terms of the Treaty of Versailles, compulsory military conscription, repossession of the German colonial empire, a concerted effort to build up closer links with German people outside Germany (especially in Austria), a dilution of the role of the Reichstag to that of supervisory body to a newly established professional house of appointees reminiscent of Benito Mussolini's corporative state and reduction in the perceived over-representation of Jews in German public life.
--------------------------------------------------------------------------------
- published: 27 Dec 2014
- views: 0